Jonathan Horowitz (American, born )

Jonathan Horowitz (American, b.1966) is a Contemporary artist working in photography, installation, video, and sculpture. Born in New York, he studied philosophy at Wesleyan University, receiving his BA in 1987. His earliest solo exhibitions took place in 1998 at Green Naftali Gallery and Kenny Schachter/Rove in New York, and he has since gone on to show his work all over the world. Other solo presentations include those at Galerie Yvon Lambert in Paris, Gavin Brown’s Enterprise in New York, Galerie Barbara Weiss in Berlin, and P.S. 1 Contemporary Art Center in Queens, among others. In 2012, a traveling museum exhibition, Your Land/My Land: Election ‘12, addressed the presidential election, and was presented by the New Museum in New York, the Hammer Museum in Los Angeles, and the Utah Museum of Contemporary Art, among others.

He lives and works in New York.

Timeline

1966
Born in New York (NY), USA
B.A. Philosophy, Wesleyan University, Middletown (CT), USA
Public Collections
Altoids Curiously Strong Collection - New Museum of Contemporary Art, New York (NY), USA
Centre Georges Pompidou, Paris, France
Frankfurt Museum of Modern Art, Frankfurt, Germany
Migros Museum of Contemporary Art, Zurich, Switzerland
Museum of Contemporary Art, San Diego (CA), USA
Museum of Modern Art, New York (NY), USA
S.M.A.K, Ghent, Belgium
Solo Screenings
2005 L’Entrepot, Paris, presented by Ann Bonnin
2000 Personal Cinema Program, Millennium, New York (NY), USA
Curatorial Projects
2006 Two Friends and So On, curated by Jonathan Horowitz & Rob Pruitt, Andrew Kreps Gallery, New York (NY), USA
2001 Marc Foxx Gallery, Los Angeles (CA), USA
2000 Andrew Kreps Gallery, New York (NY), USA
1996 Howard the Duck, zing magazine, Autumn-Winter

Exhibitions

2013
Mrs. Carter and the Diet Cola for Men War, Galerie Barbara Weiss, Berlin (solo)
2013
Group Self-portrait in ´Mirror #1 (Six Panels)`, Gavin Brown´s Enterprise, New York (solo)
2013
In the Heart of the Country, The Collection oft he Museum of Modern Art in Warsaw, Warsaw
2013
Beg Borrow and Steal, Palm Springs Art Museum, Palm Desert
2013
Paparazzi, Centre Pompidou-Metz
2013
Your Content Will Return Shortly, Franklin Street Works, Stamford, Connecticut
2013
The Cat Show, White Columns, New York
2012–2013
For President, Fondazione Sandretto Re Rebaudengo, Turin, Italy
2012
Your Land/My Land: Election '12, New Museum, New York; CAM St. Louis, MO; CAM Raleigh, NC; CAM Houston, TX; Hammer Museum, Los Angeles; Utah MoCA, Salt Lake City, UT; Telfair Museums, Savannah, GA
2012
Museum Raleigh, NC/ Contemporary Arts Museum Houston, TX; Hammer Museum, Los Angeles; (solo)
2012
Utah Museum of Contemporary Art, Salt Lake City, UT; New Museum, New York; Telfair Museums, Savannah, GA (solo)
2012
Secret Life, Sadie Coles HQ, London (two person show with Elizabeth Peyton)
2012
Self-portraits in Mirror #1, Gavin Brown’s Enterprise, New York (solo)
2012
Skyscraper: Art and Architecture Against Gravity, Museum of Contemporary Art Chicago, Illinois
2012
Video Killed the Radio Star, Warsaw Museum of Contemporary Art, Warsaw
2012
Escape: Video Art, Guild Hall, East Hampton
2012
Miracles, Art, Science and Religion, Kunsthalle Krems, Krems
2012
Ministry of Truth, Boers Li Gallery, Beijing
2012
Synchrony, Hunter Museum of American Art, Chattanooga, Tennessee
2009–2010
Beg Borrow and Steel, Rubell Family Collection, Miami, USA
2009
Edition Bewegte Bilder - Sammlung Rheingold, Museum Ludwig, Colonge, Germany
2009
Jonathan Horowtiz: And/Or, P.S. 1 Contemporary Art Center, NY, USA (solo)
2008
Yvon Lambert, Paris, France (solo)
2008
Gavin Brown`s Enterprise, New York (NY), USA (solo)
2008
Rom Report, Badischer Kunstverein, Karlsruhe, Germany
2008
Good News for People who Love Bad News, Studio 495, Swiss Institute, Switzerland
2008
Italia Italie Italien Italy Wlochy, ARCOS Museo d'Arte Contemporanea Annio
2008
Benevento, Italy, curated by Gigiotto Del Vecchio, Alessandro Rabottini, Elena Lydia Scipioni, Andrea Viliani
2008
Good News for People Who Love Bad News, Swiss Institute, New York NY, USA, curated by Gianni Jetzer
2008
