Artworks by Cerith Wyn Evans at Galerie Buchholz on artnet

Cerith Wyn Evans

(British, born 1958)

Cerith Wyn Evans

Katagami Screen 3, 2015

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Cerith Wyn Evans

"Leaning Horizon (neon 6500 Kelvin, 2.1 m)", 2015

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Cerith Wyn Evans

Étant Donnés (again), 2005

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Cerith Wyn Evans

Leaning Horizon (Neon Red 2.1), 2014

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Cerith Wyn Evans

"Katagami Screen 6", 2015

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Cerith Wyn Evans

"Katagami Screen 7", 2015

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Cerith Wyn Evans

"Locus Solus", 2010

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Cerith Wyn Evans

“Leaning Horizon (neon 6500 Kelvin, 1.8 m) & Leaning Horizon (neon 5500 Kelvin, 1.8 m)”, 2015

Price on Request

Biography

Timeline

1958: Born, Wales
1980: Graduated, St Martin’s School of Art, London
1984: MA, Film and Video, Royal College of Art, London
: Lives and works in London

Exhibitions

2012: Dérive, Galerie Buchholz, Berlin, Germany (solo)
: Détourne, Schikel Pavillon, Berlin, Germany (solo)
: Constructed Situation, MD72, Berlin, Germany (solo)
: Still Life with Phrenology Head, Isabella Bortolozzi, Berlin, Germany
: Objektiv, Haubrockshows, Berlin, Germany
: Quodlibet III – Alphabets and Instruments, Galerie Buchholz, Berlin , Germany
: I hate Paul Klee, Leopold Hoesch Museum, Düren, Germany
: Die Fünfte Säule, Secession, Vienna, Austria (solo)
: Assemblage, Galerie Neu, Berlin, Germany (solo)
2011: Bergen Kunsthall, Bergen, Norway (solo)
: Geheimgesellschaften, Schirn Kunsthalle, Frankfurt , Germany
2010: Von Realer Gegenwart, Kunstverein Düsseldorf / Kunsthalle Düsseldorf, Düsseldorf, Germany
: Quodlibet II, Galerie Daniel Buchholz, Cologne, Germany
: Ian Hamilton Finlay & Cerith Wyn Evans, Ingleby Gallery, Edinburgh, UK
: nothing to say and I am saying it, Kunstverein Freiburg, Germany
: Nous Tournons Dans La Nuit..., Musée département d’art contemporain, Rochechouart, France
: Audio, Video, Disco, Kunsthalle Zürich, Zurich, Switzerland
: The splendour of fear, Michael Benevento, Los Angeles, USA
: The Dark Monarch, Tate St. Ives, St. Ives, UK
: No night No das (with Florian Hecker), screening at Teatro Goldoni, Venice, Italy
: GAGARIN the Artists in their Own Words - The first Decade, SMAK Gent
: Inverleith House, Edinburgh, Scotland (solo)
: A=p=p=a=r=i=t=i=o=n, Tramway, Glasgow (with Throbbing Gristle), UK (solo)
: Permit yourself..., Galerie Daniel Buchholz, Cologne, Germany (solo)
: de Singel - International Arts Centre, Antwerp, Belgium (solo)
2009: Galleria Lorcan O´Neill, Rome (solo)
: Where Do We Go From Here?, Bass Museum Of Art, Miami Beach, USA
: Cerith Wyn Evans, Galerie Neu, Berlin, Germany (solo)
: ...visibleinvisible, MUSAC, Leon, France (solo)
: Cerith Wyn Evans, Galpão Fortes Vilaça, Sao Paulo, Brazil (solo)
: Voice and Void, Galerie im Taxispalais, Innsbruck, Austria
: Typed, Sadie Coles HQ, London, UK
: You Dig The Tunnel - I'll Hide The Soil, White Cube Hoxton Square and Shoreditch Town Hall, London, UK
: Voice and Void, The Aldrich Contemporary Art Museum, Ridgefield, USA
