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12 December 2024
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New York
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Artworks
Artists
James Hopkins
(
British
, born 1976)
James Hopkins
Goofy and the Gang,
2003
Price on Request
Biography
Timeline
Exhibitions
Public Collections
Literature
Timeline
1976
Born Stockport, Cheshire, UK
1995 - 1998
BA (Hons) Fine Art Sculpture, University of Brighton, UK
2000 - 2001
Postgraduate Diploma in Fine Art, Goldsmiths College, London, UK
2000
Future Memories Award, Guernsey Museum & Art Gallery, Channel Islands, UK (winner)
2001 - 2002
MA Fine Art, Goldsmiths College, London, UK
2011
Angled Ball, for the Borough of Brent, London, in association with Futurecity
2012
Playful Seating, for Berkeley Homes, Cambridge, in association with Futurecity
Lives and works in Guernsey and London, UK
Exhibitions
2013
The Space Between the Stars, Scream, London, UK
2012
Figuratively Speaking, Jacobʼs Island Gallery, London, UK
Changwon Sculpture Biannale, Changwon City Museum, Korea
Artkapsule, Koleksiyon, London, UK
The End, Jacobʼs Island, London, UK
Paper and cardboard, The Diocesan Museum, Milan, Italy
By Mistake: Accidents as Creative Tools, Observatori 2011
International Festival of Artistic Investigation, Valencia, Spain
Materializing Perspectives, Salon Vert, London
2011
Graceland, Paul Simon Homes, London
Art Which Is Also A Disco, Decima Gallery, London
2010
Guerrero Gallery, San Francisco, USA
Cash for Gold, Almada, London, UK
Terminator, Camberwell College Arts Space, London, UK
A Trick of the Light, Primo Alonso Gallery, London, UK
Dawnbreakers, John Hansard Gallery, Southampton, UK
A Trick of the Light, Primo Alonso Gallery, London (forthcoming)
Natural Wonders: New Art From London, Baibakov Art Projects, Moscow
Saxon, Schwartz Gallery, London (forthcoming)
EastInternational, Norwich, UK
2009
Eat Me-Drink Me, The Goss-Michael Foundation, Dallas, Texas, USA
The Beauty of the mistake, Lisbon, Portugal (forthcoming)
2008
James Hopkins / Conrad Ventur, Unosunove, Arte Contemporanea, Rome, Italy
Inside Outside, The New Art Center, Roche Court, Salisbury sculpture park
Le renouveau du temps, Maison Guerlain, Paris
Galleria 1/9 unosunove, Rome (solo)
Gravity. Collection Ernesto Esposito, Centro-Museo Vasco de Arte Contemporaneo, Spain
Mirrors and Secret Desires, Hamburger Kunsthalle, Hamburg, Germany
Artists Playground, Sudeley Castle, UK
The Other Way Around, Cosmic Gallerie Paris, France
Hiroshima Art Document 2008, The former Bank of Japan Hiroshima branch, Japan
The Freak Show, Mint Museum, Paris, France
Artists’ Playground, Sudeley Castle garden sculpture exhibition, UK
Bienal de Escultura de Valladolid, Hospederia Patio of the Monastery of San Benito, Spain
Space Oddity, Cosmic Gallery, Paris, France
Triennale di Milano, Milan, Italy
Goss-Michael Collection, New Foundation, Texas, USA
Freak Show, Musée d’art contemporain, Lyon, France
World Receiver – 10th Anniversary of the Galerie der Gegenwart, Hamburger Kunsthalle, Hamburg, Germany
2007
Max Wigram Gallery, London, UK (solo)
2006
Wasted Youth, Cosmic Gallery, Paris, France , (solo)
Hole In My Eye, Max Wigram Gallery, London, UK , (solo)
Still Life, New Art Centre, Salisbury, UK
Choosing my religion, Kunstmuseum Thun, Switzerland
A Brighter Day, James Cohan Gallery, New York, USA
Eretica: L’Arte contemporanea dalla trandescenza al profano, Palazzo di Sant’ Anna, Palermo, Italy
From This End To That, Rivington Arms Gallery, New York, USA, (solo)
Heliotrope, Whitechapel Project Space, London, UK, (solo)
2005
All Boys (curated by Gary Webb), rue du Chantier, Brussels, Belgium
Collection 2, Solomon Foundation, D’Arenthon, France
2004
Selected Sculpture, MWprojects, London, UK
Fata Morgana, Centre d’Art d‘Ivry, France
Abstract Expressionism in Contemporary Figurative Sculpture, Johann Koenig Gallery, Berlin, Germany
Chockerfuckinblocked, Jeffrey Charles Gallery, London, UK
Jerwood Sculpture Prize, The Jerwood Space, London, UK
Boiler Room, The Saatchi Gallery at County Hall, London, UK
2003
Mat COLLISHAW, James HOPKINS, Richard WOODS, Cosmic Gallery, Paris, France
