Sarah Sze (American, b.1969) is a contemporary artist who builds installations and sculptures from everyday materials, including found objects, plants, photographs, wiring, and food detritus. Sze constructs her work by hand, building intricate and often gravity-defying towers that fill their exhibition space. The organic and transitional state of her work suggests something in process of growth and decay.

Born in Boston, MA, Sze completed her MA in architecture and painting at Yale University, and later her MFA at the School of Visual Arts. She currently lives and works in New York, where she is a professor of art at Columbia University.

Sze is the recipient of numerous honors, including a 2003 MacArthur Fellowship and representing the United States at the 2013 Venice Biennale. Her work is collected in the Guggenheim New York, Museum of Modern Art in New York, The New Museum, Whitney Museum of American Art, among many others. Recent important solo exhibitions include Tanya Bonakdar in 2015, Fabric Workshop and Museum in 2014, and the Asia Society in 2011. In 2016, her mural Blueprint for a Lanscape was completed for the 96th Street 2nd avenue subway platform in New York.

Timeline

1990
Ellen Battell Stockell Fellowship, Yale School of Art, Norfolk
1991
Yale University, New Haven, CT, BA
1991
Yale Japan America Travel Grant
1991
Sudler Fund Grant
1992
Yale Japan America Travel Grant
1996
School of Visual Arts Graduate Fellowship
1997
School of Visual Arts, NY, MFA
1997
The Marie Walsh Sharpe Foundation
1997
Rema Hort Mann Foundation
1997
Paula Rhodes Memorial Award
1999
Louis Comfort Tiffany 1999 Award
1999
“Other Rooms, Other Voices,” radio project with audio works by artists, Swiss National Radio Broadcast, Channel 2, curated by Daniel Kurjakovic
2002
Atelier Calder, Saché, France
2003
MacArthur Fellow
2003
Lotos Club Foundation Prize in the Arts
Lives and works in New York

Exhibitions

2010
Tanya Bonakdar Gallery, New York, NY
2009
Sarah Sze: Tilting Planet, Baltic Centre for Contemporary Art, Newcastle, UK permanent installation, Mott Haven School Campus, Bronx, New York permanent installation, University of California, San Francisco Library, San Francisco, CA
2009
The Spectacle of the Everyday. 10th Biennale de Lyon (curated by Hou Hanru), Lyon, France
2009
Hundred Stories about Love, 21st Century Museum of Contemporary Art, Kanazawa, Japan
2009
The Collection, Victoria Miro Gallery, London
2008
Paris, Galerie Thaddaeus Ropac, Landscope
2008
Artists in Depth: Works from the MCA Collection, Museum of Contemporary Art, Chicago
2008
New York, Museum of Modern Art, Artists & Prints: Masterworks from the Museum of Modern Art
2008
Maison Hermes, 8th Flr, “Le Forum”, Tokyo (solo)
2008
Liverpool Biennial, Liverpool
2007
Long Island City, NY, P.S. 1 Contemporary Art Center, Not For Sale
2007
Victoria Miro Gallery, London (solo)
2003–2007
New York, Sculpture Center, The Paper Sculpture Show, September 7 – December 7, 2003. Traveled to Pittsburgh, PA, Regina Gouger Miller Gallery, Carnegie Mellon University, September 8 – October 14, 2003; Houston, TX, DiverseWorks, September 11 – November 7, 2003; Virginia Beach, VA, Contemporary Art Center of Virginia, October 30, 2003 – January 4, 2004; Chattanooga, TN, Hunter Museum of American Art, December 6, 2003 – February 1, 2004; Chicago, Gallery 400, University of Illinois at Chicago, January 12 – February 21, 2004; Marfa, TX, The Ballroom, January 16 – March 16, 2004; Newport Beach, CA, Orange County Museum of Art, February 14 – April 18, 2004; Salina, KS, Salina Art Center, June 9 – August 4, 2004; Regina, Saskatchewan, Canada, Dunlop Art Gallery, September 11 – October 31, 2004; New York, Memorial Art Gallery, University of Rochester, February 5 – March 27, 2005; Boston, Art Interactive, February 19 – March 27, 2005; Cedar Rapids, IA, Legion Arts, March 16 - May 8, 2005; Coral Springs, FL, Coral Springs Museum of Art, June 3 - July 29, 2005; Charlottesville, VA, University of Virginia Art Museum, June 18 – August 14, 2005; West Lafayette, IN, Purdue University Galleries, October 24 – December 4, 2005, Atlanta, Atlanta Contemporary Art Center, January 28 – March 25, 2006, Cincinnati, Contemporary Arts Center, August 18 – November 5, 2005; TX, Austin Museum of Art, November 18, 2006 – January 27, 2007
2006
Malmö, Sweden, Malmö Konsthall, Sarah Sze: Tilting Planet (solo)
2006
New York, Doris C. Freedman Plaza, Corner Plot, May 2 – Oct. 22, 2006. A commission for the Public Art Fund, New York (solo)
2006
Cambridge, MA, Agassiz House, Radcliffe Yard, Model for Corner Plot (solo)
2006
New York, Marianne Boesky Gallery, Selections from the LeRoy Neiman Center for Print Studies, Columbia University
2006
Tokyo, Museum of Contemporary Art in Tokyo (MOT), Collection of the Fondation Cartier pour l’art contemporain at MOT Tokyo
2006
New York, Marianne Boesky Gallery, Selections from the LeRoy Neiman Center for Print Studies, Columbia University
2006
Tokyo, Museum of Contemporary Art in Tokyo (MOT), Collection of the Fondation Cartier pour l’art contemporain at MOT Tokyo
2005
Philadelphia, The Fabric Workshop and Museum, Swarm
2005
Chicago, Museum of Contemporary Art, The Fluidity of Time: Selections from the MCA Collection
2005
New York, Marianne Boesky Gallery, Sarah Sze (solo)
2005
Seattle, WA, Marion Oliver McCaw Hall of the Seattle Opera, An Equal and Opposite Reaction (permanent installation) (solo)
2005
Philadelphia, The Fabric Workshop and Museum, Swarm
2005
Chicago Museum of Contemporary Art, The Fluidity of Time: Selections from the MCA Collection
2004
Kanazawa, Japan, 21st Century Museum of Contemporary Art, The Encounters in the 21st Century, Polyphony - Emerging Resonances
2004
New York, School of Visual Arts, Beginning Here: 101 Ways
2004
New York, Marianne Boesky Gallery, Seeing Other People
2004
London, Serpentine Gallery, State of Play
2004
Milan, Fondazione Davide Halevim, Sarah Sze: The Triple Point of Water (solo)
2004
Kanazawa, Japan, 21st Century Museum of Contemporary Art, The Encounters in the 21st Century, Polyphony - Emerging Resonances
2004
New York, School of Visual Arts, Beginning Here: 101 Ways
2004
London, Serpentine Gallery, State of Play
2004
Cambridge, MA, Massachusetts Institute of Technology, Blue Poles (permanent installation) (solo)
2003
New York, The Whitney Museum of American Art, Sarah Sze: The Triple Point of Water (solo)
2003
Turin, Italy, Castello di Rivoli, The Moderns
2003
Australia, National Gallery of Victoria, world rush_4 artists
2003
New York, Miriam and Ira D. Wallach Art Gallery, Columbia University, Reflection: Seven Years in Print, The LeRoy Neiman Center for Print Studies
2002
Boston, Museum of Fine Arts, RSVP: Sarah Sze (solo)
2002
Minneapolis, Walker Art Center, Grow or Die (permanent installation) (solo)
2002
New York, Marianne Boesky Gallery, Penetration
2002
New York, The Marie Walsh Sharpe Art Foundation, Ace Gallery, Artist to Artists: A Decade of The Space Program
2002
New York, National Academy of Design, 177th Annual: An Invitational Exhibition
2002
São Paulo, Brazil, Iconografias Metropolitanas, Cidades: 25th Bienal de São Paulo, (Curated by Alfons Hug)
2001
Annandale-on-Hudson, NY, Center for Curatorial Studies Museum, Bard College, Sarah Sze (solo)
2001
San Diego, Museum of Contemporary Art, Drawn, installed April 21 (solo)