: Martian Museum of Terrestrial Art, Barbican, London, UK
: [SCENE MISSING], Georg Kargl Gallery, Vienna, Austria
: Punk. No One is Innocent, Kunsthalle Wien, Vienna, Austria
: Always Begins by Degrees, The Common Guild, Glasgow, UK
: This is Not a Void, Galeria Luisa Strina, Sao Paulo, Brazil
: Everstill, Casa-Museo Federico Garcia Lorca, Granada, Sain
2008: Leigh Bowery, Kunstverein, Hannover, Germany
: In The Beginning, University Art Gallery, UC San Diego, California, USA
: Pale Carnage, Arnolfini, Bristol, UK; Dundee Contemporary Arts, Dundee, UK
: Bubble Peddler, Kunsthaus Graz, Graz, Austria (solo)
: Futa Omote (double face), Taka Ishii, Tokyo, Japan (solo)
: Remote Viewing, CCA Kitakyushu Project Gallery, Kitakyushu, Japan (solo)
: Socle Du Monde, Daniel Buchholz, Cologne, Germany (solo)
: Romantic Conceptualism, Kunsthalle Nürnberg, Nurnberg, Germany; BAWAG Foundation, Vienna, Austria
: The Secret Public: The Last Days of the British Underground 1978-1988, Institute of Contemporary Art, London, UK
: Before the advert of radio astronomy, Kunsthaus Bregenz, Bregenz, Austria
: Panic Attack! Art in the Punk Years, Barbican Art Gallery, London, UK
: The Projection Project: Budapest episode, Műcsarnok Kunsthalle, Budapest, Hungary
: Sculpture in the Close, Jesus College, Cambridge, UK
2007: Ian Hamilton Finlay & Cerith Wyn Evans, Ingleby Gallery, Edinburgh, UK
: This is the love of these, Magazin 4, Bregenz, Austria
: Thank you for the music (London Beat), Sprüth Magers Lee, London, UK
: Tate Triennial 2006: New British Art, Tate Britain, London, UK
: Stage of Life-Rhetorics of Emotion, Lenbachhaus, Munich, Germany
: The Expanded Eye, Kunsthaus Zürich, Zurich, Switzerland
: 'Nach Rokytnik', Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria
: All Hawaii entrï¿½es / Lunar Reggae, Irish Museum of Modern Art, Dublin, Ireland
: The Curves of the Needle, White Cube, London, UK (solo)
: …in which something happens all over again for the very first time, Musée d’Art Moderne de la Ville de Paris/ARC, Paris, France (solo)
: Take my eyes and through them see you, Institute of Contemporary Arts, London, UK (solo)
2006: Cerith Wyn Evans, Kunstbau Lenbachhaus, Munich, Germany (solo)
: How To Improve The World, Hayward Gallery, London, UK
: Light Lab, MUSEION, Bolzano, Italy
: Summer Exhibition 2005, Royal Academy, London, UK
: Bidibidobidiboo: La Collezione Sandretto Re Rebaudengo, Palazzo Re Rebaudengo, Piazza del Municipio, Guarene d’Alba. Fondazione Sandretto Re Rebaudengo, Turin. Cavallerizza Chiablese e Salone delle Guardie, Turin, Italy
: Can Buildings Curate, AA School of Architecture, London, UK
: 9th International Istanbul Biennial, Istanbul Foundation for Culture and Arts, Istanbul, Turkey
: I’d Rather Jack, National Galleries of Scotland, Edinburgh, UK
: E-Flux Video Rental Store, KW Institute for Contemporary Art, Berlin, Germany
: Ellen Cantor, Cerith Wyn Evans, Prince Charles Cinema, London, UK
: I Really Should..., Lisson Gallery, London, UK
: Ice Storm, Kunstverein München, Munich, Germany
: The Vanity of Allegory, Deutsche Guggenheim, Berlin, Germany
: Flourish, Moravian Gallery, Brno, Czech Republic
: Seoul Film Festival, Seoul, North Corea
: Pasolini E Roma, Museo di Roma, Trastevere, Italy
