ALEXANDRE KYUNGU MWILAMBWE: Mlango (The Door)

ALEXANDRE KYUNGU MWILAMBWE: Mlango (The Door)

260 Utah Street San Francisco, CA 94103, USA Saturday, March 30, 2024–Saturday, May 4, 2024


scar areas i by alexandre kyungu mwilambwe

Alexandre Kyungu Mwilambwe

Scar Areas I, 2021

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ebonga sit down, c’est notre espace v by alexandre kyungu mwilambwe

Alexandre Kyungu Mwilambwe

Ebonga sit down, c’est notre espace V, 2017

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nzoloko map by alexandre kyungu mwilambwe

Alexandre Kyungu Mwilambwe

Nzoloko Map, 2018

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ebonga sit down, c’est notre espace i by alexandre kyungu mwilambwe

Alexandre Kyungu Mwilambwe

Ebonga sit down, c’est notre espace I, 2017

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the scar of the earth ii by alexandre kyungu mwilambwe

Alexandre Kyungu Mwilambwe

The Scar of the Earth II, 2022

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nzoloko of northwest germany by alexandre kyungu mwilambwe

Alexandre Kyungu Mwilambwe

Nzoloko of Northwest Germany, 2020

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untitled by alexandre kyungu mwilambwe

Alexandre Kyungu Mwilambwe

Untitled, 2017

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autoportrait by alexandre kyungu mwilambwe

Alexandre Kyungu Mwilambwe

Autoportrait, 2016

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nzoloko of northern and central germany by alexandre kyungu mwilambwe

Alexandre Kyungu Mwilambwe

Nzoloko of Northern and Central Germany, 2020

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the scar of the earth v by alexandre kyungu mwilambwe

Alexandre Kyungu Mwilambwe

The Scar of the Earth V, 2022

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scar areas iii by alexandre kyungu mwilambwe

Alexandre Kyungu Mwilambwe

Scar Areas III, 2021

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la frontière trouée (the hole in the border) by alexandre kyungu mwilambwe

Alexandre Kyungu Mwilambwe

La frontière trouée (The Hole in the Border), 2023

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Alexandre Kyungu Mwilambwe lives and works in Kinshasa, Democratic Republic of the Congo. He appropriates found objects — rubber tire innertubes, doors, antiquated maps — and the vocabulary of traditional body modification (Nzoloko, or scarification, a pre-colonial tradition that continues in contemporary Congolese society) to explore identity, the legitimacy of political boundaries, and the possibility of mobility in a post-colonial world.   

Combining Nzoloko marks with the language of cartography, Kyungu Mwilambwe’s practice ranges freely between painting, drawing, sculpture and installation. The found materials he works upon — old doors, used vehicle tires, or obsolete maps — serve as both physical and conceptual substructures for his artworks. The objects themselves are metaphors for the ability to pass from one place to another, to transport the self or belongings, and to find your place in the world. He incises, abrades, and gouges into these historical objects in what he refers to as "cartographic essays," that aim to represent a new, more open, global world order.    

Alexandre Kyungu Mwilambwe (b. 1993, Democratic Republic of the Congo) studied art at the Kinshasa Academy of Fine Arts. He is co-founder of the Vision Total group and recipient of international fellowships including the WIELS residency in Brussels, Belggium. His work has been presented at the Capesaro Museum in Venice in conjunction with biennale d'archictecture di Venezia, in Paris in collaboration with AKKA Project, and at the Dakar Biennale. This is his first solo exhibition in the United States.