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Benjamin Parsons Gallery
Oxford
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Martin Creed
(
British
, born 1968)
Martin Creed
Work No. 2852,
2017
6,250 GBP
Biography
Timeline
Exhibitions
Literature
Timeline
1968
Born in Wakefield, England
1986 - 1990
Slade School of Fine Art, London
1990 - 2001
Lived and worked in London
2001
Turner Prize winner
lives and works in Alicudi, Italy
Exhibitions
2014
Art & Sound, Fondazione Prada, Venice, Italy (solo)
Gavin Brown and Hauser & Wirth, New York, USA (solo)
What's the Point of it?, Hayward Gallery, London, England (solo)
BALLET (Work No. 1020), Queen Elizabeth Hall, London, England (solo)
Concert, Royal Festival Hall, London, England (solo)
Annin Arts presents 'Noise Kids' - Adam Green, Fionn Regan, Martin Creed
Rythm in it – Vom Rythmus in der Gegenwartskunst, Aargauer Kunsthaus, Aarau, Switzerland
Ordinary/ Extra/ Ordinary, The Public, West Bromwich, England
Work No. 202, National Gallery of Canada, Ottawa, Canada (solo)
Work No. 1513: Half the air in a given space, THEMUSEUM, Kitchener, Canada (solo)
Galleria Lorcan O'Neill Roma, Rome, Italy (solo)
Artist Rooms Martin Creed, Ferens Art Gallery, Hull, England (solo)
Work No. 1562: Half the Air in a Given Space, Museum De Paviljoens, Almere, The Netherlands (solo)
Work No. 1461, Hauser & Wirth, Nwe York, USA (solo)
Scales, Aldrich Museum, Aldrich, USA (solo)
Gavin Brown's Enterprise, New York, USA (solo)
2013
BALLET (Work No. 1020), The Kitchen, New York, USA (solo)
2012 - 2013
Museo de Arte de Lima,MALI, Lima, Peru
Martin Creed in conversation with Fiona Bradley at ICA (January 9th), London, England (solo)
Down Over Up, Edinburgh Art Festival Exhibition, The Fruitmarket Gallery, Edinburgh, Scotland (solo)
Martin Creed plays Chicago, Museum of Contemporary Art, Chicago, USA (solo)
Martin Creed - Wanting to Say Hello, Conceptual Art Center Bukovje, Landskrona, Sweden (solo)
Ballet: Work No. 1020, Traverse Theatre, The Fruitmarket Gallery, Edinburgh, Scotland (solo)
Michael Lett, Auckland,New Zealand (solo)
House of Art, Ceske Budejovice, Czech Republic (solo)
Work No. 268: Half the Air in a Given Space, Pavement Gallery, Manchester, England (solo)
2012
Work No. 965: Half the Air in a Given Space, Cleveland Art Museum, Cleveland, USA (solo)
Artist Rooms: Martin Creed, Tate Liverpool, England (solo)
Singapore Biennale 2011, Singapore
Private/Corporate VI, Daimler Contemporary, Berlin, Germany
Belief & Understanding, Nicole Klagsbrun Gallery, New York, USA
Folkstone Triennial 2011, Folkstone, England
Johnen Galerie, Berlin, Germany
Sightings: Martin Creed, Nasher Sculpture Center, Dallas, USA (solo)
Johnen Galerie, Berlin, Germany (solo)
Mothers, Hauser & Wirth, London, England (solo)
Biennale di Venezia – 54th International Art Exhibition, Venice, Italy (solo)
MARCO, Museo d'arte contemporanea, De Vigo, Vigo, Spain (solo)
Tardis House, Truro, England (solo)
MAMAC, Nice, France (solo)
Work No. 1059, The Scottsman Steps, Edinburgh, Scotland (solo)
2011
Things - Cosas, Sala Alcalá 31, Madrid, Spain (solo)
Martin Creed: Collected Works, Rennie Collection at Wing Sang, Vancouver, Canada (solo)
Martin Creed, Gavin Brown's enterprise, New York, USA (solo)
Down over up, Edinburgh Art Festival Exhibition, The Fruitmarket Gallery, Edinburgh, Scotland (solo)