: Light Art from Artificial Light, ZKM, Karlsruhe, Germany
: Thank you for the music, Sprï¿½th Magers Project, Munich, Germany
: 299792458m/s, BAWAG Foundation, Vienna, Austria (solo)
: Once a Noun, Now a Verbï ..., Galerie Neu, Berlin, Germany (solo)
: Eaux d’artifice (after K.A.), The Conservatory, Barbican Centre, London, UK (solo)
2005: The Sky is Thin As Paper Here, Kunsthaus Graz - BIX Media Façade, Graz, Austria (solo)
: London in Six Easy Steps, ICA, London, UK
: Modus Operandi, Thyssen-Bornemisza Art Contemporary, Vienna, Austria
: Ulysses, Galerie Belvedere, Vienna, Austria
: Sans Soleil, Galerie Neu, Berlin, Germany
: Bazar de Verï¿½o, Galeria Fortes Vila'a, Sao Paulo, Brazil
: Curating the Library, DE Singel, Antwerp, Belgium
: Hidden Histories, New Art Gallery Walsall, Walsall, UK
: Utopia Station, Haus der Kunst, Munich, Germany
: Uses of the Image: Photography, Film and Video In The Jumex Collection, Malba, Buenos Aires, Argentinia
: Quodlibet, Galerie Daniel Buchholz, Cologne, Germany
: The Future Has A Silver Lining: Genealogies of Glamour, Migros Museum for Contemporary Art, Zurich, Switzerland
: Einleuchten, Museum der Moderne, Salzburg, Austria
: Schöner Wohnen (Living Nicely), Platform voor Actuele Kunst, Waregem, Belgium
: Doubtiful Dans Les Plis Du Reel, Galerie Art & Essai, Rennes, France
: Traffic dï¿½influences: Art & Design, Tri Postal, Lille, France
: Making Visible, Galleri Faurschou, Copenhagen, Denmark
2004: Thoughts unsaid, now forgotten, MIT Visual Arts Center, Boston, USA (solo)
: Cerith Wyn Evans, Museum of Fine Arts, Boston, USA (solo)
: Cerith Wyn Evans, Centre Georges Pompidou, Paris, France (solo)
: Cerith Wyn Evans, Kunstverein Frankfurt, Frankfurt, Germany (solo)
: The Sky is Thin as Paper Here, Galerie Daniel Buchholz, Cologne, Germany (solo)
: Marc Camille Chaimowicz, Angel Row Gallery, Nottingham, UK
: Rabbit's Moon, Camden Arts Centre, London, UK (solo)
: Eclipse: Towards the Edge of the Visible, White Cube, London, UK
: Black Friday: Exercises in Hermetics, Revolver, Frankfurt, Germany
: The Ten Commandments, Deutsches Hygiene-Museum, Dresden, Germany
: Drunken Masters, Galeria Fortes Vila'a, Sao Paulo, Brazil
: Meanwhile Across Town, Centre Point, London, UK (solo)
: Someone to Share My Life With, The Approach, London, UK
: Take your desires for reality, Cerith Wyn Evans/MATRIX 201c, UC Berkeley Art Museum and Pacific Film Archive, Berkeley (solo)
: Cerith Wyn Evans, Galerie Neu, Berlin, Germany (solo)
: Take your desires for reality, Cerith Wyn Evans/MATRIX 201c, UC Berkeley Art Museum and Pacific Film Archive, Berkeley, USA (solo)
: Look at that picture. How does it appear to you now? Does it seem to be Persisting?, White Cube, London, UK (solo)
: Edïton, La Coleccion Jumex, Mexico City, Mexico
: The Straight or the Crooked Way, Royal College of Art Galleries, London, UK
: Light Works, Taka Ishii Gallery, Tokyo, Japan
: Cardinales, MARCO, Vigo, Spain
: Independence, South London Gallery, London, UK
: Galleria Lorcan O'Neill, Rome, Italy
: Adorno, Frankfurter Kunstverein, Frankfurt, Gemany
: Utopia Station, 50th International Venice Biennale, Venice, Italy
: Further: Artists from Wales, 50th International Venice Biennale, Venice, Italy; Aberystweth Arts Centre, Aberystweth; Glynn Vivian Art Gallery, Swansea and National Museum & Gallery of Wales, Cardiff, UK
