Paul McCarthy (American, born )

Paul McCarthy (American, born August 4, 1945) is a performance artist, sculptor, and video artist born in Salt Lake City, UT. McCarthy attended the University of Utah, and earned a BFA from the San Francisco Art Institute in 1969 and an MFA from the University of Southern California in 1973. Originally inspired by the works of Allan Kaprow (American, 1927–2006) and Yves Klein (French, 1928–1962), McCarthy became known as a performance artist in the early 1970s. Through his subversive and frequently violent displays, McCarthy explores themes of childhood innocence, adult sexuality, and the relationship between the two—often incorporating the human body and pop culture references. In Hot Dog (1974), he shoved multiple condiment-covered hot dogs into his mouth, a gesture that alluded to corporeality and consumerism. In the mid-1980s, McCarthy discontinued his live performances, but recorded many of his artistic activities on video. He began making kinetic sculptures and works from found objects, and later created large-scale sculptures reminiscent of cartoons and mascots. McCarthy's works have been exhibited at the Venice Biennale, the Centro de Arte Reina Sofia in Madrid, Spain, the Centre Georges Pompidou in Paris, the Museum of Contemporary Art in Chicago, the Whitney Museum of American Art in New York, and the Tate Modern in London, among many other venues. He lives and works in Altadena, CA.

Timeline

1945
Born in Salt Lake City
1966–1968
University of Utah
1969
San Francisco Art Institute
1973
University of Southern California, Los Angeles
Lives and works in Altadena, California

Exhibitions

2012
The Best of Times, The Worst of Times—Rebirth and Apocalypse in Contemporary Art Mystetskyi Arsenal, Arsenale 2012, The First Kyiv International Biennial of Contempary Art, Kiev, Ukraine
2012
Common Ground' Public Art Fund, City Hall Park, New York, NY
2012
Studio + Kitchen = Laboratories of the Senses, Marta Herford, Herford, Germany
2012
Ends of the Earth: Land Art to 1974, MOCA Geffen Contemporary, Los Angeles, CA
2012
Bye Bye American Pie, Museo de Arte Latinoamericano de Buenos Aires MALBA, Buenos Aires, Argentina
2012
REBEL, Museum of Contemporary Art MOCA, JF Chen, Los Angeles, CA
2012
Histories of Art, VOX Contemporary Image, Montreal, Canada
2012
State of Mind: New California Art circa 1970, Berkely Art Museum & Pacific Film Archive, UC Berkley, Berkley, CA
2012
This Will Have Been: Art, Love & Politics in the 1980s, Museum of Contemporary Art Chicago, Chicago, IL
2012
L.A. RAW: Abject Expressionism in Los Angeles 1945-1980, From Rico Lebrun to Paul McCarthy', Pasadena Museum of California Art PMAC, Pasadena, CA
2012
Paul McCarthy, Nine Dwarves, Kukje Gallery, Seoul, Korea (solo)
2012
Utopia Gesamtkunstwerk, 21er Haus, Museum of Schloss Belvedere, Vienna, Austria
2012
Hotel California (part II), Mitterand+Cramer, Geneva, Switzerland
2012
100 Years (version #4 Boston, 2012), Boston University Art Gallery, Boston MA
2012
Los Angeles Free Music Society: Beneath the Valley of the Lowest Form of Music, The Box, Los Angeles, CA
2011–2012
MUMO, Musee Mobile, project sponsored by UNESCO (a mobile exhibtion for children ages 6-12 visiting over 60 schools traveling throughout France, Cameroon, Ivory Coast, Benin and Senegal) (group)
2011–2012
American Exuberance, Rubell Family Collection, Miami, USA (group)
2011–2012
Dance You Life, Centre Pompidou, Paris (group)
2011–2012
State of Mind: New California Art Circa 1970, OCMA Orange County Museum of Art, USA (group)
2011–2012
Under the Big Black Sun: California Art 1974-81, MOCA Museum of Contemporary Art, Newport, USA (group)
2011
Surreal versus Surrealism in Contemporary Art, IVAM, Valenica, Spain (group)
2011
