Featuring a curated collection of sculptures that push the boundaries of artistry and perception. Join us as we delve into the unique visions of these renowned artists, each piece offering a glimpse into their distinct creative worlds.The exhibition will be on view from February 15th - March 18th, 2024. Please visit the gallery at 521 W. 26th St, Floor 5, NYC.For more information on the exhibition and available work, please reach out to [email protected] or +1(212) 226-8680.
About the artists:
Jonas Wood (b. 1977)
Jonas Wood is renowned for his distinctive and vibrant depictions of everyday objects, including pots. Born in 1977, Wood has garnered widespread acclaim for his unique approach to blending traditional artistic techniques with a modern aesthetic.Wood often explores the intersection of art, design, and domesticity in his works, with pots being a recurring motif in his oeuvre. His fascination with these everyday vessels goes beyond their utilitarian purpose, as he elevates them to the realm of fine art through his bold use of color, pattern, and composition.One of the remarkable aspects of Jonas Wood's pots is his ability to capture the essence of these objects while infusing them with a sense of personality and character. His compositions often feature pots of various shapes and sizes arranged in dynamic and visually engaging ways. The pots become not just inanimate objects but subjects with their own stories to tell.Beyond the aesthetic appeal, Jonas Wood's pots serve as a reflection of his broader exploration of memory and personal history. The objects he chooses to depict are often sourced from his immediate surroundings, imbuing his art with a sense of intimacy and familiarity. This connection to the everyday, coupled with his artistic skill, creates a bridge between the mundane and the extraordinary.
Daniel Arsham (b. 1980)
Daniel Arsham's "Future Relics" series challenges our perception of time and materiality by presenting familiar items, such as cameras, telephones, and even iconic cultural symbols, as if they have undergone a process of petrification or decay. The artist uses materials like crushed volcanic ash, crystal, and other minerals to give the sculptures a weathered, eroded appearance, as if they have been unearthed after centuries buried underground.These objects, which are usually associated with contemporary life, take on a surreal and enigmatic quality in Arsham's hands. By presenting them as future relics, he prompts viewers to consider the transitory nature of our present-day technology and cultural symbols. The series encourages contemplation on the ephemerality of the things we consider permanent and the potential for their transformation over time.Arsham's meticulous attention to detail in creating these sculptures adds to the illusion of archaeological finds, further blurring the boundaries between reality and fiction. The artist's fascination with archaeology and the concept of future relics taps into a universal curiosity about the passage of time and the cyclical nature of civilizations.Through "Future Relics," Daniel Arsham not only creates visually striking and conceptually rich artworks but also invites viewers to reflect on the impermanence of the contemporary world. The series challenges us to consider how the objects we surround ourselves with today might be perceived by future generations and encourages contemplation of the inevitability of change and evolution.
Yves Klein (b. 1928 d. 1962)
100 years after François Pompon's success at the Salon d'Automne, the artist's iconic white bear meets Yves Klein's blue, converging in what is known as L'Ours Pompon. This production is the result of a meticulous collaboration between Yves Klein & François Pompon Estates. The handmade resin sculpture is made from Pompon's original mold with blue Klein finishing and positioned in an acrylic display case.In 2022 Artémus Éditions, an art publisher with a fervent admiration for Klein's work, suggested to the Yves Klein Foundation the application of the renowned IKB onto an equally iconic masterpiece: the polar bear by François Pompon.Brock Deboer (b. 1985) Brock Deboer's artistic process as a ceramic sculptor utilizes porcelain, historical motifs, and surface treatments to recontextualize everyday objects, items from his past, and objects of popular culture. Many are highly nostalgic to his generation and beyond, touching on many facets of everyday life. Deboer's highly crafted casts in porcelain become archival, altering their permanence while questioning the value of these everyday objects.
Jean Paul Donadini - (b. 1951)
A French painter, Jean Paul Donadini was born in Troyes and graduated from the Beaux Arts of Nancy in 1973 and the Beaux Arts of Paris in 1976. Currently, he works and lives in Paris and has exhibited extensively across the globe.Donadini's paintings captivate with their vibrant colors and dynamic compositions. His work pulsates with energy, each brushstroke echoing a symphony of emotions. Donadini's mastery lies in his ability to blend abstract, painterly forms with three-dimensional elements.His use of texture adds depth, inviting viewers to explore the layers of meaning within each piece. Through bold contrasts and subtle nuances, Donadini captures the essence of the artist's experience, blurring the line between the process and final product.
Casper Braat (b. 1991)
Dutch artist Casper Braat is a visual artist and art director based in Amsterdam. His work presents the everyday as pure extravagance, a perspective that is driven by his profound fascination with consumer society.Braat's marble sculptures mimic real-life objects such as chocolate bars, suitcases, and skateboards, captivating viewers with their intricate detail and surreal representation. These sculptures blur the line between reality and artistry, challenging perceptions and sparking curiosity.Skillfully handcrafted, each piece showcases the remarkable ability to transform a solid block of marble into something ordinary. The smooth, polished surface of marble adds to the illusion, creating a striking contrast between the perceived texture of the object and the stone's inherent smoothness.The allure of these sculptures lies in their ability to evoke a sense of wonder and amusement. Viewers are drawn to the uncanny resemblance to familiar objects, prompting them to question the boundaries of artistic expression and the limitations of the medium.