: Heiliger Sebastian: A Splendid Readiness For Death, Kunsthalle Vienna, Vienna, Austria
: Wittgenstein Family Likenesses, Institute of Visual Culture, Cambridge, UK
2003: Take a Bowery: The Art and (larger than) Life of Leigh Bowery, MCA Sydney, Sydney, Australia
: Addiction, 15 Micawber Street, London, UK
: In the Freud Museum, Freud Museum, London, UK
: ForwArt, Palais des Beaux-Arts, Brussels, Belgium
: It's Only Words, Mirror Gallery, The London Institute, London, UK
: Void Archive, Centre for Contemporary Art, Kitakyushu, Japan
: Iconoclash. Image Wars in Science, Religion and Art, Center for Art and Media, Karlsruhe, Germany
: Screen Memories, Contemporary Art Centre, Art Tower Mito, Ibaraki, Japan
: Lost Past/2002-1914, Merghelynck Museum, Ypres, France
: Shine, The Lowry Centre, Manchester, UK
: Mirror: Its Only Words, London College of Printing, The London Institute, London, UK
: Documenta11, Kulturbahnhof, Museum Fridericianum, Documenta-Halle, Orangerie/Karlsaue and Binding-Brauerei, Kassel, Germany
2002: Cerith Wyn Evans Screening, Galerie Daniel Buchholz, Cologne, Germany (solo)
: My Head is on Fire but My Heart is Full of Love, Charlottenborg Museum, Copenhagen, Denmarl
: Video Screening, Anthony Wilkinson Gallery, London, UK
: Cerith Wyn Evans, Georg Kargl Gallery, Vienna, Austria (solo)
: Cerith Wyn Evans, Kunsthaus Glarus, Glarus, Switzerland (solo)
: Cerith Wyn Evans, Galerie Daniel Buchholz, Cologne, Germany (solo)
: Diesseits und jenseits des Traums, Sigmund Freud Museum, Vienna, Austria
: What's Wrong?, Trade Apartment, London, UK
: The Stunt/The Queel, London Institute, RAMC, London, UK
: ZusammenhÃ¤nge in Biotop Kunst, Kunsthaus Muerz, Muerzzuschlag, Austria
: Cerith Wyn Evans The Art Newspaper project: Venice Biennale, Venice, italy (solo)
: Bridge the Gap, Industrial Club of the West of Japan/Centre for Contemporary Art, Kitakyushu, Japan
: How do you change, Institute of Visual Culture, Cambridge, UK
: Wir, Comawoche. Film Screening, Metropolis Cinema, Hamburg, Germany
: My Generation 24 Hours of Video Art, Atlantis Gallery, Londonm, UK
: Gymnasion, Bregenzer Kunstverein, Bregenz, Austria
: There is something you should know: Die EVN Sammlung im Belvedere, Öterreichische Galerie Belvedere, Vienna, Austria
: Yokohama 2001: International Triennale of Contemporary Art, Yamashita Pier, Yokohama, Japan
2001: Wales: Unauthorized versions, part of Welsh days festival, Extended Media Gallery and House of the Croatians Artists, Zagreb, Croatia
: Dedalic Convention, Museum für angewandte Kunst, Vienna, Austria
: Lost, Ikon Gallery, Birmingham, UK
: The Greenhouse Effect, Serpentine Gallery in collaboration with The Natural History Museum, London, UK
: The British Art Show 5, The Scottish National gallery of Modern Art, Edinburgh, UK
: There is something you should know, Die EVN Sammlung im Belvedere, Vienna, Austria
: Ever get the feeling you've been, A22 Projects, London, UK
: Out There, White Cube, London, UK
: Rumours, Arc en Reve Centre d'Architecture, Bordeaux, France
: Sensitive, Printemps de Cahors, Saint-Cloud, Farnce
: Has the film already started?, Galerie Neu, Berlin, Germany (solo)