Los Angeles Goes Live: Exploring a Social History of Performance Art in Southern California, USA (group)
2011
Festival of the Animals, Essel Museum, Klostemeuburg, Austria (group)
2011
Out of Storage, FRAC Nord-Pas de Calais collection, Maastricht, Netherlands (group)
2011
Investigations of a Dog: Works from the FACE Collections, DESTE Foundation, Athens, Greece (group)
2011
Another Kind of Vapor, White Flag Projects, Saint Louis, Missouri, USA (group)
2011
Between film and art—storyboards by Hitchcock to Spielberg” Kunsthalle Emden, Emden, Germany (group)
2011
The Luminous Interval, D. Daskalopoulos Collection, Guggenheim Bilbao, Bilbao, Spain (group)
2011
In Praise of Doubt, Punta della Dogana, Francois Pinault Foundation, Venice, Italy (group)
2011
Glimmer, Fundacion/Coleccion Jumex, Mexico City, Mexico (group)
2011
Soaps, Flukes, and Follies, Cheekwood Botanical Garden & Museum of Art, Nashville, USA (group)
2011
Compass—drawings from the MoMA New York” Martin Gropius Bau, Berlin (group)
2011
Two Colors, Kathleen Cullen Fine Art & Elisabeth Ivers Gallery, New York (group)
2011
Unpainted Paintings, Luxembourg & Dayan, New York (group)
2011
Investigations of a Dog: Works from the FACE Collections, Magasin 3 Stockholm (group)
2011
TEXT/VIDEO/FEMALE: Art After the 60s, PKM Trinity Gallery, Seoul, Korea, Konsthall, Stockholm, Sweden (traveling exhibition), (group)
2011
The Luxury of Dirt, Galerie Bob van Orsouw, Zurich, Switzerland, (group)
2011
Move: Art and Dance Since the 60s, Haus der Kunst, traveling exhibition, Munich, (group)
2011
Choreografing You, Haus der Kunst, Munich, Germany (Travelling Exhibition), (group)
2011
Disorder in the House, Vanhaerents Art Collection, Brussels, Belgium, (group)
2011
Unreal, Vancouver Artgallery, Vancouver, Canada, (group)
2011
L.A. Raw: Abject Expressionism in Los Angeles 1945-1980, From Rico Leburn to Paul (group)
2011
Living Archives—Kooperation Van Abbemuseum, Kunsthaus Bregnenz, Bregenz, Austria (group)
2011
DeKooning, DeKooning, DeKooning, David Risley Gallery, Copenhagen, Denmark (group)
2011
8 ½”, Fondazione Nicola Trussardi, Stazione Leopolda, Florence, Italy (group)
2011
MUMO Musee Mobile, project sponsored by UNESCO(a mobile exhibtion for children ages 6-12 visiting over 60 schools traveling throughout France, Cameroon, Ivory Coast, Benin, and Senegal) (group)
2011
The King, The Island, The Train, The House, The Ship' Hauser & Wirth, Piccadilly, London, and Hauser & Wirth, Savile Row, London, UK (solo)
2011
The Dwarves, The Forest, Hauser & Wirth New York, NY (solo)
2011
Sculpture: Paul McCarthy, Henry Moore Bound to Fail, KOR Kunsthalle Wien public space (solo)
2011
Paul McCarthy: White Snow Dwarf (Dopey #1), Hammer Museum UCLA, Westwood, LA (solo)
2011
Selected Works of Paul McCarthy' Charles Riva Collection, Brussels, Belgium (solo)
2010–2011
200 Artworks—25 Years, Seoul Arts Center, Hangaram Museum, Seoul, Korea (group)
2010–2011
WHAT DOES MY SOUL while I’m working? Contemporary art works from the Consolandi, Museo Arte Gallarate, Gallarate, Italy
2010–2011
Facing the Wall (Face au mur), MUDAC, Lausanne, Switzerland (group)
2010–2011
Childish Things, Fruitmarket Gallery, Edinburgh, UK (group)
2010–2011
James Ensor—Hareng Saur: Ensor and contemporary art, S.M.A.K, Gent, Belgium (group)
2010–2011
MOVE: Art and Dance in the 60s, Hayward Gallery traveling to Haus Der Kunst, London (group)
2010
TAPS: Improvisations with Paul Burwell, Matts Gallery, London (group)
2010
When Shit Becomes Form, Kunsthalle Goppingen, Goppingen, Germany (group)
2010
Hydrarchy: Power and Resistence at Sea, Gasworks/Triangle Arts Trust, London (group)
2010
Gestures & Procedures, Southbank, Australia (group)
2010
Barbaric Freedom, Simon Lee Gallery, London (group)
2010
Post Monument, XIV Biennale di Carrara, Carrara, Italy (group)