2001
London, Barbican Centre, The Americans- New Art
2001
Harrisburg, PA, Susquehanna Art Museum, Let’s Get to Work
2001
San Francisco, San Francisco Museum of Modern Art, 010101: Art in Technological Times
2001
Malmo, Sweden, Bo01 City of Tomorrow, European Housing Expo
2001
New York, Asia Society and Museum, Contemporary Art Commissions at the Asia Society and Museum
2000
New York, Marianne Boesky Gallery, Sarah Sze (solo)
2000
New York, Marianne Boesky Gallery
2000
New York, The Whitney Museum of American Art, 2000 Whitney Biennial
2000
Avignon, France, La Beauté, Mission pour la célébration de l’an 2000 (Curated by Jean de Loisy)
1999–2000
Paris, Foundation Cartier pour l’art contemporain, Sarah Sze (solo)
1999
Chicago, Museum of Contemporary Art, Sarah Sze (solo)
1999
Leipzig, Galerie für Zeitgenössische Kunst, Sarah Sze: Still Life with Flowers (solo)
1999
London, Institute of Contemporary Arts, Sarah Sze (solo)
1999
Venice, Venice Biennale, 48th International Exhibition of Contemporary Art (Curated by Harald Szeemann)
1999
Pittsburgh, Carnegie Museum of Art, The Carnegie International 1999-2000 (Curated by Madeline Grynsztejn)
1998
Germany, Akademie der Kunste, Berlin/Berlin, Berlin Biennial (Curated by Klaus Biesenbach, Nancy Spector, and Hans-Ulrich Obrist)
1998
New York, Basilico Fine Arts, Deep Thought, Part II
1998
Stamford, CT, The Whitney Museum of American Art at Champion, Where: Allegories of Site in Contemporary Art
1998
New York, Marianne Boesky Gallery, People, Places, and Things
1998
Casino Luxembourg- Forum d’art contemporain, Manifesta 2, European Biennial of Contemporary Art
1998
Long Island City, NY, P.S. 1 Contemporary Art Center, Construction Drawing
1998
France, Musée d’Art Modern de la Ville de Paris, Migrateurs (solo)
1997
New York, White Columns, White Room (solo)
1997
France, museé d’Art moderne de la Ville de Paris, Migrateurs
1997
Austria, The Vienna Secession, Cities on the Move, November 26 – January 18, 1998. (Curated by Hou Hanru and Hans-Ulrich Obrist) Traveled to Bordeaux, Capc Musée d’art Contemporian; Denmark, Louisiana Museum, January 29 – April 21, 1999; London, Hayward Gallery
1997
Long Island City, NY, P.S. 1 Contemporary Art Center, Some Young New Yorkers (Curated by Klaus Biesenbach and Alanna Heiss)
1997
New York, Wooster Gardens, Drawings and Paintings
1997
New York, Casey Kaplan Gallery, The Name of the Place (Curated by Laurie Simmons)
1997
New York, Visual Arts Gallery, School of Visual Arts, May 1997. (Curated by Tommy Lannigan-Schmidt)
1997
New York, College Art Association, Hunter College Fine Arts Building, New York Area MFA Exhibition
1996
New York, Pratt Artist’s League, 420 West Broadway Building, SoHo Annual (Curated by Michael Brenson, Susan Hort, Robert Storr and Simon Watson)

Literature

2007
Norden, Linda. Sarah Sze. New York: Harry N. Abrams, Inc., 2007
2007
Collins, Judy. Sculpture Today. London: Phaidon Press, 2007
2007
Holmes, Pernilla, Sarah Sze, ArtNews, December 2007
2007
Hammonds, Kit, Sarah Sze, Tema Celeste, Issue 124, November/December 2007
2007
Campbell, Peter, At Victoria Miro, London Review of Books, October 4, 2007
2007
Williams, Eliza, Sarah Sze: Victoria Miro Gallery, London September 1 to 22, Art Monthly, October 2007
2007
Darwent, Charles, This is a fine mess you’ve got me into, The Independent on Sunday, September 9, 2007
2007
Charlesworth, JJ, Exhibition of the Week, Time Out, 12 September 2007
2007
Brookes, Michael, Sarah Sze, Metro, 4 September 2007
2007
A Tilted View, Visual Arts Briefs, February 16, 2007, http://intranet.adm.schoolofvisualarts.edu/VABriefs/article.php?sid=1515&mode=thread&order=0&thold=0