: Cerith Wyn Evans, fig-1, London, UK (solo)
2000: Cleave 00. Art Now, Tate Britain, London, UK (solo)
: La Ville, le Jardin, la Memoire 1998-2000, The French Academy at Rome, Villa Medici, Rome, italy
: Essential Things, Robert Prime, London, UK
: Fourth Wall, Public Art Development Trust, Royal National Theatre, London, UK
: Retrace your steps: Remember Tomorrow, Sir John Soane’s Museum, London, UK
: La Memoire, The French Academy in Rome, Rome, Italy
: 54x54, Financial Times Building, London, UK
1999: Group exhibition, Re Rebaudengo Collection, Re Rebaudengo Gallery, Turin, Italy
: Group exhibition, Galerie Neu, Berlin
1998: How will we behave?, Robert Prime, London, UK
: From the Corner of the Eye, Stedelijk Museum, Amsterdam, the Netherlands
: View Four, Mary Boone Gallery, New York, USA
: Ray Rapp, Tz’Art & Co., New York, USA
: Close Echos: Public Body and Artificial Space, City Art Gallery, Prague and Kunsthalle, Krems, Austria
1997 - 1999: Sensation, Royal Academy of Arts, London and Hamburger Bahnhof, Berlin, Germany
: Material Culture, Hayward Gallery, London, UK
: False Impressions, The British School at Rome, Rome, Italy
1997: 7th International Video Week, Geneva, Switzerland
: A Print Portfolio from London, Atle Gerhardsen, Oslo, Norway
: Gothic, ICA Boston, Boston, USA
1996: Life/Live, Musée d’Art Moderne de la Ville de Paris, Paris, France and Centro de Exposições do Centro Cultural de Belém, Lisbon, Protugal
: Against, Anthony d’Offay, London, UK
: Some Drawings From London, 20 Princelet Street, London, UK
: British Artists in Rome, Studio Casagrande, Rome, Italy
: Kiss This, Focal Point Gallery, Southend, UK
1995: Sick, 152 Brick Lane, London, UK
: Stoppage, FRAC Tours, Tours, France
: General Release: Young British Artists, Scuola di San Pasquale, Venice, Italy
: Faction Video, Royal Danish Academy of Fine Arts, Copenhagen, Denmark
: Future Anterior, Eigen + Art’s/IIAS - Young British Artists, London, UK
: 5th Oriel Mostyn Open Exhibition, Oriel Mostyn, Llandudno, UK
: Liar, Hoxton Square, London, UK
: People Must Bed God to Stop..., Performance at Fete Worse than Death, London , UK
: Flux, Minema Cinema, London , UK
: Olive Tree Installation, The Orangery, Holland Park, London, UK
1994: Potato, IAS, London, UK
: Superstore Boutique, Laure Genillard Gallery, London, UK
1993: Modern Medicine, Installation/event at the Barley Mow with Angus Fairhurst and Leigh Bowery in association with Factual Nonsense Gallery, London, UK
: Speaking of Sofas, Tate Gallery, London, UK and Gavin Brown’s Enterprise, New York, USA
1992: 240 Minutes, Galerie Esther Schipper, Cologne, Germany
: Cerith Wyn Evans and Gaylen Gerber, Wooster Gardens Gallery, New York, USA
: Image and Object in Current British Art, Centre Georges Pompidou, Paris, France
1990: Sign of the Times, MOMA, Oxford, UK
1988: Degrees of Blindness, Edinburgh Film Festival, Edinburgh, UK
: The Melancholy Imaginary, In collaboration with Jean Mathee, London Film Makers Co-op, London, UK
1987: The Elusive Sign, Tate Gallery, London, UK
1985: Syncronisation of the Senses, ICA, London, UK
: The New Pluralism, Tate Gallery, London, UK
: Artist as Film Maker, National Film Theatre, London
1984: The Salon of 1984, ICA, London, UK
1983: The New Art, Tate Gallery, London, UK

