Tracey Moffatt (Australian, born )

Timeline

1960
Born in Brisbane, Austrailia.
1982
BA, in visual communications, Queensland College of Art

Exhibitions

2014
Tracey Moffatt: Spirited / In the Gallery and on TV, Queensland Art Gallery, Brisbane, Australia (October 25, 2014 – February 8, 2015) (solo exhibition)
Rockaway!, in collaboration with Honolulu Biennial, Rockaway Beach Surf Club, Rockaway Beach, New York, USA
2013
Spirit Landscapes, Tyler Rollins Fine Art, New York, New York, USA (solo exhibition)
Spirit Landscapes, Roslyn Oxley9 Gallery, Sydney, Australia (solo exhibition)
Australia, Royal Academy of Arts, London, UK
Memphis Social, Hyde Gallery at the Nesin Graduate School, Memphis College of Art, Memphis, TN.
The Wandering: Moving images from the MCA Collection, MCA, Sydney, Australia
Every day I am a day older: Portraiture from the Griffith University Art Collection, Griffith University Art gallery, Brisbane, Australia
Mix Tape 1980s: Appropriation, Subculture, Critical Style, National Gallery of Victoria, Melbourne , Australia
You Have Every Right, Ateneo Art Gallery, Ateneo de Manila University, Manila, Philippines
Under My Skin: Contemporary Australian Photography from the Corrigan Collection, Rockhampton Art Gallery, Rockhampton, Australia
2012
Tracey Moffatt, Museum of Modern Art, New York, New York, USA (solo exhibition)
Tracey Moffatt and Gary Hillberg, Vox Populi, Philadelphia, PA. (solo)
Tracey Moffatt: Other, Art Gallery of Ballarat, Australia. (solo)
Tracey Moffatt, Glasshouse Gallery, Port Macquarie, Australia. (solo)
Tracey Moffatt: Narratives, Gosford Regional Gallery, Australia. (solo)
Panorama: Recent Art from Contemporary Asia, Singapore Art Museum, Singapore.
Return to Sender, University of Queensland Art Museum, Brisbane, Australia.
Aesthetic Queeries, Institute of Contemporary Arts, London, UK.
Ladies and Gentlemen!, Moderna Museet, Malmö, Sweden.
Fruaen International Film Festival, Cologne, Germany.
Screen Worlds, Australian Centre for the Moving Image, Melbourne, Australia.
Dissonant Visions, Monash University Museum of Art, Caulfield Campus, Sydney, Australia.
Hijacked III: Contemporary Photography From Australia and the United Kingdom, Quad Gallery, Derby (touring to Photofusion, London, Perth Institute of Contemporary Art, Australia, Griffith University Gallery, Brisbane, Australian Centre for Photography, Sydney)
A Place for Art, University of Wollongong Art Collection, Wollongong, Australia.
All You Need Is Love, Melbourne Art Foundation Witner Artspace, Melbourne, Australia.
2011
Tracey Moffatt: Narratives, Shepparton Art Gallery, Shepparton, Australia (January 15 - February 21, 2010), traveling to Redland Art Gallery, Capalaba, Australia (August 22 - October 3, 2010), Albury Art Gallery, Albury, Australia (December 10, 2010 - January 22, 2011), Art Gallery of South Australia, Adelaide, Australia (February 25 - March 20, 2011), Wangaratta Exhibitions Gallery, Wangaratta, Australia (July 24 - August 29, 2011), Dubbo Regional Gallery - The Armati Bequest, Dubbo, Australia (September 10 - November 20, 2011), Grafton Regional Gallery, Grafton, Australia (February 8 - March 25, 2011). (solo)
Still and Moving, Tyler Rollins Fine Art, New York, NY. (solo)
Handmade, Artpace San Antonio, San Antonio, TX. (solo)
Unfolding Tales: Selections from the Contemporary Collection, Brooklyn Museum, New York, NY.
Helvete/Hell, Liljevalchs konsthall, Stockholm, Sweden (October 8, 2011 – January 8, 2012), traveling to Boras Konstmuseum, Boras, Sweden (January 28 – April 1, 2012).
Open House, Singapore Biennale, Singapore.
Yebisu International Festival for Art and Alternative Visions, Tokyo Metropolitan Museum of Photography, Tokyo, Japan.
Architecture of Fear, Z33 House for Contemporary Art, Hasselt, Belgium.
