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Liam Gillick
(
British
, born 1964)
Liam Gillick
Recessed Discussion Stream,
2015
Sold
Biography
Timeline
Exhibitions
Literature
Timeline
1964
Born in Aylesbury, UK
1983 - 1984
Hertfordshire College of Art
1984 - 1987
BA, Goldsmiths College, University of London, UK
1998
Paul Cassirer Award, Berlin, Germany
2002
Nominated for a Turner Prize, London, UK
2008
The Vincent Award, Stedelijk Museum, Amsterdam, the Netherlands
Lives and works in New York, NY
Exhibitions
2014
Monochrome & Readymades, L’Onde Théâtre Centre d’art, Velizy-Villacoublay El Hotel Eléctrico, M_kha, Antwerp, Belgium
Last News from the Ether, La Panacée, Montpellier, France
The Decade 1984-1999, Centre Pompidou, Metz, France
De 199C à 199D, Le Magasin, Grenoble, France (solo)
Revenons À Nos Moutons, Esther Schipper, Berlin, Germany (solo)
International Company of Wagons Lit etc. etc., (with Rachel Harrison), Meyer Kainer, Vienna, Austria
Solaris Chronicles, Luma Foundation, Arles, France
Complete Bin Development, Galerie Hans Mayer, Düsseldorf, Germany (solo)
Draft Urbanism, The Biennale of the Americas, Denver, USA
Another Time, Pestorius Sweeney House, Brisbane, Australia
Neoplastic Room. Open Composition, Museum Sztuki, Lodz, Poland
The Twentieth Century as Never Seen Before, Museo di Santa Giulia, Brescia, Italy
For the doors that are welded shut, Kerlin Gallery, Dublin, Ireland (solo)
Liam Gillick, The Contemporary Austin, Austin, Texas, USA (solo)
The Lie and the Powerpoint, Falke Pisano, Liam Gillick, Benoit Maire, Shanaynay, Paris, France
Poesia: Werke aus der Sammlung Reinking, Städtische Galerie Delmenhorst, Germany
Fired Earth, Herbert Gerisch Stiftung, Neumünster
Looking Back/The 7th White Columns Annual, selected by Richard Birkett, White Columns, New York.
For the doors that are welded shut, Kerlin Gallery, Dublin (solo)
Five Structures and a Shanty, Gallery IHN, Seoul (solo)
Liam Gillick and Louise Lawler, Casey Kaplan, New York, USA (solo)
Vertical Disintegration, Taro Nasu, Tokyo, Japan (solo)
2013
From Fredensborg to Halen via Loch Ruthven Courtyard Housing Projections, HICA, Dalcrombie, Inverness-shire, Scotland (solo)
Adam Curtis, The desperate edge of now, Home Workspace Program, Beirut, Lebanon
Four Propositions Six Structures, Alfonso Artiaco, Naples (solo)
Group Exhibtion, Kerlin Gallery.
Take off your silver spurs and help me pass the time, Galerie Nikolaus Ruzicska, Salzburg.
Skulpturen und Relief aus der Sammlung, Kunsthalle Weisshapt, Ulm
Sense and Sensibility, Euskadi 2012
Decade: Contemporary Collecting 2002-2012, Albright Knox,Buffalo
Busan Biennale, Korea
Where is the Power, Fort Worth Contemporary Arts
The Feverish Library, Friedrich Petzel, New York
The Mystery Spot, Fondation d'enterprise Ricard, Paris
True Stories: Scripted Realities, Dunedin Public Art Gallery, New Zealand
Screens, Galerie Meyer Kainer, Vienna
Margin Time, Maureen Paley, London (solo)
True Stories: Scripted Realities, Te Tuhi Centre fort the Arts, New Zealand
From 199A to 199B:Liam Gillick, Hessel Museum of Art, Bard College, New York (solo)
Various stages, Kunsthaus Dresden
Agreements, McNamara and Lead Times,Taro Nasu, Tokyo (solo)
Scorpion and und et Felix, Casey Kaplan New York (solo)
2012
Read, Look! We promise it’s not dangerous, Emily Harvey Foundation, New York, USA
From 199A to 199B: Liam Gillick, Hessel Museum of Art, Bard College, Annandale- on-Hudson, New York, USA (solo)
To the moon via the beach, (organised by Liam Gillick and Philippe Parreno), The Amphitheatre, Arles, France (curated by Beatrix Ruf, Hans Ulrich Obrist and Tom Eccles; produced by the Luma Foundation for the Parc des Ateliers in Arles)
Abstract Possible: The Stockholm Synergies, Tensta Konstall, Stockholm
Utopia Gesamtkunstwerk, 21er Haus, Vienna
