Artworks by Simon Denny at Galerie Buchholz on artnet

Simon Denny

(New Zealand, born 1982)

Simon Denny

"Centralization vs Decentralization hardware display: IBM/zcash/GoL The Haunted Mansion", 2018

Price on Request

Simon Denny

"Document relief 1 (Amazon Worker Cage patent)", 2019

Price on Request

Simon Denny

Digital Globe ESRI Earth observation WorldView-4 satellite Extractor pop display, 2019

Price on Request

Timeline

1982: Born in Auckland, New Zealand
: Lives and works in Berlin

Exhibitions

2019: “Mine”, MONA, Berriedale, Tasmania (solo)
: "Mine", Museum of Old and New Art, Hobart (solo)
: “Future and the Arts: AI, Robotics, Cities, Life – How Humanity Will Live Tomorrow”, Mori Art Museum, Tokyo
: “Circular Flow. On the Economy of Inequality”, Kunstmuseum Basel
: “City Flip-Flop”, Taiwan Contemporary Culture Lab (C-LAB)
: "The Invisible Hand", 4A Centre for Contemporary Asian Art, Sydney
: "14th Small Sculpture Triennial", Alte Kelter Fellbach, Fellbach
: "Tomorrow is the Question", ARoS Aarhus Kunstmuseum, Aarhus
: "Vienna Biennale for Change 2019", MAK - Österreichisches Museum für angewandte Kunst, Wien
: "Biennale Internationale Design Saint-Étienne", Cité du D¬¬esign, Saint-Étienne
: "Deutschland ist keine Insel", Bundeskunsthalle, Bonn
: "Your North is My South", Museum für Neue Kunst, Freiburg
: "Hello World – For the Post-Human Age", Art Tower Mito, Mito, Japan
: "Art in the Age of the Internet, 1989 to Today", ICA Boston
: "Open Codes. Living in Digital Worlds", ZKM, Karlsruhe
: "This Is New Zealand", City Gallery Wellington, Wellington
: "I Was Raised on the Internet", MCA Chicago, Chicago
: "The 12th Gwangju Biennale – Imagined Borders", Gwangju, Südkorea
: "Constructing the World: Art and Economy 1919-1939 and 2008-2018", Kunsthalle Mannheim
: "The Founder’s Paradox", Museum of Contemporary Art Cleveland, Cleveland (solo)
2018: "Games of Decentralized Life", Galerie Buchholz, Köln (solo)
: "Proof of Work" curated by Simon Denny in dialogue with Distributed Gallery, Harm van den Dorpel, Sarah Hamerman and Sam Hart, Kei Kreutler, Aude Launay and Anna-Lisa Scherfose, Schinkel Pavillon, Berlin
: "Hack Space", K11 Art Foundation, Shanghai
: "Please come back", MAXXI, Rome
: "Dark Clouds Silver Linings": Hessel Museum, CCS Bard, New York
: "Open Codes – Living in Digital Worlds", ZKM Center for Arts and Media, Karlsruhe
: “Still Human”, Rubell Family Collection Contemporary Arts Foundation, Miami
: "Unfinished Conversations", The Museum of Modern Art, New York
: "Real Mass Entrepreneurship", OCAT, Shenzhen (solo)
: "FAAS – Feedback as a service: reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance", BOZAR, Brussels (solo)
: "Real Mass Entrepreneurship", Fine Arts Sydney, Sydney (solo)
2017: "The Founder’s Paradox", Michael Lett, Auckland (solo)
: "Hammer Projects: Simon Denny", Hammer Museum, Los Angeles (solo)
: "Fluidity", Kunstverein Hamburg, Hamburg
: TeleGen. Kunst und Fernsehen", Kunstmuseum Liechtenstein
: "War Games", curated by Benjamin Godsill, JTG Deroit Project, Woods Cathedral, Detroit
: "Hack Space", K11 Art Foundation, Hong Kong
: "Emotional Supply Chains", Zabludowicz Collection, London
: "Blockchain Visionaries", 9th Berlin Biennale, Berlin
: "What People do for Money", Manifesta - The European Biennial of Contemporary Art, Zurich
: "Homo Mundus Minor", T293, Rome
: "Hack Space", K11 Art Foundation, Hong Kong
: "Fluidity", Kunstverein Hamburg, Hamburg
: "Blockchain Visionaries", 9th Berlin Biennale, Berlin
: "What People do for Money", Manifesta - The European Biennial of Contemporary Art, Zurich
