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Galerie Maximillian
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Beatriz Milhazes
(
Brazilian
, born 1960)
Beatriz Milhazes
Fishbowl,
2011
Price on Request
Beatriz Milhazes
Fishbowl,
2011
Price on Request
Biography
Timeline
Exhibitions
Public Collections
Literature
Timeline
1960
Nasceu no [ Born in ] Rio de Janeiro, Brasil
1978 - 1981
Curso de Comunicação Social SACHA
1980 - 1982
Escola de Artes Visuais do Parque Lage, Rio de Janeiro, Brasil
1986 - 1996
Taught and coordinated activities at the School of Visual Arts, Lage Park, Rio de Janeiro, Brazil
1986 - 2001
Set design for Companhia Márcia Milhazes Dança Contemporânea
Vive no [ Lives and Works in ] Rio de Janeiro, Brasil
Exhibitions
2014
Beatriz Milhazes. Jardim Botanico, Peréz Art Museum, Miami, USA (solo)
Cool Place. Sammlung Scharpff, Kunstmuseum Stuttgart, Stuttgart, Germany
The Fifth Season, James Cohan Gallery, New York, USA
Beauty Reigns: A Baroque Sensibility in Recent Painting, The McNay Museum, San Antonio, USA
Inventário da Paixao, Museo Histórico National, Rio de Janeiro, Brazil
Unbound: Contemporary Art After Frida Kahlo, Museum of Contemporary Art Chicago, Chicago, USA
Cruzamentos: Contemporary Art in Brazil, Wexner Center for the Arts, Ohio, USA
2013
Back Home, Paço Imperial, Rio de Janeiro; traveling to Museum Oscar Niemeyer (MON), Curitiba (solo)
Eco Art, Centro Municipal de Cultura Dr. Henrique Ordovás Filho, Caxias do Sul
Joaillier des Arts, Fondation Cartier pour l’Art Contemporain, Paris
Gravura Brasileira no acervo da Pinacoteca de São Paulo - 100 Anos de História, Pinacoteca do Estado de São Paulo, São Paulo
Beatriz Milhazes, Fundação Calouste Gulbenkians, Lisboa
Panamericano, Beatriz Milhazes - Pinturas 1999 - 2012, MALBA-Fundacion Costantini, Buenos Aires (solo)
2012
Gravuras- Acervo Pinacoteca do Estado de São Paulo, CAIXA Cultural, Rio de Janeiro
Mulheres nas coleções João Sattamini e MAC de Niterói, Museu de Arte Contemporânea de Niterói, Niterói, Rio de Janeiro
Fondation Beyeler, Basel (solo)
Whitechapel Gallery, The Gallery at Windsor, Vero Beach (solo)
Mulheres, Artistas e Brasileiras, Palácio do Planalto, Praça dos Três Poderes
Galerie Max Hetzler, Berlin (solo)
Vestígios de Brasilidade, Santander Cultural, Recife
2011
Mathématiques, un dépaysement soudain, Fondation Cartier pour l’Art Contemporain, Paris
A Giant by Thine Own Nature, IVAM - Institut Valencià d'Art Modern, Valencia
2010
Stephen Friedman Gallery, London (solo)
40, Texas Gallery, Houston TX
Banners of Persuasion. Demons, Yarns & Tales: Tapestries by Contemporary Artists, James Cohan Gallery, New York
2009
When Lives Become Form, Museum of Contemporary Art, Tokyo, Japan
Fondation Cartier, Paris, France (solo)
"The Tropics. Views from the Middle of the Globe," Martin Gropius Bau, Berlin, Germany
Marty Walker Gallery, Dallas, TX
Retrospective, Pinacoteca do Estacao, Sao Paolo, Brazil (solo)
2008
James Cohan Gallery, New York, NY (solo)
Prospect .1 New Orleans, New Orleans, LA, curated by Dan Cameron
Ministério da Cultura, “Exposição Comemorativa de 70 Anos do IPHAN”
2007
Galerie Fortes Vilaca, Sao Paolo, Brasil (solo)
Itaú Cultural, Sáo Paulo, Brazil, “Itaú Contemporâneo – Arte no Brasil de 1981 a 2006
Museum of Modern Art, New York, What is Painting? Contemporary Art from the Collection
Instituto Tome Ohtake, Sáo Paulo, Brazil, 80/90 Modernos Pós Modernos, etc.
