Cerith Wyn Evans (British, born )

Cerith Wyn Evans (British, b.1958) was born in Llanelli, Wales. He studied Fine Art at the Saint Martins School of Art in London, and graduated in 1980. Four years later, he completed an MA in Film and Video at the Royal College of Art. For a period of time, he served as an assistant to Derek Jarman (English, 1942–1994), an English filmmaker, scenographer, and painter. Evans made experimental short films through the 1980s.

The artist works in a variety of media including film, photography, sculpture, and installation. Evans has used unusual and eccentric materials, such as fireworks, light fixtures, neon lights, lanterns, Morse code, plants, mirror balls, and even urine, to express and explore his ideas on language and perception. His first solo exhibition was called Inverse Reverse Perverse and was held at the White Cube Gallery in London. This gallery continues to represent him in the United Kingdom to this day. One of his most striking and publicized works was an installation at the Venice Biennale, where he used a British World War II searchlight to tap out the poem of a 17th century Welsh bard, Ellis Wynne, in Morse code. The poem, Visions of a Sleeping Poet, was visualized as a Morse code light show, for which Evans had to obtain clearance from the Italian authorities due to the risk it could cause to aircrafts. The piece was called Cleave 03 (Transmission, Vision of the Sleeping Poet) and was said to overshadow the greatest landmark in Venice, the silhouette of the Palladio Church of San Giorgio Maggiore. Another of the artist’s famous works is a sculpture consisting of a large concave mirror, which was hung on the wall and distorted the image of the viewer.

Evans's aesthetic is highly refined, and he uses his great interest in film history and literature as inspirations for his work. Much of his work portrays romantic longing and desire, such as his Firework pieces, which are wooden structures that spell out open-ended texts that burn over a period of time. His Chandelier sculptures once again use Morse code: sections of texts are translated into the code and visualized with flashing light signals. Evans was commissioned by the Vienna State Opera in 2011 to design the safety curtains for the 2011 to 2012 opera season. He has held exhibitions recently at Kunsthall Bergen in 2011, Tramway in Glasgow in 2009, Inverleith House in Edinburgh in 2009, Musée d'Art Moderne de la Ville de Paris in 2006, and Kunsthaus Graz in 2005. He has also participated in the International Istanbul Biennial in 2005, the Yokohama Triennale in 2008, the Alchi Triennale in 2010, and the Moscow Biennial in 2011. Evans currently lives in London, and is represented in Europe by Daniel Buchholz Gallery in Cologne and Galeri NEU in Berlin.

Timeline

1958
Born, Wales
1980
Graduated, St Martin’s School of Art, London
1984
MA, Film and Video, Royal College of Art, London
Lives and works in London

Exhibitions

2012
Dérive, Galerie Buchholz, Berlin, Germany (solo)
2012
Détourne, Schikel Pavillon, Berlin, Germany (solo)
2012
Constructed Situation, MD72, Berlin, Germany (solo)
2011
Bergen Kunsthall, Bergen, Norway (solo)
2011
Assemblage, Galerie Neu, Berlin, Germany (solo)
2011
Die Fünfte Säule, Secession, Vienna, Austria (solo)
2011