Other Than Yourself - An Investigation Between Inner and Outer Space, Thyssen - Bornemisza Art Contemporary, Vienna, Thyssen - Bornemisza Art Contemporary, Vienna, Austria
2007
RAW, Museum of Modern Art, New York (NY), USA
2007
In The Poem About Love You Don't Write The Word Love, Overgarden Institute of Contemporary Art, Copenhagen, Denmark, curated by Tanya Leighton
2007
Lines, Grids, Stains, Words, Museum of Modern Art, New York (NY), USA
2007
New York State of Mind, House of World Cultures, Berlin, Germany
2007
People Like War Movies, Galerie Barbara Weiss, Berlin, Germany (solo)
2007
The Wonderful Fund: Art for the New Millenium 2000-2005, Pallant House Gallery, Chichester, England
2007
Das Kapital – Blue Chips and Masterpieces, Museum for Moderne Kunst, Frankfurt, Germany
2007
Art in America: 300 Years of Innovation, National Art Museum of China, Beijing, China; Shanghai Museum and the Museum of Contemporary Art Shanghai, China, organized by the Solomon R. Guggenheim Foundation and the Terra Foundation for American Art (catalog)
2007
Raw. Among the Ruins, Marres Center for Contemporary Art, Maastricht, The Netherlands (curated by Lisette Smits and Alexis Vaillant)
2007
Playback, ARC/Musee d’Art moderne de la Ville de Paris, France
2007
The Future of Futurism, GAMeC/Museum of Modern and Contemporary Art, Bergamo, Italy
2007
MARTa is silent. Garde le silence, le silence te gardera," MARTa Herford Museum, Herford, Germany
2007
New York: State of Mind, House of World Cultures, Berlin; Queens Museum, New York (NY), USA curated by Shaheen Merali
2007
Love Addiction: Practices in Video Art from ’61 to the Present, Galleria Comunale d'Arte Contemporanea, Monfalcone, Italy (curated by Andrea Bruciati)
2006
Defamation of Character, P.S. 1 Contemporary Art Center, New York (NY), USA (curated by Neville Wakefield)
2006
Rome, Sadie Coles HQ, London, UK (solo)
2006
Repeat Redux, Screening and Performance Series, Whitney Museum of American Art at Altria, New York (NY), USA
2006
Figures de l’acteur: Le Paradoxe du comedien, Collection Lambert, Avignon, France (catalog)
2006
The Wonderful Fund: Art for the New Millenium 2000 – 2005, Pallant House Gallery, Chichester, UK.
2006
The Eighth Square: Gender, Life, and Desire in the Visual Arts Since 1960, Museum Ludwig, Cologne, Germany (curated by Kasper Konig and Frank Wagner)
2006
Into Me / Out of Me, P.S.1 Contemporary Art Center, Long Island City, NY; Kunstwerk, Berlin, Germany (curated by Klaus Biesenbach)
2006
Down by Law, Whitney Museum of American Art, New York (NY), USA (curated by Maurizio Cattelan, Massimiliano Gioni, and Ali Subotnick)
2006
Modern Times, Museo d'Arte Provincia di Nuoro, Nuoro, Italy (curated by Maria Rosa Sossai)
2006
The name of the Show is Not Gay Art Now, Paul Kasmin Gallery, New York (NY), USA (curated by Jack Pierson)
2006
Object of Desire / The Kate Moss Show, Museum of Photography, Amsterdam, The Netherlands
2006
Survivor, Bortolami Dayan Gallery, New York, (curated by David Rimanelli)
2006
Take One, Glassell School of Art, Museum of Fine Arts, Houston (TX), USA (curated by Domenick Ammirati)
2006
The Kate Show, Foam Fotografiemuseum Amsterdam, Amsterdam, The Netherlands (curated by Rita Ackermann and Olivier Zahm)
2006
The Fact, Abstract, Dorsky Gallery Curatorial Programs, Long Island City, NY, USA (curated by Claire Barliant)
2005
Realit;-)t. 30 Video Works from the Goetz Collection in Munich. From Olaf Breuning to Sam Taylor-Wood, Seedamm Kulturzentrum, Pfaffikon, Switzerland
2005
Jump Cut Nights, SK Stiftung Kultur, Cologne, Germany
2005
Museumsnacht, SK Stiftung Kultur, Cologne, Germany
2005
What’s New Pussycat? Museum fur Modern Kunst, Frankfurt am Main, Germany
2005
5 ans, Collection Lambert en Avignon, Avignon, France
2005
The Wonderful Fund Collection, La Musée de Marrakech, Morocco
2005
Log Cabin, Artists Space, New York (NY), USA (curated by Jeffrey Uslip)
2005
The New Communism, Gavin Brown’s Enterprise, New York(NY), USA (solo)
2005
Silent Movie, Yvon Lambert Gallery, New York (NY), USA (solo)
2005
Theorema. Une Collection Privee en Italie, la Collection d'Enea Righi, Collection Lambert, Avignon, France
2005
Superstars: From Warhol to Madonna, Kunsthalle Wien and Kunstforum Wien, Austria
2004
