Artworks by Alfredo Jaar at Galeria Cadaqués

Alfredo Jaar

(Chilean, born 1956)

Alfredo Jaar

Muxima, 2005

Price on Request

Alfredo Jaar

Muxima, 2005

Price on Request

Alfredo Jaar

Buscando a Marcel Duchamp, 2004

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Alfredo Jaar

Nota sobre rojo, 2004

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Alfredo Jaar

Walking, 2002

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Alfredo Jaar

A hundred times Nguyen (Portfolio), 1996

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Alfredo Jaar

Cultura = Capital, 2011

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Biography

Timeline

1956: Born in Santiago, Chile
1979: Degree from the Instituto Chileno Norteamericano de Cultura
1981: Universidad de Chile
1985: New York State Council of the Arts Grant
: Guggenheim Fellowship
2000: MacArthur Fellowship
: Currently lives and works in New York

Exhibitions

2013: Art Unlimited 2013, Basel, Switzerland
: 55th Biennale di Venezia, Venice, Italy
2012 - 2013: Bilderbedarf. Braucht Gesellschaft Kunst?, Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany
: This Will Have Been: Art, Love & Politics, Museum of Contemporary Art, Institute of Contemporary Art, Boston, MA, USA
: Glissement de terrain, Lanchelevici Museum, La Louviere, France (September 21 to December 23, 2012)
: Fünf Wolken, Kunstverein Arnsberg, Arnsberg, Germany (solo)
: Newtopia - The State of Human Rights, Mechelen, Belgium
: The Story Tellers, The Stenersen Museum, Oslo, Norway
: Tranformed Visions - Tate Modern Collection Displays, Tate Modern, London, England
: KULTUR=KAPITAL, Galerie Thomas Schulte, Berlin, Germany
: Border Crossing, Kunsthalle Brandts, Odense, Denmark
: Intense Proximity - La Triennale de Paris, Palais de Tokyo, Paris, France
: Bild-Gegen-Bild, Haus der Kunst, Munich, Germany
: Public Intervention, Guernica, Spain, to commemorate the 75th anniversary of the Bombing / 2012 European City of Culture, Guimarães, Portugal (solo)
: Let there be light, Espace Culturel ING, Brussels, Belgium (solo)
: The way it is - Eine Ästhetik des Widerstands | An Aesthetics of Resistance, NGBK Neue Gesellschaft für Bildende Kunst, Berlin / Berlinische Galerie, Berlin / Alte Nationalgalerie, Berlin, Germany (solo)
: Landslide: Impertinence - Resistance - Survival, Musée Ianchelevici, La Louvière, Belgium
: A Generous Medium. Photography at Wellesley 1972-2012, Davis Museum at Wellesley College, Wellesley, MA, USA
: The Kochi Muziris Biennale, Kochi, India
: Regarding Warhol. Sixty Artists, Fifty Years, The Metropolitan Museum of Art, New York, NY, USA
2012: Transformed Visions: Tate Modern Collection Displays, Tate Modern, London, UK
: Status - 24 Dokumente von heute, Fotomuseum Winterthur, Winterthur, Switzerland
: Three Women, Kamel Mennour, Paris, France (solo)
: Plot for a Biennial, Sharjah Art Foundation, Sharjah, United Arab Emirates
: ARS 11, Kiasma Museum of Contemporary Art, Finland
: Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York, New York
: Contemporary Art Archipelago, Turku Archipelgo, Finland
: Déja – The Collection on Display, Musée d’art Contemporain de Montreal, Montreal, Canada
: The Sound of Silence, École nationale supérieure des beaux-arts de Paris, Paris, France (solo)
: Without Reality There is No Utopia, Centro Andaluz de Arte Contemporaneo, Seville, Spain
: Marx Lounge, Stedelijk Museum, Amsterdam, The Netherlands (solo)
2011: Museo Berardo, PhotoEspaña, Lisbon, Portugal
: Fotográfica 2011, Bogotá, Colombia
: Marx Lounge, El Centro Andaluz de Arte Contemporáneo, Seville, Spain (solo)
: Interventions in the Landscape, Galerie Lelong, New York, New York