Destiny Deacon, Fiona Hall, Bill Henson, Tracey Moffatt, TV Moore, Julie Rrap, Anne Zahalka, Roslyn Oxley9 Gallery, Sydney, Australia.
Long Way Home, Flinders University City Gallery, Melbourne, Australia
Thank you for the days: My teenage years, Lismore Regional Gallery, Australia.
2010
Tracey Moffatt: Montages, Bronx Museum, Bronx, New York, USA (solo exhibition)
Tracey Moffatt: Artist, Bass Museum of Art, Miami, FL. (solo)
Tracey Moffatt: Plantation & Other, Roslyn Oxley9 Gallery, Sydney, Australia. (solo)
21st Century: Art in the First Decade, Gallery of Modern Art, Brisbane, Australia .
Colour Power: Abroginal Art Post 1984, National Gallery of Victoria, Melbourne, Australia .
Kaldor Public Arts Projects ‘Move: The Exhibition,’ Gallery of Modern Art, Brisbane, Australia.
Being Born Again Couture, Fashion Collaboration, Sydney, Australia.
2009
Tracey Moffatt: First Jobs Series Centre for Contemporary Photography, Melbourne, Australia (solo exhibition)
Tracey Moffatt, First Jobs & Selected Films, Two Rooms, Auckland, New Zealand (solo exhibition)
Tracey Moffatt, Lismore Regional Gallery, Australia (solo exhibition)
Mother, Roslyn Oxley9 Gallery, Sydney, Australia (solo exhibition)
Inheritance, Australian Centre for Photography, Sydney, Australia.
Flicks: The Cinematic in Art, Droichead Arts Centre, Drogheda, Ireland.
Yapand Marruma: Making Our Waya (Stories of the Stolen), Lake Macquarie Art Gallery, Lake Macquarie, New South Wales, Australia.
Earth: Art of a Changing World, The Royal Academy of Arts, London, UK.
Low Blow, Stefan Stux Gallery, New York, NY.
From Heaven to Hell, MUSAC from Spain in Mücsarmok, Budapest, Hungary.
Göteborg International Biennial for Contemporary Art, Göteberg, Sweden.
Failed Art-The Art of Failure, Wiemar, Germany
Asia Pacific Triennial of Contemporary Art, Brisbane, Australia.
Graphic Biennial,Ljubljana, Slovenia
Mediated, California Museum of Photography, Riverside, California, USA
2008
Social Edit, Location One, New York, New York, USA (solo exhibition)
First Jobs, Roslyn Oxley9 Gallery, Sydney, Australia. (solo)
Burning Down the House, Brooklyn Museum, New York, NY.
The Furious Gaze, Monthermoso Cultural Center, Vitoria, Spain.
All-Inclusive. A Tourist World, Schirn Kunsthalle Frankfurt, Germany.
Shaving the Mammoth, San Francisco Art Institute, San Francisco, California.
Cinema Remixed and Reloaded, Contemporary Arts Museum, Houston, Texas.
Biennial of Sydney, Sydney, Australia.
Liverpool Biennial: International, Liverpool, UK.
Modern Ruin, Queensland Art Gallery, Brisbane, Australia.
Supercharged: the car in contemporary culture, Institute of Modern Art, Brisbane, Australia. (touring).
Tracey Moffatt, Marina Paris and Beatrice Pediconi, Sara Zanin Galleria, Rome, Italy.
2007
Under the Sign of the Scorpio, Doomed, Stefan Stux Gallery, New York, New York, USA (solo exhibition)
Tracey Moffatt—Portraits, Doomed, Rosyln Oxley9 Gallery, Sydney, Australia. (solo)
Family Pictures, Solomon Guggenheim Museum, New York, NY.
Global Feminisms, Brooklyn Museum, New York, NY.
It etait une fois: Walt Disney, The Disney Studios Artistic Sources, The Montreal Museum of Fine Art, Montreal, Canada.
Kiss Kiss Bang Bang, 45 Years of Art & Feminism, Museo de Bellas Artes de Bilbao, Spain.
Tell Me a Story: Narrative Photography Now, Museum of Photographic Art, San Diego, California.
Three Australian Photographers, GEM Fotomuseum Den Haag, Netherlands.
Andy and Oz-Parallel Visions, Andy Warhol Museum, Pittsburgh, Pennsylvania.
Workin’ Down Under, Wood Street Galleries, Pittsburgh, Pennsylvania.