100 Artists See God, ICA, London, UK
2004
Genealogies of Glamour: The Future has a Silver Lining, Migros Museum, fur Gegenwartskunst, Zurich, Switzerland
2004
The Ten Commandments, Deutsches Hygiene-Museum, Dresden, Germany (curated by Klaus Biesenbach)
2004
Drunk vs. Stoned, Gavin Brown's Enterprise at Passerby, New York (NY), USA (organised by The General Store)
2004
A Fripon, Fripon et Demi- A School for Truants, Collection Lambert, Avignon, France
2004
Aus acktuellem Anlass, Johann Konig, Berlin, Germany
2004
Let the Bullshit Run a Marathon, Nicole Klagsbrun, New York (NY), USA (curated by Nate Lowman)
2004
Marilyn, Sean Kelly Gallery, New York (NY), USA
2004
Galerie Barbara Weiss, Berlin, Germany (solo)
2003
Jonathan Horowitz/Silent Movie/MATRIX 151, Wadsworth Atheneum (solo)
2003
Museum of Art, Hartford (CT), USA (solo)
2003
Galerie Yvon Lambert, Paris, France (solo)
2003
Surreal Estate, Gavin Brown’s Enterprise, New York (NY), USA (with Rob Pruitt) (solo)
2003
Buero Friedrich, Berlin, Germany (solo)
2003
Galerie Yvon Lambert, Paris, France (solo)
2003
La Nuit Americaine, Yvon Lambert, New York (NY), USA
2003
20th Anniversary Exhibition, Gavin Brown’s enterprise, New York (NY), USA
2003
Dust Memories, Swiss Institute, New York (curated by Emmanuel Latreille)
2003
Love, Magazin 4 Bregenzer Kunstverein, Bregenz, Austria
2003
Franco Noero, Turin, Italy
2003
Fast Forward: Media Art Sammlung Goetz, ZKM, Karlsruhe, Germany
2003
Drop Out, China Art Objects Galleries, Los Angeles (CA), USA
2003
First Person, Mercer Union, Toronto (ON), Canada (curated by Kim Simon)
2003
Homeland, The Whitney Independent Study Program, New York (NY), USA
2003
Nation, Kunstverein, Frankfurt, Germany (curated by Rene Zechlin)
2003
Parle a Mes Peres, Collection Lambert at PhotoEspana, Madrid, Spain
2002
Just Love Me: Post-Feminist Positions of the Nineties, Staatliche Kunsthalle
2002
Baden-Baden, travelling to Goetz Collection, Munich, Gerrmany, Bergen Art
2002
Museum, Germany and Fries Museum Leeuwarden, Germany
2002
The Object Sculpture, The Henry Moore Institute, Leeds, England (selected by Tobias Rehberger, Joelle Tuerlinckx and Keith Wislon, curated by Penelope Curtis)
2002
Tableaux Vivants, Kunsthalle Wien Austria, Vienna, Austria (curated by Sabine Folie and Michael Glasmeier)
2002
Non-Places, Frankfurter Kunstverein, Frankfurt-am-Main, Germany (curated by Nicolaus Schafhausen)
2002
Dark Spring, Ursual Blickle Stiftung, Kraichtal-Unterowisheim, Germany (curated by Liam Gillick)
2002
Zusammenhaenge Herstellen, Kunstverein, Hamburg, Germany (curated by Yilmaz Dziewor)
2002
Mensaje De Texto, Galeria Helga De Alvear, Madrid, Spain
2002
Go Vegan! Greene Naftali, New York (NY), USA (solo)
2002
Pillow Talk, Sadie Coles HQ, London, UK (solo)
2002
Time, Life, People: Jonathan Horowitz at Kunsthalle St. Gallen, Kunsthalle St. Gallen, St. Gallen, Switzerland (solo)
2002
We the People, China Art Objects, Los Angeles (CA), USA (solo)
2002
Galerie Yvon Lambert, Paris, France (solo)
2002
In Person, Bard College Center for Curatorial Studies, Annandale-on-Hudson (NY), USA Curated by Kin Simon (solo)
2001
4Free, BuroFriedrich, Berlin, Germany (curated by Waling Boers)
2001
Metropolis Now, Borusan Art Gallery, Istanbul, Turkey
2001
Casino, S.M.A.K., Ghent, Belgium (curated by Jeanne Greenberg)
2001
The Americans, Barbican Art Centre, London, UK
2001
Annonyme," Rencontres Internationales de La Photographie, Arles, France
2001
Tele(visions, Kunsthalle Wien, Vienna, Austria (curated by Joshua Decter)
2001
Third Annual Altoids Curiously Strong Collection, Los Angeles (CA), USA
2001
Contemporary Exhibitions, Los Angeles (CA), USA
2001
Video Mania, Migros Museum, Zurich, Switzerland
2001
The Choice Between Anonymity and Notoriety, 32nd Rencontres
2001
Internationales de la Photographie, Arles, France (curated by Eric Mezil)
2001
Site Co-opted, Andrew Kreps Gallery, New York (NY), USA
2001
Desins, Ecole Regionale des Beaux-Arts, Dunkerque, France
2001
Do You Have Time, Liebman Magnan, New York (NY), USA
2001
Pause, Marc Foxx Gallery, Los Angeles (CA), USA
2001
Fresh: The Altoids Curiously Strong Collection, 1998-2000, The New Museum, New York (NY), USA
2000