Mid-America Arts Alliance, Kansas City, Missouri, “Cardinal Points/Puntos Cardinales: A Survey of Contemporary Latino and Latin American Art from the Sprint Nextel Art Collection
Paço Imperial, do Instituto do Patrimônio Histórico e Artístico Nacional – IPHAN
James Cohan Gallery, New York, NY, Beatriz Milhazes, New Prints (solo)
Pinacoteca do Estado de São Paulo, Brazil (November) (solo)
Galerie Max Hetzler, Berlin, Germany (solo)
Southeastern Center for Contemporary Art, Winston-Salem, NC, POPulence
Beatriz Milhazes, Galerie Max Hetzler, Berlin-Mitte, Germany
Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York, Off the Shelf: New forms in Contemporary Artists’ Books
Los Usos de la Pintura II, Espacio 1414, San Juan, Puerto Rico
Museum of Modern Art, New York, NY, Since 2000: Printmaking Now
Shanghai Biennale, Shanghai Art Museum, Shanghai
Museu de Arte Moderna de São Paulo- Grande Sala, SP, Brazil, Sem Título, 2006
Centro Cultural do Santander Banespa, Rio de Janeiro, Brazil, É HOJE na Arte Brasiliera Contemporânea” curated by Gilberto Chateaubriand
San Francisco Museum of Art, San Francisco, CA, Betweeen Art and Life: The Contemporary Painting and Sculpture Collection
Espacio 1414, San Juan, Puerto Rico (solo)
2006
Domaine de Kerguéhennec, Centre d’Art Contemporain, Bignan, France, Dear Friends
Comodato Eduardo Brandão e Jan Fjeld
Espacio 1414, San Juan, Puerto Rico, “Los Usos de la Pintura II”, curated by Julieta Gonzalez
POPulence, Blaffer Gallery – The Art Museum of The University of Houston, Texas, USA
Stephen Friedman Gallery, Londres, GB (solo)
Museu de Arte da Pampulha, Mezanino out/nov Belo Horizonte MG, Brazil, Lagoa (solo)
Flower Myth - Van Gogh to Jeff Koons, Foundation Beyeler, Basel, Suíça
Joa, Stephen Friedman Gallery, London, UK
2005
Peace and Love, commissioned by Platform for Art, Gloucester Road Tube
Barbara Krakow Gallery, Boston, MA, Print Publisher’s Spotlight: Durham Press
The Flower as Image, Louisiana Museum of Modern Art, Humlebæk, Denmark
Polyphony: Emerging Resonances, 21st Century Museum of Contemporary Art,
Flower as Image-From Monett to Jeff Koons; Louisiana Museum, Dinamark
James Cohan Gallery, New York, NY, “Summertime” (solo)
Galeria Fortes Vilaca, Sao Paulo, Brazil, “Meu Prazer” (solo)
Natureza-Morta/Still Life, Julho a Novembro de 2004 curadoria Kátia Canton, Galeria de Arte do Centro Cultural SESI, São Paulo
Ice Hot Recent Painting from the Scharpff Collection, Hamburger Kunstalle, Staatsgalerie Stuttgart, Hamburg Germany
The Encounters in the 21st Century: Polyphony - Emerging Resonances, 21st Century Museum of Contemporary Art, Kanazawa, Japão
XXVI Bienal Internacional de São Paulo, São Paulo, Brasil
Moma at el Museo -Latin American and Caribbean art from the Collection of the Museum of Modern Art, El Museo del Bairro, Nova York, USA
Gávea, Projeto Brasil 40º , Desenho para a fachada da loja de departamentos Selfridges & Co, Manchester, GB
2004
Meu Prazer, Galeria Fortes Vilaça, São Paulo, Brasil (solo)
Estratégias Barrocas – Arte Contemporânea Brasileira, Centro Cultural Metropolitano de Quito, Equador
Galerie Max Hetzler, Berlin, Alemanha (solo)
Beatriz Milhazes, Domaine de Kerguéhennec-Centre d'Art Contemporain, Bignan, França (solo)
2003
Pavilhão Brasileiro [ Brazilian Pavilion ] L Biennale Internazionale d’ Arte, Veneza, Itália
Centre d’Art Contemporain, Bignan, France, Domaine de Kerguehennec (solo)
2002