Waiting For Hammond, City Gallery, Wellington New Zealand.
DeOverkant/Downunder, Den Haag Sculpture 2007, Netherlands.
Glimpse: Inside Gold Coast City Art Gallery's Collection, Gold Coast City Art Gallery, Surfers Paradise, QLD.
Mouth Open Teeth Showing, works from the True Collection, Henry Art Gallery, Seattle, USA
Tracey Moffatt, City Gallery, Wellington, New Zealand.
Concept: Photography-Dialogues and Attitudes, From the Traditional Forms of Photography to Auteur Photography, Ludwig Museum – Museum of Contemporary Art, Budapest, Hungary.
Strange Cargo: Contemporary art as a state of encounter, Newcastle Region Art Gallery, Broken Hill Regional Art Gallery, Bendigo Art Gallery, Orange Regional Gallery, Wagga Wagga Art Gallery and Tweed River Regional Gallery.
Tracey Moffatt, City Gallery, Wellington New Zealand.
The Shadow, Palazzo delle Papesse, Centro Arte Contemporanea, Sienna, Italy.
2006
Tracey Moffatt, Between Dreams and Reality, Spazio Oberdan, Milan, Italy (solo exhibition)
Tracey Moffatt, Adventures, Stills Gallery, Edinburgh, UK (solo)
Tracey Moffatt, Love and Adventures, Steven Kasher Gallery, New York, NY. (solo)
Under the Sign of the Scorpio, L.A. Galerie, Frankfurt, Germany. (solo)
Laudanum, Van Horn Gallery, Düsseldorf, Germany. (solo)
Adventures, Victoria Miro Gallery, London, UK(solo)
Tracey Moffatt, L.A. Gallery, Beijing, China. (solo)
Once Upon a Time – Walt Disney, Le Grand Palais, Paris, France.
Das Achte Feld, Geschlechter, Leben und Begehrenin der Kunst seit 1960, Museum Ludwig, Colgone, Germany.
Don Giovanni, Kunsthalle Vienna, Austria.
Raised by Wolves, Art Gallery of Western Australia, Perth, Australia.
Supercharged: the car in contemporary culture, Institute of Modern Art, Brisbane, Australia.
Screen Evolution: Syncity, Australian Centre for Photography, Sydney, Australia.
CRASH (and other earthly pleasures), Lawrence Wilson Art Gallery, The University of Western Australia, Perth, Western Australia.
Queensland Live: Contemporary Art on Tour, curated by Julie Ewington, touring Queensland, Australia at Gladstone Regional Art Museum; Logan Art Gallery; Bundaberg Arts Centre; KickArts Contemporary Arts, Cairns; Ipswich Art Gallery; Redland Art Gallery, Cleveland; Artspace Mackay; Toowoomba Regional Art Gallery
Bangu Yilbara: Works from the MCA Collection, Museum of Contemporary Art, Australia
2005
Tracey Moffatt, The Montreal Museum of Fine Arts, Montreal, Quebec, Canada (solo exhibition)
Under the Sign of the Scorpio, Roslyn Oxley9 Gallery, Sydney, Australia. (solo)
Adventure Series, Institute of Modern Art, Australia. (solo)
Tracey Moffatt: In Review, Monash Gallery of Art, Monash University, Melbourne, Australia. (solo)
Family Pictures: Contemporary Photography and Video from the collection of the Guggenheim Museum, Galleria Gottardo, Lugano, Switzerland.
(Hi)story, Kunstmuseum Thun, Switzerland
Seeing Double: Encounters with Warhol, The Andy Warhol Museum, Pittsburgh, Pennsylvania.
The World is a Stage: Stories Behind Pictures, Mori Art Museum, Tokyo, Japan.
Sharjah Biennial, United Arab Emirates
Donna Donne, Palazzo Strozzi, Florence, Italy
Passionate Image, The Body in Art and Advertising, Kim Light Gallery, LightBOX, Los Angeles, California. Steven Kasher Gallery, New York, NY.
I thought I knew but I was wrong: new video art from Australia, Jamjuree Gallery, Chulalongkorn University, Thailand; Nanyang Academy of Fine Arts, Singapore; Ssamzie Space, Seoul, Korea.
The Difference Between You and Me, The Ian Potter Museum of Art, Melbourne, Australia.
Prague Biennale 2, Prague, Czech Republic.