New York Projects, Delfina Project Space, London, UK (curated by Luke Dowd)
2000
Over the Edges, S.M.A.K., Ghent, Belgium (curated by Jan Hoet & Giacinto di Pietrantonio)
2000
Pop Unlimited, International Short Film Festival - Special Program, Oberhausen, Germany
2000
New Work from New York, Cheekwood Museum of Art, Nashville (TN), USA
2000
The Jonathan Horowitz Show, Greene Naftali Gallery, New York (NY), USA (solo)
2000
The Universal calendar / talking without thinking, Van Laere Contemporary Contemporary Art, Antwerp, Belgium (solo)
2000
Making Time: Considering time as a material in contemporary film & video, Palm Beach Institute for Contemporary Art, Palm Beach (FL); UCLA Hammer Museum, Los Angeles (CA), USA (curated by Amy Cappellazzo)
2000
Greater New York: New Art in New York Now, P.S. 1/MOMA, New York (NY), USA
2000
Two Friends and So On…,Andrew Kreps Gallery, New York (NY), USA (curatorial project by Jonathan Horowitz & Rob Pruitt)
2000
Achieving Failure: Gym Culture 2000, Thread Waxing Space, New York (NY), USA (curated by Bill Arning)
2000
CAN 303s HEAL? Kiasma, Helsinki, Norway (curated by Toby Webster)
2000
Kosmobiologie-12 Artists/12 Zodiac Signs, Bellwether, New York (NY), USA (curated by Nancy Chaikin)
2000
Trailer, Greene Naftali Gallery, New York (NY), USA
2000
Full Serve, presented by mixed greens & Kenny Shachter/Rove, New York (NY), US
1999
Interplay, The Contemporary Museum of Art, Tucson (AZ), USA (curated by Caitlin Masley)
1999
Zeitwenden - The Outlook, Kunstmuseum, Bonn, Germany; Museum Moderner Kunst Stiftung Wien, Vienna, Austria
1999
Project Room, Van Laere Contemporary Art, Antwerp, Belgium (solo)
1999
Project Space, Ten in One Gallery, Chicago (IL), USA (solo)
1999
Regarding Beauty in Performance and Media Arts, 1967-1998; Program III- Icons of Beauty, Hirshhorn Museum and Sculpture Garden, Washington DC; Haus der Kunst, Munich, Germany
1999
Exit, Chisenhale, London, UK (curated by Alison Gingeras), Interplay, Contemporary Museum of Art, Tucson (AZ), USA (curated by Caitlin Masley)
1999
A Place Called Lovely (curated by Sima Familant), Greene Naftali Gallery, New York (NY), USA
1999
Persuasion: Tales of Commerce and the Avant-garde, University of Buffalo Art Gallery/Research Center in Art + Culture, Buffalo (NY), USA
1999
The Opening, S.M.A.K., Ghent, Belgium
1999
New York Neither/Nor, Grand Arts, Kansas City (MO), USA (curated by Bill Arning)
1999
Compromising Situations, Galerie Montenay-Giroux, Paris, France (curated by Muriel Colin-Barrand)
1999
Conceptual Art as Neurobiological Praxis, Thread Waxing Space, New York (NY), USA (curated by Warren Neidich)
1999
Free Coke, Greene Naftali Gallery, New York (NY), USA
1998
Invited Exhibition of Visual Art 1998, Limerick City Gallery of Art, Limerick, Ireland
1998
Maxell, Greene Naftali Gallery, New York (NY), USA (solo)
1998
Bach Two Part Invention #9, Kenny Schachter/Rove, New York (NY), USA (solo)
1998
Personal Cinema Program, Millennium, New York (NY), USA (solo)
1998
Oriental Nights, Gavin Brown’s Enterprise, New York (NY), USA
1998
Group Show, The Fifth International, New York (curated by Jennifer Bornstein and Chivas Clem)
1998
Biovoid, Museum of Natural History, Lisbon, Portugal
1998
Tune In, Lawing Gallery, Houston (TX), USA
1998
Superfreaks: Post Pop & the New Generation - Part I: Trash, Greene Naftali Gallery, New York (NY), USA
1998
Cambio, Museo Universitario del Chopo, Mexico City, Mexico and Sandra Gering Gallery, New York (NY), USA (curated by Kenny Schachter)
1997
Bring Your Own Walkman, Achterzaal, Amsterdam, The Netherlands (curated by Jack Jaeger)
1997
Thriller, 303 Gallery, New York (NY), USA (curated by Tom Borgese)
1997
Group Show, Andrew Kreps Gallery, New York (NY), USA
1997
Video Flash, Hohenthal und Bergen Gallery, Cologne, Germany
1997
Screentest, Hotel 17 performance series, 192 Third Avenue, New York (NY), USA
1996
Password: Ferdydurke, Postmasters Gallery, New York (NY), USA
1996
The Strange Power of Cheap Sentiment, White Columns, New York (NY), USA (curated by Bill Arning)
1996
Shit, Baron/Boisante Gallery, New York (NY), USA
1996
Facing the Millennium, Arlington Museum of Art, Arlington (TX), USA (curated by K. Schacter) (cat.)