: Distant Star: an exhibition organized around the writings of Roberto Bolaño, Regen Projects, Los Angeles California. Travelling to kurimanzutto, Mexico City, Mexico
: Seeing is Believing, KW Institute for Contemporary Art, Berlin
2010 - 2011: MAXXI National Museum of XXI Century Arts, Rome, Italy
: 29th Biennial of Sao Paulo, Brasil
: Spazio: Dalle collezioni di arte e architettura del MAXXI, MAXXI National Museum of XXI Century Arts, Rome, Italy
: Touched, 6th Liverpool Biennial, Liverpool, United Kingdom
: DISLOCACION, National Council of Culture and the Arts, exhibited at various sites in Santiago, Chile. Traveled to Kunstmuseum Bern, Switzerland
: The Crude and the Rare, The Cooper Union, New York, New York
: The Fifth Genre: Considering the Contemporary Still Life, Galerie Lelong, New York, New York
: 100 Acres, The Virginia B. Fairbanks Art & Nature Park, Indianapolis Museum of Art, Indianapolis, Indiana
: The Philosophy of Money, Lisbon City Museum, Portugal
: Space, MAXXI Museo Nazionale Delle Arte Del XXI Secolo, Rome, Italy
: We Wish To Inform You That We Didn't Know, Contemporary Art Galleries, University of Connecticut, Storrs, Connecticut (solo)
: The Sound of Silence, Galería Oliva Arauna, Madrid, Spain (solo)
: All That Is Solid Melts Into Air, Museo Coleccao Berardo, Lisbon, Portugal
: Critical Fetishes. Residues of General Economy, Centro de Arte Dos de Mayo, Madrid, Spain
: Artefact 2010: On Gaps and Silent Documents, STUK kunstencentrum, Leuven, Belgium
: Colección Norte de Arte Contemporáneo del Gobierno de Cantabria, Biblioteca Central y Archivo Histórico de Cantabria, Santander, Spain
: Hope! Une exposition d’art contemporain sur l’Espoir, Palais des arts et du festival, Dinard, France
: PRESS ART, Kunstmuseum St. Gallen, St. Gallen, Switzerland
: Rewind: 1970s to 1990s Works from the MCA Collection, Museum of Contemporary Art Chicago, Chicago, Illinois
: The Flower of May, Gwangju Museum of Art, Gwangju, South Korea
: Undercurrents: Experimental Ecosystems in Recent Art, The Kitchen, New York, New York
: Grande hazaña con muertos, Fundación Rafael Boti, Cordoba, Spain
: 8 Fotografías 4 continentes, Hotel París Diputación de Huelva, Festival de Fotografía de Huelva, Huelva, Spain
: Márgenes de silencio, Colección Helga de Alvear, Centro de Artes Visuales Fundación Helga de Alvear, Caceres, Spain
2010: Bienal de Sao Paulo, Sao Paulo, Brazil
: Disturbed Silence – Silence Disturbed, Duffel, Belgium
: Compassion, Union Theological Seminary, New York, New York
: Prospects: An Exploration of Mining, The Sun Valley Center for the Arts, Ketchum, Idaho
: On the Margins of Art. Creation and Political Engagement, Museu d’Art Contemporani de Barcelona, Spain
: Sightings: Searching for the Truth, Guangzhou Photo Biennial, Guangzhou, China
: 100 Years (version #2, ps1, nov 2009), P.S.1 Contemporary Art Center, Long Island City, New York
: The Sound of Silence, Galerie Lelong, New York, New York (solo)
: ¿Sin límites? 2003-2010, Museo de Bellas Artes de Santander, Santander, Spain
: The ashes of Passolini, Sculpture Internacional Rotterdam, Holland
: Contemporary Video Art, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania
: World Images 3, Helmhaus, Zurich, Switzerland
: For the use of those who see, KW Institute for Contemporary Art, Berlin, Germany
: The Fear Society / Pabellon de la Urgencia, Arsenale Novissimo, Project by the Region of Murcia, collateral event of the 53rd International Art Exhibition - Venice Biennale, Venice, Italy
: New Acquisitions 2007-2008, Louisiana Museum of Modern Art, Humlebæk, Denmark
: Continental Rifts: Contemporary Time-Based Works of Africa, Fowler Museum at UCLA, Los Angeles, California