2007
Sarah Sze at Sweden’s Malmö Konsthall, ArtInfo.com, January 15, 2007, http://www.artinfo.com/News/Article.aspx?a=26126
2006
Coe, Julie. 24th Street, Departures, November/December 2006, p. 106
2006
Hoban, Phoebe. Sze, More Clearly?, Samsung DigitAll Magazine, Fall 2006, p.14
2006
Johnson, Ken. Sarah Sze: Corner Plot, New York Times, June 2, 2006
2006
Scott, Andrea K. Floor Through, Time Out New York, May 11 – 17, 2006
2006
Caravanos, Adelle. Constructing a Corner Curiosity, Science & the City, May 7, 2006
2006
Shattuck, Kathryn. Sidewalk Art Encourages Viewers to be Peeping Toms, New York Times, April 29, 2006
2006
Vogel, Carol. Inside Art: A Model Apartment, New York Times, March 24, 2006
2006
Finkel, Jori. Top 10 Trends: Salons de Refuse, ARTnews, February 2006, pp. 102-103
2006
Amy, Michael. Sarah Sze, Sculpture Magazine, January/February 2006, pp. 72 – 73
2006
Collection of the Fondation Cartier pour l’art contemporain at MOT Tokyo. Paris and Tokyo: Fondation Cartier pour l’art contemporain and FOIL, 2006
2006
Ellegood, Anne and Johanna Burton. The Uncertainty of Objects and Ideas: Recent Sculpture. Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 2006, p. 36
2005
Todd, Susan. An Equal and Mutual Admiration: Creating An Equal and Opposite Reaction, Seattle Opera Magazine, Winter 2005/2006
2005
Richard, Frances. Sarah Sze, Marianne Boesky Gallery, Artforum, September 2005
2005
Neil, Jonathan T.D. In View: Sarah Sze, Modern Painters, September 2005
2005
Nichols, Matthew Guy. Sarah Sze at Marianne Boesky, Art in America, September 2005
2005
Baird, Daniel. Sarah Sze, The Brooklyn Rail (cover story), June 2005
2005
Sarah Sze, The New Yorker, June 27, 2005
2005
Saltz, Jerry. Anal-Retentive Princess; Looking at structure in magical, maniacal ways, The Village Voice, June 17, 2005
2005
Goodbody, Bridget. Sarah Sze, Time Out New York, June 2-8, 2005
2005
Stern, Steven. Art. Sarah Sze, Absolute, May 2005, pp. 74-77
2005
Lupton, Ellen and Abbott Miller. Swarm. Philadelphia, PA: The Fabric Workshop and Museum, 2005
2005
Gnemmi, Edoardo, Sarah Sze. Italy: Fondazione David Halevim, 2005
2004
Schwabsky, Barry. Sarah Sze, Contemporary, special sculpture issue #64, 2004
2004
Kristal, Marc. The Architecture of Art, Metropolis, February 2004, p.38
2004
Kerr, Merrily. Sculptor Sarah Sze Wins Macarthur Fellowship, Art AsiaPacific, Winter 2004, p.24
2004
Wye, Deborah ed. Artists & Prints: Masterworks from The Museum of Modern Art. New York: The Museum of Modern Art, 2004
2004
Coatzee, Mark. Not.Afraid.: Rubell Family Collection. New York: Phaidon Press Inc., 2004
2004
Steiner, Rochelle. State of Play. London: Serpentine Gallery, 2004
2003
Sparks, Karen J. Britannica Book of the Year 2003 – Events of 2002. “Redefining Art,” Encyclopedia Britannica, U.S.A., 2003
2003
Bonami, Francesco. The Moderns. Turin, Italy: Castello di Rivoli, 2003
2003
Vaughan, Gerard. 31 New Acquisitions. Melbourne: National Gallery of Victoria, 2003
2003
world rush _4 artists. Melbourne: National Gallery of Victoria, 2003
2003
Chuh, Kandice. Imagine Otherwise: on Asian Americanist Critique. (Cover art) Durham, NC: Duke University Press, 2003
2003
Hirsch, Faye. Reflection: Seven Years in Print. New York: Miriam and Ira D. Wallach Art Gallery, Columbia University, 2003
2003
Carlock, Marty. Sarah Sze’s Organized Chaos, Sculpture, November 2003, cover & pp. 24-29
2003
Nakamura, Marie-Pierre. Interview, art actuel, September – October 2003, pp. 82-84
2003
Chasin, Noah. Sarah Sze, The Triple Point of Water, Time Out New York, August 28–September 4, 2003
2003
Kimmelman, Michael. A Seasonal Migration of Cultural Scope, New York Times, August 8, 2003
2003
