John Beech (British, b.1964) is an artist best known for his work using found objects. Many of his pieces use objects that others overlook, including trash cans, dumpsters, and floor mats. Beech often takes black and white photographs of the items he finds and attempts to reflect their natural beauty. He grew up in a small town in England, but his family moved to the United States during his teen years. He entered the University of California as an architecture major. The University of California awarded him the Maybelle Toombs Award for Practice of Art in 1985, which allowed him to then move on to study art.

By the time he finished his BA in 1986, Beech became passionate about painting and sculpting. Three years after he graduated college, he had his first solo show at the Southern Exposure Gallery in San Francisco, CA. Other galleries took notice of his work, which led to showings at the Gallery Paule Anglim and the Upaya Gallery, both in San Francisco, CA. He then did a residency with the Chiani Foundation out of Texas. After spending more than a decade in the Southwest, the artist moved to New York, NY, in 1996.

Over the course of his career, Beech received several prominent awards, including the SECA Award from the San Francisco Museum of Modern Art in San Francisco, CA, and the Pollock-Krasner Foundation Award. Known for his influence in the Modern Contemporary style, Beech mixes objects in his pieces. In his Make, he used duct tape, pen, and aluminum panels to create a large-scale sculpture that almost resembles a sunburst. He is also known for his series Dumpster Drawing, which shows various photographs of dumpsters mounted onto aluminum panels. Some of his pieces are now in the permanent collections at the Albright-Knox Art Gallery in Buffalo, NY; the San Jose Museum of Art in San Jose, CA; the Manfred Wandel/Stiftung fur Konkrete Kunst in Reutlingen, Germany; and the Oakland Museum in Oakland, CA. Beech currently lives and works in Brooklyn, NY. He is represented by Pete Blum in New York City.

Timeline

1964
Born in Winchester, England
1985
Maybelle Toombs Award for Practice of Art, University of California, Berkeley
1986
BA, University of California, Berkeley, California
1992
SECA Award, San Francisco Museum of Modern Art, San Francisco, California
1998
The Chinati Foundation, Residency, Marfa, Texas
1999
The Pollock-Krasner Foundation Award
Lives and works in Brooklyn, NY