Geheimgesellschaften, Schirn Kunsthalle, Frankfurt , Germany
2011
Quodlibet III – Alphabets and Instruments, Galerie Buchholz, Berlin , Germany
2011
Objektiv, Haubrockshows, Berlin, Germany
2011
I hate Paul Klee, Leopold Hoesch Museum, Düren, Germany
2011
Still Life with Phrenology Head, Isabella Bortolozzi, Berlin, Germany
2010
Von Realer Gegenwart, Kunstverein Düsseldorf / Kunsthalle Düsseldorf, Düsseldorf, Germany
2009
Galleria Lorcan O´Neill, Rome (solo)
2009
de Singel - International Arts Centre, Antwerp, Belgium (solo)
2009
Permit yourself..., Galerie Daniel Buchholz, Cologne, Germany (solo)
2009
A=p=p=a=r=i=t=i=o=n, Tramway, Glasgow (with Throbbing Gristle), UK (solo)
2009
Inverleith House, Edinburgh, Scotland (solo)
2009
GAGARIN the Artists in their Own Words - The first Decade, SMAK Gent
2009
Where Do We Go From Here?, Bass Museum Of Art, Miami Beach, USA
2009
The Dark Monarch, Tate St. Ives, St. Ives, UK
2009
Quodlibet II, Galerie Daniel Buchholz, Cologne, Germany
2009
The splendour of fear, Michael Benevento, Los Angeles, USA
2009
Audio, Video, Disco, Kunsthalle Zürich, Zurich, Switzerland
2009
No night No das (with Florian Hecker), screening at Teatro Goldoni, Venice, Italy
2009
Nous Tournons Dans La Nuit..., Musée département d’art contemporain, Rochechouart, France
2009
nothing to say and I am saying it, Kunstverein Freiburg, Germany
2009
Ian Hamilton Finlay & Cerith Wyn Evans, Ingleby Gallery, Edinburgh, UK
2008
Leigh Bowery, Kunstverein, Hannover, Germany
2008
Everstill, Casa-Museo Federico Garcia Lorca, Granada, Sain
2008
This is Not a Void, Galeria Luisa Strina, Sao Paulo, Brazil
2008
Always Begins by Degrees, The Common Guild, Glasgow, UK
2008
Punk. No One is Innocent, Kunsthalle Wien, Vienna, Austria
2008
[SCENE MISSING], Georg Kargl Gallery, Vienna, Austria
2008
Martian Museum of Terrestrial Art, Barbican, London, UK
2008
In The Beginning, University Art Gallery, UC San Diego, California, USA
2008
Voice and Void, The Aldrich Contemporary Art Museum, Ridgefield, USA
2008
You Dig The Tunnel - I'll Hide The Soil, White Cube Hoxton Square and Shoreditch Town Hall, London, UK
2008
Typed, Sadie Coles HQ, London, UK
2008
Voice and Void, Galerie im Taxispalais, Innsbruck, Austria
2008
Cerith Wyn Evans, Galpão Fortes Vilaça, Sao Paulo, Brazil (solo)
2008
...visibleinvisible, MUSAC, Leon, France (solo)
2008
Cerith Wyn Evans, Galerie Neu, Berlin, Germany (solo)
2007
Ian Hamilton Finlay & Cerith Wyn Evans, Ingleby Gallery, Edinburgh, UK
2007
Sculpture in the Close, Jesus College, Cambridge, UK
2007
The Projection Project: Budapest episode, Műcsarnok Kunsthalle, Budapest, Hungary
2007
Panic Attack! Art in the Punk Years, Barbican Art Gallery, London, UK
2007
Before the advert of radio astronomy, Kunsthaus Bregenz, Bregenz, Austria
2007
This is the love of these, Magazin 4, Bregenz, Austria
2007
Romantic Conceptualism, Kunsthalle Nürnberg, Nurnberg, Germany; BAWAG Foundation, Vienna, Austria
2007
The Secret Public: The Last Days of the British Underground 1978-1988, Institute of Contemporary Art, London, UK
2007
Pale Carnage, Arnolfini, Bristol, UK; Dundee Contemporary Arts, Dundee, UK
2007
Socle Du Monde, Daniel Buchholz, Cologne, Germany (solo)
2007
Remote Viewing, CCA Kitakyushu Project Gallery, Kitakyushu, Japan (solo)
2007
Futa Omote (double face), Taka Ishii, Tokyo, Japan (solo)