: Aletheia - Positions in Contemporary Photography, Art Museum Meilahti, Helsinki, Finland
: The Spaces of the Image, Le Mois de la Photo, Montreal, Canada
2009: For You, Daros Latinamerica, Zurich, Switzerland
: Cream, International Festival for Arts and Media, Yokohama, Japan
: Back to Earth: Revisiting Magiciens de la Terre, Fleisher/Ollman Gallery, Philadelphia, Pennsylvania
: Paisatges Creuats, Es Baluard, Museu d'Art Modern i Contemporani de Palma, Mallorca, Spain “Against Exclusion,” Third Biennial of Contemporary Art, The Garage, Center for Contemporary Culture, Moscow, Russia
: North Looks South: Building the Latin American Art Collection, Museum of Fine Arts, Houston, Texas
: Third Moscow Biennale, The Garage, Center of Contemporary Culture, Moscow, Russia
: Politics of the Image, South London Gallery, London, England
: Let One Hundred Flowers Bloom, SLG South London Gallery, London, England
: Die lucky Bush, MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp, Belgium
: That Was Then...This Is Now, P.S.1 Contemporary Art Center, Long Island, USA
: HeartQuake, Museum on the Seam, Jerusalem
: TRANSactions, The High Museum of Art, Atlanta, GA, USA
: TRANSactions, Weatherspoon Art Museum, Greensboro, NC, USA
: TRANSactions: Contemporary Latin American and Latino Art, Sheldon Memorial Art Gallery, Lincoln, NE, USA
: You Complete Me, Western Bridge, Seatle, WA, USA
: It is difficult, Hangar Bicocca, Milan, Italy
: Arte Vida: Actions By Artists Of The Americas, 1960-2000, El Museo del Barrio, New York City, NY, USA
: Framing and Being Framed: The Uses of Documentary Photography, Center for the Arts, Wesleyan University, Middletown, Connecticut
: No Es Neutrala – Daros Latinamerica Collection, Tabakalera, Donostia-San Sebastian, Spain
: Pictures in Series, Fisher Landau Center for Art, Long Island City, New York
: Arte ‚ Vida: Actions by Artists of the Americas, 1960-2000, El Museo del Barrio, New York, New York
: Africa On: Beecroft, Jaar, Kentridge, Lia Rumma, Milan, Italy
: The Rencontres Internationales, Paris/Berlin/Madrid Presented by the Complejo El Aguila, Museo Nacional Centro de Reina Sofia, Instituto Cervantes, Auditorio del Ministerio de Cultura, and Filmoteca Espanola
: Cancelled, Erased & Removed, Sean Kelly Gallery, New York, New York
: Memories for Tomorrow: Works from the UBS Art Collection, Shanghai Art Museum, Shanghai, China
: Politics of the Image, South London Gallery, London, United Kingdom (solo)
2008: It is difficult, Hangar Bicocca, Milan, Italy (solo)
: MATRIX/REDUX, Berkeley Art Museum and Pacific Film Archive BAM/PFA, Berkeley, CA, USA
: Constructing A Poetic Universe: The Diane and Bruce Halle Collection of Latin American Art, Museum of Fine Arts Houston, Houston, Texas
: Check List Luanda Pop, African Pavilion, 52nd International Art Exhibition, Venice Biennale, Venice, Italy
: Existencias, MUSAC Museo de Arte Contemporaneo de Castilla y Leon, Leon, Spain
: Groscope, Hirshhorn Museum, Washington D.C., USA
: Afterglow, Galerie Pfriem, Organized by Savannah College of Art and Design, Lacoste, France
: Private/Corporate IV: The Lekha and Anupam Poddar Collection in dialogue with the DaimlerChrysler Collection, Haus Huth, Berlin, Germany
: Secuencias, Arte Contemporáneo en las colecciones públicas de Extremadura, MEIAC, Spain (group)
: Turbulence: 3rd Auckland Triennial, Auckland, New Zealand
: 2+2=22, Exposición Colectiva Oliva Arauna, Madrid, Spain (group)
: Informacion contra informacion, CGCA, Santiago de Compostela, Spain (group)
: Bienal de Venecia, Pabellón de África, Arsenale, Italy
: Scenes and Sequences: Peter Blum Edition, New York – A Selection from 1980 to 2006, Aargauer Kunst Haus, Aarau, Switzerland
