John Zurier: The Future of Ice

John Zurier: The Future of Ice

176 Grand Street New York, NY 10013, USA Saturday, September 18, 2021–Saturday, November 13, 2021 Opening Reception: Saturday, September 18, 2021, 1 p.m.–6 p.m.


the future of ice by john zurier

John Zurier

The Future of Ice, 2012

Price on Request

untitled (bolagil) by john zurier

John Zurier

Untitled (Bolagil), 2021

20,000–30,000 USD

untitled (umbra) by john zurier

John Zurier

Untitled (Umbra), 2021

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steps and snow by john zurier

John Zurier

Steps and Snow, 2021

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ambiguous argument about a spring cloud by john zurier

John Zurier

Ambiguous Argument about a Spring Cloud, 2021

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untitled (winter light) by john zurier

John Zurier

Untitled (Winter Light), 2021

20,000–30,000 USD

for mark (after paul celan) by john zurier

John Zurier

For Mark (After Paul Celan), 2020

25,000–35,000 USD

untitled (morning) by john zurier

John Zurier

Untitled (Morning), 2021

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glacier by john zurier

John Zurier

Glacier, 2021

Price on Request

rain (after arthur dove) by john zurier

John Zurier

Rain (After Arthur Dove), 2021

20,000–30,000 USD

kjalarnes by john zurier

John Zurier

Kjalarnes, 2021

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Peter Blum Gallery is pleased to present an exhibition by John Zurier of new paintings and works on paper entitled, The Future of Ice. This is the artist’s sixth solo exhibition with the gallery.

There will be an opening reception on Saturday, September 18 from 1-6pm with the artist, and the exhibition runs through November 13, 2021.

John Zurier’s practice over the past twenty years has resulted in nearly monochromatic, atmospheric paintings and works on paper. Evoking his impressions of ephemeral phenomena including the relationship between color, light, and air, they stem primarily from Zurier’s time in Iceland where he maintains a studio. The distinctive elements of the nation’s delicate and fleeting light, and the qualities of the oftentimes stark climate are conveyed through deep memories of these conditions. Brushwork and the dilute tints and tones of his subdued practice emphasize time and space while underscoring the simple and the imperfect. This is informed by Zurier’s study of traditional Japanese aesthetics including wabi sabi with its notion of the inherent beauty in nature, and therefore in the flawed and the impermanent.