1996
Sex and Drugs and Explosives, London Artforms Gallery, London (curated by K. Schachter)
1995
Gang Warfare, Independent Art Space, London; McKinney Avenue
1995
Contemporary, Dallas (TX), USA; The Consortium, Dijon, France (curated by Michael Corris) (cat.)
1995
Looky Loo, Sculpture Center, New York (NY), USA (cat.) (curated by K. Schachter)
1994
Personal Cinema Program, Millennium, New York (NY), USA
1994
Played, Printed Matter, New York (NY), USA (curated by K. Schachter)
1993
Arts Festival of Atlanta, Atlanta (GA), USA (cat.)
1992
Morality Café, Postmasters Gallery, New York (NY), USA (curated by K. Schachter)
1991
Unlearning, 142 Greene Street, New York (NY), USA
1989
Document and Dream, Artists Space, New York (NY), USA

Literature

2007
Ken Johnson, "Never Mind the Map: Sometimes New York is More of an Idea." New York Times, 21 Dec.
2007
Simon Baier, Jonathan Horowitz at Galerie Barbara Weiss, Berlin. Text Zur Kunst 68, Dec.
2007
Sarah Lyall, "In London, Art and Commerce Scratch Backs," New York Times 13 Oct.
2007
Adrian Searle, "Frieze Art Fair: Tenner For Your Thoughts, Dinos?" The Guardian 11 Oct.
2007
Eliza Williames, "Collecting Overview: Vanessa Branson." Flash Art Oct.
2007
Jörg Heiser, "Jonathan Horowitz, Galerie Barbara Weiss, Berlin, Germany." www.frieze.com, 2 Sept.
2007
Petra Reichensperger, "Krieg und Kultur," Zitty, das Hauptstadsmagazin 19 Sept.
2007
Brigitte Werneburg, "Kunstrundgang, Jonathan Horowitz, People Like War Movies," die Tageszeitung 5 Sept.
2007
Raimar Stange, "Jonathan Horowitz, People Like War Movies." Spike Art Quarterly 13: 110-111.
2007
Raimar Stange. "Reviews: Jonathan Horowitz, Galerie Barbara Weiss." Modern Painters, Nov 99
2007
Michael Wang, ‘Scene and Herd: Fair Game’, Artforum.com, 15 Mar
2007
Raimar Stange, Review, ‘People Like War Movies’, Modern Painters, November 2007
2007
Jorg Heiser, Review, ‘People Like War Movies’, Frieze, October 2007
2007
Raimar Stange, Review, ‘People Like War Movies’, Spike Art Quarterly, Fall 2007
2007
Kara Walker & Jonathan Horowitz, ‘America’, Wrong Times, Oct
2007
Martin Coomer, ‘Jonathan Horowitz’, Time Out, 27 Sept – 4 Oct
2006
Eric Mezil, ‘Figures de l’acteur: Le Paradoxe du comedien’, published by Editions Gallimard, Paris.
2006
Klaus Biesenbach, Into Me/Out of Me, Hatje Cantz, Germany
2006
Roberta Smith, , "Menace, Glitter and Rock in Visions of Dystopia." New York Times 29 Dec.
2006
Roberta Smith, "Critic's Notebook; Chelsea Is a Battlefield: Galleries Muster Groups." New York Times 28 July.
2006
Klaus Biesenbach, “Into Me / Out of Me,” Flash Art , May/June 06: (ill. p 104)
2006
Martin Coomer,. Rev. of "Rome." Time Out London 26 Sept.