2007
Bubble Peddler, Kunsthaus Graz, Graz, Austria (solo)
2006
Cerith Wyn Evans, Kunstbau Lenbachhaus, Munich, Germany (solo)
2006
Take my eyes and through them see you, Institute of Contemporary Arts, London, UK (solo)
2006
…in which something happens all over again for the very first time, Musée d’Art Moderne de la Ville de Paris/ARC, Paris, France (solo)
2006
The Curves of the Needle, White Cube, London, UK (solo)
2006
All Hawaii entr�es / Lunar Reggae, Irish Museum of Modern Art, Dublin, Ireland
2006
How To Improve The World, Hayward Gallery, London, UK
2006
'Nach Rokytnik', Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria
2006
Thank you for the music (London Beat), Sprüth Magers Lee, London, UK
2006
The Expanded Eye, Kunsthaus Zürich, Zurich, Switzerland
2006
Stage of Life-Rhetorics of Emotion, Lenbachhaus, Munich, Germany
2006
Tate Triennial 2006: New British Art, Tate Britain, London, UK
2005
The Sky is Thin As Paper Here, Kunsthaus Graz - BIX Media Façade, Graz, Austria (solo)
2005
Eaux d’artifice (after K.A.), The Conservatory, Barbican Centre, London, UK (solo)
2005
Once a Noun, Now a Verbï ..., Galerie Neu, Berlin, Germany (solo)
2005
299792458m/s, BAWAG Foundation, Vienna, Austria (solo)
2005
Flourish, Moravian Gallery, Brno, Czech Republic
2005
Thank you for the music, Spr�th Magers Project, Munich, Germany
2005
Light Art from Artificial Light, ZKM, Karlsruhe, Germany
2005
Pasolini E Roma, Museo di Roma, Trastevere, Italy
2005
9th International Istanbul Biennial, Istanbul Foundation for Culture and Arts, Istanbul, Turkey
2005
Seoul Film Festival, Seoul, North Corea
2005
London in Six Easy Steps, ICA, London, UK
2005
The Vanity of Allegory, Deutsche Guggenheim, Berlin, Germany
2005
I Really Should..., Lisson Gallery, London, UK
2005
Summer Exhibition 2005, Royal Academy, London, UK
2005
Bidibidobidiboo: La Collezione Sandretto Re Rebaudengo, Palazzo Re Rebaudengo, Piazza del Municipio, Guarene d’Alba. Fondazione Sandretto Re Rebaudengo, Turin. Cavallerizza Chiablese e Salone delle Guardie, Turin, Italy
2005
Light Lab, MUSEION, Bolzano, Italy
2005
Can Buildings Curate, AA School of Architecture, London, UK
2005
Ice Storm, Kunstverein München, Munich, Germany
2005
I’d Rather Jack, National Galleries of Scotland, Edinburgh, UK
2005
E-Flux Video Rental Store, KW Institute for Contemporary Art, Berlin, Germany
2005
Ellen Cantor, Cerith Wyn Evans, Prince Charles Cinema, London, UK
2004
Thoughts unsaid, now forgotten, MIT Visual Arts Center, Boston, USA (solo)
2004
Cerith Wyn Evans, Museum of Fine Arts, Boston, USA (solo)
2004
Cerith Wyn Evans, Centre Georges Pompidou, Paris, France (solo)
2004
Cerith Wyn Evans, Kunstverein Frankfurt, Frankfurt, Germany (solo)
2004
The Sky is Thin as Paper Here, Galerie Daniel Buchholz, Cologne, Germany (solo)
2004
Meanwhile Across Town, Centre Point, London, UK (solo)
2004
Rabbit's Moon, Camden Arts Centre, London, UK (solo)
2004
Eclipse: Towards the Edge of the Visible, White Cube, London, UK
2004
Black Friday: Exercises in Hermetics, Revolver, Frankfurt, Germany
2004
The Ten Commandments, Deutsches Hygiene-Museum, Dresden, Germany
2004
Drunken Masters, Galeria Fortes Vila'a, Sao Paulo, Brazil
2004
Making Visible, Galleri Faurschou, Copenhagen, Denmark
2004
Marc Camille Chaimowicz, Angel Row Gallery, Nottingham, UK