: Power of 10: Gifts of Honor of Miami Art Museum’s 10th Anniversary, Miami Art Museum, Miami Florida
: The Hours: Visual art of contemporary latinamerican art, Museum of Contemporary Art Sydney, Sydney, NSW, Australia
: La Politique des Images, Musée Cantonal des Beaux-Arts Lausanne, Lausanne, Switzerland (solo)
: New Perspectives in Latin American Art, 1930 – 2006: Prints, Photographs, and Media Works, Museum of Modern Art, New York, New York
2007: SWITCHER SEX: Video Works and Photography from the Teutloff Collection, Slought Foundation, Philadelphia, PA, USA
: Equatorial Rhythms, Stenersenmuseet, Oslo, Norway
: Kopf an Kopf - Serielle Porträtfotografie, Kunsthalle Tübingen, Tübingen, Germany
: Art Protects, Yvon Lambert - Paris, Paris, France
: Existencias, Musac - Museo de Arte Contemporáneo de Castilla y León, Léon, Spain
: AfterShock: Conflict, Violence and Resolution, Sainsbury Centre for Visual Arts, Norwich, England
: La Presencia - The Presence of Latin American Art in California Collections, Molaa Museum of Latin American Art, Long Beach, CA, USA
: 8th Sharjah Biennial, Sharjah International Art Biennial, Sharjah, UAE
: System error - War is a force that gives us meaning, Palazzo delle Papesse - Centro Arte Contemporanea, Siena, Italy (group)
: Ezra and Cecile Zilkha Gallery, Center for the Arts at Wesleyan University, Middletown, Connecticut (solo)
: To be Continued... , Magasin 3 Stockholm Konsthall, Stockholm, Sweden
: Beautiful Suffering: Photography and the Traffic in Pain, Williams College Museum of Art, Williamstown, USA
: Canary Islands Biennial, Tenerife, Spain
: Sevilla Biennial, GEOGRAPHY= WAR, 1991, Sevilla, Spain
: Brighton Photo Biennial, The Sound of Silence, 2006, UK
: The Great Wall 2006, 200 Künstler aus 100 Nationen treffen sich an der Großen Mauer in China, ART + PROJECT Consulting GmbH, Hamburg, Germany
: Outside Europe, Aus der Sammlung DaimlerChrysler, DaimlerChrysler Contemporary, Berlin
: Muxima showing: Museo Reina Sofia de Madrid, Centro KRTU- Fundació Antoni Tàpies de Barcelona y en la exposición colectiva, Conjonctions, Mille et trois plateaux, Fondamco et Musée d´art moderne et contemporain de Geneva.
: Muxima, Galerie Lelong, New York (solo)
: La Visión Impura: Fondos de la Colección Permanente, Museo Reina Sofía, Madrid, Spain
: La estética de la resistencia, Taller en Can Xalant, Mataró, Spain
: Muxima, Galería Oliva Arauna, Madrid, Spain
2006: Trienal de Luanda, Angola
: Selected Works, Retrospective, Fundación Telefonica and Gallery Gabriela Mistral, Santiago de Chile, Chile (solo)
: Fotografia! Arte 2005: Latin American Photography, Tampa Museum of Art, Florida
: Laocoonte Devorado. ARTIUM- Vitoria, Spain
: Workshop and exhibition, CAAM, Centro Atlántico de Arte Moderno, Sala San Antonio Abad, Las Palmas de Gran Canarias, Spain
: Points of View: Landscape and Photography, Galerie Lelong, New York
: The Ashes of Gramsci, Studio Stefania Miscetti, Rome, Italy
: Let One Hundred Flowers Bloom, Museo dfArte Contemporanea Roma, Rome, Italy
: Images of Time and Place: Contemporary Views of Landscape, Elaine L. Jacob Gallery, Wayne State University, Detroit, Michigan
: Figuratively Speaking: Selections from the Permanent Collection, Miami Art Museum, Florida
: Die Zehn Gebote, Des Deutschen Hygiene-Museums - Dresden, Galerie Fotohof – Salzburg, Austria
: Muxima, Grand Arts Gallery, Kansas City, Missouri
: At the Mercy of Others: The Politics of Care, Whitney Museum of American Art, New York
: The Eyes of Gutete Emerita, Museum of Fine Arts, Houston, Texas (solo)
: Emergencies, Museo de Arte Contemporáneo de Castilla y León, Spain