Schrift Bild, Galerie Meyer Kainer, Vienna
Adam Curtis, The desperate edge of now, e-flux, New York, USA
Positionen konzeptueller Kunst, Rüdiger Schottle, Munich
Print/Out, MOMA, New York
Positions on Conceptual Art, Galerie Rüdiger Schottle, Köln. True Stories: Scripted Realities, Govett-Brewster Art Gallery, New Plymouth, New Zealand
How to Make-Ideen, Notationen, Materialisierung, Kunsthaus Dresden
Scorpion or Felix, Galerie Eva Presenhuber, Zurich (solo)
The Poster Show, Galerie Carlier-Gebauer, Berlin
In Deed: Certificates of Authenticity in Art, Fondazione Bevilacqua, La Masa Traveled from De Vleeshal, Middelburg, Netherlands
Liam Gillick and Lawrence Weiner: A syntax of dependency, M HKA Museum van Hedendaagse Kunst Antwerpen, Antwerpen, Belgium
Someone Else’s Life, Kerlin Gallery, Dublin, Ireland
How Soon Is Now, The Garage Center for Contemporary Culture Moscow, Moscow, Russia
Abstract Possible, Museo Tamayo, Mexico
Modern British Sculpture, Royal Academy of Arts, London
Dublin Contemporary – Irish Biennale, Irish Museum of Modern Art, Dublin
Artist Projects, curated by Mousse, Art Brussels, Brussels (solo)
Abstract Possible, Museo Tamayo, Mexico City
Air de Paris, Paris (solo)
Galerie Rüdiger Schöttle, Munich, Germany
Liam Gillick: A Game of War Structure, Irish Museum of Modern Art, The Courtyard, Dublin, Ireland (solo)
Dublin Contemporary 2011, Irish Biennale, Dublin, Ireland
Without You I'm Nothing: Art and Its Audience, MCA Chicago, Chicago/IL, USA
Out of Storage. Provisoire & Définitif, Centre for Contemporary Culture, Maastricht, The Netherlands
Sculpture Now, Galerie Eva Presenhuber, Zurich, Switzerland
2011
A syntax of dependency, M KHA Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium
Sit on the machine, Galerie Micheline Szwajcer, Antwerp, Belgium (solo)
Discussion Bench Platforms, A “Volvo” Bar + Everything good goes, Casey Kaplan, New York, USA
Corporate Everything Centre d’art de Fribourg, Fribourg, Switzerland
Shazam! Galleria Continua, Boissy-le-Châtel, France
Shazam! Gerhardsen Gerner, Berlin, Germany
Air de Paris, Paris, France (solo)
Fort Worth Contemporary Arts, Fort Worth/TX, USA (solo)
Kerlin Gallery, Dublin, Ireland (solo)
Executive Two Litre GXL, MAK – Museum für Angewandte Kunst, Vienna, Austria (solo)
1848!!!’, Esther Schipper, Berlin, Germany (solo)
Art: curated by Michael Craig-Martin, Galerie Haas & Fuchs, Berlin, Germany
Ein langer Spaziergang... Zwei kurze Stege… / One long walk - Two short piers Kunst- und Ausstellungshalle der BRD, Bonn, Germany
2010
Everything Good Goes, Galerie Meyer Kainer, Vienna (solo)
Casey Kaplan Gallery, New York/NY, USA (solo)
Take the Money and Run, De Appel, Amsterdam, The Netherlands
The human stain, CGAC, Santiago de Compostela, Spain
Two Short Plays - Eastside Projects, Birmingham, Great Britain (solo)
Liam Gillick, Literally Based H.Z., 2006 - Irish Museum of Modern Art - IMMA, Dublin, Ireland (solo)
German Pavilion, 53. Biennale di Venezia, Venice, Italy (solo)
Three Perspectives And A Short Scenario, 'Museum of Contemporary Art, Chicago/IL, USA (solo)
Oppositions & Dialogues, Kunstverein Hannover, Hannover, Germany
Espèces d´Espaces , Yvon Lambert, New York/NY, USA
Ufo, NRW–Forum, Düsseldorf, Germany
Hard Hat at Francesca Pia Galerie, Zurich, Switzerland
La Suite’, Air de Paris, Paris, France
We Are Sun-kissed and Snow-blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris, France
Deutscher Pavillon auf der 53. Espositione Internazionale d'Arte La Biennale di Venezia, Venice, Italy (solo)
Museum of Contemporary Art, Chicago, USA (solo)
A Factory, A Machine, A Body..., MUCA, Mexico City
2009
Literary Based H.Z, 2006, Irish Museum of Modern Art, Dublin, Ireland (solo)
Biennale of Sydney 2008, Sydney, Australia