Exhibitions

2012
Art on Paper 2012: The 42nd Exhibition, Weatherspoon Art Museum, Greensboro, USA
2012
Time Expanded, Charlotte Jackson Fine Art, Santa Fe, NM (solo)
2012
Time Expanded, Charlotte Jackson Fine Art, Santa Fe, NM (solo)
2011
John Beech: The State of Things, Peter Blum Gallery, Chelsea, New York, NY (solo)
2009
John Beech and Edward Albee: Obscure/Reveal, Peter Blum Gallery, New York, NY (solo)
2009
John Beech, Gallery Paule Anglim, San Francisco, CA (solo)
2008
John Beech: Nohow, Center for Contemporary Non-Objective Art (CCNOA), Brussels, Belgium (solo)
2008
Begin Again Right Back Here, White Columns, New York, NY
2008
American Academy Invitational Exhibition of Visual Arts, The American Academy of Arts and Letters
2007
That and This: New Work, Peter Blum, New York, NY (solo)
2006
Gallery Paule Anglim, San Francisco, CA (solo)
Howard Yezerski Gallery, Boston, MA (solo)
“New Order,” (Curator: Dorothea Strauss), Haus Konstruktiv, Zurich, Switzerland
“Spring Fever,” Charlotte Jackson Fine Art, Santa Fe, NM
“Two Step,” (Organized by CCNOA Brussels/Petra Bungert) Kunstnernes Hus, Oslo, Norway
“Eccentric Abstraction,” Galerie M+R Fricke, Dusseldorf, Germany
“Minimalisms,” Gallery W52, New York, NY
“Painted Objects,” CCNOA, Brussels, Belgium
“Artists for Chinati,” Phillips de Pury, New York, NY
“Spectrum,” Galerie Lelong, New York, NY
2005
Recent Sculpture and Large Scale Drawings, Peter Blum, New York, New York –solo
New Sculpture made on Site and Drawings, Galerie M+R Fricke, Berlin, Germany -solo
2005 ‘I Remain the Same: Changed,’ (Curator: Nolan Simon), Center Gallery, College for Creative Studies, Detroit, Michigan
Extreme Abstraction, (John Beech Small Objects, including sculpture selected from the permanent collection by John Beech), (Curators: Louis Grachos, Claire Schneider), Albright-Knox Art Gallery, Buffalo, New York
The Natalie and Irving Forman Collection, Albright-Knox Art Gallery, Buffalo, New York
Beyond Monochrome, Charlotte Jackson Fine Art, Santa Fe, New Mexico
MinimalPop, Les Filles du Calvaire, Paris, France and Brussels, Belgium
Variations on Yellow, Charlotte Jackson Fine Art, Santa Fe, New Mexico
Drawings, (John Beech, Christopher Lesnewski, Tilman), (Selected by John Beech), Smith Andersen Editions, Palo Alto, California
2004
John Beech Works 1989 – 2004, Stiftung fur Konkrete Kunst, Reutlingen, Germany (solo)
John Beech from the Collection, Albright-Knox Art Gallery, Buffalo, New York (solo)
John Beech New Work, Charlotte Jackson Fine Art, Santa Fe, New Mexico (solo)
John Beech – New Sculptures and Paintings (with John Meyer – Drawings),Galerie Gisele Linder, Basel, Switzerland (solo)
Molti Multipli, CCNOA, Brussels, Belgium
Von a bis 2: Editionen, Galerie Gisele Linder, Basel, Switzerland
20 Years: Multiples, Galerie Gisele Linder, Basel, Switzerland
In Focus: Themes in Photography, Albright-Knox Art Gallery, Buffalo, New York
John Beech / David Thomas, Foreign Affairs 3, Proximus, Bonn, Germany
MinimalPop, Florence Lynch Gallery, New York, New York (Organized by CCNOA, Brussels, Belgium)
Void, (Curator: David Gibson), Educational Alliance Gallery, New York, New York
Large Format Works on Paper, Smith Andersen Editions, Palo Alto, California
2003
Peter Blum, New York, New York (solo)
Archive Inc. Gallery, Toronto, Ontario, Canada (solo)
‘Brooklyn Container,’ Brooklyn Central Public Library, New York (solo)
(+ Collaborative Drawings 1998 –2003 with Simon Lee and Christopher Lesnewski)
2003 Multiples, Galerie Gisele Linder, Basel, Switzerland
‘Selections from the Natalie and Irving Forman Collection,’ Albright-Knox Art Gallery, Buffalo, New York
‘24’, Eugene Binder, Marfa, Texas (Organized by John Beech, Eugene Binder)
‘Modelle des Konkreten,’ (Curators: Manfred Wandel, Gabriele Kuebler), Stiftung fur Konkrete Kunst, Reutlingen, Germany
‘Small Colours,’ (Curator: Christoph Dahlhausen), Galerie Eva Mack, Stuttgart, Germany
‘New Acquisitions,’ Albright-Knox Art Gallery, Buffalo, New York
‘Real Red,’ Charlotte Jackson Fine Art, Santa Fe, New Mexico
2002
Charlotte Jackson Fine Art, Santa Fe, New Mexico (solo)
In a Silent Way, Galerie Gisele Linder, Basel, Switzerland
Two Step, CCNOA, Brussels, Belgium
2001
Rotating Paintings, Gallery Paule Anglim, San Francisco, California (solo)
Stark Gallery, New York , New York (solo)
Alexander Nagel, Toronto, Ontario, Canada (solo)
Built on Site, TD156, San Francisco, California (solo)
Fifteen Years of Painting, Stark Gallery, New York, New York
Surfaces & Support Systems, 123 Watts, New York, New York
El Paisano Hotel, Rudolph Projects, Marfa, Texas
Anymore, Real Art Ways, Hartford, Connecticut
Art Brussels, CCNOA, Brussels, Belgium
2000
From Idea to Matter. Nine Sculptors, Anderson Gallery, VA Commonwealth U., Richmond
Minimalism, Then and Now, University Art Museum, Berkeley, California
Trajectories, Smack Mellon Studios, Brooklyn, New York
The Art of Collaborative Printmaking: Smith Andersen Editions,
Michael Martin Gallery, San Francisco, California (traveled to Flanders Graphics,
Minneapolis, Minnesota, and Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin
Industry, (three person show) Thatcher Projects, New York, New York
From Rags To Riches, Foundation de la Tapisserie des Arts, Tournai, Belgium
1999
Petra Bungert Projects / CCNOA, Brussels, Belgium (solo)
Gallery Paule Anglim, San Francisco, California (solo)
1998
The Locker Plant, The Chinati Foundation, Marfa, Texas (solo)
1997
Gallery Paule Anglim, San Francisco, California (solo)
Smith Andersen Editions, Palo Alto, California (solo)
1996
Angles Gallery, Santa Monica, California (solo)
1995
Gallery Paule Anglim, San Francisco, California (solo)
1994
Miles Bellamy-113 Crosby Street, New York, New York (solo)
1993
Gallery Paule Anglim, San Francisco, California (solo)
1992
Sculpture Built On The Premises, Upaya Gallery, San Francisco, California (solo)
1991
Gallery Paule Anglim, San Francisco, California (solo)
1990
Gallery Paule Anglim, San Francisco, California (solo)
1989
Southern Exposure Gallery, San Francisco, California (solo)

Public Collections

Albright-Knox Art Gallery, Buffalo, New York
San Francisco Museum of Modern Art, San Francisco, California
Manfred Wandel/Stiftung fur Konkrete Kunst, Reutlingen, Germany
Oakland Museum, Oakland, California
San Jose Museum of Art, San Jose, California
University Art Museum, Berkeley, California
Laguna Art Museum, Laguna Beach, California
Museum of Art, Fort Lauderdale, Florida
de Saisset Museum, Santa Clara University, California
Microsoft Corporation, Seattle, Washington
Sidley and Austin, New York, New York
Pfizer Corporation, New York, New York
Bank of America, Los Angeles, California
Robertson Stevens & Co., San Francisco
Swiss Re, New York, New York
KFW Bank, Frankfurt/Berlin, Germany