: "Homo Mundus Minor", T293, Rome
: "HACK SPACE", K11 Art Foundation, Hong Kong (solo)
: "Business Insider", WIELS, Brussels (solo)
: chi K11 Art Space, Shanghai (solo)
2016: "Blockchain Future States", Petzel Gallery, New York (solo)
: "Emotional Supply Chains", Zabludowicz Collection, London
: "Open Source: Art At The Eclipse of Capitalism, Galerie Max Hetzer, Paris and Berlin (curated by Lisa Schiff, Leslie Fritz, and Eugenio Re Rebaudengo)
: "The Future of Memory – An Exhibition on the Infinity of the Present Time", Kunsthalle Wien
: "Toys edux – On Play and Critique", Migros Museum für Gegenwartskunst, Zürich
: "After Babel", Moderna Museet, Stockholm
: "TeleGen. Kunst und Fernsehen", Kunstmuseum Bonn
: "Le Souffleur. Schürmann trifft Ludwig", Ludwig Forum, Aachen
: "The Innovator’s Dilemma", MoMA PS1, New York (solo)
: "New Zealand National Pavillon", 56th Venice Biennial, Venice (solo)
: "Products for Organizing", Serpentine Gallery, London (solo)
2015: "HACK SPACE", Serpentine Galleries, London (solo)
: "Politischer Populismus/Political Populism", Kunsthalle Wien, Vienna
: "National Art Prize of New Zealand (Walters Prize)", Auckland Art Gallery, Auckland
: "Smart New World", Kunsthalle Dusseldorf, Dusseldorf
: "La Biennale de Montréal", Musée d’art contemporain de Montréal, Montreal
: "Europe, Europe", Astrup Fernley Museum, Oslo
: "The Personal Effects of Kim Dotcom", Firstsite, Colchester (solo)
: "TEDxVaduz Redux", T293, Rome (solo)
: "Disruptive Berlin", Galerie Buchholz, Berlin (solo)
2014: "New Management", Portikus, Frankfurt (solo
: "The Personal Effects of Kim Dotcom", Adam Art Gallery, Victoria University, Wellington (solo)
: "Reinventing the Wheel. The Readymade Century", Monash University Museum of Art, Caulfield
: "ars viva 2012/13 SYSTEME", Kunstmuseum Vaduz and Kunsthalle zu Kiel
: "Time Machine", M-ARCO, Marseille
: "Version Control", Arnolfini, Bristol
: "Image into Sculpture", Centre Pompidou, Paris
2013: "The Personal Effects of Kim Dotcom", Mumok, Vienna (solo)
: "Preis der Nationalgalerie für Junge Kunst", Hamburger Bahnhof, Berlin
: "Speculations on Anonymous Materials", Kunsthalle Fridericianum, Kassel
: "All You Need is Data - The DLD 2012 Conference REDUX rerun", Petzel Gallery, New York (solo)
: "Il Palazzo Enciclopedico", 56th Venice Biennial, Venice
2012: Aspen Art Museum, Aspen, USA (solo)
: “Envisaging Vocational Rehabilitation” (with Joanna Fadyl), Westfälischer Kunstverein, Münster, Germany (solo)
: "Made in Germany Zwei", Sprengel Museum, Hannover, Germany
: “Remote Control”, Institute of Contemporary Art, London, UK
: Automaton, Galerie Buchholz, Cologne, Germany
: “7 Unreachable Elevators”, IMO, Copenhagen, Denmark (solo)
: “Chronic Expectation: CFS/ME Documentary Restoration”, T239, Rome, Italy (solo)
: “Corporate Video Decisions”, Friedrich Petzel Gallery, New York, USA / Michael Lett, Auckland, New Zealand (solo)
: “Negative Imageneering”, Neuer Aachener Kunstverein, Aachen, Germany (solo)
: “Quodlibet III – Alphabets and Instruments”, Galerie Buchholz, Berlin, Germany
: “Various Transmitters“, Renwick Gallery, New York, USA
2011: “So machen wir es”, Kunsthaus Bregenz, Bregenz, Autria
: "Based in Berlin", Berlin, Germany
: „Re-Dressing“, Bortolami Gallery, New York, USA
: “Let us compare Mythologies”, Witte de With, Rotterdam, The Netherlands
: “Throwing Three Balls in the Air to Get a Straight Line” (with Mario Garcia Torres and Blinky Palermo), Malmö Konsthall, Malmö, Sweden
: “Vuelo Fuera de Tiempo”, Museo de la Ciudad de México, Mexico City, Mexico
: “Permanent Mimesis”, Civic Gallery of Modern and Contemporary Art, Torino, Italy
