For Frieze Los Angeles 2022, Stephen Friedman Gallery presents work by

Grenadian-British artist Denzil Forrester. The solo exhibition comprises new

paintings that draw on references ranging from his childhood in the West Indies

to the dynamic energy of the London reggae and dub nightclub scene in the

1980s. The presentation precedes major solo exhibitions at Kemper Museum of

Contemporary Art, Kansas City and the ICA Miami in 2023.

Originating in Kingston, Jamaica, dub music became vital to Forrester’s life and

practice around the time he moved from Grenada to East London in the late

1960s. “You probably wouldn’t see a lot of your friends or family living in London”,

so for him it was dub that “rekindled our community spirit.” Pulsating with

rhythm, the artist’s expressive depictions of dance halls and clubs in Dalston

show crowds of people moving as one to the beat of the music. Flashes of colour,

gestural brushstrokes and frenetic compositions characterise his work.

A typical evening would see the artist draw in his sketchbook at the bar until

early in the morning before developing the larger, painterly compositions in the

studio the following day. Each sketch was delineated by the duration of a song,

roughly four minutes long, with the next drawing beginning in sync with the

changing soundtrack. The spontaneity of these drawings is transposed by

Forrester into his paintings with swift angular brush strokes that emulate the

dynamic atmosphere of the clubs. The artist still uses drawings from the 1980s

and 1990s as the basis for his compositions today. Several of the new works on

view also reflect Forrester’s recent experience of sets by Lee ‘Scratch’ Perry in

Cornwall – before the DJ died – focusing on his flamboyant hats and exuberant

energy.

Rendered in vivid purples and oranges, other works reflect Forrester’s early

memories of life in the West Indies. Some portray Maurice Rupert Bishop, a

Grenadian revolutionary and leader of the New Jewel Movement – a Marxist-

Leninist party in the late 70s that prioritised socio-economic development,

education and black liberation. Collage-like juxtapositions that dislocate time

and space heighten the dreamlike quality of these works.

Forrester was born in Grenada in 1956 and moved to London in 1967. He now

lives and works in Cornwall. Forrester received a BA in Fine Art from the Central

School of Art, London, in 1979 and an MA in Fine Art from the Royal College of

Art, London, in 1983. In late 2021, his work features in ‘Life Between Islands: Caribbean-British Art 50s

– Now’ at Tate Britain, London, alongside artists including Lisa Brice, Peter Doig

and Chris Ofili. Paintings by Forrester were also included in a major group

painting survey show ‘Mixing It Up: Painting Today’ at Hayward Gallery, London,

from September to December 2021. The artist was recently awarded the 2021

South Bank Sky Arts Award for his touring solo exhibition ‘Itchin & Scratchin’,

presented at Nottingham Contemporary and Spike Island, Bristol in 2020–21.

A large-scale public artwork by Forrester for Brixton Underground Station,

London, was unveiled by TFL in September 2019.

Forrester’s works can be found in the collections of Tate, London; Arts Council

Collection, UK; and Harris Museum & Art Gallery, Preston, among others. His

work has been exhibited internationally at venues including The Studio Museum

in Harlem, New York; Ashmolean Museum, Oxford; Whitechapel Gallery, London;

Royal Academy of Arts, London; and Gallery of Modern Art, Glasgow. His work

was the focus of three solo shows curated by Peter Doig and Matthew Higgs at

White Columns, New York (2016); Tramps, London (2016); and Jackson

Foundation, St Just, Cornwall (2018).