2010
The Beauty of Distance, Songs of Survival in a Precarious Age,17th Biennale of 2010 (group)
2010
Sexuality and Transcendence, Pinchuk Art Center, Kyiv, Ukraine (group)
2010
I Love You, ARoS Aarhus Kunstmuseum, Aarhus, Denmark (group)
2010
Permanent Trouble. Contempary Art from the Collection Kopp Munich, Regenburg, Germany (group)
2010
Soaps, Flukes, and Follies, Cheekwood Botanical Garden & Museum of Art, Nashville, (group)
2010
The Imaginary Museum, the Dakis Joannou Collection, New Museum, New York (group)
2010
Collecting Biennials, Whitney Museum, New York (group)
2010
Gestures—Performance and Sound Art, MFSK Museum of Contemporary Art, Roskild, Denmark (group)
2010
Die Kunst ist Super!, Hamburger Bahnhof Museum fur Gegenwart, Berlin, Germany (group)
2010
Sammlung Friedrichshof, Zurndorf, Austria (solo)
2010
Paul McCarthy—Three Sculptures, L&M Arts, Los Angeles, CA (solo)
2010
Trussardi Foundation, Milan, Italy (solo)
2009
White Snow, Hauser & Wirth, New York, NY (solo)
2009
Paul McCarthy, Galerie Hauser & Wirth, Zurich, Switzerland (solo)
2009
Air Pressure, De Uithof, Utrecht, Netherlands (solo)
2009
Paul McCarthy & Benjamin Weissman—Quilting Sessions, Zacheta National Gallery of Art, Warsaw, Poland (solo)
2009
Eesti Kunstimuuseum, Tallin, Estonia (solo)
2009
Where Do We Go From Here?, Bass Museum of Art, Miami, USA (group)
2009
Beg, Borrow, and Steal, Rubell Family Collection, Miami, USA (group)
2009
Eating the Universe: Food in Art, Kunsthalle Dusseldorf, Germany (group)
2009
California Maximalists, Foundation 20 21/Nyehaus, New York (group)
2009
I Use Perfume to Occupy More Space”, MACG Museo de Arte Carrillo Gil, Mexico City, Mexico (group)
2009
Manoeuvres 2/3:Transmissions, Chantier du Collège Sismondi, Geneva, Switzerland (group)
2009
The Artist’s Studio, Compton Verney, Warwichshire, England (group)
2009
No Sound of Music, Kunstlerhaus, Salzburg, Austria (group)
2009
Beyond Black, White and Gray, L&M Arts, New York, USA (group)
2009
My Generation, Kurimanzutto, Mexico City, Mexico
2009
Boule to Braid, Lisson Gallery, London, England,
2009
Who’s Afraid of the Artists (Qui a peur des Artistes?), Palais des Arts de Dinard, Dinard City, France
2009
Target Practice: Painting Under Attack 1949-78”, Seattle Art Museum, Seattle, California
2009
Mapping the Studio: Artists From the Francois Pinault Collection, Palazzo Grassi, Milan, Italy (group)
2009
Jacques Charlier: 100 Sexes D’Artistes, Venice, Italy (group)
2009
A Guest + A Host = A Ghost”, Deste Foundation, Athens, Greece (group)
2009
Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary, Drawings Collection, Museum of Modern Art, New York, USA (group)
2009
The Same River Twice: Part 2, Institute of Modern Art, Brisbane, Australia (group)
2009
Un Certain Etat du Monde?, The Garage, Center for Contemporary Culture, Moscow (group)
2009
Soaps, Flukes & Follies, Cheekwood Museum of Art, Nashville, USA
2009
N’Importe Quoi, Musee d’Art Contemporian de Lyon, Lyon, France
2009
Sonic Youth Etc.:Sensational Fix, Kunsthalle Dusseldorf, Dusseldorf, Germany
2008
The Collection of Helga de Alvear in Dialog with the Falckenberg Collection, Phoenix Kulturstiftung, Hamburg, Germany (group)
2008
Looking Back: The White Columns Annual, White Columns, New York (group)
2008
The Cult of Personality-Portraits and Mass Culture, Galerie Erna Hecey, Bruxelles, Belgium (group)
2008
Here is Every, Four Decades of Contemporary Art, Museum of Modern Art, New York, USA (group)
2008
I Am Making Art, Centro Huarte De Arte Contemporaneo, Huarte-Navarra, Spain (group)
2008
Film Programme October, Film Museum, Vienna, Austria (group)
2008
I Can’t Slice Off an Ear Every Day, Nationalgalerie im Hamburgurer Bahnhof, Berlin, Germany
2008