2010
Ballet: Work No. 1020, Traverse Theatre Edinburgh festival Fringe, The Fruitmarket Gallery, Edinburg, Scotland (solo)
2009
Hauser & Wirth, Zurich, Switzerland (solo)
2008
Galleria Lorcan O’Neill, Rome, Italy (solo)
Ikon Gallery, Birmingham, England (solo)
Silence: Listen to the show, Fondazione Sandretto Re Rebaudengo, Turin, Italy
Il Futuro del Futurismo. Dalla „rivoluzione italiana all’arte contemporanea, GAMeC, Galleria d’Arte moderna e Contemporanea, Bergamo, Italy
Ensemble, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA
Critical Mass – Kritische Masse. 20 Jahre Stiftung Kunsthalle Bern: Die Sammlung, Kunsthalle Bern, Switzerland
Into Me/Out of Me, MACRO Museo d’Arte Contemporanea di Roma, Rome, Italy
The lights going on and off, BCA - Boston Center for the Arts, USA (solo)
Hauser & Wirth Coppermill, London, England (solo)
Feelings, CCS Bard Hessel Museum, Annandale-on-Hudson, New York, USA (solo)
2007
Martin Creed, Small Things, Hessel Museum of Art & CCS Galleries at 508 W 25th Street, New York, USA (solo)
Douglas Hyde Gallery, Dublin, Ireland (solo)
Hauser & Wirth, Zurich (solo)
I (Ich) / Performative Ontology, Secession, Vienna
Concrete Language, Contemporary Art Gallery, Vancouver
Other Rooms, Other Voices: Contemporary Art from the FRAC Collections, The Israel Museum, Jerusalem
As if by Magic, Art School Palestine, Bethlehem Peace Center, Bethlehem
Nichts, Schirn Kunsthalle, Frankfurt am Main
Martin Creed – Big dogs, MC, Los Angeles
Into Me/Out of Me, P.S.1 MoMA, New York
Good Vibrations – Visual arts and Rock music, Palazzo delle Papesse, Sienna, Italy
Strange, I’ve seen that face before, Museum Abteiberg, Mönchengladbach, Germany
Surprise, Surprise, ICA London
I like things, Fondazione Nicola Trussardi, Arengario, Milan, Italy
Reality, Odense 10’55, Kunshallen Brandts Klaedefabrik, Odense, Denmark
The Sublime is Now! Das Erhabene in der zeitgenössischen Kunst, Museum Franz Gertsch, Burgdorf/Bern, Switzerland
Rubell Family Collection, Miami, USA
Von Mäusen und Menschen, 4. Berlin Biennale für zeitgenössische Kunst, KW Institut für zeitgenössische Kunst, u. a., Berlin, Germany
abstract art now - floating forms (Teil 1 | part 1), Wilhelm-Hack-Museum, Ludwigshafen, Germany
Konzert Martin Creed & Band, 20.01.06, G5, Zurich, Switzerland (solo)
Johnen Galerie, Berlin, Germany (solo)
2006
Martin Creed’s Sick Film, Hauser & Wirth, London, England (solo)
How to Improve the World. 60 years of British Art, Arts Council Collection, Hayward Gallery, London
In Concert, Schirn Kunsthalle, Frankfurt
Feeling strangely fine, Galeria Estrany / De la Mota, Barcelona, Spain
Down – Up, Gavin Brown’s enterprise, New York (solo)
L’humanité mise à nu et l’Art en FRAC, même, Casino Luxembourg, Luxemburg
Joy, Casino Luxembourg, Forum d’art contemporain, Luxemburg
Lichtkunst aus Kunstlicht, ZKM Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
Kunst-Station St. Peter, Cologne, Germany (solo)
Galerie Rüdiger Schöttle, Munich (solo)
2005
Experiencing Duration, Biennale d’art contemporain de Lyon 2005
Des deux côtés du Rhin : Mouvement, Museum Ludwig, Cologne, Des deux côtés du Rhin : Ambiance, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany
Serpentine Gallery, 'State of Play', cur. Rochelle Steiner, London
Kunsthaus Baselland, 'Strategies of Desire', cur. Sabine Schaschl-Cooper, Muttenz