New Yersey, Team 404 & John Armleder: Clinch/Cross/Cut, Basel, Switzerland
Positionen des Abstrakten, Lenbachhaus, RHYTHMUS 21, Munich, Germany
FANTASY , Museum van Hedendaagse Kunst, Antwerp, Belgium
Mixed Emotions, Domus Artium 2002, Salamanca, Spain
Hommage à Klaus Werner, Galerie für Zeitgenössische Kunst, KW , Leipzig, Germany
FORDE, IMAGES, Geneva, Switzerland
MAN Nuoro, Mondo e Terra: La collezione del FRAC Corsica, Nuoro, Italy
Sadie Coles HQ, TYPED, London, Great Britain
Daimler Contemporary, Private / Corporate V, Berlin, Germany
Call it what you like!, Art Centre Silkeborg Bad, Silkeborg, Danmark
Tulips & Roses ,The Store, Vilnius, Lithuania
This is the Gallery ..., Eastside Projects, Birmingham, Great Britain
2008
The State Itself Becomes A Super Whatnot'Casey, Kaplan, New York/NY, USA (solo)
Three Perspectives And A Short Scenario, Kunstverein München, Munich, Germany (solo)
Three Perspectives And A Short Scenario, Kunsthalle Zürich, Zurich, Switzerland (solo)
Three Perspectives And A Short Scenario, Witte de With Center for Contemporary Art, Rotterdam, The Netherlands (solo)
Air de Paris, Fractinonal Factories In The Snow, Paris, France (solo)
Theanyspacewhateve, Guggenheim Museum, New York/NY, USA
La Petite Histoire KUNST RAUM NOE, Vienna, Austria
Blasted Allegories. Werke aus der Sammlung Ringier, Kunstmuseum Luzern, Luzern, Switzerland
Made in Munich, Haus der Kunst, Munich, Germany
Before and After Palma de Mallorca, Fundacion Juan March, Spain
Modelle für Morgen: Köln, European Kunsthalle, Cologne (and other stations)
Door Cycle'Friedrich Petzel Gallery, New York/NY, USA
Air de Paris'Centre Pompidou, Paris, France
Memorial to the Iraq War , CA, London, Great Britain
Active Constellation, Brno House of Art, Brno, Czech Republic
The Re-distribution of the Sensible (cur. by Warren Neidich), Magnus Müller, Berlin, Germany
Hommage à Charles Fourier, Musée des Beaux Arts et Archéologie, Besançon, France
Pure, Sean Kelly, New York/NY, USA
LCCA, Trajectory 4, Riga, Lithuania
Modelle für Morgen: Köln, Cologne (and other stations), European Kunsthalle, Cologne, Germany
COLLATERAL, Galerie für Zeitgenössische Kunst, Deutsche Geschichten, Leipzig Hangar Bicocca, Mailand, Italy
Weekend in So Show, The Lab at Belmar, Lakewood/CO (solo)
Collateral: When Art Looks at Cinema' HangarBicocca, , Milan, Italy
The Commune Itself Becomes a Super State, Corvi-Mora, London (solo)
The Shapes of Space, The Solomon R. Guggenheim Museum, , New York/NY, USA
Tomorrow Kunho Museum of Art, Artsonje Center, Seoul, South Corea
Perspektive 07, Lenbachhaus Munich, Germany
2007
The State / Commune Itself as a Super State / Commune, Galerie Micheline Szwajce, Antwerp, Belgium (solo)
Liam Gillick: Five Short Texts on the Possibility of Creating an Economy of Equivalence, United Nations, Plaza, Berlin, Germany (solo)
Galerie Micheline Szwajcer, The State / Commune Itself as a Super State / Commune, Antwerp, Belgium (solo)
ROKEBY, FUSION NOW! MORE LIGHT, MORE POWER, MORE PEOPLE, London, Great Britain
If Everybody had an Ocean, Musée d´art contemporain, Bordeaux, France
Projektion, Lentos Kunstmuseum, Linz, Austria
Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland
FRANZ WEST: SOUFFLÉ, Kunstraum Innsbruck, Innsbruck, Austria
PERSPEKTIVE 07, Lenbachhaus, Munich, Germany
Il Tempo del Postino, Manchester International Festival/ Opera House, Manchester, Great Britain
All you desire, PPOW, New York/NY, USA
Other Men's Flowers , Venetia Kapernekas Gallery, New York/NY, USA
If Everybody Had an Ocean, Tate St Ives, St. Ives, Great Britain
Art Protects, Yvon Lambert, Paris, France
Grey Flags, CAPC, Bordeaux
Edgar Schmitz, ICA, London (solo)
Manifesta 6, Cyprus
Bühne des Lebens, Kunstbau, Lenbachhaus, Munich
100 Artists See God, Cheekwood Museum of Art, cur. by John Baldessari & Meg Cranston, Cheekwood