2006
Jerry Saltz, “Our Crowds: a two headed butterfly flapping its wings,” Village Voice, 6 July
2006
The Wrong Gallery. “Tarzan and Jane: America – Kara Wallker and Jonathan Horowitz.” Interview/project. Domus 891, April
2006
Michael Wang, “Scene and Herd: Fair Game.” Artforum.com. 15 March
2006
Jerry Saltz, “Biennial in Babylon.” Village Voice 8 March
2005
Ingried Brugger & Gerald Matt, Superstars: Das Prinzip Prominenz Von Warhol bis Madonna, (Hatje Cantz)
2005
Mathew Higgs, “Best of 2005.” Artforum, Dec
2005
Margherita Belaief, Rev. of “The New Communism.” Exibart, Nov
2005
David Rimanelli, “Scene and Herd: The More the Scarier.” Artforum.com, 21 Oct
2005
Akane Maekawa, Ryuko Tsushin vol. 505, July
2005
Dominick Ammirati, "Profile: Jonathan Horowitz." Contemporary 71
2005
Jonathan Horowitz and Rob Pruitt, “A Peacock Hill Family Album.” Photo portfolio. Zing Magazine 20, Winter
2005
Holland Cotter, Rev. of "Log Cabin." New York Times, 28 Jan
2005
Zoe Gray, Rev. of "Genealogies of Glamour." Contemporary 70
2005
The Wonderful Fund Collection, published by The Wonderful Fund, Great Britain
2005
Alison Gingeras, “Purple News.” Purple Fashion No. 3, Spring/Summer
2005
Matthew Higgs, ‘Best of 2005’, ArtForum, Dec
2005
Domenick Ammirati, ‘Jonathan Horowitz’, Contemporary 21, no. 71
2005
Alison M. Gingeras, ’13 Critics and Curators Look at the Year in Art’, ArtForum, Best of 2004
2005
Tirdad Zolghadr, ‘The Future Has a Silver Lining’, Frieze, Nov - Dec
2005
Domenick Ammirati, ‘Jonathan Horowitz’, Artforum, Oct
2005
Evence Verdier, ‘Jonathan Horowitz at Galerie Yvon Lambert, Paris’, Art Press, Feb
2003
Craig Garrett, ‘Rob Pruitt and Jonathan Horowitz’, Flash Art, No. 232, Oct
2003
Steve Lafreniere, ‘Rob Pruitt and Jonathan Horowitz with Steve Lafreniere’, Index, Sep / Oct
2003
Linda Yablonsky, ‘Review of Dust Memories’, Time Out New York, 19 June
2003
Kim Levin, ‘Surreal Estate by Jonathan Horowitz and Rob Pruitt at Gavin Brown’s Enterprise, New York’, Village Voice, 11 June
2003
Ken Johnson, ‘Art in Review, Rob Pruitt and Jonathan Horowitz, Surreal Estate at Gavin Brown’s Enterprise’, The New York Times, 6 June
2003
Maria Schwendener, ‘Surreal Estate’, www.artforum.com
2003
Keith Mulvihill, ‘American Gothic’, Time Out New York, 29 May
2003
‘Focus Video and Film: Contemporary Video Art (Part II), Flash Art, March-April
2003
Chris Hammonds, ‘Pillow Talk’, Tema Celeste, Feb
2003
‘Most Underrated Artist’, Time Out New York, 27 Feb
2003
Roy Exley, ‘Pillow Talk at Sadie Coles HQ’, Flash Art, No. 36 Jan-Feb
2003
Karen Rosenberg, ‘Dust Memories at the Swiss Institute, New York’, Frieze, No. 78
2003
Love (Bregenz, Austria: Magazin 4 Bregenzer Kunstverein)
2003
Stephan Urbaschek, Fast Forward: Media Art Sammlung Goetz (Munich, Germany: Kunstverlag Ingvild Goetz G.m.b.H, Sammlung Goetz, AutorInnen und KünstlerInnen)
2003
Karen Rosenberg, Rev. of "Dust Memories." Frieze Oct.: 126-7.
2003
Yablonsky, Linda. Rev. of "Dust Memories." Time Out New York 19 June: 60.
2003
"Focus Video and Film, Contemporary Video Art (Part II): Jonathan Horowitz." Flash Art Mar.-Apr.: 94.
2003
Roy Exley,. Rev. of "Pillow Talk." Flash Art Feb.: 114.
2003
Chris Hammonds, Rev. of "Pillow Talk." Tema Celeste 95, Feb.: 96.
2003
Ken Johnson, Rev. of "Surreal Estate." New York Times 6 June.
2003
Steve Lafreniere, "Rob Pruitt and Jonathan Horowitz with Steve Lafreniere." Interview. Index Sept.-Oct
2003
Kim Levin, "Short List: Jonathan Horowitz and Rob Pruitt." Village Voice 11 June
2003
"NYC: Overrated and Underrated." Time Out New York 20 Feb 11
2003
Keith Mulvihill, "American Gothic." Time Out New York 29 May
2003
Maria Schwendener,. Rev of "Surreal Estate." Artforum.com, 4 June
2002
Rainald Schumacher, Matthias Winzen, Die Wohltat der Kunst: Post\Feministiche Positionen der neunziger Jahre aus der Sammlung Goetz (Cologne, Germany: Walther König)
2002
Dziewior Yilmaz, Zusammenhaenge Herstellen (Hamburg: Kunstverein Hamburg)
2002
Tobias Rehberger, Joelle Tuerlinckx, Keith Wilson and Penelope Curtis, The Object Sculpture (Leeds: The Henry Moore Institute)
2002
Liam Gillick and Nicholas Schafhausen, Dark Spring (Germany: Ursula Blickle Stiftung)
2002
Sabine Folie and Michael Glasmeier, Tableaux Vivants: Lebende Bilder und Attituden in Fotografie, Film und Video (Wien: Kunsthalle Wien)
2002
Uta Grosenick, Art Now (New York: Taschen)
2002
Chivas Clem, Rev. of "Go Vegan!" Time Out New York, 5 Dec
2002
Martin Herbert, Rev. of "Pillow Talk." Time Out London, 30 Oct
2002
Ken Johnson, Rev. of "Go Vegan!" New York Times, 13 Dec
2002
David Colman, "House of 8 Gables, Back in Black." New York Times 31 Oct
2002
Frank Keil, "Schwimmtofu an Schweineportrat." Rev. of "Zusammenhaenge Herstellen." Frankfurter Rundschau, 7 Aug
2002
Veronika Schone, "Diat im Kontext." Rev. of "Zusammenhaenge Herstellen." Szene Hamburg, Aug
2002
Anna Dezeuze, Rev. of "The Object Sulpture." Art Monthly July-Aug
2002
Petra Schellen, "Nach dem Mull-clash." Rev. of Zusammenhaenge Herstellen." Tageszeitung, 2 July
2002
Tom Lubbock, "Colourvision." Rev. of "The Object Sculpture." Independent Review 4 June
2002
Harald Fricke, Rev. of "4FREE." Artforum, Mar
2002
Alex Farquharson, Rev. of "The Americans: New Art." Artforum, Mar
2002
Katie Kitamura, ‘Jonathan Horowitz: Pillow Talk’, Contemporary, Dec.