Literature

2007: Seifermann and Jörg Heiser (Eds.). Romantic Conceptualism, Bielefeld/Leipzig: Kerber Verlag, 2007
: Schafhausen, Nicolaus and Max Hollein (Eds.). Kunst/Art: Lufthansa Aviation Center, Frankfurt: Revolver, 2007
: Mair, Robert and Rod Mengham. Sculpture in the Close, Cambridge: Jesus College, 2007
: Bracewell, Michael and Tom Trevor. Pale Carnage, Arnolfini, Bristol, 2007
: König, Walther. Bubble Peddler, Cologne: Kunsthaus Graz, 2007
: Ruf, Beatrix, Clarrie Wallis, Jan Verwoert, Gair Boase, Siobhan McCracken, Emily Pethick, Katherine Stout, Catherine Wood. Tate Triennial 2006: New British Art, London: Tate Britain: Tate Publishing, 2006
: Rebentisch, Juliane. Stage of Life – Rhetorics of Emotion, Köln: Lenbachhaus München: Verlag der Buchhandlung Walther König, 2006
: Curiger, Bice, Ina Blom, Diedrich Diederichsen, Kurt W. Forster, Al Rees and Rüdiger Wehner. The Expanded Eye: Sehen – entgrenzt und verflüssigt, Ostfildern: Kunsthaus Zürich: Hatje Cantz Verlag, 2006
: Rugoff, Ralph, Michael Archer, Marjorie Allthorpe-Guyton and Roger Malbert. How to Improve the World: 60 Years of British Art, London: Hayward Gallery, 2006
2006: …in which something happens all over again for the very first time, Paris: Musée D’Art de la Ville de Paris/ARC, 2006
: Thomas, Rachael. All Hawaii Entrées/ Lunar Reggae, Irish Museum of Modern Art (IMMA), Dublin, 2006
2005: The Curves of the Needle, Wien : BAWAG Foundation, 2005
: Shani, Annushka. Eclipse: Towards The Edge of the Visible, London: Jay Jopling/White Cube, 2004
: Zyman, Daniela. ein-leuchten, Vienna: Museum der Modern Salzburg, 2004
: Mavridorakis, Valérie, Elvan Zabunyan and David Perreau. Doubtiful dans les plis du reel, Rennes: Art & Essai, University of Rennes, 2004
: Petry, Michael. Hidden Histories: Twentieth Century Male Same Sex Lovers In The Visual Arts, London: Artmedia Press, 2004
: Trummer, Thomas. Ulysses, Vienna: Galerie Belvedere, 2004
: Van Winkel, Camiel and Moritz Küng. Schöner Wohnen (Living Nicely), Waregem: Platform voor actuele kunst, 2004
: Biesenbach, Klaus, Frank Crusemann, Roger N. Lancaster, Ulf Poschardt, Christian Höller, Jan Verwoert, Hartmut Krauss, Navid Kermani, Alexander Meschnig, Genevieve Hesse, Desmond Morris, Ilona Ostner, Susan Sontag, Dietmar Mieth, Dennis Altman, Linda Singer, Kevin Bales, Christiane Grefe, Christiane Leidinger, Gabriele Cleve, Isabelle Graw and Niklas Maak. Diezehngebote, Dresden: Deutsches Hygiene Museum and Ostfildern-Ruit: Hatje Cantz, 2004
: Bonami, Francesco and Gigiotto Del Vecchio. Sensi Contemporanei in Campana, Venice: La Biennale di Venezia, 2004
: Higgie, Jennifer. Cerith Wyn Evans, London: Camden Arts Centre, 2004
: Arning, Bill. Thoughts unsaid, now forgotten…, Boston: MIT List Visual Art Center, 2004
2004: Spiegl, Andreas, Jan Verwoert, Juliane Rebentisch and Manfred Hermes. Cerith Wyn Evans, Frankfurt: Frankfurter Kunstverein and New York: Lukas & Sternberg, 2004
: Holert, Tom, Heike Munder, Ian Penman and Terre Thaemlitz. The Future Has A Silver Lining, Zurich: Migros Museum für Gegenwartskunst Zurich and JRP/Ringier 2004
2003: Shani, Annushka. Look at that picture… How does it appear to you now? Does it seem to be Persisting?, London: Jay Jopling/White Cube, 2003
: A. Kaye, Richard, Carlo Santoli, Germaine Greer and Gerald Matt. Heiliger Sebastian: A Splendid Readiness for Death, Vienna: Kunsthalle Wien and Bielefeld: Kerber Verlag, 2003
: Manacorda, Francesco. The Straight or Crooked Way, London: Royal College of Art, 2003
: Graw, Isabelle and Georg Schöllhammer. Adorno: The Possibility of the Impossible Vol II, Frankfurt: Frankfurter Kunstverein and New York: Lukas & Sternberg, 2003
: Hirsch, Michael, Vanessa Joan Müller and Nicolaus Schaufhausen (Eds.). Adorno: The Possibility of the Impossible Vol I, Frankfurt: Frankfurter Kunstverein and New York: Lukas & Sternberg, 2003