: “Der Westen leuchtet”, Kunstmuseum Bonn, Bonn, Germany
: “Verbotene Liebe: Kunst im Sog von Fernsehen”, Kölnischer Kunstverein, Köln, Germany
: “Introductory logic video tutorial”, Artspace Sydney, Sydney, Australia (solo)
: “Negative Headroom”, Halle für Kunst, Lüneburg, Germany (solo)
2010: “Simon Denny & Laura Riboli“, Contemporary Art Museum, St. Louis, USA (solo)
: “More Pricks than Kicks”, David Roberts Art Foundation Fitzrovia, London, UK
: “Quodlibet II”, Galerie Daniel Buchholz, Köln, Germany
: “The Perpetual Dialogue”, Andrea Rosen Gallery, New York, USA
: “7 Drunken Videos”, Lüttgenmeijer, Berlin, Germany (solo)
: “Display with Sound”, International Project Space, Birmingham, UK
: “Deep Sea Vaudeo”, Galerie Daniel Buchholz, Cologne, Germany (solo)
: “Starting from behind”, Michael Lett, Auckland, New Zealand (solo)
2009: “Celebrities’ Houses at Night”, Standard, Oslo, Norway (solo)
: “Watching Videos Dry”, T 293, Naples, USA (solo)
2008: “Revolutions: Forms that Turn”, Sydney Biennale 2008, Sydney, Australia
: Witte de With curated section: “Show Me Don’t Tell Me”, Brussels Biennale, Brussels, Belgium
: 79a Brick Lane, London, UK
: “The Gentle Art of Collapsing the Expanded Field”, Cardenas Bellanger, Paris, France
: “Leftovers”, Micamoca Berlin, Berlin, Germany
: “Menschheit”, Mother’s Tankstation, Dublin, Ireland
: “Aquarium Paintings”, with Nick Austin, Center, Berlin, Germany (solo)
: Ursula Blickle Stiftung, Kraichtal, Germany (solo)
: “Recent Haircuts”, Uplands Gallery, Melbourne, Australia / Gambia Castle, Auckland, New Zealand (solo)
: “Moment Making”, Artspace, Auckland, New Zealand
: The Köln Show 2, European Kunsthalle / Galerie Sprueth Magers, Cologne, Germany
: “Domestic Irony”, Museion, Museum of Modern and Contemporary Art Bolzano, Italy
: “Filaturen”, Sies + Höke Galerie, Düsseldorf, Germany
: “Paltry Motion”, Dunedin Public Art Gallery, Dunedin, New Zealand (solo)
: “Compression Club”, Michael Lett, Auckland, New Zealand (solo)
2007: “Monthly Cowards”, Gambia Castle, Auckland, New Zealand (solo)
: “Post Mass Audience Age”, Hamburg Hfbk Gallery, Hamburg, Germany
: “News is also on Television”, live performance with Tahi Moore, Michael Lett, Auckland, New Zealand
: “Archiving Fever”, Adam Art Gallery, Victoria University, Wellington, New Zealand
: “Mostly Harmless”: performance series (with Tahi Moore), Govett-Brewster Art Gallery, New Plymouth, New Zealand
: “54321” Performance Projects (with Tahi Moore), Auckland Art Gallery, Auckland, New Zealand
: “Break/Construct”, Govett-Brewster Art Gallery, New Plymouth, New Zealand
: “SCAPE”, Art & Industry Biennial, Christchurch, Australia (solo)
: “The Natural Order of Tact”, solo presentation at Michael Lett, LISTE 06 Art Fair, Basel, Switzerland (solo)
2006: “Old entertainment system”, Window, Auckland, New Zealand (solo)
: “Old Things”, Michael Lett, Auckland, New Zealand (solo)
: “Tahi and Simon find the morning towards the border of bewilderment and begin construction”, with Tahi Moore, George Fraser Gallery, Auckland, New Zealand
2005: “Arranging Sympathies, Volume Series”, The Physics Room, Christchurch, Australia (solo)
: “They Who Would Eat the Fruit Must First Climb the Tree”, with Tahi Moore, RM103, Auckland, New Zealand
: “A Process of Bewilderment”, with Tahi Moore, Enjoy Public Art Gallery, Wellington, New Zealand
2004: “Left Di Right”, with Tahi Moore, Special Gallery, Auckland, New Zealand

Simon Denny

(New Zealand, born 1982)

Simon Denny

Simon Denny

Simon Denny

Biography

Timeline

Exhibitions

Newsletter Signup