2002
Chivas Clem, ‘Go Vegan! By Jonathan Horowitz at Green Nafalti Gallery, New York’, Time Out New York, 5 Dec
2002
Ken Johnson, ‘Jonathan Horowitz, Go Vegan! At Green Nafalti Gallery’, The New York Times, 13 Dec
2002
David Colman, ‘House of 8 Gables, Back in Black’, New York Times: House & Home, 31 Oct
2002
Martin Herbert, ‘Jonathan Horowitz’, Time Out (London), 30 Oct.-6 Nov.
2002
Mark Wilsher, ‘Jonathan Horowitz: Pillow Talk’, What’s On, 6 Nov.
2002
Joelle Tuerlinckx, ‘The Object Sculpture at The Henry Moore Institute, Leeds’, Art Monthly, July/August
2002
Harald Fricke, ‘4Free at Bureu Friedrich, Berlin’, Artforum, March
2001
Caoimhin Mac Giolla Leith, ‘The Americans: New Art’, Modern Painters, Winter Matthew Rose, ‘the unexplained explained…sort of…’, art: the magazine - letter from Paris, May
2001
Charles-Arthur Boyer, ‘Jonathan Horowitz/Slater Bradley’, Art Press, vol. 269
2001
Mark Von Schlegell, ‘Luis Gispert, Jonathan Horowitz, John Williams’, Artext, May-July
2001
Illustrations, Issue 5, Spring, vol. 1, no. 5
2001
Bill Arning, ‘Defeating the Universal Spectator’, NU: The Nordic Art Review, vol. III, no. 1/01
2001
Holland Cotter, ‘’Fresh’: Altoids Curiously Strong Collection’, The New York Times, 19 Jan
2001
Kim Levin, ‘Jonathan Horowitz’, The Village Voice, 25 April
2001
Kim Levin, ‘Voice Choices: Achieving Failure - Gym Culture 2000’, The Village Voice, 12-18 April
2001
David Hunt, ‘Pumping Iron’, Time Out, 13-20 April, p.69
2001
Mark Sladen, The Americans (London: Barbican Art Centre)
2001
Jeannne Greenberg, Casino (Ghent, Belgium: S.M.A.K.)
2001
Joshua Decter, Tele(visions) (Wien: Kunsthalle Wien)
2001
Waling Boers, 4Free (Berlin: Buro Friedrich)
2001
Help Name My Cat, (St Gallen: Kunsthalle St. Gallen)
2001
Mac Giolla Leith, Caoimhin. Rev. of "The Americans. New Art." Modern Painters Winter
2001
Matthew Rose, "The Unexplained Explained ... Sort Of..." Interview. art-the magazine, May
2001
Charles-Arthur Boyer, Rev. of Jonathan Horowitz and Slater Bradley at Galerie Yvon
2001
Lambert. Art Press, issue 269
2001
Mark Von Schlegell, "Luis Gispert, Jonathan Horowitz, John Williams." Rev. of "Pause." Artext, May-July
2001
Reproduced artwork. Issue 5
2001
Bill Arning, "Defeating the Universal Spectator." NU: The Nordic Art Review, vol. lll, no. 1
2001
Laura Moffatt, Rev. of "New York Projects." Art Monthly, Sept
2001
Martin Coomer, Rev. of "New York Projects", TimeOut London, 23 Aug
2001
Ursula Eagly, Rev. of "The Jonathan Horowitz Show", Art News, Summer
2001
Christian Haye, "Not Afraid of Love." Reproduced artwork, Dutch May-June: 26-7
2001
Sarah Schmerler,. Rev. of "The Jonathan Horowitz Show." TimeOut New York, 27 Apr
2000
Christian Holler, Pop Facades: Apparatuses and Codifications Oberhausen International Short Film Festival
2000
Jan Hoet & Giacinto Di Pietrantonio, Over the Edges (Ghent, Belgium: S.M.A.K.)
2000
Amy Cappellazo, Making Time: Considering Time as a Material in Contemporary Video & Film (Palm Beach (FL): Palm Beach Institute of Contemporary Art)
2000
Zeitwenden-Ausblick (Bonn, Germany: Kunstmuseum Bonn)
2000
Saul Anton, "Openings: Jonathan Horowitz." Artforum Nov.: 142-3.
