"What sets the best Color Field paintings apart from Abstract Expressionism is the extraordinary economy of means with which they manage not only to engage our feelings but also to ravish the eye. At times, it can seem as if the artist's goal was to see how stripped-down a picture could be before it ceased to be interesting to look at."

-Quote of Karen Wilkin (2007), in 'Notes on Color Field Painting' - on the legacy of post-painterly abstraction, occasioned by the exhibition and catalogue for 'Color as Field: American Painting 1950–1975'

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