The All-Australian Show, Il Ponte Contemporanea, Roma, Italy.
Mixed-up Childhood, Auckland Art Gallery Toi O Tamaki, Auckland, New Zealand.
Face to Face: Photographs from the Albury Regional Art Gallery Collection, S.H. Ervin Gallery, Sydney, Australia.
Colour Power: Aboriginal Art Post 1984, National Gallery of Victoria, Melbourne, Australia
Upon Further Review: Looking at Sports in Contemporary Art, Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York, NY.
Fast Forward/Avance Rápido: Media Art de la Colección Goetz, Centro Cultural Conde Duque in Madrid, Spain.
A touch of Glamour, Galerie ClaireFontaine, Luxembourg.
The Anniversary Show, Rena Bransten Gallery, San Francisco, California.
A Promise of Photography: from the Collection of DZ Bank, Moscow House of Photography, Moscow, Russia
Cromosoma X, Galleria D'Arte Sabrina Raffaghello, Ovada, Italy
Contemporary Visions: Photographs and Videos from the Helga de Alvear Collection, Oulun City Art Museum, Oulu, Finland
2004
Tracey Moffatt, L.A. Gallery, Beijing, China (solo exhibition)
Adventure Series, Roslyn Oxley9 Gallery, Sydney, Australia. (solo)
Tracey Moffatt, Curtin University Gallery, Perth, Australia. (solo)
Tracey Moffatt, Hasselbald Center, Goteborg, Sweden. (solo)
Love, Il Ponte Projects, Rome, Italy. (solo)
Love (part of short film festival THEMES), Museum of Modern Art, New York, NY.
Contemporary Photo Media, Adelaide Biennial of Australian Art, Adelaide, Australia.
Seeds and Roots: Selections from the Permanent Collection, The Studio Museum in Harlem, New York, NY.
Tradition Today:Indigenous Art in Australia, curated by Hetti Perkins, Ken Watson and Jonathan Jones, Art Gallery of New South Wales, Sydney
Depth of Field, Portrait photography from the collection, National Portrait Gallery, Canberra, New South Wales, Australia.
SENI Singapore 2004: Art & the Contemporary, Singapore Art Museum - SENI Art Festival, Singapore.
Relating to Photography: Highlights aus privaten Frankfurter Fotorgafie-Sammlungen, Fotografie Forum international, Frankfurt, Germany.
blow up Zeitgenössische Künstler-Fotografie, Ulmer Museum, Ulm, Germany.
Wirklich wahr! Realitätsversprechen von Fotografien, Ruhrlandmuseum, Essen, Germany.
Just love me,Fries Museum, Leeuwarden, the Netherlands.
The Disembodied Spirit, Kemper Museum of Contemporary Art, Kansas City, USA.
Outcasts and Sunday's Children - Acquisitions in 2003, De Hallen, Haarlem, The Netherlands
Only Skin Deep: Changing Visions of the American Self, ICP International Center of Photography, New York, USA.
Minority Report: Challenging Intolerance in Contemporary Denmark, Aarhus Festival of Contemporary Art, Aarhus, Denmark.
Revealing Secret Treasures: Women Artists from the Reg & Sally Richardson Collection, Mosman Art Gallery, Sydney.
Supernatural Artificial: Contemporary photo-based art from Australia, curator Natalie King, Tokyo Metropolitan Museum of Photography, Tokyo, Chulalangkorn Art Centre, Bangkok
The Plot Thickens: Narratives in Australian Art, A Heide Museum of Modern Art Travelling Art Exhibition, Melbourne
I thought I knew but I was wrong, curated by Alexie Glass and Sarah Tutton, Australian Centre for the Moving Image, Melbourne, Ssamzie Space, Seoul, South Korea, Sydney Indigenous Arts Festival, Parramatta City Council, Parramatta, Australia.
In Focus: 5 contemporary women photo-artists, Campbelltown City Bicentennial Art Gallery, Campbelltown City Council
2004 Adelaide Biennial of Australian Art: Contemporary Photo-media, Art Gallery of South Australia, Adelaide, South Australia
Good Looking: Narrative Photographs Past and Present, Ian Potter Centre: National Gallery of Victoria Australia, Melbourne, Australia
Colección Sandretto Re Rebaudengo, IVAM Institut d'Art Modern, Valencia, Spain
Blak Insights, Queensland Art Gallery, Brisbane, Australia.