2004
Doubtiful Dans Les Plis Du Reel, Galerie Art & Essai, Rennes, France
2004
Hidden Histories, New Art Gallery Walsall, Walsall, UK
2004
Ulysses, Galerie Belvedere, Vienna, Austria
2004
Sans Soleil, Galerie Neu, Berlin, Germany
2004
Bazar de Ver�o, Galeria Fortes Vila'a, Sao Paulo, Brazil
2004
Modus Operandi, Thyssen-Bornemisza Art Contemporary, Vienna, Austria
2004
Curating the Library, DE Singel, Antwerp, Belgium
2004
Schöner Wohnen (Living Nicely), Platform voor Actuele Kunst, Waregem, Belgium
2004
Utopia Station, Haus der Kunst, Munich, Germany
2004
Uses of the Image: Photography, Film and Video In The Jumex Collection, Malba, Buenos Aires, Argentinia
2004
Quodlibet, Galerie Daniel Buchholz, Cologne, Germany
2004
Traffic d�influences: Art & Design, Tri Postal, Lille, France
2004
The Future Has A Silver Lining: Genealogies of Glamour, Migros Museum for Contemporary Art, Zurich, Switzerland
2004
Einleuchten, Museum der Moderne, Salzburg, Austria
2003
Take a Bowery: The Art and (larger than) Life of Leigh Bowery, MCA Sydney, Sydney, Australia
2003
Wittgenstein Family Likenesses, Institute of Visual Culture, Cambridge, UK
2003
Heiliger Sebastian: A Splendid Readiness For Death, Kunsthalle Vienna, Vienna, Austria
2003
Further: Artists from Wales, 50th International Venice Biennale, Venice, Italy; Aberystweth Arts Centre, Aberystweth; Glynn Vivian Art Gallery, Swansea and National Museum & Gallery of Wales, Cardiff, UK
2003
Utopia Station, 50th International Venice Biennale, Venice, Italy
2003
Adorno, Frankfurter Kunstverein, Frankfurt, Gemany
2003
Galleria Lorcan O'Neill, Rome, Italy
2003
Independence, South London Gallery, London, UK
2003
Addiction, 15 Micawber Street, London, UK
2003
Light Works, Taka Ishii Gallery, Tokyo, Japan
2003
Someone to Share My Life With, The Approach, London, UK
2003
The Straight or the Crooked Way, Royal College of Art Galleries, London, UK
2003
Cardinales, MARCO, Vigo, Spain
2003
Edïton, La Coleccion Jumex, Mexico City, Mexico
2003
Look at that picture. How does it appear to you now? Does it seem to be Persisting?, White Cube, London, UK (solo)
2003
Take your desires for reality, Cerith Wyn Evans/MATRIX 201c, UC Berkeley Art Museum and Pacific Film Archive, Berkeley, USA (solo)
2003
Cerith Wyn Evans, Galerie Neu, Berlin, Germany (solo)
2003
Take your desires for reality, Cerith Wyn Evans/MATRIX 201c, UC Berkeley Art Museum and Pacific Film Archive, Berkeley (solo)
2002
Cerith Wyn Evans Screening, Galerie Daniel Buchholz, Cologne, Germany (solo)
2002
Documenta11, Kulturbahnhof, Museum Fridericianum, Documenta-Halle, Orangerie/Karlsaue and Binding-Brauerei, Kassel, Germany
2002
Mirror: Its Only Words, London College of Printing, The London Institute, London, UK
2002
Shine, The Lowry Centre, Manchester, UK
2002
My Head is on Fire but My Heart is Full of Love, Charlottenborg Museum, Copenhagen, Denmarl
2002
Lost Past/2002-1914, Merghelynck Museum, Ypres, France
2002
Screen Memories, Contemporary Art Centre, Art Tower Mito, Ibaraki, Japan
2002
Iconoclash. Image Wars in Science, Religion and Art, Center for Art and Media, Karlsruhe, Germany
2002
Void Archive, Centre for Contemporary Art, Kitakyushu, Japan
2002
It's Only Words, Mirror Gallery, The London Institute, London, UK
2002
ForwArt, Palais des Beaux-Arts, Brussels, Belgium
