Ron Gorchov (American, 2020)

Ron Gorchov (American, b.1930) is known for his paintings on signature shaped saddle-like supports. By stretching linen over curved wooden frames he designed and built himself, Gorchov was able to achieve a unique, concave surface for his abstract painting, frequently recalling shields or masks. He has continued to use this shape for over 40 years. He began his artistic career at a young age, studying at the Art Institute of Chicago at the age of 14. He moved to New York with his wife and newborn child in 1953, and in 1960 he had his first solo show at Tibor de Nagy Gallery and was included in the Whitney Museum’s seminal exhibition, Young America 1960: Thirty American Painters Under Thirty-Six.

Gorchov’s work has been exhibited by the Museum for Modern Art in New York, MoMA P.S.1 in Queens, the Centro Atlántico de Arte Moderno in Spain, and many other institutions. He is also the recipient of the Showhegan Medal for Painting, the Pollock-Krasner Foundation Grant, and the Guggenheim Fellowship Award for Painting, and more. His work can be found in the permanent collection of the Guggenheim Museum in New York, the Art Institute of Chicago, the Denver Art Museum, and the Museum of Modern Art, among others. The artist lives and works in Brooklyn, NY.

Timeline

1930
Born in Chicago, Illinois
1947–1948
Studied at the University of Mississippi, Oxford, MS
1948–1950
Studied at the Roosevelt College & Art Institute, Chicago, IL
1950–1951
Studied at the University of Illinois, Urbana, IL
1959
Received the Ingram Merrill Award
1975
Received the National Endowment for the Arts Award for Painting

Received the CAPS Award
1994
Received the John Simon Guggenheim Fellowship Award for Painting
2010
Received the Skowhegan Medal for Painting

