on the edge

on the edge

41 E. 57th Street Suite 801New York, NY 10022, USA Saturday, February 17, 2024–Saturday, April 13, 2024 Opening Reception: Saturday, February 17, 2024, 3 p.m.–5 p.m.

 Dreamy yet dazzling, mysterious and compelling, Moon’s work possesses a powerful signature style, depicting ethereal beauty and moments of magic in many forms. More than 30 photographs from the late 1980s to 2022 will be on view.

derrière lui-même caché by sarah moon

Sarah Moon

Derrière lui-même caché, 2000

Price on Request

le ventriloque by sarah moon

Sarah Moon

Le ventriloque, 2000

Price on Request

la baigneuse ii by sarah moon

Sarah Moon

La baigneuse II, 2000

Price on Request

on l'appelait val by sarah moon

Sarah Moon

On l'appelait Val, 1999

Price on Request

paule monory by sarah moon

Sarah Moon

Paule Monory, 1996

Price on Request

le rond point des 3 palmiers by sarah moon

Sarah Moon

Le Rond point des 3 palmiers, 1994

Sold

18 juillet by sarah moon

Sarah Moon

18 juillet, 1989

Price on Request

l'atelier by sarah moon

Sarah Moon

L'atelier, 2022

Price on Request

pour yohji yamamoto by sarah moon

Sarah Moon

Pour Yohji Yamamoto, 2019

Price on Request

dior maria grazia chiuri by sarah moon

Sarah Moon

Dior Maria Grazia Chiuri

Price on Request

the clock by sarah moon

Sarah Moon

The Clock, 1999

Price on Request

cinecitta by sarah moon

Sarah Moon

Cinecitta, 2020

Price on Request

 New York—The photography of Sarah Moon, one of France’s most renowned contemporary artists and filmmakers, will be presented by Howard Greenberg Gallery from February 17 through April 13, 2024. Sarah Moon: On the Edge will survey over four decades of her work. 


Dreamy yet dazzling, mysterious and compelling, Moon’s work possesses a powerful signature style, depicting ethereal beauty, transportive places, and moments of magic in many forms. Curated by the artist, more than 30 photographs from the late 1980s to 2022 will be on view at Howard Greenberg Gallery, ranging from her legendary fashion images to landscapes from Coney Island and Tuscany.   


“All along, I tried to avoid the anecdote, looking for an echo between what I see and what I feel, trying to reach that visual point of no return, that second that cannot happen again,” Moon stated. “Today, I realize that minimalism means more and more to me whatever I photograph, trying to get to the essential of what I see, cropping the subject out of its context, reducing it to that second, to that limit of time, grasping light before it vanishes. The photos I am presenting here are on the edge of that attempt.”