: The Hours: Visual Arts of Contemporary Latin America, Irish Museum of Modern Art, Dublin, Ireland
: The Fluidity of Time: Selections from the MCA Collection, Museum of Contemporary Art, Chicago, Illinois
2005: MACRO, Museum of Contemporary Art, Rome (solo)
: Marking Time / Moving Images, Miami Art Museum, Florida
: Images of Time and Place: Contemporary Views of Landscape, Lehman College Art Gallery, City University of New York, Bronx, New York
: Some Things Happening, Herron School of Art & Design, Indianapolis, Indiana
: About Face: Photographic Portraits from the Collection, Art Institute of Chicago, Chicago, Illinois
: Art by MacArthur Fellows, Carl Solway Gallery, Cincinnati, Ohio
: Paisaje y Memoria, La Casa Encendida, Madrid, Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Spain
: En Guerra, CCCB, Barcelona, Spain
2004: Exposición Colectiva, Galería Oliva Arauna, Madrid, Spain
: Todo el Dolor del Mundo, Centro Portugues de Fotographia, Porto (solo)
2003: Transferts, Palais des Beaux-Arts
: Upon Reflectionc., Sean Kelly Gallery, New York
: Human Condition/Global Position: 4 Contemporary Chilean Artists, Founder's Gallery, The Sheldon Art Galleries, St. Louis, Missouri
: Sanctuary: Contemporary Art and Human Rights, Gallery of Modern Art, Glasgow
: Witnessing to Silence: Art and Human Rights, Australian National University; traveled to National Institute of the Arts; Canberra Contemporary Art Space; National Museum of Australia
: Six Seconds, Galerie Thomas Schulte, Berlin
: Museo de Museos, 25 Museos de Arte Contemporáneo en la España de la Constitución, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
: El Lamento de las Imágenes, Galería Oliva Arauna, Madrid, Spain
: Aquaria, Landesgalerie am Oberoesterreichischen Landesmuseum, Linz, traveled to Kunstsammlungen Chemnitz
: Documenta 11, Kassel, June 8 – September 15, 2002
: Refuge, Henie Onstad Kunstsenter
: Baltic Art Center, Visby
: History Now, Liljevalch Konsthall, Stockholm
2002: El Final del Eclipse. M.E.I.A.C., Badajoz, Spain
: Conceptes de l'espai, Fundacion Joan Miro, Barcelona
: Diputación de Granada, Granada, Spain
: Instituto de América, Granada, Spain
: Ayuntamiento de Santa Fé, Granada, Spain
: El Final del Eclipse, Fundacion Telefonica, Madrid
: O Espiritu da Nossa Epoca, Museo de Arte Moderna, Sao Paulo
: The Gift. Generous Offerings, Threatening Hospitality, Palazzo delle Papesse, Siena
: Public Project for Fukuroi, Japan
: Badischer Kunstverein, Karlsruhe
: Voir Ne Pas Voir La Guerre, Musée d'Histoire Contemporaine, Invalides, La Defense, Paris
: Clouds/Recent Projects, Badischer Kunstverein, Karlsruhe
2001: Let There Be Light, Badischer Kunstverein, Karlsruhe
: Nauman Kruger Jaar, Daros Exhibitions, Zurich
: Kenji Taki Gallery, Tokyo
: Todd Hosfelt Gallery, San Francisco
: Art + Public, Geneva, Switzerland
: Kenji Taki Gallery, Nagoya
: Public Project for inSITE2000, Tijuana-San Diego, Mexico
: Emergencia, Public Library, Umea, Sweden
: BildMuseet, Umea, Sweden
: International Museum of the Red Cross, Geneva, Switzerland
: Kalmar Konstmuseum, Kalmar
: Public Project for Echigo-Tsumari Triennial, Niigata, Japan
: Waiting, University Art Gallery, San Diego State University, California
: Frames of Reference From Object to Subject, Center for the Arts, Ezra and Cecile Zilkha Gallery, Wesleyan University, Connecticut
: SCULPTography, Galerie Lelong, New York
: Bluer, Carrie Secrist Gallery, Chicago
: Photography Now, Contemporary Art Center, New Orleans
: FaceON, Site Gallery, Sheffield
: New Works, Kenji Taki Gallery, Nagoya and Tokyo, Japan
: It is difficult, Hosfelt Gallery, San Francisco, California
