Werner Büttner: Analogies, Allegories and Metaphors of the Human Condition

Werner Büttner: Analogies, Allegories and Metaphors of the Human Condition

A-05, 798 Art Zone, No. Jiuxianqiao Rd. Chaoyang DistrictBeijing, 100102, China Friday, June 24, 2022–Sunday, August 21, 2022


five cranes and charles darwin's first sketch on evolution by werner büttner

Werner Büttner

Five Cranes and Charles Darwin's First Sketch on Evolution, 2021

Price on Request

spines – an advantage in life by werner büttner

Werner Büttner

Spines – An Advantage in Life, 2018

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the pleasure of functioning by werner büttner

Werner Büttner

The Pleasure of Functioning, 2019

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our daily detail by werner büttner

Werner Büttner

Our Daily Detail, 2016

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original copy (abduction of a woman after goya) by werner büttner

Werner Büttner

Original Copy (Abduction of a Woman after Goya), 2018

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noble creature on a triangular spot by werner büttner

Werner Büttner

Noble Creature on a Triangular Spot, 1995

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Triumph Gallery is pleased to present “Analogies, Allegories and Metaphors of the Human Condition,” Werner Büttner's first solo exhibition in China from June 24 to August 21, 2022. The exhibition covers about 30 years of Büttner's representative works from the early 1990s to the present, including a number of oil paintings and works on paper, covering subjects such as objects, landscapes, modern science, and art history.

Werner Büttner (b.1954, Jena, Germany) , was a professor at the Oil Painting Department of the Hamburg University of Fine Arts. His works are often exhibited in many art institutions around the world and are collected by many important institutions and foundations.

As the intellectual figurehead of one of Germany most renowned artist groups in the 1980s, Büttner, alongside Martin Kippenberger and Albert Oehlen, have together shaped a subversive visual language that upended the technique and aesthetic of traditional painting, forming an artistic style that was later christened “Bad Painting” in the canon of German art history.

Büttner's practice explores the relentless folly of our misguided society. In his works, he uses humor and satire to fight social norms and depict a sense of reality with mixed feelings of sadness and joy. As the artist himself said: “Art has to have something to do with reality, with what is happening on this planet. If it doesn’t, for me it is boring.”

The human condition in all its glory and its misery is at the core of his interest and compassion. His intellectual curiosity and rigorous thinking are paired with a heightened sensibility for human strife. And all his artworks are witness to this uncompromising commitment to “La Condition Humaine.”  

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Curated by Thomas Eller