Stephen Friedman Gallery, London, GB (solo)
Mares do Sul, Centro Cultural Banco do Brasil, Rio de Janeiro, Brasil (solo)
Artist’s Book Project, Museum of Modern Art, New York, EUA (solo)
Urgent painting, Musee d'Art Moderne de La Ville de Paris, France
2001
Hybrids, Tate Liverpool, UK
Viva a Arte Brasileira, Museu de Arte Moderna do Rio de Janeiro, Brazil
Museo Rufino Tamayo, Mexico City, Mexico
Ikon Gallery, Birmingham, GB (solo)
Birmingham Museum of Art, Alabama, EUA (solo)
Galeria Elba Benitez, Madrid, Spain (solo)
Galeria Pedro Cera, Lisbon, Portugal (solo)
Faicciones, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
Projects 70, Museum of Modern Art, New York, USA
2000
Edward Thorp Gallery, New York, NY (solo)
Galeria Camargo Vilaça, São Paulo, Brasil (solo)
1999
Transvanguarda Latino Americana, Culturguest, Lisbon, Portugal
Stephen Friedman Gallery, London, England (solo)
1998
Anna Niemeyer, Rio de Janeiro, Brazil (solo)
Galerie Nathalie Obadia, Paris, France (solo)
Paço Imperial, Rio de Janeiro, Brazil (solo)
XXIV Bienal Internacional de São Paulo, São Paulo, Brazil
Biennale of Sydney, Sydney, Australia
1997
Decorative Strategies, Center for Curatorial Studies Bard College, Annandale-on-Hudson, New York, USA
Group Show, Kunstmuseum, Heidenheim, Germany
Abstract Painting, Once Removed, Contemporary Arts Museum, Houston, USA
Museo Alfredo Andersen, Curitiba, Brazil, “Beatriz Milhazes, 1989/1993” (solo)
Edward Thorp Gallery, New York, NY (solo)
Galeria Camargo Vilaça, São Paulo, Brazil, catalogue (solo)
Centro de Artes Calouste Gulbenkian, Rio de Janeiro, Brazil
1996
Edward Thorp Gallery, New York, NY (solo)
Theories of the Decorative, Baumgarther Galleries Inc., Washington DC, USA; travelling to
1995
Projecto Finep, Paço Imperial, Rio de Janeiro, Brazil
"Carnegie International," The Carnegie Museum of Art, Pittsburgh, PA
Dorothy Goldeen Gallery, Los Angeles, CA (solo)
1994
Ana Maria Niemayer Galeria, Rio de Janeiro, Brazil (solo)
1993
Galeria Camargo Vilaça, São Paulo, Brazil, catalogue (solo)
1991
Subdistrito Comercial de Arte, São Paulo, Brazil, catalogue (solo)
1990
Galeria Saramenha, Rio de Janeiro, Brazil (solo)
Bienal International de Cuencas, Cuencas, Ecuador
1989
Pasárgada Arte Contemporânea, Recife, Brazil (solo)
1988
Galeria Suzana Sassoum, São Paulo, Brazil (solo)
1987
Galeria Cesar Ache, Rio de Janeiro, Brazil, catalogue (solo)
1985
Galeria Cesar Ache, Rio de Janeiro, Brazil (solo)
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Public Collections
The Carnegie Museum of Art, Pittsburgh
The Museum of Modern Art, New York
Salomon R. Guggenheim Museum, New York
Coleção Banco Itaú, São Paulo
Museu de Arte Moderna, São Paulo
Museu de Belas Artes de Caracas, Caracas
Museu de Arte Contemporânea de Niterói, Rio de Janeiro
Museu de Arte Moderna, Rio de Janeiro
Deutsche Bank Collection, Berlin
21st Century Museum of Contemporary Art, Kanazawa
Fundacion La Caixa, Barcelona
Coleção Berardo, Lisbon
Museo Nacional Centro de Arte Reina Sofia, Madrid
Museo TB A21. Thyssen- Bornemisza Art Contemporary, Vienna
Birmingham Museum of Art, Birmingham
Worcester Art Museum, Massachussetts
The Metropolitain Museum of Art, New York
The Bohan Foundation, New York
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Literature
2006
Sur La Terre, “Beatriz Milhazes; Une peinture libre, rythmée et audacieuse,” Summer 2006, no.18. p. 92-95
Vogue, “Kurvenstars,” Bernd Skupin, May (German edition) p. 189