Received the Pollock-Krasner Foundation Grant
Lives and works in Brooklyn, NY

Exhibitions

2016
Ron Gorchov Selected Exhibitions in 2016:
Concord, Vito Schnabel Gallery, St. Moritz, Switzerland(solo exhibition)
Ron Gorchov: Stacks, presented by Cheim & Read at ADAA: The Art Show, New York, NY(solo exhibition)
2015
Ron Gorchov Selected Exhibitions in 2015:
Ron Gorchov, Curated by Vito Schnabel, Sotheby’s S|2, London, UK(solo exhibition)
Ron Gorchov: Recent Works, Thomas Brambilla, Bergamo, Italy (solo exhibition)
Frieze New York, Cheim & Read, New York, NY
Intimacy in Discourse: Unreasonable Sized Paintings, SVA Chelsea Gallery (Curated by Phong Bui and Rail Curatorial Projects) New York, NY
First Show / Last Show, curated by Vito Schnabel, Germania Bank Building, New York, NY
Der Beste Anfang, Thomas Brambilla, Bergamo, Italy
Community of Influence, curated by Chuck Webster, Spencer Brownstone Gallery, New York, NY
2014
Ron Gorchov Selected Exhibitions in 2014:
Serapis, Contemporary Art Museum St. Louis, St. Louis, MO(solo exhibition)
Entrance, presented by Cheim & Read at Art Basel, Basel, Switzerland
The Shaped Canvas, Revisited, Luxembourg & Dayan, New York, NY
Green Circle, Black Diamond, Ratio 3, San Francisco, CA
All The Best Artists Are My Friends (Part I), curated by Ray Smith, Mana Contemporary, Jersey City, NJ
Mana Monumental, curated by Eugene Lemay, Mana Miami, Miami, FL
2013
Ron Gorchov Selected Exhibitions in 2013:
Monsieur X., Vito Schnabel, New York, NY(solo exhibition)
Ron Gorchov: Recent Watercolors, Lesley Heller Workspace, New York, NY(solo exhibition)
Ron Gorchov: Recent Paintings, Galerie Forsblom, Helsinki, Finland(solo exhibition)
DSM-V, Moynihan Post Office, curated by David Rimanelli and presented by Vito Schnabel, New York, NY
39 Great Jones, Galerie Eva Presenhuber, Zürich, Switzerland
2012
Ron Gorchov Selected Exhibitions in 2012:
Ron Gorchov, curated by Phong Bui, Cheim and Read, New York, NY(solo exhibition)
Ron Gorchov: Recent Paintings, Galerie Richard, Paris, France(solo exhibition)
Painting Towards Three Dimensions: Bram Bogart, Ron Gorchov, Takesada Matsutani, Galerie Richard, New York, NY
Little Languages/Coded Pictures, curated by Theresa Hackett and Michelle Weinberg, Lesley Heller Workspace, New York, NY
Brucennial, presented by The Bruce High Quality Foundation and Vito Schnabel, New York, NY
2011
Ron Gorchov Selected Exhibitions in 2011:
Ron Gorchov, Donde Se Oculta el Alma (Where The Soul Hides), Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Spain(solo exhibition)
Paper 2011, Janet Kurnatowski Gallery, New York, NY
It’s All Good!! Apocalypse now, Sideshow Gallery, Brooklyn, NY
Brooklyn Rail 10 Year Anniversary Silent Art Benefit Auction, Visual Arts Gallery at the School of Visual Arts, New York, NY
2010
Ron Gorchov Selected Exhibitions in 2010:
Ron Gorchov: Recent Watercolors, George Lawson Gallery, San Francisco, CA(solo exhibition)
Brucennial 2010: Miseducation, presented by The Bruce High Quality Foundation and Vito Schnabel, New York, NY
Territories, Left of Center, The Luckman Gallery, California State University, Los Angeles, CA
Between Picture and Viewer: The Image in Contemporary Painting, Visual Arts Gallery at the School of Visual Arts, New York, NY
Works On Paper, Galerie Richard, Paris, France
Party at Chris’s House, Curated by Phong Bui, Janet Kurnatowski Gallery, Brooklyn, NY
2009
Ron Gorchov Selected Exhibitions in 2009:
NY Masters: Ron Gorchov, Alain Kirili, Judy Pfaff, Alexander Ross, Frank Stella, Galerie Richard, Paris, France(solo exhibition)
Triple Play, Curated by Lilly Wei, Lesley Heller Gallery, New York, NY
NY Masters: Bleckner, Gorchov, Kirili, Koznowski, Ross, Stella, Galerie Richard, Paris, France
Winter Salon: Works on Paper, Bjorn Ressle Gallery, New York, NY
2008
Ron Gorchov Selected Exhibitions in 2008:
Recent Paintings, Nicholas Robinson Gallery in collaboration with Vito Schnabel, New York, NY(solo exhibition)
Party at Phong’s, Curated by Chris Martin, Janet Kurnatowski Gallery, Brooklyn, NY
Janet Kurnatowski Gallery, Brooklyn, NY
Brucennial, Presented by The Bruce High Quality Foundation, Brooklyn, NY
2006
Ron Gorchov Selected Exhibitions in 2006:
Double Trouble, MoMA PS1, Long Island City, NY(solo exhibition)
New Painting, Suzanne Hilberry Gallery, Birmingham, MI
2005
Vito Schnabel, New York, NY (solo)
1997
Roland Pease Collection, Tibor de Nagy Gallery, New York, NY
1997
Salient Green, Susanne Hilbert Gallery, Birmingham, MI
1996
Epitaphs, Edward Thorp Gallery, New York, NY
1995
47th Annual Purchase Exhibition, American Academy of Arts & Letters, New York, NY
1994
Susanne Hilberry Gallery, Birmingham, MI (solo)
1993
Locks Gallery, Philadelphia, PA (solo)
1993
30th Anniversary Exhibition, Leo Castelli Gallery, New York, NY
1993
Paintings from the Permanent Collection, Museum of Modern Art, New York, NY
1993
The Return of the Cadavre Exquis, The Drawing Center, New York, NY
1993
Paintings from the Permanent Collection, Whitney Museum of American Art, New York, MFA Gallery, Hunter College, New York, NY
1993
Susanne Hilberry Gallery, Birmingham, MI
1993
MFA Gallery, Hunter College, New York, NY
1992
Invitational, John Good Gallery, New York, NY
1992
Locks Gallery, Philadelphia, PA
1992
Susanne Hilberry Gallery, Birmingham, MI
1992
Jack Tilton Gallery, New York, NY (solo)
1991
Abstract Painting of the 90’s, Andre Emerich Gallery, New York, NY
1990
Clifford Still: A Dialogue, Phillipe Briet Gallery, New York, NY
1990
Jack Tilton Gallery, New York, NY (solo)
1989
Jack Tilton Gallery, New York, NY
1989
Small and Stellar, Ruth Seigel Gallery, New York, NY
1989
Urrealism, Paul Kasmin Gallery, New York, NY
1986
Inspiration by Nature, Jack Tilton Gallery, New York, NY
1985
Gallery Artists, Marlborough Gallery, New York, NY
1985
Abstract Painting 1960-1980, Margo Leavin Gallery, New York, NY
1985
Susanne Hilberry Gallery, Birmingham, MI (solo)
1984
Benjamin Mangel Gallery, Philadelphia, PA (solo)
1984
Eccentric Images, Margo Leavin Gallery, New York, NY
1983
Language, Drama, Source and Vision, The New Museum of Contemporary Art, New York, NY
1983
Marlborough Gallery, New York, NY (solo)
1983
Bonnier Gallery, New York, NY
1981
Hamilton Gallery, New York, NY
1981
Montana State University Fine Arts Gallery, Bozeman, MT (solo)
1980
Gallery AK, Frankfurt, Germany (solo)
1980
Hamilton Gallery, New York, NY (solo)
1980
Barbara Gladstone Gallery, New York, NY (solo)
1979
Hamilton Gallery, New York, NY (solo)
1979
Young Hoffman Gallery, Chicago, IL (solo)
1979
Entrance, P.S. 1, Long Island City, NY (solo)
1978
Galerie M, Bochun, Germany (solo)
1978
Matrix Program, University Art Museum, Berkley, CA (solo)
1977
Susanne Hilberry Gallery, Birmingham, MI (solo)
1976
Texas Gallery, Houston, TX (solo)
1975
Fischbach Gallery, New York, NY (solo)
1972
Everson Museum of Art, Syracuse, NY (solo)
1966
Tibor de Nagy Gallery, New York, NY (solo)
1963
Tibor de Nagy Gallery, New York, NY (solo)
1960
Tibor de Nagy Gallery, New York, NY (solo)