2003
Tracey Moffatt, Museum of Contemporary Art, Sydney, Australia (solo exhibition)
Tracey Moffatt, Shanghai Contemporary, Shanghai, China. (solo)
Realities. Collections Without Frontiers II, The Zacheta Gallery of Art, Warsaw, Poland
True Fictions. Inszenierte Fotokunst der 90er Jahre, Stadtgalerie Saarbrücken, Saarbrücken, Germany.
New Australiana, Perth Institute of Contemporary Art, Perth; Albury Regional Art Gallery, Albury, Australia.
Phantom der Lust. Visionen des Masochismus in der Kunst, Neue Galerie Graz am Landesmuseum Joanneum, Graz, Austria.
Der Rest der Welt, Neuffer am Park, Pirmasens, Germany.
Melodrama, MARCO. Museo de Arte Contemporánea de Vigo, Vigo, Spain
Künstler der Galerie, L.A. Galerie Lothar Albrecht, Frankfurt, Germany.
Selbstgespräch, Pinakothek der Moderne, Munich, Germany.
Realities and Histoires d'Amour, Kunstverein Ulm, Ulm, Germany.
Die Wohltat der Kunst: Post/Feministische Positionen der 90er Jahre, Sammlung Goetz, Munich; Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany.
Two of us, L.A. Galerie Lothar Albrecht, Frankfurt, Germany.
Nan Goldin, Cindy Sherman , Tracey Moffatt , Barbara Kruger, The New Art Gallery Walsall, Walsall, Great Britain. Fair Game- Art+Sport, NGV Response Gallery, Victoria, Australia.
1 Square Mile- Brisbane Boundaries, Museum of Brisbane, Brisbane, Austraila.
6ft+clean:surf+art, Gold Coast City art Gallery, Noosa Regional Gallery, Perc Tucker Regional Gallery, Rockhampton Art Gallery, Coffs Harbour City Art Gallery, Manly Art Gallery and Museum, Mornington Peninsula Regional Art Gallery, Australia.
Stellar, Centre of Contemporary Photography Fundraising Auction, Centre of Contemporary Photography, Melbourne
Home & Away: Place and identity in recent Australian art, Monash University Museum of Art touring exhibition; Customs House Art Gallery, University of Queensland, Brisbane (August to October 2003); Faculty of Art and Design Gallery, Monash University, Victoria, Australia (November 2003 to January 2004)
New View: Indigenous Photographic Perspectives, Monash Gallery of Art, Melbourne, touring Mildura, Gippsalnd, Bendigo, Adelaide and Horsham, Australia through to 2005
Flagship: Australian Art in the National Gallery of Victoria, 1790 - 2000, The Ian Potter Centre, National Gallery of Victoria, Melbourne, Australia
Play, Academy Gallery, School of Visual and Performing Arts, University of Tasmania, Tasmania, Australia
Something More Than Five Revolutionary Seconds, Fondazione Davide Halevim, Milan, Italy.
Fast Forward, Sammlung Gotez, München; Aesstellungsdauer, Germany.
Xin Rui She Ying, Shanghai, China.
Quaderns d' arquitectura i urbanisme, 237 The Suburban Unconscious, Spain.
kunstforum Baloise, Zwischenbilanz, Neuerwerbungen, Baloise-Gruppe, Basel, Switzerland.
Family Ties, Peabody Essex Museum, Salem, Massachusetts.
Just Love Me, Fries Museum Leeuwarden, Leeuwarden (2004); Bergen Art Musuem, Bergen (2003); Sammulung Gotez, Munich (2002-2003); Staatliche Kunsthalle Baden-Baden (2002); Germany Shine, Museum Boijamans Van Beuningen, Rotterdam, Holland.
Phantom of Pleasure, Neue Galerie am Landesmuseum Joanneum, Graz, Switzerland.
M_ARS, Neue Galerie AM Landesmuseum Joanneum, Graz, Switzerland.
2002
Tracey Moffatt, Wellington City Gallery, Wellington, New Zealand (solo exhibition)
Tracey Moffatt, Joslyn Art Museum, Omaha, Nebraska. (solo)
Tracey Moffatt, Galerie Six Friedrich Lisa Ungar, Munich, Germany. (solo)
Tracey Moffatt, Saint Mary’s University Art Gallery, Halifax, Canada. (solo)
Tracey Moffatt, Galerie Karlheinz Meyer, Karlsruhe, Germany. (solo)
Fourth, Fay Gold Gallery, Atlanta, Georgia. (solo)
Love at First Sight: Self-made Women, Centre for Contemporary Photography, Melbourne, Australia.
