Installation, performance, and Conceptual artist Dan Graham (American, b.1942) is best known for his pioneering advances in video art, as well as his highly conceptual installations, which facilitate specific interactions between viewers. Born in Urbana, IL, he moved to New Jersey as a young man, and, in 1962, opened the John Daniels Gallery in New York, his first official foray into the art world. There, he showed the work of Conceptual and Minimalist artists, such as Sol LeWitt and Donald Judd, and began creating works himself during this time, influenced by similar reductive aesthetics.

Beginning in the late 1960s, he worked with photography, documenting houses in both urban and suburban areas, which he later published in a magazine format, accompanied by texts in his Homes for America series. In the 1970s, he was a leading proponent of performance and video art, before turning to an installation format to create architectural sites, provoking interactions between viewers and public spaces. He often also used video, mirrors, and other materials in innovative ways to explore the relationship formed between the audience and the artwork.

Retrospectives of his work have been held at the Museum of Contemporary Art in Los Angeles, the Kunsthalle Bern in Switzerland, the Kunsthalle Düsseldorf in Germany, the Museu Serralves in Portugal, and the Museum of Modern Art in Oxford. He has also exhibited his work in several documenta exhibitions in Kassel. In addition to his work as an artist, Graham is also an acclaimed cultural critic and theorist, and has published several significant books over the past three decades. He currently lives and works in New York City.