Work No. 330, Galerie Emmanuel Perrotin, Paris, France (solo)
Udjadowski Castle, 'Martin Creed', cur. Pawel Polit, Warsaw, Poland (solo)
Hauser & Wirth, London, England (solo)
2004
Work No. 360: Half the Air in a given space, Johnen Galerie, Berlin (solo)
State of play, Serpentine Gallery, London, England
Work No. 300, GBE Modern, New York, USA (solo)
Small things, Analix Forever, Geneva, Switzerland (solo)
Beaucoup de bruit pour rien, mit Marylene Negro, Frac, Montpellier, France (solo)
Cezary Bodzianowski, Martin Boyce, Rafal Bujnowski, Martin Creed, Slawomir Elsner, Stefan Hablützel, Candida Höfer, Marko Lulic, Thomas Ruff, Wilhelm Sasnal, Johnen & Schöttle, Cologne
Work No. 289,The British School at Rome, cur. Christiana Perrella, Rome, Italy (solo)
Languedoc-Roussillon, 'Beaucoup de Bruit pour Rien', cur. Emmanuel Lattreille, Montpellier (with Marylene Negro)
Kunstverein, 'Soundsystem', Salzburg
Galerie Analix Forever, 'SMALL THINGS', Geneva
Museum Boijmans van Beuningen, 'Shine', Rotterdam
Galerie Thaddaeus Ropac, 'Skulpur 03', Salzburg
2003
Adorno, Kunstverein, Frankfurt, Germany
Kunsthalle Bern, cur. Bernhard Fibicher, Bern, Switzerland (solo)
Wolverhampton Gallery, 'Strike', Wolverhampton, GB
The Museum of Modern Art, 'Tempo', New York NY
Charlottenborg, 'My Head is on Fire but my Heart is full of Love', Copenhagen
CCAC, 'Rock my World: Recent Art and the Memory of Rock’n’Roll', San Francisco CA
Vista Mare associaione culturale, 'On/Of', Pescara, Italy
Galerie Thaddaeus Ropac, 'The Young and the Hung', Salzburg, Austria
Galerie Johnen & Schöttle, 'BOYCE - CREED - SALA - SASNAL', Cologne, Germany
Collection Haubrok, 'No Return', Mönchengladbach, Germany
The Wrong Gallery, New York NY
2002
Alberto Peola Arte contemporanea, 'A large piece of furniture partially obstructing a door', Turin
White Light/White Noise, Mexico City, Mexico
Art/Music: Rock, Pop, Techno, Museum of Contemporary Art, Sydney, Australia
Micromuseum for Contemporary Art, 'Work No. 265', Palermo
Hamilton Art Gallery, Hamilton, Canada
Camden Arts Centre, 'Martin Creed Works', cur. Godfrey Worsdale, London
Work No. 252, Sankt Peter, Cologne, Germany (solo)
The lights off, Galerie Johnen & Schöttle, Cologne, Germany (solo)
Art Now: Martin Creed, Turner Prize 2001, Tate Britain, London, England (solo)
Brighton University Art Gallery, 'Makeshift', cur. David Green, Brighton
Yokohama Museum, 'Space-Jack!', cur. Yukie Kamiya, Yokohama, Japan
2001
Tate Britain, 'Turner Prize 2001', London
Rüdiger Schöttle, Munich (with Anri Sala), Germany (solo)
Fondazione Pistoletto, 'A casa di... ', cur. Giacinto di Pietrantonio, Biella, Italy
Kunstraum Innsbruck, 'The invisible Touch', Innsbruck, Austria
Chelsea & Westminster Hospital, 'Don’t worry', London
'The British Art Show 5', cur. Pippa Coles, Matthew Higgs and Jacqui Poncelet, Edinburgh
Exit Art, 'Collector’s Coice', New York NY
Shed im Eisenwerk, '...Sabotage... ', Frauenfeld, Switzerland
Tate Britain, 'Intelligence: New British Art 2000', London
Martin Creed Works, Southampton City Art Gallery, Southampton, UK (solo)
Whitechapel Art Gallery, 'Protest and Survive', London, England
Work No. 227, Gavin Brown's Enterprise, New York, USA (solo)
Ainsi de suite 3 (Teil II), Centre regional d'art contemporain, Sete, France
Nerve, ICA, London, England
Getting the Corners, Or Gallery, Vancouver, Canada