Points of View, University of Technology Sydney Art Collection, UTS, Sydney, Australia
2nd Sight Australian Photography in the National Gallery of Victoria, National Gallery of Victoria, Melbourne, Australia.
Iconoclash. Jenseeits der Reprasentationskrise, curated by Peter Weibel (and others), Zentrum fur Kunst und Medientechnologie, Karlsruhe, Germany.
Video Works, Kunstnernes Hus, Oslo, Norway
Hollywood Revisited, Aarhus Kunstmuseum, Aarhus, Denmark.
True Fictions, Ludwig Forum fur Internationale Kunst, Aachen, Germany; Kunstverein Lingen, Germany
Connections- Contemporary Artists from Australia, House of Croatian Artists, Zagreb, Croatia.
Collections Croisees, Musee d'art Contemporain de Bordeaux, France.
Melodrama. Lo excesivo en la imaginacion postmoderna, Centro-Museo Vasco de Arte Contemporaneo, Vitorio-Gasteiz, Spain.
Barbara Kruger/ Marlene Dumas/ Tracey Moffatt, Monika Spruth Galerie, Köln, Germany.
Roslyn Oxley9 Gallery – The First 20 Years, Roslyn Oxley9 Gallery, Sydney, Australia.
Nocturne: Images of Night & Darkness from Colonial to Contemporary, MPRG Mornington Peninsula Regional Gallery, Australia.
Spectator Sport, Cornerhouse, Manchester, UK.
Other Views: an Exhibition from the Griffith University Art Collection, Griffith University, Nathan, Queensland, Australia.
Goddess, Galerie Lelong, New York City, USA
Re: Action, Jan Weiner Gallery, Kansas City, Kansas.
New Visions of the American West, Nassau County Museum of Art, Roslyn Harbor, USA.
New Work, Conner Contemporary Art, Washington, D.C.
Trauma, Museum of Modern Art, Oxford, UK.
Receipts, Abbaye Saint Center d'art Contemporain, Meymac, France

Public Collections

State Film Centre, Melbourne, Australia. (FILM AND VIDEO COLLECTION)
West Australian Film Centre, Perth, Australia. (FILM AND VIDEO COLLECTION)
Institute of Aboriginal Studies, ANU Canberra, Australia. (FILM AND VIDEO COLLECTION)
Fundación “la caixa”, Barcelona, Spain. (FILM AND VIDEO COLLECTION)
Ateneo Art Gallery, Ateneo de Malina University, Manila. Philippines. (FILM AND VIDEO COLLECTION)
Centre Pompidou, Paris, France. (FILM AND VIDEO COLLECTION)
Goetz Collection Munich Germany. (FILM AND VIDEO COLLECTION)
New York Public Library, New York, NY. (FILM AND VIDEO COLLECTION)
National Library, Canberra, Australia. (FILM AND VIDEO COLLECTION)
State Film and Video Library, Adelaide, Australia. (FILM AND VIDEO COLLECTION)
Curtin University, Perth, Australia. (FILM AND VIDEO COLLECTION)
Griffith University, Brisbane, Australia. (FILM AND VIDEO COLLECTION)
Macquarie University, Sydney, Australia. (FILM AND VIDEO COLLECTION)
University of Technology, Sydney, Australia. (FILM AND VIDEO COLLECTION)
Sydney University, Sydney, Australia. (FILM AND VIDEO COLLECTION)
Parliament House Collection, Canberra, Australia.
Artbank, Sydney, Australia.
University of Technology, Sydney, Australia.
University of Wollongong, Wollongong, Australia.
Tasmanian State Institute of Technology, Hobart, Australia.
Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria.
Buxton Collection, Melbourne, Australia.
Trinity College Art Collection, Melbourne, Australia.
Air New Zealand Collection, Melbourne, Australia.
Tasmanian State Institute of Technology, Hobart, Australia.
Albury Regional Art Gallery, Albury, Australia.
BP Australia, Melbourne, Australia.
Steve Vizard Foundation, Melbourne, Australia.
Art Gallery of Western Australia, Perth, Australia.
Curtin University, Perth, Australia.
NRMA Collection, Sydney, Australia.