Triple Point of Water at Whitney Museum of American Art, The New Yorker, August 4, 2003
2003
Sculpture Forever, Flash Art, June 2003
2003
Yablonsky, Linda. Going Mobile, ARTnews, Summer 2003
2003
Chiu, Melissa. Sarah Sze, Art AsiaPacific, Winter 2003
2002
Temin, Christine. Strand theater, The Boston Globe, December 6, 2002
2002
Richard, Frances. Penetration, Artforum, October 2002
2002
Penetration, The New Yorker, July 15, 2002
2002
Yablonsky, Linda. Piercing Analysis, Time Out New York, June 20-27, 2002
2002
Levin, Kim. Penetration, Village Voice, June 19, 2002
2002
Kostabi, Mark. On Penetration, Shout, June/July 2002, p. 17
2002
Marks, Peter. Artist at Work: Sarah Sze. Transforming Life’s Detritus Into Sculpture, New York Times, June 12, 2002
2002
Snyder, Bill. A plunge under the Sculpture Garden Skyway News, Minneapolis, June 8, 2002
2002
Israel, Nico. XXV Bienal de Sao Paolo, Artforum, Summer 2002, pp. 171-2
2002
Wolfe, Kristin L. Creating Sculptural Galaxies, Visual Arts Journal – SVA, Summer 2002
2002
Ebony, David. Asia Society spotlights contemporary commissions, Art in America, March 2002
2002
Smith, Roberta. Critic’s Notebook: Frank Stella Pops Up All Over, New York Times, January 8, 2002
2002
Hug, Alfons ed. Cidades: 25th Bienal de São Paulo, Iconografias Metropolitanas. São Paulo: Fundação Bienal de São Paulo, 2002
2001
Cotter, Holland. Cosmopolitan Trove on the Road to China, New York Times, November 16, 2001
2001
Cotter, Holland. Across the Hudson Highland, Sculptures are Sprouting, Inside and Out, New York Times, July 20, 2001
2001
Sze, Sarah. Contribution to The Curator’s Egg, Vol.1, May 2001
2001
Clifford, Katie. Sarah Sze, ARTnews, February 2001, p. 155-6
2001
Reid, Calvin Sarah Sze, Art in America, February, 2001, p.142
2001
Gilmore, Jonathan. Sarah Sze, tema celeste, January/February 2001, p. 94
2001
Rottner, Nadja. Sarah Sze, Flash Art, January/February 2001
2001
Israel, Nico. Sarah Sze, Artforum, January 2001, p. 138
2001
Bianchi, Josiana. MoMA: The Art of Conversation. New York: Museum of Modern Art, November 2001
2001
Smith, Elizabeth A. and Douglas Rushkoff. Sarah Sze. Annandale-on-Hudson, NY: Center for Curatorial Studies, Bard College, 2001
2001
Vision Art Exhibitions – The House. Bo01 City of Tomorrow, Sweden, 2001
2000
Saltz, Jerry. True Confections, Village Voice, November 14, 2000
2000
Cotter, Holland. Innovators Burst Onstage One (Ka-pow!) at a Time, New York Times, November 10, 2000
2000
Dailey, Meghan. Sarah Sze, Time Out New York, November 9, 2000
2000
Saltz, Jerry. My Sixth Sense, The Village Voice, March 29-April 3, 2000
2000
Schjeldahl, Peter, Pragmatic Hedonism, The New Yorker, April 3, 2000, p. 94
2000
Caniglia, Julie. Queen of Clutter, Harper’s Bazaar, March 2000, p. 306
2000
Carnegie International, tema celeste, January/February 2000, p. 104
2000
Sarah Sze, BT - Very New Art 2000, January 2000
1999
Gingeras, Alison, Sarah Sze: La Poesie du Meddano, BeauxArts, December, 1999, pp.58-61
1999
Smith, Roberta. Carnegie International: Safe Among Seamless Shadows, New York Times, November 17,1999
1999
Schwabsky, Barry. Sarah Sze, Museum of Contemporary Art, Chicago, Artforum, October 1999, p. 143
1999
Birnbaum, Daniel. Just So, Frieze, September/October 1999, pp. 90-93
1999
Purcell, Greg. Sarah Sze Museum of Contemporary Art Chicago, New Art Examiner, September, 1999, Vol. 27, No. 1 pp. 50
1999
Vetrocq, Marcia E. The Venice Biennale Reformed, Renewed, Redeemed, Art in America, September 1999, pp. 83-94
1999
Birnbaum, Daniel. Patience in Theory, Artforum, September 1999, pp.154
1999
Randall, Frederika. A Biennale for the Millennium, The Wall Street Journal, July 29,1999, pp. A24