Porcupines / Arthinking, 291 Gallery, London, England
54 x 54 x 54, Museum of Contemporary art, London, England
Limit Less, Aktuelle Britische Kunst, Galerie Krinzinger, Vienna, Austria
2000
MARTINCREEDWORKS, Camden Arts Centre, London, England (solo)
Work No. 225, Times Square, New York (Project of the Public Art Fund), USA (solo)
Alberto Peola Arte Contemporanea, Turin, Italy (solo)
Space 1999, 'Work No. 160', London, England (solo)
The Portico, 'Work No. 203', London, England (solo)
Cabinet Gallery, London, England (solo)
Galerie Praz-Delavallade, Paris, France (solo)
Art Metropole, Toronto, Canada (solo)
Marc Foxx Gallery, Los Angeles, USA (solo)
ICA, 'Nerve', London
Anthony Wilkinson Gallery, London
Or Gallery, 'Getting the Corners', cur. Matthew Higgs, Vancouver
California College of Arts and Crafts, 'Searchlight: Consciousness at the Millenium', San Francisco
291 Gallery, 'Porcupines/Arthinking', cur. Graham Higgin, London
Museum of Contemporary Art, '54x54x54', London
1999
Galerie Krinzinger, 'Limit Less, Aktuelle Britische Kunst', cur. Matthew Higgs, Vienna
Centre regional d’art contemporain, 'Ainsi de suite 3 (Teil II)', cur. Sabine Schaschl, Sete/F
Kunsthalle, 'Crossings', cur. Cathrin Pichler, Vienna
Galleria Paolo Vitolo, 'An Idea of Art / Art and Life', Milan
Cabinet Gallery, 'Sunday', cur. Matthew Higgs, London
Todd Gallery, 'Not Nothing', London
Galerie Praz-Delavallade, 'Camouflage 2000', Robert Garnett, Paris
Whitechapel Art Gallery, 'Speed', cur. Jeremy Millar, London
South London Gallery, 'Lovecraft', cur. Martin McGeown and Toby Webster, London
11th Biennale of Sydney, 'every day', cur. Jonathan Watkins, Sydney
Wiensowski & Harbord, 'Imitating Christmas', cur. Jen Hoffmann, Berlin
Gavin Brown's enterprise, 'Not Today' New York NY
Spacex Gallery, 'Lovecraft', cur. Martin McGeown and Toby Webster, Exeter, GB
1998
Galerie Analix B & L Polla, Geneva, Switzerland (solo)
Titanik, 'Proper: Blind Date 1', cur. Paula Toppila, Turku, Finnland
The British School at Rome, Rome, Italy (solo)
Victoria Miro Gallery, London, England (solo)
Galleria Paolo Vitolo, Milan, Italy (solo)
Norwich Gallery, 'Imprint 93 (and other related ephemera)', cur. Matthew Higgs, Norwich, GB
CASCO, 'Snowflakes Falling on the International Dateline', Utrecht, Netherlands
Galerie Mot & van den Boogaard, cur. Macha Roesink, Brussels
Art Metropole, 'Answer Affirmative or Negative', Toronto
Up & Co., 'Superstore de Luxe No.1', cur. Sarah Staton, New York NY
Cairn Gallery, Nailsworth, Gloucestershire, GB
CCA, 'Lovecraft', cur. Martin McGeown and Toby Webster, Glasgow
Galerie de l'Ancien College, 'Laure Genillard - Une selection et une collection', Chatellerault
1997
'Dimensions Variable', Helsinki and Stockholm
Three Month Gallery, 'A4 Favours', cur. Padraig Timoney, Liverpool
The Rooms, 'Some Drawings: From London', cur. Kate Bernard, London
Focal Point Gallery, 'Kiss This', Southend-on-Sea/GB
Royal College of Art, 'try', London
Castello di Rivara, 'Affinata', cur. Carolin Lindig, Turin
Eisfabrik, 'weil morgen', cur. Stefan Kalmar, Hannover
Bund, 'Banana Republic', London
Sainsbury Centre for Visual Arts, 'East International', Norwich
Karsten Schubert, 'A Century of Sculptors' Drawings', London
Arts Council Collection, Hayward Gallery, 'Ace!', London/GB
Design Institue, 'The Speed of Light, The Speed of Sound', cur. Jeremy Millar, Amsterdam/NL
