Bram van Velde (Dutch, 1981)

Bram van Velde (Dutch, 1895–1981) is known for his lively, abstracted paintings, featuring expressive shapes and forms, drawing on the aesthetics of French Lyrical Abstraction. Van Velde was born in Holland, where his family was impoverished while he was a child, an experience that would affect him for the rest of his life. His family moved several times, finally settling in the Hague, where van Velde apprenticed with a painting and interior decorating company, and copied the works of Old Master painters. The owners of the company became van Velde’s patrons, enabling him to travel throughout Europe, where he was exposed to the work of Expressionist painters, prompting a complete breakthrough in his painting. Van Velde exhibited his work in Paris throughout the 1920s, and later moved to Corsica and then to Majorca in the early 1930s, creating his first abstracted still lifes, inspired by Henri Matisse (French, 1869–1954). In the late 1930s he painted a series of abstract compositions in gouache, using vibrant color and organic forms in expressive large-scale works. Van Velde stopped painting for a period of four years in 1941, resuming his work in 1945. Throughout the 1940s and 1950s his work was tepidly received, but by the late 1950s and 1960s he was exhibiting regularly and had admirers among a younger generation of artists, including those in the CoBrA movement. In 1976, van Velde was awarded a membership in the Order of Arts and Letters by the French Ministry of Culture. He died in 1981, at 86 years old. Retrospectives of his work have been held at the Centre Pompidou in Paris and at the Kunsthalle Bern in Switzerland.

Timeline

1895
Born October 19 in Zoeterwoude, Holland
1898
Geer van Velde naît à Lisse en Hollande, il débute dans la peinture avec son frère cadet Bram.
1925
Il s'installe à Paris.
1925
Moves to Paris
1937
Ami de Samuel Beckett depuis 1937, il partage avec l'écrivain ce don de cristallisation qui fait les oeuvres fortes et originales.
1948
Geer van Velde s'intègre à l'Ecole de Paris, pratiquant avec une grande délicatesse de tons de gris une abstraction post-cubiste ordonnée d'abord par un réseau de lignes délimitant les plans, puis les lignes disparaissant, par une succession d'aplats colorés qui révèlent une longue réflexion sur la lumière.
1960
Moves to Geneva. Still travels often to Paris and Grimaud.
1960–1969
Sans rejoindre le radicalisme de Mondrian, Geer dissocie les fonds des surfaces chromatiques pour suggérer une lente remontée vers l'infini.
1981
Dies December 28 in Grimaud
Après une première période dominée par les effusions colorées influencées par Matisse et Bonnard, puis la leçon cubiste du groupe de la Section d'Or dominée par J. Villon, s'amorce une période, celle dite "des Ateliers" puis "des Intérieurs" où s'effectue une rupture totale avec le réel.

Exhibitions

1989–1990
Retrospective at the Centre Georges Pompidou, Paris
1986
Musée Granet, Aix-en-Provence
1985
Galerie Maeght, Paris
1985
Museum of Art and Industry, Saint-Etienne
1984
Exhibition of lithographs from 1979 - 1981, Museum of Art and History, Geneva
1980
Galerie Maeght, Paris
1978
Retrospective at the chapel of the Charité, Arles
1975
Galerie Maeght, Paris
1973–1974
Fondation Maeght, Saint-Paul de Vence
1970–1971
Retrospective at the National Museum of Modern Art, Paris
1962–1964
Retrospective at the Knoedler Gallery, New York, Galerie Krugier, Geneva and the Walker Art Center, Minneapolis
1957–1958
Retrospective at the Kunsthalle, Berne
1952
Galerie Maeght, Paris
1948
Galerie Maeght, Paris
1948
Galerie Kootz, New York