: Public Project for Public Safety, Skoghall, Sweden
2000: Versiones del Sur: Más allá del Documento, Museo Nacional Centro de Arte Reina Sofia, Madrid
: Denuncies Palma Dotze, Villafranca del Penedés, Barcelona, Spain
: Lament of the Images, MIT List Visual Arts Center, Jan 15-March 28; traveled to Museum of Art Fort Lauderdale, May 22- August 22
: Museum of Art, Fort Lauderdale
: MIT List Visual Arts Center, Cambridge
: Public Project for Sant Boi, Barcelona, Spain
1999: Public Project for Mois de la Photo, Montreal, Canada
: Public Project for Wereldwijd, Antwerp, Belgium
: Do all oceans have walls?, Gesellschaft fuer Aktuelle Kunst, Bremen, Germany
: Waterproof, Centro Cultural de Belem, Expo 98, Lisbon
: Crossings, National Gallery of Canada, Ottawa
: Photography as Concept, 4International Foto-Triennale, Esslingen, Germany
: The edge of awareness, World Health Organisation, Geneva
: Hágase la luz Proyecto Ruanda 1994- 1998, Koldo Mitxelena, San Sebastian, Spain
: The Edge of Awareness, PS1, New York
: Stedelijk Museum Het Domein, Sittard, The Netherlands
: Public Project for Stockholm 98, Cultural Capital of Europe, Sweden
: Galerie Lelong, New York (solo)
: Hágase la luz, Centre d'Art Santa Monica, Barcelona
1998: Escenarios de Conflicto en ,Espejismos de la Postfotografía al Ciberespacio, Fundación La Caixa, Barcelona, Spain
: Galerie Lelong, New York
: The Crystal Stopper, Lehman Maupin Gallery, New York
: Transformación Villa Iris, Fundación Marcelino Botín, Santander, Spain
: The Johannesburg Biennale
: The Rwanda Project, Galerie Thomas Schulte, Berlin
: Freeze Frame, Galerie Grita Insam, Vienna
: Contemporary Photography, Absolute Landscape-Between Illusion and Reality, Yokohama Museum of Art, Japan
: El silencio de Nduwayezu, Galería Oliva Arauna, Madrid, Spain
: The Johannesburg Biennale, South Africa
: Let There Be Light, The Light Factory, Charlotte, North Caroline, USA
: Galerie Franck + Schulte, Berlin
: Todd Hosfelt Gallery, San Francisco
1997: Galerie Grita Insam, Vienna
: American Stories, Setagaya Museum, Tokyo, Japan
: Happy End, Kunsthalle Dusseldorf, Germany
: SHIFT, Haus der Kulturen der Welt, Berlin
: City Gallery of Contemporary Art, Raleigh
: Public Project for the University of Washington, Seattle
: Mach / Onmacht, MUHKA, Antwerp
: The Luminous Image, The Alternative Museum of New York, Campus of the University of Washington, Seattle, City Gallery of Contemporary Art, Raleigh, USA
: Islands, National Gallery of Australia, Canberra
: Cuarta Pared, Museo del Oeste, Caracas
: Printemps de Cahors, Cahors
: Walk on the Soho side, The Soho Arts Festival, New York, USA
: Match on Match, MUHKA, Amberes, Denmark
: Thinking Print, MOMA, New York, USA
: Cuarta Pared, Museo del Oeste, Caracas, Venezuela
: VII Fotobienal Vigo ’96, Vigo, Spain
: Billeder pa Billeder, Portalen i Greve, Copenaghen, Denmark
1996: Encontros de Fotografía. Coimbra, Portugal
: Aux Limites de la Photographie, Santiago de Chile, Chile, Buenos Aires, Argentina
: Real Pictures Museum of Contemporary Photography, Chicago, USA
: Dialogues de Paix Palais des Nations, Geneve, Switzerland
: Our Century Ludwig Museum, Colonia, Germany
: The Spirit of Hiroshima and After Museum of Contemporary Art Hiroshima, Japan
: The Istanbul Biennale, Estambul, Turkey
1995: The Kwangju Biennale, South Korea
: Ars 95 Museum of Contemporary Art, Helsinki, Finland
1994: Ante América Center for the Arts Yerba Buena Garden, San Francisco, USA
: Translucent Writings The Neuberger Museum, Purchase, New York, USA
: Equal Rights and Justice High Museum of Art, Atlanta, USA
: Cuarta Pared Museo del Oeste, Caracas, Venezuela
: Public Interventions, Institute of Contemporary Art, Boston, USA