Anthony d'Offay Gallery, 'Against', London
1996
Musee d'Art Moderne, 'Life / Live', cur. Laurence Bosse and Hans Ulrich, Paris
Galleria Paolo Vitolo, 'Trace 1995-96', Milan
Javier Lopez Gallery, London
Camden Arts Centre, London, england (solo)
Galerie Analix B & L Polla, Geneva, Switzerland (solo)
Last order(s), 'My Darling Cicciolina... ', cur. Francesca Piovano, London
Frode, 'Snow Job', cur. Lionel Bovier, Geneva
Jibby Beane, 'Multiple Choice', London
Galleria Paolo Vitolo, Milan, Italy (solo)
Starkmann Ltd., 'In Search of the Miraculous', London
Three Rooms and a Kitchen, 'The Fall of Man', Pori, Finnland
Anthony Wilkinson Fine Art, 'Unpop', cur. Bob and Roberta Smith, London
City Racing, 'Imprint 93 / City Racing', cur. Matthew Higgs, London
Laure Genillard Gallery, London
1995
Cubitt Gallery, 'Just Do It', cur. Stefan Kalmar, London
Viafarini, 'Fuori Fase', cur. Angela Vettese, Mila
Todd Gallery, London
ISA, 'Potato', cur. Gary Thomas, Steve McIntyre and Alison Jacques, London
CCA, 'Art Unlimited: Multiples of the 1960s and 1990s', Glasgow
Gio' Marconi, 'Domestic Violence', cur. Alison Jacques, Milan, Italy
Cabinet Gallery, 'Imprint 93/Cabinet Gallery', cur. Matthew Higgs, London
Transmission Gallery, 'Modern Art', Glasgow
Rhizome, 'Conceptual Living', cur. Macha Roesink, Amsterdam, The Netherlands
Marc Jancou Gallery, London, England (solo)
1994
Cubitt Gallery, London, England (solo)
Marc Jancou Gallery, 'The Little House on the Prairie', London
1993
Lisson Gallery, 'Wonderful', Life London, England
Work No. 78, Starkmann Limited, London, England (solo)
1992
Laure Genillard Gallery, 'Inside a Microcosm', cur. Gareth Jones, London
Transmission Gallery, 'Outta Here', cur. Douglas Gordon, Glasgow
Angel Row Gallery, cur. Mark Dey, Nottingham
1991
Laure Genillard Gallery, London
1989
The Black Bull, cur. Tess Jaray, London
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Literature
Martin Creed: “The Lights Off ”, (ex. cat.) Australian Center for Contemporary Art, Melbourne, 2006
Coles, Alex, 'Martin Creed – No Entry', in: Art + Text, Los Angeles, no. 56, February-April 1997
Joliffe, Kira, 'The Idler Presents: owada', in: The Idler, London, no. 18, Spring 1997
Freedman, Carl, 'Generation W(eird)', in: The Guardian, London, May 27, 1997
Kyriacou, Sotiris, 'Propositions', in: Art Monthly, London, no. 208, July-August 1997
Archer, Michael, 'The Object of Art', in: Art Monthly, London, no. 208, July-August 1997
Wilson, Andrew, 'Band Art', in: Art Monthly, London, no. 210, October 1997
Green, David, 'Minimal Interventions', in: Contemporary Visual Arts, London, no. 17, 1997
Pigott, Hadrian, [et al.], 'Go into a shop and ask for nothing', in: very, New York, no. 2, 1997
Gallagher, Ann, 'Dimensions Variable – New Works for the British Council Collection', London: The British Council, 1997
Collings, Matthew, 'Blimey. From Bohemia to Britpop', London: 21, 1997
Stephens, Craig, 'Live Scene: Owada', in: Revolver, Sydney, September 28, 1998
Buck, Louisa, 'UK Artist Q&A' [interview], in: The Art Newspaper, London, no. 86, November 1998
Toppila, Paula, 'Proper (blind date) 1-3', Helsinki: Frame Finnish Fund for Art Exchange, 1998
Cathrin, Pichler, 'Crossings. Kunst zum Hören und Sehen', Vienna: Kunsthalle Wien/Ostfildern: Hatje Cantz Verlag, 1998 (exh.cat.)