How to improve the world, Hayward Gallery, London
Eye On Europe: Prints, Books & Multiples/1960 to Now, Museum of Modern Art, New York
Kubus im Petuelpark, Munich, Germany (solo)
Saigon: Open City, Saigon
All Hawaii Entrees / Lunar Reggae, Irish Museum of Modern Art, Dublin
The State Itself Becomes A Super Commune, Esther Schipper, Berlin (solo)
Literally Based On H.Z., Kerlin Gallery, Dublin (solo)
We Are Medi(eval) (w/ Angela Bulloch), Cubitt Artists, London (solo)
Briannnnn & Ferryyyyy (w/ Philippe Parreno), Kunsthalle Zürich, Zurich (solo)
slow burn, Galerie Edward Mitterand, Geneva, Switzerland
If I can’t dance, I don’t want to be part of your revolution, de Appel, Amsterdam
Galleri MGM, Oslo
Minimalism and After IV: Neuerwerbungen, DaimlerChrysler Contemporary, Berlin
The Party, Casey Kaplan, New York
2006
Thank You For The Music, Sprüth Magers, Munich, Germany (solo)
Supernova, Contemporary Art Centre, Vilnius
Classical: Modern I, DaimlerChrysler Contemporary, Berlin
Intouchable: L’Idéal Transparence, Villa Arson, Nice
Undisciplined: 3rd Biennale of Ceramics in Contemporary Art, Albisola
Abstract Art Now: Strictly Geometrical, Wilhelm Hack Museum, Ludwigshafen
Broken Surface: ein Editionsprojekt, Galerie Sabine Knust, Munich
Kiosk , ICA, London, Great Britain (solo)
Kristallisationen: 10 Künstler für Theresienthal, Andreas Murkudis Temporary, Munich
Projekt Projektion, Kunstmuseum Luzern, Luzern
Grey Flags, The Sculpture Center, New York
Ordnung und Verführung, Haus Konstruktiv, Zurich
Tate Triennial, Tate Britain, London
L´Exposition Qui N´Existe Pas, MAMCO, Geneva
Eine Person Allein In Einem Raum Mit Coca-Cola-Farbenen Wänden, Grazer Kunstverein, Graz
McNamara Motel, CAC Centro de Arte Contemporáneo, Malága (solo)
Presentism, Corvi-Mora, London (solo)
Övningskörning (Driving Practice Parts 1-30), Milwaukee Art Museum, Milwaukee (solo)
Another 2004 Again, Baltimore Museum Of Art, Baltimore (solo)
Reception, Büro Friedrich, Berlin
Nur Hier? Teil III – Im Bild Sein, Hochschule für Grafik und Buchkunst, Leipzig
Thank You for the Music, Sprüth Magers, Munich
Strictly Confidential: From the Collection of Marc & Josée Gensollen, Centre International d’Art et du Paysage de l’Ile de Vassivière, Ile de Vassivière
Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Guarene/Turin
Texte court sur la possibilité de creer une economie de l’equivalence, Palais de Tokyo, Paris (solo)
Passion Beyond Reason, Wallstreet One Gallery, Berlin
The Two Hundred and Twenty-Second Floor, Galerie Eva Presenhuber, Zurich (solo)
Exit – Ausstieg aus dem Bild, ZKM, Karlsruhe, Germany
Fabriken im Schnee..., Galerie Meyer Kainer, Vienna (solo)
2005
Edgar Schmitz, Institute of Contemporary Arts, The Mall, London, England
Bühne des Lebens – Rhetorik des Gefühls, Lenbachhaus, Munich, Germany
The Lisson Gallery Summer Show, Lisson Gallery, London, England
M/M (Paris), Frankfurter Kunstverein, Frankfurt (solo)
Strange, familiar and unforgotten, Galerie Erna Hécey, Brussels, Belgium
K21, Ambiance, Düsseldorf
Briannnnn & Ferryyyyy (w/ Philippe Parreno), Vamiali’s, Athens (solo)
Texte court sur la possibilité de créer une économie de l'équivalence, La Casa Encendida, Madrid (solo)
As you approach the edge of town the lights are no softer than they were in the centre..., Casey Kaplan Gallery, New York (solo)
Gopius-Bau, Rundlederwelten, Berlin
Drunkenmaster , Fortes Vilaca, Sao Paulo, Brasil (solo)
utopia station: auf dem weg nach porto allegre, Haus der Kunst, Munich, Germany
Black Friday. Exercises in Hermetics, Galerie Kamm, Berlin, Germany
Discussion Island Moderation Platform, 1997 – David (Calendar and Location Shots), 1999 – Post Discussion Diagram, 2004, Lenbachhaus, Munich, Germany (solo)
Law and Creativity, Konsthalle Lund, Sweden (solo)