2002
In the Freud Museum, Freud Museum, London, UK
2001
Wales: Unauthorized versions, part of Welsh days festival, Extended Media Gallery and House of the Croatians Artists, Zagreb, Croatia
2001
Yokohama 2001: International Triennale of Contemporary Art, Yamashita Pier, Yokohama, Japan
2001
There is something you should know: Die EVN Sammlung im Belvedere, Öterreichische Galerie Belvedere, Vienna, Austria
2001
Gymnasion, Bregenzer Kunstverein, Bregenz, Austria
2001
My Generation 24 Hours of Video Art, Atlantis Gallery, Londonm, UK
2001
Wir, Comawoche. Film Screening, Metropolis Cinema, Hamburg, Germany
2001
How do you change, Institute of Visual Culture, Cambridge, UK
2001
Bridge the Gap, Industrial Club of the West of Japan/Centre for Contemporary Art, Kitakyushu, Japan
2001
Dedalic Convention, Museum für angewandte Kunst, Vienna, Austria
2001
Zusammenhänge in Biotop Kunst, Kunsthaus Muerz, Muerzzuschlag, Austria
2001
Video Screening, Anthony Wilkinson Gallery, London, UK
2001
The Stunt/The Queel, London Institute, RAMC, London, UK
2001
What's Wrong?, Trade Apartment, London, UK
2001
Diesseits und jenseits des Traums, Sigmund Freud Museum, Vienna, Austria
2001
Cerith Wyn Evans, Galerie Daniel Buchholz, Cologne, Germany (solo)
2001
Cerith Wyn Evans, Kunsthaus Glarus, Glarus, Switzerland (solo)
2001
Cerith Wyn Evans, Georg Kargl Gallery, Vienna, Austria (solo)
2001
Cerith Wyn Evans The Art Newspaper project: Venice Biennale, Venice, italy (solo)
2000
Cleave 00. Art Now, Tate Britain, London, UK (solo)
2000
Cerith Wyn Evans, fig-1, London, UK (solo)
2000
Has the film already started?, Galerie Neu, Berlin, Germany (solo)
2000
Sensitive, Printemps de Cahors, Saint-Cloud, Farnce
2000
Rumours, Arc en Reve Centre d'Architecture, Bordeaux, France
2000
La Ville, le Jardin, la Memoire 1998-2000, The French Academy at Rome, Villa Medici, Rome, italy
2000
Ever get the feeling you've been, A22 Projects, London, UK
2000
There is something you should know, Die EVN Sammlung im Belvedere, Vienna, Austria
2000
Out There, White Cube, London, UK
2000
The British Art Show 5, The Scottish National gallery of Modern Art, Edinburgh, UK
2000
The Greenhouse Effect, Serpentine Gallery in collaboration with The Natural History Museum, London, UK
2000
Lost, Ikon Gallery, Birmingham, UK
1999
Group exhibition, Re Rebaudengo Collection, Re Rebaudengo Gallery, Turin, Italy
1999
54x54, Financial Times Building, London, UK
1999
Group exhibition, Galerie Neu, Berlin
1999
Retrace your steps: Remember Tomorrow, Sir John Soane’s Museum, London, UK
1999
La Memoire, The French Academy in Rome, Rome, Italy
1999
Fourth Wall, Public Art Development Trust, Royal National Theatre, London, UK
1999
Essential Things, Robert Prime, London, UK
1997–1999
Sensation, Royal Academy of Arts, London and Hamburger Bahnhof, Berlin, Germany
1998
How will we behave?, Robert Prime, London, UK
1998
From the Corner of the Eye, Stedelijk Museum, Amsterdam, the Netherlands
1998
View Four, Mary Boone Gallery, New York, USA
1998
Ray Rapp, Tz’Art & Co., New York, USA
1998
Close Echos: Public Body and Artificial Space, City Art Gallery, Prague and Kunsthalle, Krems, Austria
1997
7th International Video Week, Geneva, Switzerland
1997
A Print Portfolio from London, Atle Gerhardsen, Oslo, Norway
1997
Gothic, ICA Boston, Boston, USA