: Frankfurter Kunstverein, Frankfurt, Germany
: Europa o la Dificultad de la Historia IFA, Stuttgart, Germany
: Galería Oliva Arauna, Madrid, Spain
: Fotografiska Museet and Moderna Museet, Stockholm, Sweden
: Center for the Fine Arts, Miami, USA
: Das Pergamon Projekt, Galerie Thomas Schulte, Berlin
: Latin American Artists of the XX Century, Museum of Modern Art, New York
: Gesellchaft fur Aktuelle Kunst, Bremen, Germany
: Repetition in Prospect ’93, Frankfurter Kunstverein and Kunsthalle – Frankfurt, Germany
: Blow Up, Latin Américan Artists of the Twentieth Century, Museum of Modern Art, New York
1993: Fading en New Images of the World, Louisiana Museum of Modern Art, Humlabaek, Denmark
: (Un)Framed, Tramway, Glasgow, United Kingdom
: Galerie Frank + Schulte, Berlin, Germany
: Rafael, Manuel y los otros, Torre de la Santa Cruz, Cádiz y Pabellón de Andalucía, Expo ’92, Sevilla, Spain
: Je Me Souviens en Pour la Suite du Monde, Musee d’ Art Contemporain de Montreal, Canada
: The Pergamon Project Pergamon Museum, Berlin, Germany
: Geography = War, The Museum of Contemporary Art, Chicago
: Whitechapel Art Gallery, London
1992: 1+1+1: Works by Alfredo Jaar, The New Museum of Contemporary Art, New York
: The Conference in Arte Amazonas, Museu de Arte Moderna, Rio de Janeiro, Brasil
1991: Geography = War Joint ,Virginia Museum of Fine Arts and the Anderson Gallery, Virginia Commonwealth University, Richmond, USA
: The Way it Was in Heimat, Wewerka & Weiss Gallerie, Berlin, Germany
: Terra Non Descoperta, Galería Oliva Arauna, Madrid, Spain
: MVSEVM, The Hirshhorn Museum and Sculpture Garden, Washington D.C., USA
: New Work: A new Generation, San Francisco Museum of Modern Art, California, USA
: Alfredo Jaar, San Diego Museum of Contemporary Art, California; Travelling exhibition to San José Museum of Art, California; Seattle Art Museum, Washington; Caenegie Mellon Art Gallery, Pittsburgh, Pennsylvania; (1991) Laumeier Sculpture Park, St. Louis, Missouri, USA
: El día que me quieras en To Be And Not To Be, Centro de Arte Santa Mónica, Barcelona, Spain
1990: Spheres of Influence, Sydney Biennale, Australia
: La Jolla Museum of Contemporary Art
1989: Paysage L’ Arche de la Fraternité, La Défense, Paris
: La Geographie ca sert, d’ abord, à faire la Guerre in Magiciens de la terre, Musée National d’ Art Moderne, Centre Georges Pompidou and la Grande halle, La Villette Paris, France
: Ils I’ ont tant aimée, la révolution in Images Critiques, Musée d’ Art Moderne de la Ville de Paris, Paris
: Out of Balance, Prospect Photographie, Frankfurter Kunstverein, Frankfurt, Germany
: The Booth en the Photography of Invention: American Pictures of the 1980s. National Museum of Américan Art, Washington, D.C; Traveling exhibition to Museum of Contemporary Art, Chicago; Walkel Art Center, Mineapolis, Minnesota, USA
: The Fire Nex Time, The Brooklyn Museum, New York
: Committed to Print, The Museum of Modern Art, New York
: Presi X Incantamento, Padiglione d’ Art Contemporanea, Milan, Italy
1988: Public Project Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA
1987: 1+1+1, Documenta 8, Museum Fridericianum, Kassel, Germany
: Learning to Play, 19 Biennal de Sao Paulo, Brazil
: Frame of mind, Grey Art Gallery and Study Center, New York; University, New York
: A Logo for América Spectacolor Lightboard, One Times Square, New York,
1986: Gold in the Morning in Aperto, Bienal de Venecia, Venice, Italy
: Rushes Spring Street Subway Statio, New York
1985: Installation Projects: 1980-1985, Grey Art Gallery and Study Center, New York University, New York
: Between Science and Fiction in 18e Bienal Internacional de Sao Paulo, Brazil