(Rider): Law & Creativity (w/ Philippe Parreno), Lunds Konsthall, Lund (solo)
100 artists see god, ICA, Institute of Contemporary Arts, London, England
Liam Gillick: Nineteenfortysixxisytrofneetenin, Aspen Art Museum, Aspen (solo)
A Group of People, Air de Paris, Paris (solo)
Construccion de Uno, Galeria Javier Lopez, Madrid (solo)
Before the end (cur. by Stéphane Moisdon Trembley), Le Consortium, Dijon
Specific Objects, Galerie Mehdi Chouakri, Berlin
2004
Singular Forms (Sometimes Repeated): Art from 1951 to the Present, Guggenheim Museum, New York
Underground (Fragments of Future Histories), Galerie Micheline Szwajcer, Antwerp (solo)
Breathing the Water, Galerie Hauser & Wirth & Presenhuber, Zurich
Re-Produktion 2, Georg Kargl, Vienna
Perfect Timeless Repitition, c/o Atle Gerhardsen, Berlin
...punctuated everydays, Galerie Max Hetzler, Holzmarktstrasse, Berlin (solo)
Hills and trays and..., Schipper & Krome, Berlin (solo)
A Film, A Clip and a Documentary (with Sean Dack), Corvi Mora, London, Great Britain (solo)
Projects 79, Literally, Museum of Modern Art, Queens, New York/NY, USA (solo)
Por Favor Gracias de Nada, Kurimanzutto, (with Gabriel Kuri), Mexico City (solo)
Communes, Bars and Greenrooms, ’Power Plant, Toronto, Canada (solo)
headache/phone card/soda/donuts/stereo, Great Portland Street Underground station, Frieze Art Fair /Platform of Art, London, England
EN/OF EDITIONEN, heeresbaeckerei-kultur, Berlin, Germany
RE-PRODUKTION 2, Galerie Georg Kargl, Vienna, Austria
Liam Gillick, Rodney Graham, Joao Penalva, The Power Plant contemporary Art Gallery, Toronto, Canada
2003
Katharina Grosse, Sarah Morris, Eva Rothschild, Loris Cecchini, Liz Craft, Pae White, Liam Gillick, Martin Boyce, Rachel Feinstein, Friedrich Petzel Gallery, New York, USA
Exterior Days’Casey, Kaplan, New York/NY, USA (solo)
Liam Gillick, Ann Lee Proposes, 2001, Fondation Mamco, Geneva, Switzerland
Art & Economy, Deichtorhallen Hamburg, Germany
Urgent Painting, ARC Musée d'Art Moderne de la Ville de Paris, Paris, France
Summer Cinema, Casey Kaplan Gallery, New York, USA
Häuser für Leipzig. KünstlerInnen als ArchitektInnen, Galerie für zeitgenössiche Kunst, Leipzig, Germany
The Wood Way, Whitechapel Art Gallery, London (solo)
Liam Gillick, ’Galerie Rüdiger Schöttle, Munich, Germany (solo)
Light Technique, Galerie Meyer Kainer, Vienna (solo)
Dark Spring, in Kooperation mit | in cooperation with Liam Gillick, Ursula Blickle Stiftung, Kraichtal, Germany
Passenger: The Viewer as Participant, Astrup Fearnley Museum, Oslo
2002
Urgent Painting, ARC Musée d'Art Moderne de la Ville de Paris, Paris
Demonstration Room: Ideal House, Apex Art, New York
Century City, Tate Modern, London
Liam Gillick, Galeria Javier Lopez, Madrid (solo)
Firststepcousinbarprize, Galerie Hauser & Wirth & Presenhuber, Zurich (solo)
Annlee You Proposes, ’Tate Britain, London, Great Britain (solo)
Deadallic Convention , Museum für Angewandte Kunst, MAK, Vienna, Austria (solo)
Dedallic Convention, Salzburger Kunstverein, Salzburg, Austria (solo)
2nd berlin biennale, Berlin, Germany
I love Dijon – nouvelles scènes, Le Consortium, Dijon, France
Liam Gillick und Gary Webb. Dedalic Convention: du und ich, Salzburger Kunstverein, Salzburg, Austria
The End of All Things, Galerie Massimo de Carlo, Milan, Italy
Stadt unter dem Himmel/City under the Sky, Part 3, Büro Friedrich, Berlin, Germany
2001
MEGA-WAVE-Towards a New Synthesis, International Triennale of Contemporary Art, Yokohama, Japan
Liam Gillick, Corvi-Mora, London, Great Britain (solo)
Schmerz in einem Gebäude, Fig. 1, London, Great Britain (solo)
Intelligence, Tate Britain, London, England
Ausstellung der Jahresgaben, Westfälischer Kunstverein, Münster, Germany
Aussendienst. Kunstprojekte in öffentlichen Räumen Hamburgs, Kunstverein Hamburg, Germany