1997
False Impressions, The British School at Rome, Rome, Italy
1997
Material Culture, Hayward Gallery, London, UK
1996
Life/Live, Musée d’Art Moderne de la Ville de Paris, Paris, France and Centro de Exposições do Centro Cultural de Belém, Lisbon, Protugal
1996
Against, Anthony d’Offay, London, UK
1996
Some Drawings From London, 20 Princelet Street, London, UK
1996
British Artists in Rome, Studio Casagrande, Rome, Italy
1996
Kiss This, Focal Point Gallery, Southend, UK
1995
Sick, 152 Brick Lane, London, UK
1995
Stoppage, FRAC Tours, Tours, France
1995
General Release: Young British Artists, Scuola di San Pasquale, Venice, Italy
1995
Faction Video, Royal Danish Academy of Fine Arts, Copenhagen, Denmark
1995
Future Anterior, Eigen + Art’s/IIAS - Young British Artists, London, UK
1994
Potato, IAS, London, UK
1994
Olive Tree Installation, The Orangery, Holland Park, London, UK
1994
Superstore Boutique, Laure Genillard Gallery, London, UK
1994
People Must Bed God to Stop..., Performance at Fete Worse than Death, London , UK
1994
Flux, Minema Cinema, London , UK
1994
Liar, Hoxton Square, London, UK
1994
5th Oriel Mostyn Open Exhibition, Oriel Mostyn, Llandudno, UK
1993
Modern Medicine, Installation/event at the Barley Mow with Angus Fairhurst and Leigh Bowery in association with Factual Nonsense Gallery, London, UK
1993
Speaking of Sofas, Tate Gallery, London, UK and Gavin Brown’s Enterprise, New York, USA
1992
240 Minutes, Galerie Esther Schipper, Cologne, Germany
1992
Cerith Wyn Evans and Gaylen Gerber, Wooster Gardens Gallery, New York, USA
1990
Sign of the Times, MOMA, Oxford, UK
1990
Image and Object in Current British Art, Centre Georges Pompidou, Paris, France
1988
Degrees of Blindness, Edinburgh Film Festival, Edinburgh, UK
1988
The Melancholy Imaginary, In collaboration with Jean Mathee, London Film Makers Co-op, London, UK
1987
The Elusive Sign, Tate Gallery, London, UK
1985
Syncronisation of the Senses, ICA, London, UK
1985
The New Pluralism, Tate Gallery, London, UK
1984
The Salon of 1984, ICA, London, UK
1984
Artist as Film Maker, National Film Theatre, London
1983
The New Art, Tate Gallery, London, UK

Literature

2007
Seifermann and Jörg Heiser (Eds.). Romantic Conceptualism, Bielefeld/Leipzig: Kerber Verlag, 2007
2007
Schafhausen, Nicolaus and Max Hollein (Eds.). Kunst/Art: Lufthansa Aviation Center, Frankfurt: Revolver, 2007
2007
Mair, Robert and Rod Mengham. Sculpture in the Close, Cambridge: Jesus College, 2007
2007
Bracewell, Michael and Tom Trevor. Pale Carnage, Arnolfini, Bristol, 2007
2007
König, Walther. Bubble Peddler, Cologne: Kunsthaus Graz, 2007
2006
…in which something happens all over again for the very first time, Paris: Musée D’Art de la Ville de Paris/ARC, 2006
2006
Rugoff, Ralph, Michael Archer, Marjorie Allthorpe-Guyton and Roger Malbert. How to Improve the World: 60 Years of British Art, London: Hayward Gallery, 2006
2006
Thomas, Rachael. All Hawaii Entrées/ Lunar Reggae, Irish Museum of Modern Art (IMMA), Dublin, 2006
2006
Curiger, Bice, Ina Blom, Diedrich Diederichsen, Kurt W. Forster, Al Rees and Rüdiger Wehner. The Expanded Eye: Sehen – entgrenzt und verflüssigt, Ostfildern: Kunsthaus Zürich: Hatje Cantz Verlag, 2006
2006
Rebentisch, Juliane. Stage of Life – Rhetorics of Emotion, Köln: Lenbachhaus München: Verlag der Buchhandlung Walther König, 2006
