Footprints in the Snow

Footprints in the Snow

52 O ST NW #302 Washington, DC 20001, USA Wednesday, April 12, 2023–Sunday, May 7, 2023 Opening Reception: Saturday, April 15, 2023, 2 p.m.–4 p.m.

NEW PAINTINGS BY ANDREI PETROV SYNTHESIZE POLITICS AND PERSONAL HISTORY INTO MULTILAYERED ABSTRACTIONS

time stamp by andrei petrov

Andrei Petrov

Time Stamp, 2023

5,500 USD

silent pursuit by andrei petrov

Andrei Petrov

Silent Pursuit, 2023

5,500 USD

shine a light by andrei petrov

Andrei Petrov

Shine a Light, 2023

5,500 USD

road not taken by andrei petrov

Andrei Petrov

Road Not Taken, 2023

6,500 USD

halfway there by andrei petrov

Andrei Petrov

Halfway There, 2023

6,500 USD

great lengths by andrei petrov

Andrei Petrov

Great Lengths, 2023

5,500 USD

fugitive sun by andrei petrov

Andrei Petrov

Fugitive Sun, 2023

6,750 USD

every sunny day's a gift by andrei petrov

Andrei Petrov

Every Sunny Day's a Gift, 2023

5,500 USD

bird of fire by andrei petrov

Andrei Petrov

Bird of Fire, 2023

5,500 USD

Inspired by Russia’s invasion of Ukraine and an ancestral tale of freedom from a Siberian gulag passed down through generations, the American artist’s new paintings explore time and terrain.


Washington, D.C. - Morton Fine Art is pleased to present Footprints in the Snow: A Siberian Escape Story, a solo exhibition of oil paintings by the artist Andrei Petrov. Composed of twelve new works that riff on the mindsets and landscapes of his paternal grandfather’s journey to freedom, this exhibition is dedicated to the refugees and millions striving for freedom in Ukraine. The artist’s seventh solo show with the gallery, Footprints in the Snow will be on view from April 12 – May 7, 2023 at Morton Fine Art’s Washington, D.C. location (52 O St NW #302).


Andei Petrov’s most personal body of work to date, Footprints in the Snow was inspired by the story of his grandfather’s escape from a Siberian gulag in 1915. Having spent over a year in the labor camp’s miserable conditions after he was branded an anarchist by the Russian Empire, the elder Petrov broke out with the aid of a black robed Russian Orthodox priest, and made his way through the frozen taiga into China. After smuggling himself onto a boat to Liverpool, Andrei’s grandfather eventually settled in Philadelphia. Long inspired by this amazing journey, the artist set out with this series to capture the brighter moments of this harrowing experience. Through texture and color, the new collection evokes a range of his grandfather’s emotions, from the struggles of solitude in frigid conditions to the ecstasies of securing safety and survival—reuniting for the first time with a warm bed and a hot meal.


Applying the delicacies of light and grandeurs of scale inherent to the Hudson River School, alongside approaches to color and form native to Abstract Expressionism, Petrov’s inventive style has arrived at a point that is recognizably unique to the artist. Combining handmade tools with self-developed studio techniques, Petrov scrapes, glazes and effaces various parts of his canvases in sections, revising compositions that he builds out from black-and-white drawings. Timing is crucial: Petrov works with oil paint that is thickly applied and then partially removed while still tacky, eventually arriving at levels of timefulness and wear that resemble ancient masonry. Glazing and tinting with qualities of light in mind, the final product is a complex and multilayered experience, full of the traces and tracks of Petrov’s restless, searching process. Evoking instances of light that strike only at certain times of day, Petrov’s compositions seem to crystalize a moment, or a mood, without ever falling into the concretion of stasis.


Having long been inspired by his ancestral backstory, the artist’s desire to work directly with the themes of his grandfather’s journey came as a response to Russia’s invasion of Ukraine. An American with Ukrainian and Georgian ancestry on both sides, Petrov dove into a heightened awareness of his history and the implications of his national identity. Figuratively following his grandfather’s footsteps of escape, the artist experienced new insights about the qualities and development of his own artistic journey—a vocation that for him has always been an exploration of movement, enacting the eye’s pursuit across the canvas. Rejecting a sense of static immobility that often characterizes abstraction, Petrov’s work approaches a kind of presence that, without directly reproducing the shapes of nature, strives for a proximity to life.


In the works that make up Footsteps, expanses of white and blue are bisected by furrows of black, yellow and red. The canvases seem to suggest the topography of winter landscapes as seen from above. Petrov notes the natural consonance of lines and shapes that seem to connect one work to another when hanging together in the gallery, and likens the arrangement to an assembly of landforms, fitting together or drifting apart. Conceiving of these works like tectonic plates approaching a Pangean unity gives Petrov a sense of familial connection across the immeasurable expanses of time and space.


In that spirit of unity, the artist dedicates this show to the people of Ukraine, with particular sympathy for the refugees who have had to flee the same repressive imperialism his grandfather once faced. By making history present through a poetic sense of place, the artist teases out resonances woven throughout various surfaces and planes. “There’s a presence in the forms I’ve chosen to represent these feelings,” Petrov says of his work, “You get rewarded by looking at the facts up close.”

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Andrei Petrov 

(b. 1966, Washington, D.C.) 

Born in Washington, DC in 1966 and based in New York City, Andrei Petrov explores memory in his organic abstract paintings. Inspired from an early age by the work of his uncle Dimitri Petrov - a celebrated DADA Surrealist painter - and his father who was a set designer, Andrei's paintings probe the distortion, incompleteness and rare moments of clarity in the shadows of memory. Each piece portrays the intrinsic struggle and selective inclusion or exclusion of details in the process of recollection. At times, sharpness occurs in the rear of the picture plane while the out of focus, obscured areas, exist in a larger scale toward the foreground and make reference to the inscrutable nature of long and short term memory. 


Petrov's paintings have been exhibited in prestigious national and international collections and can be viewed at The Four Seasons Hotel in both Washington, DC and Punta Mita, Mexico, The Fairmont Hotel in Chicago, and The Conrad Hotel, Miami. His paintings have also had numerous media cameos including the following films: The Royal Tenenbaums, Autumn in New York, Kate and Leopold, The Business of Strangers, Creed, Gone Girl, Words and Lyrics and many others. He was the featured visual artist 2016 for Music@Menlo. He attended LaGuardia high school for Music and Art as well as SUNY Purchase and SUNY New Paltz.


Morton Fine Art

Founded in 2010 in Washington D.C. by curator Amy Morton, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that art collecting can be cultivated through an educational stance, MFA's mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice. Morton Fine Art specializes in a stellar roster of nationally and internationally renowned artists as well as has an additional focus on artwork of the African and Global Diaspora.