William Frej - Rock Art of the Greater Southwest

William Frej - Rock Art of the Greater Southwest

237 E. Palace Avenue Santa Fe, NM 87501, USA Friday, December 29, 2023–Monday, February 19, 2024


a surreal barrier canyon style figure with small animals above its shoulders by william frej

William Frej

A Surreal Barrier Canyon Style Figure with Small Animals Above its Shoulders, 2022

Price on Request

holy ghost panel, great gallery by william frej

William Frej

Holy Ghost Panel, Great Gallery, 2021

Price on Request

paired horned serpents, pueblo iv, new mexico by william frej

William Frej

Paired Horned Serpents, Pueblo IV, New Mexico, 2021

Price on Request

jornada style petroglyphs by william frej

William Frej

Jornada Style Petroglyphs, 2021

Price on Request

 Peyton Wright Gallery is pleased to announce an exhibition of photographs from Bill Frej’s newest book Blurred Boundaries: Perspectives on Rock Art of the Greater Southwest , opening Friday Dec. 29.

The artist will be in attendance for a book signing at the opening reception Friday Dec. 29 from 3 to 7 p.m.

Enigmatic rock art featuring a myriad of symbols and designs can be found throughout remote and arid landscapes of the Greater Southwest, from the Four Corners region of the American West to the Baja California peninsula in Mexico. This vast gallery of ancient art offers intriguing questions. Who created these images on stone and what were their motivations? What do they mean? Are they to be taken literally or might they stand for something else?

In this book, William Frej’s powerful black and white photographs of rock art in the American Southwest and Baja California provide the opportunity to explore this diverse and mysterious imagery—and to ponder these questions. By framing these images on stone by the expansive landscapes in which they are found, his photographs emphasize the importance of their settings.

In the foreword, Frank Graziano also emphasizes how our own beliefs and perceptions influence the way we experience rock art. Rock art is more than a static reminder of the faraway past:  the images continue to impact us even today, no matter what our perspective.

The accompanying photo captions by noted anthropologist, rock art scholar  and artist Polly Schaafsma present clues to the symbolic content of these stone murals. Her essay, “Blurred Boundaries,” addresses the ambiguities latent in their complex meanings. To illustrate, Schaafsma addresses several elements of the visual vocabulary of rock art in the region - the spiral, stepped clouds, depictions of the human form, animals, and shields.Schaafsma notes that rock art can be viewed from many perspectives and she suggests that we move beyond Western philosophy to consider an animistic universe in which all things are sacred.

Concurrent with the Frej exhibition, a group of Schaafsma’s paintings will also be presented.