2006
Ruf, Beatrix, Clarrie Wallis, Jan Verwoert, Gair Boase, Siobhan McCracken, Emily Pethick, Katherine Stout, Catherine Wood. Tate Triennial 2006: New British Art, London: Tate Britain: Tate Publishing, 2006
2005
The Curves of the Needle, Wien : BAWAG Foundation, 2005
2004
Spiegl, Andreas, Jan Verwoert, Juliane Rebentisch and Manfred Hermes. Cerith Wyn Evans, Frankfurt: Frankfurter Kunstverein and New York: Lukas & Sternberg, 2004
2004
Arning, Bill. Thoughts unsaid, now forgotten…, Boston: MIT List Visual Art Center, 2004
2004
Higgie, Jennifer. Cerith Wyn Evans, London: Camden Arts Centre, 2004
2004
Biesenbach, Klaus, Frank Crusemann, Roger N. Lancaster, Ulf Poschardt, Christian Höller, Jan Verwoert, Hartmut Krauss, Navid Kermani, Alexander Meschnig, Genevieve Hesse, Desmond Morris, Ilona Ostner, Susan Sontag, Dietmar Mieth, Dennis Altman, Linda Singer, Kevin Bales, Christiane Grefe, Christiane Leidinger, Gabriele Cleve, Isabelle Graw and Niklas Maak. Diezehngebote, Dresden: Deutsches Hygiene Museum and Ostfildern-Ruit: Hatje Cantz, 2004
2004
Bonami, Francesco and Gigiotto Del Vecchio. Sensi Contemporanei in Campana, Venice: La Biennale di Venezia, 2004
2004
Holert, Tom, Heike Munder, Ian Penman and Terre Thaemlitz. The Future Has A Silver Lining, Zurich: Migros Museum für Gegenwartskunst Zurich and JRP/Ringier 2004
2004
Van Winkel, Camiel and Moritz Küng. Schöner Wohnen (Living Nicely), Waregem: Platform voor actuele kunst, 2004
2004
Shani, Annushka. Eclipse: Towards The Edge of the Visible, London: Jay Jopling/White Cube, 2004
2004
Trummer, Thomas. Ulysses, Vienna: Galerie Belvedere, 2004
2004
Petry, Michael. Hidden Histories: Twentieth Century Male Same Sex Lovers In The Visual Arts, London: Artmedia Press, 2004
2004
Mavridorakis, Valérie, Elvan Zabunyan and David Perreau. Doubtiful dans les plis du reel, Rennes: Art & Essai, University of Rennes, 2004
2004
Zyman, Daniela. ein-leuchten, Vienna: Museum der Modern Salzburg, 2004
2003
Shani, Annushka. Look at that picture… How does it appear to you now? Does it seem to be Persisting?, London: Jay Jopling/White Cube, 2003
2003
A. Kaye, Richard, Carlo Santoli, Germaine Greer and Gerald Matt. Heiliger Sebastian: A Splendid Readiness for Death, Vienna: Kunsthalle Wien and Bielefeld: Kerber Verlag, 2003
2003
Manacorda, Francesco. The Straight or Crooked Way, London: Royal College of Art, 2003
2003
Graw, Isabelle and Georg Schöllhammer. Adorno: The Possibility of the Impossible Vol II, Frankfurt: Frankfurter Kunstverein and New York: Lukas & Sternberg, 2003
2003
Hirsch, Michael, Vanessa Joan Müller and Nicolaus Schaufhausen (Eds.). Adorno: The Possibility of the Impossible Vol I, Frankfurt: Frankfurter Kunstverein and New York: Lukas & Sternberg, 2003
2003
Fleming, Patricia, Julia Heynen, Kris Cohen, Sarah Cook, Caoimhín Mac Giolla Léith, Jan Verwoert and Will Bradley. Further: Artists from Wales at the 50th International Art Exhibition, Venice, Cardiff: Wales Art International, 2003
2002
Enwezor, Okwui. Documenta 11_Platform 5: Exhibition, Kassel: Museum Friedericianum Veranstaltungs-GmbH and Ostfildern-Ruit: Hatje Cantz, 2002
2002
Bezzan, Cécilia. ForwArt, Brussels: Palais des Beaux-Arts, 2002
2002
Iida, Takayo. Screen Memories, Ibaraki: Contemporary Art Center, Art Tower Mito, 2002
2002