Groos, Ulrike, Müller, Markus, 'Make it Funky: Crossover zwischen Musik, Pop, Avantgarde und Kunst', Cologne: Oktagon Verlag, 1998
van den Boogaard, Oscar, 'zonder titel 1 T/M 4', in: Metropolis M, Utrecht, no. 1, February 1997
Bingham, Juliet, Watkins, Jonathan, Spark, Joe, 'every day', Sydney: Biennale of Sydney Ltd, 1998
Rolo, Jane, Hunt, Ian (ed.), 'Bookworks – A Partial History and Sourcebook', London: Bookworks, 1996
Creed, Martin, 'Martin Creed: the whole world + the work = the whole world' artist’s book, text by: John O’Reilly], Geneva: Galerie Analix B&L Polla/London: Karsten Schubert Gallery, 1996
'I Can’t Move' [CD with 7 songs], Toronto: Art Metropole, 1999
'I don’t know what I want. Work No. 320' [CD with 1 song], London: Serpentine Gallery, 2004
Collings, Matthew, 'Matthew Collings on some kind of sculpture show at Laure Genillard', in: City Limits, London, January 1992
Searle, Adrian, 'Martin Creed and Sam Samore', in: Time Out, London, July 21-July 27, 1994
O’Reilly, John, 'Art for Bart’s sake', in: The Modern Review, London, vol. 1, no. 16, August-September 1994
Arts Council of England (ed.), 'Art Unlimited: Multiples of the 1960s and 1990s', London: Arts Council of England, 1994
Lederman, Erika, 'Unlimited Works at Starkmann Limited', in: Art Monthly, London, no. 185, April 1995
--, 'The Ruby Kelly Column', in: Art Review, London, vol. XLVII, June 1995
Kent, Sarah, 'Sound&Vision', in: Time Out, London, August 30 – September 9, 1995
Piccoli, Cloe, 'Martin Creed', in: Flash Art Italia, Milan, December-January 1995-1996
--, 'My Darling Cicciolina', London: FILEF, 1995
Williams, Gilda, 'Martin Creed Tabula Rasa', in: Art Monthly, London, no. 195, April 1996
Norwich Gallery, Sainsbury Centre for Visual Arts (ed.), 'EAST International', Norwich: Norwich Gallery/Sainsbury Centre for Visual Arts, 1996 (exh.cat.)
Frith Street Gallery, Karsten Schubert Gallery (ed.), 'From Figure to Object: A Century of Sculptors', London: Frith Street Gallery/Karsten Schubert Gallery, 1996 (exh.cat.)
'Ace!', London: Arts Council of England, 1996
Bosse, Laurence, Obrist, Hans Ulrich (ed.), 'Life/Live', Paris: Paris-Musées, Éditions des Musées de la Ville de Paris, 1996 (exh.cat)
'EVERTHING IS GOING TO BE ALRIGHT. Work No. 207, 208, 209' [CD with 3 songs], London: The Pier Trust, 1999
Obrist, Basualdo, Bonami, Cameron [et al.], 'cream – contemporary art in culture', London: Phaidon Press, 1998
Jones, Jonathan, 'What’s so minimal about 15 000 balloons?', in: The Observer, London, March 14, 1999
Pinto, Roberto, Williams, Gilda (ed.), 'Arte All’Arte – V edizione 2000', Roma: Gli Ori/San Gimignano: Arte Continua, 2001
Sans, Jerome, 'On Stage', in: The Curator’s Egg, no. 3, 2002
Reindl, Uta, 'Review', in: Tema Celeste, Milan, April 2002, p. 92
Herkenhoff, Paolo, Marcoci, Roxana, Basilio, Miriam, 'Tempo', New York: The Museum of Modern Art, 2002 (exh.cat.)
CCAC Wattis Institute for Contemporary Arts (ed.), 'Rock My World: Recent Art and the Memory of Rock’ n’ Roll' [text by: Ralph Rugoff, Ann Powers, Matthew Higgs], San: Francisco: CCAC Wattis Institute for Contemporary Arts, 2002 (exh.cat.)