Literature

2007: Alfredo Jaar. La politique des images, Musée cantonal des Beaux-Arts de Lausanne, Switzerland, cat. 2007, with texts by Catherine Lepdor, Georges Didi-Huberman, Jacques Rancière and Griselda Pollock
: Strauss, Daniel Levy, Adriana Valdès, Pablo Chiuminatto, Rodrigo Zúniga, Sandra Accatino, Bruno Cuneo and Ana María Risco, "A critical week in Chile", in: The Brooklyn Rail, New York, February 2007, pg. 60-63
2006: Valdés, Adriana (ed.), Jaar SCL 2006, Fundación Telefónica et Galería Mistral, Santiago, ACTAR, Barcelona 2006, with texts by Sandra Accatino, Pablo Chiuminatto, Bruno Cuneo, Ana María Risco, Adriana Valdés, Rodrigo Zúniga
: Muxima, Grand Arts, Kansas City 2005, with a text by Patricia C. Phillips
2005: Alfredo Jaar. The Fire This Time: Public Interventions 1979 – 2005, Charta, Milan 2005, with texts by Mary Jane Jacob, Nancy Princenthal
: Alfredo Jaar, Museo d’Arte Contemporanea Roma, MACRO & Electra, Milan 2005, with texts by Gianni Vattimo, Pier Paolo Pasolini, Jeff Derksen & Neil Smith, Dobrila Denegri
: Alfredo Jaar, Anna Baneri, Roberto Pinto & Ramon Prat (éds.), Alfredo Jaar. The Aesthetics of Resistance, ACTAR, Barcelona 2005, with texts by Emanuela De Cecco, Roberto Pinto, Annie Ratti, Gianni Vattimo
: Maderuelo, Javier. "El poder de la imágenes", El País , June 7
: Lundström, Jan-Erik. "Alfredo Jaar: Bilders klagan", Paletten 249/250
: Levi-Strauss, David. "A Sea of Griefs is Not a Proscenium", Essay in Between The Eyes, Essays on Photography and Politics, New York: Aperture
: Knott, Marie-Luise. "Das Ruanda-Projekt", Le Monde Diplomatique , June
: Jonsson, Stefan. "Pax Americana forblindar", Dagens Nyheter: Kultur , March 10
: Athanassopoulos, Vangelis. "Alfredo Jaar: Une autre version de l'invisible", artpress Hors Série , June
: Heartney, Eleanor. "Is the Body More Beautiful When It's Dead?", The New York Times ,June 1
: Muteba Luntumbue, Toma. "Transferts Critical Cartography", essay in Transferts exhibition catalogue, Palais des Beaux-Arts de Bruxelles, Brussels
: Wei, Lilly. "Alfredo Jaar", ARTnews , February
2003: Sundell, Margaret. "Alfredo Jaar", Artforum , January
: Hüster, Wiebke. "Nur zwölf Bilder übergab Alfredo Jaar", Frankfurter Allgemeine Zeitung , April 7
: Samaniego, Fernando. "El Artista Alfredo Jaar explora en una instalación los límites entre imagen y poder", El País , May 22

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Galeria Cadaqués - Huc Malla

Alfredo Jaar

(Chilean, born 1956)

Alfredo Jaar

Alfredo Jaar

Alfredo Jaar

Alfredo Jaar

Alfredo Jaar

Alfredo Jaar

Alfredo Jaar

Biography

Timeline

Exhibitions

Literature

Alfredo Jaar

(Chilean, born 1956)

Alfredo Jaar

Alfredo Jaar

Alfredo Jaar

Alfredo Jaar

Alfredo Jaar

Alfredo Jaar

Alfredo Jaar

Biography

Timeline

Exhibitions

Literature

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