Applied Complex Screen, Hayward Gallery, London, Great Britain (solo)
Consultation Filter, Westfälischer Kunstverein, Münster, Germany (solo)
Woody, CCA Kitakyushu Project Gallery, Kitakyushu, Japan (solo)
2000
Continuum 001, CCA, Glasgow
Renovation Filter: Recent Past and Near Future, Arnolfini, Bristol, Great Britain (solo)
Liam Gillick, Casey Caplan, New York/NY, USA (solo)
Liamm Gilllick. Themagazineofthe4thofMarch, Galerie Schipper & Krome, Berlin (solo)
Liam Gillick, Galleri Charlotte Lund, Stockholm (solo)
Stortorget i Kalmar, Stadens Konstråds Galleri, Kalmar
Literally No Place, Air de Paris, Paris, France (solo)
Playtimes, Ecole supérieure d’art de Grenoble, France
Playtimes, Centre National d' Art Contemporain de Grenoble, Grenoble
Liam Gillick, Kunsthaus Glarus, Glarus (solo)
David, Frankfurter Kunstverein, Frankfurt am Main, Germany (solo)
Liam Gillick, Galerie Rüdiger Schöttle, Munich, Germany (solo)
Oldnewtown, Casey Kaplan Gallery, New York, USA
Oldnewtown, Casey Kaplan, New York
Continued Investigation of the Relevance of Abstraction, Andrea Rosen Gallery, New York, USA
Air de Paris: works by AND/ OR informations about, Grazer Kunstverein, Graz, Austria
Get together - Kunst als Teamwork, Kunsthalle Wien, Vienna, Austria
Transmute, MCA Chicago / New York / London / Taché-Levy / Brussels, Belgium
Plug-ins, Salon 3, London, England
1999
Out of Sight - A Cross-reference Exhibition, Büro Friedrich, Berlin, Germany
Konstruktionszeichnungen, Kunst-Werke, Berlin, Germany
Dijon/Le Consortium.coll., Centre Georges Pompidou, Paris, France
Ghosts, Le Consortium, Dijon, France
Minimal-Maximal, Neues Museum Weserburg, Bremen, Germany
Mise en Scène, Grazer Kunstverein, Graz, Austria
Arena - Sport und Kunstausstellung, Galerie im Rathaus, Munich, Germany
Projections, De Appel, Amsterdam, The Netherlands
Construction Drawings, PS 1, New York, USA
Fast Forward, Kunstverein Hamburg, Germany
Places to Stay 4 P(rinted) M(atter), Büro Friedrich, Berlin, Germany
The Trial of Pol Pot (mit | with Philippe Parreno), Le Magasin, Geneva, Switzerland (solo)
Weather Everything, Galerie für zeitgenössische Kunst, Leipzig, Germany
Schipper & Krome, 'When do we need more tractors?', Berlin, Germany (solo)
1998
Fast Forward, Kunstverein in Hamburg, Hamburg
c/o Atle Gerhardsen, `Liam Gillick`, Oslo, Norway (solo)
Liam Gillick, Kunstverein in Hamburg, Hamburg (solo)
Le Magasin, ‘The Trial of Pol Pot (with Philippe Parreno)‘, Grenoble (solo)
Liam Gillick, John Miller, Joe Scanlan, Raum Aktueller Kunst, Vienna
British Council, 'When Purity was Paramount', Prague (solo)
Orchard Gallery, 'Big Conference Center', Derry, Great Britain (solo)
Robert Prime, `Liam Gillick`, London, Great Britain (solo)
Villa Arson, 'Révision: Liam Gillick', Nice, France (solo)
Air de Paris, 'Up on the twenty-second floor', Paris, France (solo)
Life/ live, Centro Cultural de Belém, Lisbon
Discussion Island, Basilico Fine Arts, New York (solo)
Reclutamento!, Galleria Emil Fontana, Milan, Italy (solo)
Realisations, The What if? Scenarios, Le Consortium, McNamara Papers, Erasmus and Ikuba!, Dijon, France (solo)
Another Shop in Tottenham Court Road, Transmission Gallery, Glasgow, Great Britain (solo)
A House in Long Island, Forde Espace d'art contemporain, L'usine, Geneva, Switzerland (solo)
Discussion Island – A What If? Scenario Report, Kunstverein Ludwigsburg,Ludwigsburg, Germany (solo)
504, Kunsthalle Braunschweig, Germany
Moment Ginza, Le Magasin, Geneva, Switzerland
Documenta X, Kassel, Germany
Heaven - a Private View, PS 1, Long Island, USA
Hospital, Galerie Max Hetzler, Berlin, Germany
Group Show, Air de Paris, Paris, France
1997
Group Show, Galerie Schipper & Krome, Berlin, Germany
Enter: audience, artist, institution, Kunstmuseum Luzern, Switzerland
Traffic, CAPC, Bordeaux, France