National Gallery of Victoria, Melbourne, Australia.
Art Gallery of Western Australia, Perth, Australia.
National Library, Canberra, Australia.
Museum of Contemporary Art, Sydney, Australia.
Flinders University, Adelaide, Australia.
Queensland Art Gallery, Brisbane, Australia.
Griffith University, Brisbane, Australia.
Monash University, Melbourne, Australia.
Art Gallery of South Australia, Adelaide, Australia.
National Library, Canberra, Australia.
Art Gallery of Western Australia, Perth, Australia.
Albury Regional Art Gallery, Albury, Australia.
Waverly City Gallery, Mt. Waverly, Australia.
Folkwang Museum, Essen, Germany.
Collection Mr. and Mrs. Felten, Munich, Germany.
Collection Mr. Kunne, Hannover, Germany
Sammlung Goetz, Munich, Germany.
Louisiana Museum of Contemporary Art, Humlebæk, Denmark.
Baroness Lambert Collection, Switzerland.
Australian National Gallery, Canberra, Australia.
Art Gallery of New South Wales, Sydney, Australia.
Museum of Contemporary Art, Sydney, Australia.
National Gallery of Victoria, Melbourne, Australia.
Ministère de la Culture, Paris, France.
Centre national des arts plastiques, France.
Moderna Museet, Stockholm, Sweden.
Museum of Contemporary Photography, Tokyo, Japan.
DG-Bank, Frankfurt, Germany.
Bard College, Annandale on Hudson, New York, USA.
Centre Galego de Arte Contemporanea, S. de Compostela, Spain.
The National Museum of Photography, Copenhagen, Denmark.
Ulmer Museum Ulm, Germany.
Bayerische Staatsgemäldesammlungen, Munich, Germany.
Museum of Modern Art, New York, USA.
Guggenheim Museum, New York, USA.
Tate Gallery, London, UK.
Museum of Fine Arts Boston, USA.
Houston Museum of Fine Arts, Houston, USA.
Museum of Contemporary Art, Los Angeles, USA.
Brooklyn Museum of Art, New York, USA.
Refco Inc., Chicago, USA.
Linda Pace Collection, San Antonio, USA.
Museet for Santidskunst, Oslo, Norway.

Literature

2009
John Hurrell, “Moffatt Exhibition,” eye Contact, New Zealand, online, 2009.
2008
Paul Laster, “Tracey Moffatt interview online,” ArtKrush 89, July 23rd, 2008, USA.
2008
Joseph R. Wolin, “Tracey Moffatt, Social Edit,” Time Out New York, April 17-23, 2008 USA.
2007
Karen Rosenberg, “Show and Tell: Tracey Moffatt,” New York Magazine, January 22-29, 2007, USA.
2007
Michael Kimmelman, “The Goal Standard,” New York Times Style magazine, March 3rd, 2007, USA.
2006
Lilly Wei, “Tracey Moffatt at Steven Kasher,” Art in America, Oct 2006, USA.
2006
Anna Holtzman, “Under the Sign of Scorpio,” Eyemazing magazine, issue 02-2006.
2006
Stephen Bull, “Meanwhile…,”, Source 46 Spring 2006, Ireland.
2006
Vince Aletti, “Tracey Moffatt, Voice Choices,” The Village Voice, March 29-April 4, 2006 USA.
2006
Sue Hubbard, “Australian Escapades,” The Independent, Feb 3rd, 2006, UK.
2005
“Tracey Moffatt: Adventure Series,”Art Krush, 2005, USA.
2005
“Behind the gloss,” Courier Mail, March 30, 2005, Australia.
2005
“Tracey Moffatt: An Image of the Undefined,” Sint-LukasGalerie Brussel, March–May 2005, Belgium.
2005
“Urban Adventure,” Rave Magazine, March 15, 2005, Australia.
2005
“Best of the rest,”Australian Financial Review, April 16, 2005
2005
“Tracey Moffatt: Adventure Series and Love,” Brisbane citysearch, April 5, 2005, Australia.
2005
“Triple bill at the IMA,” Art Monthly Australia, April, Australia.
2005
“Moffatt’s Brisbane Adventure,” Style Magazine, April, 2005, Australia
2005
“Snap, that’s Brisbane,” The Courier-Mail, April 16-17, 2005, Australia.