Bradley, Will, Henriette Bretton-Meyer and Toby Webster. My Head is on Fire but my Heart is Full of Love, Copenhagen: Charlottenborg Museum, 2002
2002
Anderson, Emma and Alistair Robinson. Shine, Balford: Lowry Press, 2002
2001
Fig.1: the commemorative book. London: Spafax Publishing and Tate Publishing, 2001
2001
Farquharson, Alex. ‘Wales’: Unauthorized versions, Zagreb: Croatian Association of Artists, 2001
2001
Lee, Jane, David Beech, Peter Lewis and Victor Burgin. Gymnasion, Bregenz: Bregenzer Kunstverein, 2001
2000
Meredith, Rachel. Cerith Wyn Evans. Art Now, London: Tate Publishing, 2000
2000
Rugoff, Ralph, Lisa Corrin, Simon Morley and Mark Dion. The Greenhouse Effect, London: Serpentine Gallery, 2000
2000
Kovats, Tania. Lost, Ikon Gallery, Birmingham, 2000
2000
Macel, Christine, Pascal Beausse, Marie-Frédérique Hallin and François Piron. Sensitive, Saint-Cloud: Printemps de Cahors, 2000
2000
Watkins, Jonathan, Tania Kovats and Irit Rogoff. Lost, Birmingham: Ikon Gallery, 2000
1999
Bonami, Francesco and Hans-Ulrich Obrist. Dreams, Turin: Fondazione Sandretto Re Rebaudengo, 1999
1999
Die EVN Sammlung im Belvedere Ankäufe 1997-99, Vienna: EVN AG, 1999
1998
Close Echos: Public Body and Artificial Space, Prague: City Art Gallery and Krems: Kunsthalle Krems, 1998
1998
Aydemir, Murat, Leontine Coelewij, Rudi Fuchs, Martijn van Nieuwenhuyzen and Hripsimé Visser. From the Corner of the Eye, Amsterdam: Stedelijk Museum, 1998
1998
Adams, Brooks, Lisa Jardine, Martin Maloney, Norman Rosenthal and Richard Shone. Sensation. Young British Artists From The Saatchi Collection, Berlin: Hamburger Bahnhof, 1998
1998
Wyn Evans, Cerith. Cerith Wyn Evans. In Girum Imus Nocte et Consumimur Igni, Kyoto: Centre for Contemporary Art Kitakyushu and Korinsha Press, 1998
1997
Jacques, Alison. False Impressions, Rome: The British School at Rome, 1997
1997
Lapa, Pedro, Laurence Bossé and Guy Brett. Life/Live, Musee d’Art Moderne de la Ville de Paris, Paris 1997
1997
Archer, Michael and Greg Hilty. Material Culture, London: Hayward Gallery, 1997
1997
Adams, Brooks, Lisa Jardine, Martin Maloney, Norman Rosenthal and Richard Shone. Sensation. Young British Artists From The Saatchi Collection, London: Royal Academy of Arts, 1997
1996
Life/Live, Paris: Musée d’Art Moderne de la Ville de Paris and Lisbon: Centro de Exposições do Centro Cultural de Belém, 1996
1996
British Artists in Rome, Rome: Studio Case Grande, 1996
1995
Faction Video, Copenhagen: Royal Danish Academy of Fine Arts, 1995
1995
General Release: Young British Artists, Venice: Scuola di San Pasquale, 1995
1994
Potato, London: IAS, 1994
1993
5th Oriel Mostyn Open Exhibition, Llandudno: Oriel Mostyn, 1993
1992
240 Minutes, Cologne: Galerie Esther Schipper, 1992
1990
Sense and Influence, The Hague: Kijkhuis, 1990
1990
Sign of the Times, Oxford: Modern Art Oxford, 1990
1989
Solo Exhibition 79-89, London: ICA Cinematheque, 1989
1989
A Certain Sensibility, London: ICA Cinematheque, 1989
1987
O’Pray, Michael, Catherine Lacey and Tamara Krokorian. The Elusive Sign. British Avant-Garde Film & Video 1977-1987, London: Arts Council of Great Britain and The British Council, 1987
1985
Syncronisation of the Senses, London: ICA Cinematheque, 1985
1985
O’Pray, Michael. British Film & Video 1980-1985. The New Pluralism, London: Tate Publishing, 1985