Weighing and Wanting: Selections from the Permanent Collection, Museum of Contemporary Art San Diego, San Diego, USA
2008
Platform Seoul, Artsonje Center, Seoul, Korea
2008
Yokohama Triennale 2008, Time Crevasse, Yokohama, Japan
2008
The Collection of Helga de Alvear in Dialog with the Falckenberg Collection, Phoenix Kulturstiftung, Hamburg, Germany (group)
2008
Looking Back: The White Columns Annual, White Columns, New York (group)
2008
The Cult of Personality-Portraits and Mass Culture, Galerie Erna Hecey, Bruxelles, Belgium (group)
2008
Here is Every, Four Decades of Contemporary Art, Museum of Modern Art, New York, USA (group)
2008
I Am Making Art, Centro Huarte De Arte Contemporaneo, Huarte-Navarra, Spain (group)
2008
Film Programme October, Film Museum, Vienna, Austria (group)
2008
I Can’t Slice Off an Ear Every Day, Nationalgalerie im Hamburgurer Bahnhof, Berlin, Germany
2008
Weighing and Wanting: Selections from the Permanent Collection, Museum of Contemporary Art San Diego, San Diego, USA
2008
Platform Seoul, Artsonje Center, Seoul, Korea (group)
2008
Paul McCarthy: Central Symmetrical Rotation Movement Three Installations, Two Films, Whitney Museum of American Art, New York (solo)
2008
On Procession”, Indianapolis Museum of Art, Indianapolis, USA (group)
2008
Martian Museum of Terrestrial Art, Barbican Artgallery, London (group)
2008
California Video, The J. Paul Getty Museum, Los Angeles, (group)
2008
Hotel Marienbad 002: Rausch Collection, Kunst-Werke Berlin-Institute for Contemporary Art, Berlin, Germany (group)
2008
Paul McCarthy’s Low Life Slow Life: Part 1, CCA Wattis Institute for Contemporary Arts, San Francisco (group)
2008
Group Show, 1301PE, Los Angeles (group)
2008
The Sound of Art, MuseumsQuartier, Vienna, Austria (group)
2008
The Puppet Show, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA (group)
2008
Southern Exposure: Works from the Collection of the Museum of Contemporary Art San Deigo, The Museum of Contemporary Art Sydney, Sydney, Australia (group)
2008
Don’t Play with Dead Things, Centre National d’art contemporian, La Villa Arson, Nice, France (group)
2007
National Gallery of Victoria, 'Guggenheim Collection: 1940s to Now. New York – Venice – Bilbao – Berlin', Melbourne/AU
2007
Deste Foundation, The Fractured Figure, Athens, Greece
2007
Museum of Modern Art, 'Live/Work: Performance into Drawing', New York, NY
2007
De Hallen Haarlem, Nothing Else Matters, Haarlem, Netherlands
2007
Fine Art Fair Frankfurt 2007, Frankfurt, Germany
2007
Domus Artium 2002, IDYLLE, Salamanca, Spain
2007
Kunsthalle Mannheim, 100 Jahre Kunsthalle Mannheim, Mannheim, Germany
2007
10. Triennale Kleinplastik Fellbach, Bodycheck, Fellbach, Germany
2007
Kunstpalast Düsseldorf, Die Kunst zu Sammeln, Düsseldorf, Germany
2007
Kunstverein Braunschweig, Kunst aus Los Angeles der 60er bis 90er Jahre, Braunschweig/DE
2007
Gagosian Gallery, Fit to Print – Printed Media in recent Collage, New York, NY
2007
Getty Center, Evidence of Movement, Los Angeles, CA
2007
Museum on the Seam, Bare Life, Jerusalem, Israel
2007
Museum van Hedendaagse Kunst, Who’s got the big picture?, Antwerp Belgium
2007
David Zwirner, A Point in Space is a Place for an Argument, New York, NY
2007
Vanhaerents Art Collection, Disorder in the House, Brussels, Belgium
2007
Christchurch Art Gallery, Reboot – The Jim Barr and Mary Barr Collection, Christchurch, New Zealand
2007
Hamburger Bahnhof, There is never a stop and never a finish. Werke aus der Friedrich Christian Flick Collection im Hamburger Bahnhof. In memoriam Jason Rhoades', Berlin, Germany
2007
Barbican Center, Panic Attack! Art in the Punk Years, London, England
2007
Kunsthalle Wien & MUMOK, Museum Moderner Kunst Stiftung Ludwig, 'Dream & Trauma – Works from the Dakis Joannou Collection, Athens', Vienna, Austria
2007