1999
Kastner, Jeffrey. Discovering Poetry Even in the Clutter Around the House, New York Times, July 11, 1999, p. 36
1999
Slyce, John. Cheerios, Candy Kisses, Q-Tips, and Duct Tape, Flash Art, Summer 1999, pp.116
1999
Kastner, Jeffrey. Sarah Sze: Tipping the Scales, Art/Text, No.65, May-July 1999
1999
Feinstein, Rochelle. Leftovers, Art On Paper, January – February 1999
1999
Phillips, Christopher. Art for an Unfinished City, Art in America, January 1999
1999
48 Esposione Internazionale d’arte La Biennale di Venezia. Venice: La Biennale di Venezia, 1999
1999
Krause-Wahl, Antje. Sarah Sze. Leipzig: Galerie für Zeitgenössische Kunst, 1999
1999
Sans, Jerome and Jean Louis Schefer. Sarah Sze. London: Thames and Hudson and Foundation Cartier pour l’art contemporain, 1999
1999
Boris, Staci and Francesco Bonami. Sarah Sze. Chicago: Museum of Contemporary Art, 1999
1999
Kurjakovic, Daniel. Other Rooms Other Voices - Audio Works by Artists. Switzerland: Memory/Cage Editions, 1999
1998
Yablonsky, Linda. Berlin Sprawl, Time Out New York, November 5 –12, 1998
1998
Moshkovits, Boris. Berlin Biennale ‘98, Flash Art, November- December 1998
1998
Packer, William. Everything but Painting and Sculpture, Financial Times, October 6,1998
1998
Gianmarco del Re. Sarah Sze, ICA, Flash Art, October 1998
1998
Slyce, John. Sarah Sze, Institute of Contemporary Art, London, 1998 (exhibition catalogue)
1998
Barrett, David. Sarah Sze, Frieze, Summer 1998
1998
Glover, Izi. All Kinds of Everything, Make, June – August 1998
1998
Murray, Fraser. Exhibitions, The Architect’s Journal, April 30,1998
1998
Romney, Jonathan. Cabbages and Cool Things, The Guardian, April 17,1998
1998
Sumpter, Helen. Junk Junkie, The Big Issue #279, April 13,1998
1998
Kent, Sarah. Sarah Sze, Time Out London, April, 22,1998
1998
Hudson, Judy. Bomb, No. 66, Spring 1998
1998
98 people to watch in ‘98, Time Out New York, January 29 – February 5, 1998
1998
Heartney, Eleanor. The Return of the Red-Brick Alternative, Art in America, January 1998
1998
Slyce, John and Hans-Ulrich Obrist. Sarah Sze. London: Institute of Contemporary Arts, May 1998
1998
Hanru, Hu. Cream – Contemporary Art in Culture. London: Phaidon Press Limited, 1998
1998
Manifesta 2, European Biennial of Contemporary Art, Luxembourg: Casino Luxembourg- Forum d’art contemporain, 1998.
1997
Smith, Roberta. More Space and Gracious, Yet Still Funky at Heart, New York Times, October 31,1997
1997
Camhi, Leslie. P.S.1 Back in Session, The Village Voice, November 4,1997
1997
Hogrefe, Jeffrey. Late for Art School-P.S.1 Re-opens, The New York Observer, October 27,1997
1997
Schmerler, Sarah. School’s in: P.S. 1 Rings the Bell on a Brand New Season, Time Out New York, November 6,1997
1997
Saltz, Jerry. Jenny Gage and Sarah Sze, Time Out New York, September 25, 1997
1997
Voice Choices, The Village Voice, September 23, 1997
1997
Cotter, Holland. Art in Review: Drawings and Paintings, Wooster Gardens, New York Times, September 19,1997
1997
Dalton, Jennifer. Sarah Sze, Review, September 15,1997
1997
Murdock, Robert M. Killing Time, Review, September 15,1997
1997
Kino, Carol. Drawings and Paintings, Time Out New York, October 2,1997
1997
Cotter, Holland. Art in Review: Killing Time, New York Times, September 12,1997
1997
Frankel, David. The Name of the Place, Artforum, May 1997
1997
Cotter, Holland. Art in Review: The Name of the Place, Casey Kaplan Gallery, New York Times, January 31,1997
1997
Saltz, Jerry. The Name of the Place, Time Out New York, January 30,1997
1997
Voice Choices, The Village Voice, January 28, 1997
1996
Smith, Roberta. Culture and Commerce Live Side by Side in SoHo, New York Times, September 13,1996