Public Collections

The Art Institute of Chicago (Chicago, IL)
The Denver Art Museum (Denver, CO)
The Detroit Institute of Art (Detroit, MI)
Everson Museum of Art (Syracuse, NY)
Guggenheim (New York, NY)
The Metropolitan Museum of Art (New York, NY)
The Museum of Modern Art (New York, NY)
The Nelson-Atkins Museum of Art (Kansas City, MO)
The Whitney Museum of American Art (New York, NY)
Dr. Nils Forsblom Collection, California

Literature

2006
Bui, Phong and Storr, Robert, Ron Gorchov with Robert Storr and Phong Bui, The Brooklyn Rail, September
2006
Cohen, David, Ron Gorchov: Double Trouble, The New York Sun, June 29
2005
Storr, Robert, Missing in Action: Robert Storr on Ron Gorchov, Artforum, September
2005
Smith, Roberta, Art in Review: Ron Gorchov, The New York Times, June 10
2005
La Rocco, Benjamin, Ron Gorchov, The Brooklyn Rail, June
1997
Weinmann, Elaine and Loureka B. Peter, Painter for Macintosh, Peachpit Press
1995
Smith, Roberta, The New Irreverent Approach to Mounting Exhibitions, The New York Times, January 6
1990
Storr, Robert, It’s Not What You’re Doing…, Jack Tilton Gallery
1990
Carrier, David, Extending The Language of Abstraction, International, Vol 12, Autumn
1990
Smith, Roberta, Clifford Still: A Dialogue, The New York Times, October 29
1990
Welish, Majory, Ron Gorchov, ARTS Magazine, October
1990
Westfall, Stephen, Ron Gorchov at Jack Tilton, Art in America, October
1983
Cohen, Ronny, “Abstraction and Evocation: New Paintings by Ron Gorchov,” Arts Magazine, November
1983
Westfall, Stephen, “Ron Gorchov at Marlborough,” Art in America, December
1980
Rickey, C. Voice Centerfold, “Art, Ron Gorchov,” The Village Voice, Vol. 25, June 25-July 1
1980
Schwartz, Ellen, ARTs, Vol. 79, No. 1, January
1980
“The Spirit of Gorchov,” Baloffia-arte, No. 95, February
1979
Bear, Liza, “Interview,” June-September
1979
Larson, Kay, “Of Time (and space) and the River,” The Village Voice, Vol. 24, No. 45, November
1979
Lawson, Thomas, “Painting in New York,” FlashArt, No 92-93, October-November
1979
Rose, Barbara, “American Painting: The Eighties,” A Critical Interpretation
1978
The Queens Museum, Private Myths, New York City
1978
Tucker, Marcia, Contemporary Artists, New Museum, New York
1977
Colby, Joy, “From Chicago Roots,” Sunday News, Detroit, May
1977
Davidson, Nancy and Sultan, Donald (eds.), Name Book 1: Statements on Art. N.A.M.E. Gallery
1977
Hansell, Betsey, “Noticing Ron Gorchov,” Detroit Artists Monthly, Vol. 2, No. 6, June
1977
Kearse, Morris, “Shape and Form in Ron Gorchov’s Painting,” Artforum, May
1977
Masters, Leslie, “Gorchov Produces an Uneasy Calm,” Detroit Free Press
1977
Miro, Marsha, “Thinking Man’s Art,” Detroit Neva
1977
Russel, John, “Art: The New Museum,” The New York Times
1977
Whitney Museum of American Art, 1977 Whitney Biennial, February
1976
Edmonds, Richard, “New Art Frontier,” Daily News, June
1976
Perreault, John, “P.S. 1,” Soho Weekly News, New York, June
1975
Deak, Edit, “Ron Gorchov at Fischbach Gallery,” Art in America, September-October
1975
Frackman, Noel, “Review,” Artforum, May
1975
Smith, Roberta, “Review, Fischbach Gallery, New York Exhibit,” Artforum, May
1975
Whitney Museum of American Art, 1975 Whitney Biennial
1973
Rose, Barbara, “Review,” New York Magazine, June 25
1972
Case, Richard, “A New Puzzle at the Everson,” Syracuse News, March
1963
Burton, Scott, “Review,” ARTnews, June 25
1963
Campbell, Lawrence, “Review,” ARTnews, June
1960
Ashton, Dore, “Ornamental Forms,” The New York Times, April 15