Maccarone Gallery, Paul McCarthy’s Chocolate Factory, New York, NY (solo)
2007
S.M.A.K. Stedelijk Museum voor Actuele Kunst, Paul McCarthy – Head Shop/Shop Head, Gent, Belgium (solo)
2007
The Essl Collection, Paul McCarthy: Tokyo Santa 1996/2004, Klosterneuburg, Austria (solo)
2007
Middelheim Sculpture Museum, Paul McCarthy – Air Born / Air Borne / Air Pressure, Antwerp, Belgium (solo)
2007
Hauser & Wirth Zürich, Paul McCarthy – Damon McCarthy. Portfolios, Zurich, Switzerland (solo)
2007
ARoS Aarhus Museum of Art, Paul McCarthy – Head Shop/Shop Head, Aarhus, Denmark (solo)
2007
European Media Art Festival, Final Cut – Medienkunst und Kino, Osnabrück, Germany
2006
Moderna Museet, Paul McCarthy, Stockholm, Sweden
2005
Haus der Kunst, Paul McCarthy, Munich, Germany
2004
CAC, Paul McCarthy, Malaga, Spain
2004
Van Abbemuseum, Paul McCarthy. Brain Box – Dream Box, Eindhoven, Netherlands
2003
Hauser & Wirth London, Paul McCarthy, Piccadilly Circus, London, England
2003
Lyon Biennal, Lyon, France
2003
Tate Modern, Paul McCarthy at Tate Modern, London, England
2002
Astrup Fearnly Museum of Modern Art, Passenger. The Viewer as Participant, Oslo, Norway
2002
Essor Gallery Limited, Mapping The Process, London, England
2002
Kunstraum Innsbruck, Plus Ultra', Innsbruck, Austria
2002
Galerie Hauser & Wirth, Paul McCarthy & Jason Rhoades. Shit Plug, Zurich, Switzerland
2002
Luhring Augustine Gallery, Paul McCarthy. Clear Thoughts, New York, NY
2002
De Hallen, Frans Halsmuseum, Paul McCarthy. Videos und Fotografien, Haarlem, Netherlands
2002
Butler Gallery, Paul McCarthy. Videos, Kilkenny, Ireland
2001
Tate Liverpool, Paul McCarthy', Liverpool, England
2001
Galerie Hauser & Wirth, Paul McCarthy, Pirate Drawings, Zurich, Switzerland
2001
Kunstverein Hamburg, Paul McCarthy. Videos und Fotografien, Hamburg, Germany
2001
Villa Arson, Paul McCarthy, Nice, France
2001
Deitch Projects, Paul McCarthy The Garden, New York, NY
2001
Public Art Fund (IBM Building), The Box, New York, NY
2001
Luhring Augustine Gallery, Paul McCarthy, New York, NY
2001
Museo Rufino Tamayo, Let's Entertain: Life's Guilty Pleasures, Mexico City, Mexico
2001
Harvard University Art Museum, Extreme Connoisseurship, Cambridge, MA
2001
Chac Mool Gallery, Group Show, West Hollywood, CA
2000
Barbara Gladstone Gallery, Drawings 2000, New York, NY
2000
Galeria OMR, Pinturas amuebladas, Mexico City, Mexico
2000
Ikon Gallery, Lost, Birmingham, United Kingdom
2000
New Museum of Contemporary Art, Paul McCarthy, New York, NY
2000
MOCA Geffen Contemporary, 'Heidi File', Los Angeles, CA
2000
MOCA, Paul McCarthy, Los Angeles, CA
2000
Patrick Painter, Inc., Heidi File, Santa Monica, CA
2000
George's, The Fashion Show, Los Angeles, CA
1999
Sammlung Hauser und Wirth in der Lokremise St. Gallen, Dimensions of the Mind, St. Gall, Switerland
1998
Museum of Contemporary Art, Out of Actions: Between Performance and the Object, 1949-1979', Los Angeles, USA

Literature

2008
Barret, Terry, 'Why is that Art?. Aesthetics and criticism of Contemporary Art', Oxford, University Press, 2007, pp. 186-197, ill.
2007
Franke Melanie, Knapstein, Gabriele, 'there is never a stop and never a finsh. In memoriam Jason Rhoades', Cologne: Dumont, 2007, ill. (exh. cat.) Heiser, Jörg, 'Plötzlich diese Uebersicht. Was gute Zeitgenössische Kunst ausmacht', Berlin, claassen/ Ulstein Buchverlage, 2007, pp. 74-82
2006
Lewis, Angharad, '2006 - A Year in Exhibitions', Grafik, London, December 1, 2006, pp. 80-83, ill.
2006
Hultkrans, Andrew, Schambelan, Elizabeth (eds.), 'Where are we going?' Palazzo Grassi, Skira editore PA, Italy, 2006, pp. 238-9, ill. (exh. cat)
2006
Mezil, Eric (ed.), 'Figures de l'acteur. Le Paradoxe du Comedian', Collection Lambert en Avignon, Editions Gallimard, Paris, 2006, p. 218, ill. (exh. cat.)