: Fleming, Patricia, Julia Heynen, Kris Cohen, Sarah Cook, Caoimhín Mac Giolla Léith, Jan Verwoert and Will Bradley. Further: Artists from Wales at the 50th International Art Exhibition, Venice, Cardiff: Wales Art International, 2003
: Anderson, Emma and Alistair Robinson. Shine, Balford: Lowry Press, 2002
: Iida, Takayo. Screen Memories, Ibaraki: Contemporary Art Center, Art Tower Mito, 2002
: Bradley, Will, Henriette Bretton-Meyer and Toby Webster. My Head is on Fire but my Heart is Full of Love, Copenhagen: Charlottenborg Museum, 2002
2002: Enwezor, Okwui. Documenta 11_Platform 5: Exhibition, Kassel: Museum Friedericianum Veranstaltungs-GmbH and Ostfildern-Ruit: Hatje Cantz, 2002
: Bezzan, Cécilia. ForwArt, Brussels: Palais des Beaux-Arts, 2002
2001: Fig.1: the commemorative book. London: Spafax Publishing and Tate Publishing, 2001
: Farquharson, Alex. ‘Wales’: Unauthorized versions, Zagreb: Croatian Association of Artists, 2001
: Lee, Jane, David Beech, Peter Lewis and Victor Burgin. Gymnasion, Bregenz: Bregenzer Kunstverein, 2001
: Macel, Christine, Pascal Beausse, Marie-Frédérique Hallin and François Piron. Sensitive, Saint-Cloud: Printemps de Cahors, 2000
2000: Meredith, Rachel. Cerith Wyn Evans. Art Now, London: Tate Publishing, 2000
: Rugoff, Ralph, Lisa Corrin, Simon Morley and Mark Dion. The Greenhouse Effect, London: Serpentine Gallery, 2000
: Kovats, Tania. Lost, Ikon Gallery, Birmingham, 2000
: Watkins, Jonathan, Tania Kovats and Irit Rogoff. Lost, Birmingham: Ikon Gallery, 2000
1999: Bonami, Francesco and Hans-Ulrich Obrist. Dreams, Turin: Fondazione Sandretto Re Rebaudengo, 1999
: Die EVN Sammlung im Belvedere Ankäufe 1997-99, Vienna: EVN AG, 1999
: Adams, Brooks, Lisa Jardine, Martin Maloney, Norman Rosenthal and Richard Shone. Sensation. Young British Artists From The Saatchi Collection, Berlin: Hamburger Bahnhof, 1998
: Wyn Evans, Cerith. Cerith Wyn Evans. In Girum Imus Nocte et Consumimur Igni, Kyoto: Centre for Contemporary Art Kitakyushu and Korinsha Press, 1998
1998: Close Echos: Public Body and Artificial Space, Prague: City Art Gallery and Krems: Kunsthalle Krems, 1998
: Aydemir, Murat, Leontine Coelewij, Rudi Fuchs, Martijn van Nieuwenhuyzen and Hripsimé Visser. From the Corner of the Eye, Amsterdam: Stedelijk Museum, 1998
: Adams, Brooks, Lisa Jardine, Martin Maloney, Norman Rosenthal and Richard Shone. Sensation. Young British Artists From The Saatchi Collection, London: Royal Academy of Arts, 1997
: Archer, Michael and Greg Hilty. Material Culture, London: Hayward Gallery, 1997
1997: Jacques, Alison. False Impressions, Rome: The British School at Rome, 1997
: Lapa, Pedro, Laurence Bossé and Guy Brett. Life/Live, Musee d’Art Moderne de la Ville de Paris, Paris 1997
1996: Life/Live, Paris: Musée d’Art Moderne de la Ville de Paris and Lisbon: Centro de Exposições do Centro Cultural de Belém, 1996
: British Artists in Rome, Rome: Studio Case Grande, 1996
1995: Faction Video, Copenhagen: Royal Danish Academy of Fine Arts, 1995
: General Release: Young British Artists, Venice: Scuola di San Pasquale, 1995
1994: Potato, London: IAS, 1994
1993: 5th Oriel Mostyn Open Exhibition, Llandudno: Oriel Mostyn, 1993
1992: 240 Minutes, Cologne: Galerie Esther Schipper, 1992
1990: Sense and Influence, The Hague: Kijkhuis, 1990
: Sign of the Times, Oxford: Modern Art Oxford, 1990
: A Certain Sensibility, London: ICA Cinematheque, 1989
1989: Solo Exhibition 79-89, London: ICA Cinematheque, 1989
1987: O’Pray, Michael, Catherine Lacey and Tamara Krokorian. The Elusive Sign. British Avant-Garde Film & Video 1977-1987, London: Arts Council of Great Britain and The British Council, 1987
1985: Syncronisation of the Senses, London: ICA Cinematheque, 1985
: O’Pray, Michael. British Film & Video 1980-1985. The New Pluralism, London: Tate Publishing, 1985

Cerith Wyn Evans

(British, born 1958)

Cerith Wyn Evans

Cerith Wyn Evans

Cerith Wyn Evans

Cerith Wyn Evans

Cerith Wyn Evans

Cerith Wyn Evans

Cerith Wyn Evans

Cerith Wyn Evans

Biography

Timeline

Exhibitions

Literature

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