Everyday Holiday, Le Magasin, Geneva, Switzerland
Der Umbau Raum, Künstlerhaus Stuttgart, Germany
How Will We Behave?, Robert Prime Gallery, London, England
Dinner, Cubitt Gallery, London, England
Life/Live, Musée d’Art Moderne de la Ville de Paris, France
All in One, Galerie Schipper & Krome, Cologne, Germany
Limited Edition Artist’s Books Since 1990, Brooke Alexander, New York, USA
Glass Shelf Show, ICA, London, England
1996
Co-operators, Southampton City Art Gallery, Southampton
Erasmus is Late ‘versus’ The What If? Scenario, Schipper & Krome, Berlin (solo)
Itinerants Texts, Camden Arts Centre, London, England
Raum Aktueller Kunst, `Liam Gillick`, Vienna, Austria (solo)
Robert Prime, 'The What if? Scenario', London, Great Britain (solo)
Schipper & Krome, ‘Documents’ (with Henry Bond), Cologne (solo)
Part Three, Basilico Fine Arts, New York/NY, USA (solo)
Ikuba!, Galleria Emi Fontana, Milan, Italy (solo)
Künstlerhaus, 'Ikuba! (Part 2)', Stuttgart, Germany (solo)
Kunstverein ElsterPark, ‘Documents’ (with Henry Bond), Leipzig, Germany (solo)
Air de Paris, 'Ikuba! (Part 1)', Paris, France (solo)
Bad Times, CCA, Glasgow, UK
Collection fin XX, FRAC Poitou Charentes, Angoulème, France
Ideal Standard Summertime, Lisson Gallery, London, England
Filmcuts, Galerie Neuger/Riemschneider, Berlin, Germany
New British Art, Museum Sztuki, Lodz, Poland
1995
Brillant, Walker Art Centre, Minneapolis, USA
Summer Fling, Basilico Fine Arts, New York, USA
Stoppage, Villa Arson, Nice, France
Das Archiv, Forum Stadtpark, Graz, Austria
Backstage, Kunstmuseum Luzern, Switzerland
Cocktail I, Kunstverein Hamburg, Germany
WM/ Karaoke, Portikus, Frankfurt a. M., Germany
The Institute of Cultural Anxiety, ICA, London, England
McNamara, Schipper & Krome, Cologne (solo)
Liam Gillick, Interim Art, London, Great Britain (solo)
1994
Documents, Ars Futura (with Henry Bond), Zurich, Switzerland (solo)
Lost Paradise, Kunstraum, Vienna, Austria
1993
Dokumentation über, Arbeiten von, Galerie Esther Schipper, Cologne, Germany
Backstage, Kunstverein Hamburg, Germany
Wonderful Life, Lisson Gallery, London, England
An Old Song and a New Drink, Air de Paris, (with Angela Bulloch), Paris, France (solo)
Documents, CCA, (with Henry Bond), Glasgow (solo)
Tatoo, Air de Paris / Urbi et Orbi, Paris / Galerie Daniel Buchholz, Cologne / Andrea Rosen Gallery, New York
Lying on top of a building the clouds look no nearer than they had when I was lying in the street, Galerie Monika Sprüth, Cologne, Germany / Galerie Esther Schipper, Cologne, Germany / Le Case d’Arte, Milan, Italy
Etats Specifique, Musée d’art moderne, Le Havre, France
The Speaker Project, ICA, London, England
Group Show, Galerie Esther Schipper, Cologne, Germany
ON, Interim Art, London, England
1992
McNamara, Hog Bikes and GRSSPR',Air de Paris, Paris, France (solo)
12 British Artists, Barbara Gladstone/ SteinGladstone, New York, USA
Documents, (with Henry Bond), Gio’ Marconi, Milan (solo)
1991
The Multiple Projects Room, Air de Paris, Nice, France
Air de Paris à Paris, Air de Paris, Paris, France
Documents, A.P.A.C, (with Henry Bond), Nevers, France (solo)
Documents, Karsten Schubert Ltd, (with Henry Bond), London, Great Britain (solo)
1989
84 Diagrams, Karsten Schubert Ltd, London, Great Britain (solo)
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Literature
2007
Liam Gillick: Proxemics, Selected Writings (1988-2006), JRP Ringier, Zürich
2006
The Metaphor Problem Again: A Conversation Between John Baldessari, Lawrence Weiner, and Liam Gillick, ed. Beatrix Ruf, Springer Verlag, Vienna
Between Artists, Liam Gillick Lawrence Wiener, A.R.T. Press, Canada
de Brugerolle, Marie, „Liam Gillick“, Flash Art No. 246, January-February 2006, pict. p. 110
Glover, Michael, „Best of British Lights up the Tate“, The Times, Feb. 25.