2000
Bruce Hainley, "Blow Up." Reproduced artwork. Frieze May: 72.
2000
D avidHunt, "Pumping Iron." Rev. of "Achieving Failure: Gym Culture 2000."
2000
TimeOut NY 13 Apr
2000
Kim Levin, Rev. of "The Jonathan Horowitz Show." Village Voice, 25 Apr.
2000
Anton, Saul. Rev. of "The Jonathan Horowitz Show." Citysearch.comOnline. Apr.
2000
Mendelsohn, Meredith. "Weekend Update." Artnet.com, Online. 4 Apr
2000
Skelton, Carl. "Bewitched." Rev. of "A Place Called Lovely." dART International
2000
Saul Anton, editorial profile, “The Jonathan Horowitz Show”, Citysearch.com, April
2000
Meredith Mendelsohn, ‘Weekend Update’, Artnet.com
2000
Carl Skelton, ‘Bewitched’, d’Art International, Winter, p.36 & 46
2000
Saul Anton, ‘Openings: Jonathan Horowitz’, Artforum, Nov., pp.142-3
2000
Laura Moffatt, ‘New York Projects’, Art Monthly, Sept.
2000
Martin Coomer, review, Time Out (London), 23-30 Aug.
2000
Ursula Eagly, review, Art News, Summer, p.210
2000
Christian Haye, ‘Not Afraid of Love’ Dutch, illustrations, May/June
2000
Sarah Schmerler, review, Time Out, 27 April-4 May, p.70
2000
Bruce Hainley, ‘Blow Up’, Frieze, May, p.70-5
1999
Anne Ellegood, ‘A Place Called Lovely’, NY Arts, Oct.
1999
Bernadette Van-Huy & John Kelsey, ‘Tea No. 2: Rob Pruitt and Jonathan Horowitz’, Made in U.S.A., Fall/Winter
1999
Jan Hoet, ‘Creating Space for Looking’, The Collection-Museum of Contemporary Art Ghent, (cat.)
1999
Alice Thornson, ‘But Seriously…Or Not’, The Kansas City Star, 4 July
1999
Sue Spade, ‘Seeing Eye-Conceptual Art as Neurobiological Praxis’, Village Voice, 27 April
1999
Jos van der Hamsvoord, ‘American Contemporary Artists’, Artnet academy, March, vol. 3, p.37
1999
Roberta Smith, review, ‘Free Coke’, The New York Times, 26 Feb.
1999
Bill Arning, review, ‘Maxell’, Art in America, Jan., pp.98-9
1999
Jan Hoet, Ingrid Commandeur, Steven Jacobs & Els Roelandt, The Collection (Ghent, Belgium: S.M.A.K)
1999
the Universal calender (Bonn: Kunstmuseum Bonn)
1999
Bach Two Part Invention #9 (audio CD, self-published)
1998
Markus Muller and Ulrike Groos, Make It Funky: Crossover between Music, Pop and Avant-Garde (Koln)
1998
David Fahl, Rev. of "Tune In." Artlies 19.
1998
Sarah Schmerler, Rev. of "Superfreaks-Post Pop & the New Generation."
1998
TimeOut New York 12 Mar.
1998
Kenny Schachter, et. Al, Cambio, published by The Mexican Cultural Institute of New York, New York, NY
1998
David Barrett, ‘Sex and Drugs and Explosives’, Art Monthly, #196
1998
David Fahl, review, ‘Tune In’, Artlies, Summer
1998
Sarah Schmerler, review, ‘Superfreaks: Post Pop & the New Generation - Part I: Trash’, Time Out (New York), 12-19 March
1998
Markus Muller & Ulrike Groos, ‘Make It Funky: Crossover between Music, Pop & Avant-Garde’
1998
Howard the Duck, project for Zing Magazine, Autumn/Winter
1997
J Schulz, review ‘Password: Ferdydurke’, World Art, no. 12
1997
J. Rev Schulz, of "Password: Ferdydurke." World Art
1997
Stairmaster Anthology (New York: self-published)
1997
Susan Hapgood, ‘Shit’, Art in America, March, p.109
1996
Charles Dee Mitchell, ‘Eastern Seaboard’, Dallas Morning Star, 28 Nov.
1996
Kim Levin, ‘Voice Choice: Password Ferdydurke’, 12 Nov.
1996
Ellen Pall, ‘The New Dealers’, The New York Times Magazine, 1 Sept.
1996
Charles Dee Mitchell, "Eastern Seaboard." Rev. of "Facing the Millenium." Dallas Morning Star 28 Nov.
1996
Kim Levin, Rev. of "Password: Ferdydurke." Villiage Voice, 12 Nov
1995
David Barrett, Rev. of "Sex and Drugs and Explosives.", Art Monthly May
1995
David Barrett, review ‘Sex and Drugs and Explosives’, Art Monthly, May
1995
Jennifer Borum, review, ‘Looky Loo, High Anxiety’, Artforum, Dec.
1995
Geoffrey Young, ‘Looky Loo’, (cat.)
1989
Dan Walworth, ‘Document and Dream’, Artists Space catalog essay
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