Elle Décor, “Beatriz Milhazes,” David Colman, April, v. 17, no. 3, p. 62-64
Istoe, “A pintora braslieira do MoMA e da Copa; Beatriz Milhazes vende obra para museu dos EUA e faz cartaz do mundial,” Celina Cortes, April
2005
Modern Painters, “Dark Side of the Bloom,” Martin Herbert, December 2005-2006 p 78-81
Jungle Drums #31, “How Beautiful,” Tutu Lombardi, December 2005-January 2006 p 10
Guardian Guide, “Beatriz Milhazes,” Jessica Lack, Nov. 26- Dec. 2, p 36
Time Out London, “Beatriz Milhazes,” Stephen Friedman, 7-14 December 2005, p 48
Art News, “Reviews: New York,” James Cohan, February, p. 133-134
Metro, “Peace and Love on Platform,” Nov. 24 2005, p 52
Revista Epoca, “Colecionadora de Imagens,” Beatriz Velloso, April 19, No. 309, pp 110- 111
Valor, “Prazeres da Arte,” Leila Gouvea, weekend issue, April 16-18
Art on Paper, “Graphic Exuberance- Beatriz Milhazes, Copacabana,” Vol 8 No. 3, January/February, p 32-33
Jornal O Globo, “Arcevo do MOMA mostra Como os EUA Veem a Arte Latino- Americana,” Helena Celestino, Vol 2, No. 6, March 26
O Estado de Sao Paulo, “A Vertiginosa Pintura de Beatriz Milhazes,” Maria Hirszman, Vol 2, No. 2, p 8, April 19
Jornal do Brasil, “A Cores do Brasil Rumo ao Japao,” Gilbert de Abreu, Vol B, No. 4, March 31
Jornal Folha de Sao Paulo, “A Geometria que Explode o Quadrado e o Circulo,” Luiz Roberto Goncalves, Sunday, May 2
2004
KASA- Decoracao e design, “Belas Artes,” Luiz Claudo Rodrigues, Vol 2, No. 13 p 82
Gazeta Mercantil, “A Herdeira das Coler de Tarsila,” Elaine Bittencourt, weekend issue, No. 6, April 24-25
2003
Vogue Brasil, “Cores, Nomes,” Celso Fioravante, No. 304, p 180-183
The New York Times Magazine, “Footnotes- Resources, References, and Back Story Behind the Story,” Horacio Silva, March 9, Section 6, p 62
Urgent Painting, essai de Patricia Falguières : « 134 vues du monde » ; Julia Garimorth : « Images peintes / Images mécanique » ; et Paulo Herkenhoff : « Entretien avec Julia Garimorth » ; Musée d’art moderne de la Ville de Paris
Vitamin P : New perspetive in painting, Meghan Dailey, « Beatriz Milhazes », Phaidon Press, London
The New York Times- Art Guide, “Polly Apfelbaum and Beatriz Milhazes,” April 26, E 34
The New Yorker, “Polly Apfelbaum and Beatriz Milhazes,” May 13
Flash Art News, “Just What is it Makes Today’s Paris so Different, so Appealing?” Pascal Beausse, March/April
2002
Artforum, “Beatriz Milhazes,” Michael Archer, preview, Semtember, XLI, No. 1, p 84
Time Out, “Beatriz Milhazes- Stephen Friedman West End,” Mark Godfrey, May 1-8
ArtForum, “Beatriz Milhazes,” Philip Auslander, November p 149-150
2001
F(ri)cciones-Versiones del Sur, Adriano Pedosa et Ivo Mesquita, Museo Nacional Centro de Arte reina Sofia, Madrid
Beatriz Milhazes, essai de Paulo Herkenhoff : « Beartriz Milhazes, The Brazilian Trove », introduction de simon Wallis, David Ryam : « Hybrid », Tate Liverpool
Beatriz Milhazes, essai de David Moos : »La leçon de peinture », Ikon Gallery, Birningham, U.S.A.
Espelho Cego, essai de Dan Cameron : »Vislumbres de encantamento » et Marcia Fortes : « O espelho cego », Paço Imperial, Rio de Janeiro and Museu de Arte Moderna, Sao Paulo
Art in America, “Beatriz Milhazes at Edward Thorp,” Carl Littie, May, p 171
Art Review, “State of Art,” Lucy Spriggs, June, p 59
National Museum of Women in the Arts, Washington, D.C. "UltraModern: The Art of contemporary Brasil"
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