2006
Af Petersens, Magnus; McCarthy Paul (eds.), 'HEAD SHOP/SHOP HEAD', Germany, Steidl/Moderna Museet, 2006, ill. (exh. cat)
2006
Hopkins, David, 'Dada's Boy's', Fruitmarket Gallery, Edinburgh, 2006, pp 77-84, ill. (exh. cat)
2006
Nemitz, Barbara, 'Pink: The Exposed Color in Contemporary Art and Culture', Ostfildern-Ruit/GER: Hatje Cantz, 2006, pp. 216-219, ill.
2006
Cattelan, Gioni, Subotnick (eds.), 'Of Mice and Men - (4th Berlin Biennial)', Germany: Hatje Cantz/KW Berlin, 2006, pp.174-175 ill. (exh. cat)
2006
Bonami. Francesco. Canarutto, Sarah, 'Infinite Painting', Villa Manin Centro d' Arte Contemporanea, Italy, 2006, pp.114-177, ill. [exh. cat.]
2006
Hol, Michael Juul, Kold, Anders (eds.), 'Sip My Ocean', Denmark: Louisiana Museum of Art, 2006, pp. 94-99, ill. (exh. cat)
2006
Grenier, Catherine (ed.), 'Los Angeles - 1955-1985', Paris: Editions du Centre Pompidou, 2006, pp. 217, 239, 262, 279, 278, 331 ill.(exh. cat)
2005
Rosenthal, Stephanie [ed.), 'LaLa Land Parody Paradise', Ostfildern-Ruit: Haus der Kunst/Hatje Cantz Verlag, 2005, ill (exh. cat.)
2005
'Figur Skulptur', [texts by Essl, Karlheinz, Fleck, Robert, Hoffer, Andreas, Binder, Lucia], Klosterneuburg: Edition Sammlung Essl Privatstiftung, 2005, ill. (exh. cat.)
2005
Bätzer, Nike, Kunstmuseum Lichtenstein (ed.), 'Faites vos jeux: Kunst und Spiel seit Dada', Ostfildern-Ruit: Hatje Cantz Verlag, pp. 126¡V127, ill. (exh. cat.)
2005
Macel, Christine (ed.), 'Dionysiac', Paris: Éditions du Centre Pompidou, 2005 (exh.cat.), ill.
2005
Blazwick, Iwona, Christov-Bakargiev, Carolyn, Coen, Ester (et al.), 'Faces in the Crowd: Picturing Modern Life from Manet to Today', Milan: Skira, 2005 (exh. cat.), p. 237, ill.
2005
Grosenick Uta, Riemschneider Burkhard (ed.), 'ART NOW, Vol. 2', Cologne: Taschen, 2005, pp. 276-279, ill.
2005
Husslein-Arco Agnes (ed.), 'Les Grands Spectacles', Ostfildern-Ruit: Hatje Cantz Verlag, 2005, p. 66, p. 244, p. 253, ill.
2005
Kraus Chris, Tumlir Jan, McFadden Jane (ed.), 'LA Artland', London: Black Dog Publishing Limited, 2005, pp. 204¡V205, ill.
2005
Nobus, Dany, Quinn Malcolm, Knowing Nothing, 'Staying Stupid', London/New York: Routledge, 2005, ill. (cover)
2005
Stiles, Christine, 'Paul McCarthy: Kristine Stiles in Conversation' [interview], Press PLAY: Contemporary Artists in Conversation, London: Phaidon Press Limited, 2005, pp. 449-461, ill.
2005
Bidner, Stefan, Feuerstein, Thomas (eds.), 'Plus ultra: Jenseits der Moderne?/Beyond Modernity?', Frankfurt am Main: Revolver, 2005, pp. 83-87, ill.
2004
La maison rouge - fondation Antoine de Galbert (ed.), 'Central Station: La collection Harald Falckenberg', Paris: La maison rouge, Fage éditions, 2004, pp. 62-63, ill.
2004
Karabelnik, Marianne (ed.), 'Stripped Bare: The Body Revealed in Contemporary Art', New York: Merrell, 2004, pp. 244-249, ill.
2004
McCarthy, Paul, 'Tokyo Santa' [artist's book], Cologne: Verlag der Buchhandlung Walther König, 2004
2004
Meyer-Hermann, Eva, Centro de Arte Contemporáneo de Málaga (ed.), 'Paul McCarthy: Brain Box Dream Box', Málaga: Ayuntamiento, 2004 (exh. cat.)
2004
Kellein, Thomas, Lampe, Angela (ed.), 'Das grosse Fressen: Von Pop bis heute', Bielefeld: Kunsthalle Bielefeld, pp. 82-87, ill. (exh. cat.)