Abstract Art Now. Strictly Geometrical?, Wilhelm-Hack-Museum, Ludwigshafen, pp. 62-65
Site 9/1, a hausammeer production, September 2006, pp. 34-37
Broken Surface, Sabine Knust Matthias Kunz Editions, München, 2006, pict. pp. 14-16
EVN 95-05, MUMOK, Vienna, 2005, pict. p 113
Place, T. Dean & J. Millar, Thames & Hudson, London, 2005, pp. 34-35
Go Between, Bregenzer Kunstverein Magazin 4, Bregenz, p. 86-93
2005
Magasin 1986 – 2006, ed. Yves Aupetitallot, JPRlRingier, Zürich, 2005, pp. 136-145
Version 0.6, Colouring Book, onestarpress, 2005, p. 25
Art at 30 St Mary Axe, Swiss Reinsurance Company, Zurich, pp. 23 - 29
Conceptual Art
London: Phaidon
EVN Sammlung. Ankäufe 2000-2002
EVN AG, Vienna
Art Since 1960
London: Thames & Hudson
The Wood Way
Whitechapel Art Gallery, London
Magazin 6
Salzburger Kunstverein, Salzburg
100 Reviews
London: Alberta Press
Metronome 8b.
The Queel, London
2002
Bourriaud, Nicolas, Postproduction, Collection Documents sur l’art, Dijon 2003, pp. 22, 52-55, 73
The Producers: Contemporary Curators in Conversation
Baltic Centre, Gateshead
After Work
cat. 4th Werkleitz Biennale, Tornitz
2001
Century City
Tate, London
Museen ohne Zukunft
MAK, Vienna
Mutations
Centre d'Architecture, Bordeaux
Histoire de coeur: collection Michel Poitevin
Fondation Guerlain, Les Mesnuls
2nd Berlin Biennale
Berlin
Annlee You Proposes
Tate Britain, London
Everything Can be Different
ICI, New York
Neue Kunstkritik
New York: Lukas & Sternberg
Yokohama Triennale 2001
Yokohama
Renovation Filter: recent past and near future
Arnolfini, Bristol
Fresh Cream
London: Phaidon
Protest and Survive
Whitechapel Gallery, London
Intelligence
Tate Gallery, London
British Art Show 5
Touring Exhibition, Edinburgh
Liam Gillick
Oktagon Verlag, Cologne
2000
29th International Film Festival
Rotterdam
What If
Moderna Museet, Stockholm
La Capitale
Sete, Centre regionale d'art contemporain
1999
UK Maximum Diversity
Galerie Krinzinger, Wien
Weather Everything
Galerie für Zeitgenössische Kunst, Leipzig, Cantz
Independent Spaces
Genf, JRP éditions
Art at the Turn of the Millennium
Burkhard Riemschneider, Uta Grosenick (Hg.), Köln
Seven Wonders of the World
London, Book Works 1999
Designs for a four storey building
New York, Open City
The Space Here is Everywhere
Villa Merkel, Esslingen
Eric Troncy
Paris, Les presses du réel
Absurd
Self Service, Paris
Dijon/Le Consortium.coll
Dijon/Paris, Les presses du réel/Centre Georges Pompidou
Mise en Scène
Grazer Kunstverein, Graz
Zing Magazine
Volume 2, Fall
Øjeblikket
The Meaning of Site,Copenhagen
Innerscapes
(edited by Maurizio Pellegrin), Trieste, Contemporanea
Cream
London, Phaidon Press
Ein Rückblick aus dem Jahre 2000 auf 1887
Eduard Bellamy, Leipzig
Dominique Gonzalez-Foerster, Pierre Huyghe, Philippe Parreno
Paris, ARC, Musee d'art moderne de la Ville de Paris
Art from Britain
Hamburg, Sammlung Goetz
Minimal-Maximal
Neues Museum Weserburg, Bremen
L'île de discussion/le grand centre de conférence
Nice/Dijon, Villa Arson/Les presses du réel
Interactive An Exhibition of Contemporary British Sculpture
London, Amerada Hess
Enter: KünstlerInnen, Publikum und Institution
Hrsg. Barbara Steiner, Kunstmuseum, Luzern
McNamara Papers, Erasmus and Ibuka! Realisations, The What If? Scenarios
Deutsche Übersetzung des Consortiums Kataloges, ed. Kunstverein in Hamburg
Artist/Author: Contemporary Artist's Books
(ed. Cornelia Lauf/Clive Phillpot) New York, American Federation
1998
Hospital, Sarah Morris
Galerie Max Hetzler, Berlin
X Mal Documenta X
Kunsthochschule der Universität, Gesamthochschule, Kassel
Unbuilt Worlds: Unrealised Artists Projects
Münster, Cantz
Erasme est en retard
(translated by Philippe Parreno)
Dijon, Les Presses du Réel
documenta X, Politics and Poetics
Kassel, Cantz
McNamara Papers, Erasmus and Ibuka! realisations The What If ? Scenarios
Dijon Les Presses du Réel
Ajar
Oslo, Galleri F15
1997
Des Livres d'Artistes
L'Ecole d'Art de Grenoble, Grenoble
Enter: Audience, Artsist, Institution
Kunstmuseum, Luzern
Supplementary biography provided by Air de Paris
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