Limbo of the Lost, MWprojects, London, UK, (solo)
2002
Kontakte Keep on Living, Neon Gallery, London, UK
Plinth, The Trade Apartment, London, UK
2001
Foyer, 291 Gallery, London, UK
Hoax, Lux Gallery, London, UK
Multispace, Gallery Expo 3000, Berlin, Germany
All Back to Mine, Deptford X, London, UK
Art Market, 291 Gallery, London, UK
Pagemakers, Gracefield Arts Centre, Gracefield and UK touring
1999
Arts Club, Decima Gallery, London, UK
Medway Open, Rochester Art Gallery, Rochester, UK
Bad Sense of Humour, The Bond Gallery, Birmingham, UK
Analystic, 1 Gallery Court, London, UK
New Contemporary Fine Art, Cupola Gallery, Sheffield, UK
Small Works, Bridgewater Arts Centre, Bridgewater, UK
1998
T.N.R.G Art Trail, St. Mary in the Castle, Hastings, UK
Visual Assault, Winters Gallery, London, UK
Scratch, Crackle and Pop, Phoenix Gallery, Brighton, UK
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Public Collections
Hamburger Kunsthalle, Germany
Cohen Collection, Manchester, UK
Zabludowicz Trust, London, UK
Van Haerents Foundation, Brussels
Salomon Foundation, Annecy, France
The Saatchi Gallery, London, UK
Literature
2008
Francesca Gavin, Hell Bound: New Gothic Art, Laurence King Publishing, London, pp. 58–61
The Great Deceiver, Dazed & Confused magazine, vol. 2 issue no.57, January 2008, pp. 135
2007
Claire Moulène, “The Freak Show” (review), ARTFORUM, November, p. 379-380
Time Out London listings, issue no. 1947 December 12-18 2007
2006
Ossian Ward, Off the wall, Wallpaper, December, p. 70 – 73
Kristen Telfer Beith, Private Review–James Hopkins–Hole in My Eye–Max Wigram Gallery-Kristen Telfer Beith, Private Review–James Hopkins–Hole in My Eye–Max Wigram Gallery-Kristen Telfer Beith, Private Review–James Hopkins–Hole in My Eye–Max Wigram Gallery-Kristen Telfer Beith, Private Review–James Hopkins–Hole in My Eye–Max Wigram Gallery-Kristen Telfer Beith, Private Review–James Hopkins–Hole in My Eye–Max Wigram Gallery-Kristen Telfer Beith, Private Review–James Hopkins–Hole in My Eye–Max Wigram Gallery-Kristen Telfer Beith, Private Review–James Hopkins–Hole in My Eye–Max Wigram Gallery-London, Art Star Press, March 2006
Sally O’Reilly, James Hopkins, Time Out, London, 1-8 March, p. 30
Henri-Francois Debailleux, Hopkins, double vue, Liberation, Paris, 24 March, p.31
Mark Sanders, Another bonehead, Another Magazine, Issue 8, Spring/Summer, p. 108
From This End To That, New Yorker, 2 October
2005
Brian Sholis, James Hopkins, Artforum.com (New York Critics’ Picks), 3 October
2004
Larushka Ivan-Zadeh, Young at Art, The Evening Standard (ES Magazine supplement), London, June
Charlotte Edwards, Studio Life, The Evening Standard, London, 24 September, pp. 46-47
Colin Gleadell, Object of the week, The Daily Telegraph, London, 19 July
Colin Gleadell, Adventures in Saatchiland, Telegraph Magazine, London, 29 March, pp. 46 - 53
Simon Ford, ArtMonthly, June / No 267, p18-19.
Demir Anaid, Persistence Retinienne, Le Journal Des Arts, December 5-8
Demir Anaid, Retinal Stain, The Art Newspaper, December
Shortlist announced: Jerwood Sculpture Prize, a-n magazine, March Issue, p. 23
Fisun Güner, Showing room for growth: Art Review Jerwood Sculpture Prize, Metro, London, 26 February, p. 22
Hepzibah Anderson, Jerwood Sculpture Prize, Evening Standard (Metro Life supplement), London, 7 – 13 March
2003
Darian Leader, An Elastic Band Reality: James Hopkin’s Sculptures have the uncanny ability to make you see sound and lose time, Modern Painters, Issue 16, Summer, pp. 90-93
Andrew Lambirth, Formidable power, The Spectator, London, 17 May, p. 71
Jessica Lack, James Hopkins, The Guardian (Guide supplement), London, 31 May – 6 June, p. 35
Hepzibah Anderson, Evening Standard (Metro Life supplement), London, 27 June – 3 July, p. 41
Sarah Harrison, James Hopkins, Time Out, London, 23-30 July, p. 51
Charlotte Mullins, James Hopkins, The Financial Times, London, July
Philip Hensher, Saatchi moves, The Mail on Sunday, London, 13 April, p. 75
2002
Dee O’Connell, Work In Progress, The Observer Magazine (supplement), London, 8 September, pp. 22 – 27
2001
Nathan Joseph, Distortion Peddler, P.U.R.E, Issue 1, p. 29
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