2004
Clair, Jean (ed.), 'The Great Parade', New Haven/London: Yale University Press/Ottawa: National Gallery of Canada, 2004 (exh. cat.), p. 40, pp. 164-165, ill.
2004
Vissault, Maïté/Westfälisches Landesmuseum für Kunst und Kulturgeschichte Münster (ed.), .cremers.haufen, Bielefeld: Kerber Verlag, 2004, p. 208, p. 233, ill. (exh. cat.)
2003
Biesenbach, Klaus, London, Barbara (ed.), 'Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust', Long Island City: P.S.1 Contemporary Art Center, 2003, pp. 199–205, ill. (exh. cat.)
2003
Dziewior, Yilmaz (ed.), 'Paul McCarthy: Video', Cologne: Verlag der Buchhandlung Walther König, 2003 (exh. cat.)
2003
Espai d’art Contemporanei de Castello, 'Micropolitics: Art and Everyday Life', Vanecia: Espai d’art Contemporanei de Castello, 2003 (exh. cat.)
2003
Raspail, Thierry (ed.), Avant, Dijon: Les Presses du Réel/Fage Éditions, 2003, pp. 100–105, pp. 188–199, ill. (exh. cat.)
2003
Tate Modern, Paul McCarthy at Tate Modern, London: Tate Publishing, 2003 (exh. cat.)
2003
Unterdörfer, Michaela, Winzen, Matthias (ed.), (In the Search of) The Perfect Love, Ostfildern-Ruit: Hatje Cantz Publishers, 2003, pp. 96–125, ill. (exh. cat.)
2003
Dercon, Chris, Weski, Thomas (ed.) Partners, Cologne: Verlag der Buchhandlung Walther König, 2003
2003
Engelbach, Barbara, Museum für Gegenwartskunst Siegen (ed.), McCarthy, Paul, Hammer, Oranges, Apple [Artist’s book] Frankfurt am Main: Revolver Verlag 2003
2003
Jouannais, Jean-Yves, L’Idiotie: Art, vie, politique – méthode, Paris: Beaux Arts Magazine/Livres, 2003, pp. 33, 67, 212, 221, 256, 270
2003
McCarthy, Paul, “Témoignages”, Musée d’Art moderne de la Ville de Paris (ed.), Francis Picabia: Singulier Idéal, Paris/Arles: Actes Sud, 2003
2002
Butler Gallery (ed.), Paul McCarthy: Video tapes, Kilkenny: Butler Gallery, 2002 (exh. cat.)
2002
CAN (ed.), “Sans consentement”, Crash, no. 22, Paris, 2002, pp. 84–85, ill. (exh. cat.)
2002
De Pury & Luxembourg (ed.), Ahead of the 21st Century: The Pisces Collection, Ostfildern-Ruit: Hatje Cantz, 2002, pp. 8–9, 110–119, ill. (exh. cat.)
2002
Neues Museum Weserburg (ed.), Kunst nach Kunst, Bremen: Neues Museum Weserburg, 2002, p. 148–152, ill. (exh. cat.)
2002
Schirn-Kunsthalle Frankfurt/Hollein, Max, Grunenberg, Christoph (ed.), Shopping: 100 Jahre Kunst und Konsum, Ostfildern-Ruit: Hatje Cantz, 2002, p. 244, ill. (exh. cat.)
2002
Unterdörfer, Michaela (ed.), The House of Fiction: Sammlung Hauser und Wirth/3, Nuremberg: Verlag für moderne Kunst, 2002, pp. 42, 105, ill. (exh. cat.)
2002
Villa Arson (ed.), Paul McCarthy, Nice: Pinocchio, 2002, ill. (exh. cat.)
2002
Archer Michael, Art Since 1960: New Edition, London: Thames & Hudson, 2002
2002
Beil, Ralf, Künstlerküche, Lebensmittel als Kunstmaterial – von Schiele bis Jason Rhoades, Cologne: Dumont Verlag, 2002
2002
Fundacion “la Caixa”, ___ [Catalogue Raisonne – Collection of Fundacion “la Caixa”], Barcelona: Grafiques Iberia, 2002 (2 volumes)
2002
Luc, Virginie, ART à MORT, Paris: Éditions Leo Scheer, October 2002
2002
Morris, Simon, Sinning: De-centering the Self [no publisher-art piece, book dedicated to Paul McCarthy], November 2002
2001
Association le printemps de septembre (ed.), Printemps de septembre: Théâtres du Fantastique, Arles/Paris: Éditions Actes Sud, 2001, pp. 44–45, 72, ill. (exh. cat.)
2001
Des Moines Art Center (ed.), My Reality: Contemporary Art and the Culture of Japanese Animation, Iowa: Des Moines Art Center, 2001, ill. (exh. cat.)