Bradley, Will, Bretton-Meyer, Henriette, Webster, Toby, 'My Head is on Fire but my Heart is Full of Love', Copenhagen: Charlottenborg Udstillingbygning/Glasgow: The Modern Institute, 2002 (exh.cat.)
Higgs, Matthew, 'Martin Creed', in: Work, Art in Progress, Trento, no. 7, October-December 2003, pp. 20-21, ill.
--, 'Dancing with myself', in: Work, Art in Progress, Trento, no. 7, October-December 2003, pp. 14-15, ill.
Museum Boijmans Von Beuningen (ed.), 'Shine: Wishful Fantasies and Visions of the Future in Contemporary Art', Rotterdam: Museum Boijmans Von Beuningen, 2003 (exh.cat.)
Michele Maccarone, “Roberto Cuoghi / Michele Maccarone,” Sherman #1, February 2002
Massimiliano Gioni, “Cuoghi e Fantasmi,” Carnet Arte #1, September / October 2003
Rock My World: Recent Art and the Memory of Rock ’n’ Roll, (ex. cat.) Wattis Institute for Contemporary Arts, San Francisco, 2002
My Head is on Fire but my Heart is Full of Love, (ex. cat.) The Modern Institute, Glasgow
Martin Creed: the whole world + the work = the whole world, (ex. cat.) Centre for Contemporary Art, Ujazdowski Castle, Warsaw, 2004
Martin Creed, (ex. cat.) Kunsthalle Bern, 2004
Kamiya, Yukie (cur.), 'Space-Jack!', Yokohama: Yokohama Museum of Art, 2001 (exh.cat.)
Mclver, Brian, 'Meet the modern artist who admits his work in rubbish', in: Saturday Times, Glasgow, March 6, 1999
Bush, Kate, 'London Field', in: Artforum, New York, vol. XXXIX, no. 1, September 2001, p. 85
Searle, Adrian, 'Appalling Fascination of a Career-enhancing Competition', in: The Guardian, London, May 31, 2001
Lillington, David, 'Martin Creed', in: Metropolis M, Utrecht, April 1999
Higgs, Matthew, 'Martin Creed: 20 Questions', in: Untitled, London, no. 18, Spring 1999
Beech, Dave, 'Martin Creed', in: Art Monthly, London, no. 226, May 1999
Mark, Lisa Gabrielle, 'Frash Heir', in: C, International Contemporary Art Publication, Toronto, no. 63, September 1999
Cara, Page, 'This Crumpled Sheet of A4 is a Work of Art', in: The Daily Record, Glasgow, November 12, 1999
Meenaghan, Tony, 'Q: Is this a screwed up piece of paper or the star of new art exhibition? A: BOTH’', in: The Mirror, London, November 12, 1999
Buck, Louisa, 'London Calling by Louisa Buck', in: The Art Newspaper, London, no. 98, December 1999
--, 'A message to our readers', in: The Art Newspaper, London, no. 98, December 1999
Di Pietrantonio, Giacinto, Mandelinck, Gwy, 'Serendipiteit', Watou Poeziezomer, 1999
Patrizio, Andrew (ed.), 'Contemporary Sculpture in Scotland', Craftsman House (imprint of G&B International, Sydney), 1999 (exh.cat.)
Collings, Metthew (ed.), 'This is Modern Art', London: Weidenfeld & Nicolson, 1999
Rindler, Lawrence (ed.), 'Searchlight: Consciousness at the Millennium', London: Themes & Hudson, 1999
Coles, Alex, 'Review', in: Art in America, New York, November 2000
Southamton City Art Gallery (ed.), 'Martin Creed Works', Southamton: Southamton City Art Gallery, 2000 (exh.cat.)
Button, Virginia, Esche, Charles (ed.), 'Intelligence. New British Art 2000', London: Tate Publishing, 2000
McGee, John, 'Space-Jack!', on: http://metropolis.japantoday.com/tokyoart/392/tokyoartinc.htm, Tokyo, 2001
'Martin Creed: Work No. 117' [audio cassette with text on inner sleeve by John O’Reilly], Milan: Paolo Vitolo, 1995
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