2001
Haenlein, Carl, Ahrens, Carsten (ed.), Ziviler Ungehorsam: Sammlung Falckenberg, Hanover: Kestner Gesellschaft, 2001, pp. 78, ill. (exh.cat.)
2001
Secession (ed.), Projekt Fassade: 28.2.–16.10.2000/Wiener Secession, Isolde Charim: Eleonora Louis, Vienna: Wiener Secession, 2001, pp. 30–31, ill. (exh. cat.)
2001
Parfait, Françoise, Vidéo: Un art contemporain, Paris: Édition du Regard, 2001
2001
Pellegrin, Julie, “L’Objet humain: Simulation et manipulation dans l'oeuvre de Paul McCarthy”, Centre Choréographique National de Grenoble (ed.), Corps/objet: Sur le rapport du corps artificiel, Grenoble: Centre Choréographique National de Grenoble, October 2001, pp. 10–13, ill.
2001
Sties, Kristine, Uncorrupted Joy: Art Actions, Art History and Social Values, 2001
2001
Wege, Astrid, Art Now, Cologne: Taschen, 2001, pp. 106–107, ill.
2001
___, A Creative Legacy: A History of the National Endowment for the Arts, Visual Artists Fellowship Program 1966–1995, New York: Harry N. Abrams, 2001
2000
Capc – Musée d’art contemporain de Bordeaux (ed.), Présumés innocents: L'art contemporain et l'enfance, Bordeaux, 2000, pp. 24, 31, 58, ill. (exh. cat.)
2000
Dickhoff, Wilfried, König, Kasper (ed.), In Between: Das Kunstprojekt der EXPO 2000, Cologne: DuMont Verlag, 2000, pp. 68–81, ill. (exh. cat.)
2000
IKON Gallery (ed.), Lost, Birmingham: IKON Gallery, 2000, p. 69, ill. (exh. cat.)
2000
Kunstmuseum Liechtenstein (ed.), Kunstmuseum Liechtenstein, [text by Friedemann Malsch, Christine Meyer-Stoll + et al.], Zurich: ProLitteris, 2000, pp. 43–44, ill. (exh. cat.)
2000
Meyer-Hermann, Eva (ed.), Paul McCarthy “Dimensions of the Mind”: The Denial and the Desire in the Spectacle, Cologne: Oktagon/ St. Gallen: Sammlung Hauser und Wirth, 2000, ill. (exh. cat.)
2000
New Museum of Contemporary Art (ed.), Paul McCarthy, New York/Ostfildern-Ruit: New Museum of Contemporary Art/Hatje Cantz, 2000, ill. (exh. cat.)
2000
The Power Plant Contemporary Art Gallery (ed.), Mike Kelley and Paul McCarthy Collaborative Works [text by Phillip Monk, Ann Goldstein + et al.], Toronto, 2000 (exh. cat.)
2000
Walker Art Center (ed.), Let's Entertain: Life's Guilty Pleasures, Minneapolis: Walker Art Center, 2000, ill. (exh. cat.)
2000
Barth, Miles, Merritt, Raymond (ed.), A Thousand Houndes, Cologne: Taschen, 2000
2000
Bauman, Gillick, Grosz, Groys, Kay, Rushkoff [et al.], Fresh Cream: Contemporary Art in Culture, London: Phaidon Press Limited, 2000, p. 394
2000
Bonami, Francesco, Frisa, Maria Luisa, Tonchi, Stefano (ed.), Uniform Order and Disorder, Milan: Edizioni Charta/Pitti Immagine, 2000, pp. 244–245, ill.
2000
Buck, Louisa, Moving Targets 2: A User’s Guide to British Art Now, London: Tate Publishing, 2000
2000
Fineberg, Jonathan, Art Since 1940: Strategies of Being, New York: Harry N. Abrams, Inc., 2000
2000
Franzen, Brigitte, Die Vierte Natur: Garten in der zeitgenössischen Kunst, Cologne: Verlag der Buchhandlung Walther König, 2000
2000
Guasch, Anna Maria, El arte último del siglo XX: Del posminimalismo al lo multicultural, Madrid: Alianza Forma, 2000, cover, ill.
2000
Montano, Linda M., Performance Artists Talking in the Eighties, Barkeley: University of California Press, 2000
2000
Sanders, Mark, Star Culture, London: Phaidon Press Limited, 2000
2000
Warr, Tracey, Jones, Amelia (ed.), The Artist’s Body, London: Phaidon Press Limited, ill.
2000
___, Dazed/Confused, London: Booth-Clibborn Editions, 2000