2005
“Fast Forward/Avance Rápido: Media Art de la Colección Goetz,” Exhibition Catalogue, Centro Cultural Conde Duque in Madrid, 2005, Spain.
2005
“Action Items…,” Brisbanenews, April 6, 2005, Australia
2005
"Weaving stories, constructing history," Felicity Lunn, Exhibition catalogue, 2005 (Hi)story, Kunstmuseum Thun, Switzerland
2005
"Art Photography Now," Susan Bright, Aperture Foundation publication, 2005 London.
2005
"Family Pictures," Jennifer Blessing, Exhibition catalogue, Contemporary Photography and Video from the Collection of the Guggenheim Museum, Galleria Gottardo, Lugano, Switzerland
2005
The Photograph as Contemporary Art, Charotte Cotton, Thames & Hudson, London
2005
"Tracey Moffatt: New Work in New York", Sarah Douglas, Australian Art Collector magazine July–September 2005, Australia
2005
''IMA’s talented trifecta," Gold Coast Bulletin,March 12, 2005, Australia
2005
'The World is a Stage: Stories Behind Pictures,' Exhibition catalogue, 2005, Tokyo
2005
"Upon Further Review: Looking at Sports in Contemporary Art", Tim Laun, Exhibition catalogue, 2005, USA
2005
"Mixed-up Childhood," Exhibition catalogue, 2005, New Zealand
2004
Alicia Foster, “Tate Women Artists,” Tate Publishing
2004
“Home stays at heart of this girl’s art,” The Courier-Mail, November 12, 2004, Australia.
2004
"Hasse Persson, “Äventyr I Gränslandet,” FOTO, Nr.10, Sweden
2004
“Tracey Moffatt: Vox Pop,” Vogue Living, Australia.
2004
Ulf Johanson, “Det är något bekant över Tracey Moffatts bilder,” GÖTEBORGS-POSTEN Fredag 11Juni 2004, Sweden
2004
Paola Anselmi, “Tracey Moffatt: Mise en Scéne,” Contemporary Visual Arts and Culture Broadsheet, volume 33 No.2 June/Aug 2004, Australia
2004
Victoria Hynes, “Tracey Moffatt-Adventure Series,” The Sydney Magazine, August, 2004, Australia.
2004
“Bursting with Talent,” Sydney Morning Herald, August 31, 2004, Australia.
2004
Dominique Angeloro, “Strip Down,” Metro Sydney Morning Herald, August 6-12, 2004, Australia.
2004
Peter Hill, “Better by Design,” The Sydney Morning Herald, August 7–8, 2004, Australia.
2004
Kate Davidson, “Of Images and Episodes,” Art Monthly Australia, April 2004, Australia.
2004
Nyanda Smith, “Moffatt Explores the Frontiers,” West Australian, January 3, 2004, Australia.
2004
Russell Smith, “Tracey Moffatt: The International Look,” Contemporary Visual Arts and Culture Broadsheet, volume33, No.1, Feburary-May 2004, Australia.
2004
Simon Blond, “Moffatt Exposes Dark,”The West Australian, February 14, 2004, Australia.
2004
“A Conversation with Tracy Moffatt,” Deadly Vibe, February 2004, Australia.
2004
Ted Snell, “Tracey Moffatt spoke with Ted Snell via email on the 20th January 2004,” John Curtin Gallery, Curtin University of Technology, February 2004, Australia.
2004
Susan McCulloch, “Belief Systems,” The Weekend Australian, March 27–28, 2004, Australia.
2004
Robert Nelson, “Pathos Discounted for Coolness,” Museum of Contemporary Art, January 1, 2004, Sydney, Australia.
2004
Jacki Chowns, “Comic Turn,” The Sydney Morning Herald, January 16–22, 2004, Sydney, Australia.
2004
Eve Sullivan, “The Juvenilia of Tracey Moffatt,” Art & Australia, January/February 2004, Australia.
2004
Barbara Creed, “Tracing Emotions,” State of the Arts, January/March 2004, Australia.
2004
Patricia Anderson, “Polished Rituals of Looking,” The Weekend Australian, January 3-4, 2004, Sydney, Australia.
2004
John McDonald, “In the Eye of the Beholder,” Financial Times Review, January 22, 2004, Australia.
2004
Richard B. Woodward, “Home Team Advantage,” New York Times, February 15, 2004, USA
2004
Natalya Lusty, “Something More About Moffatt,” The Australian Financial Review, February 27, 2004, Australia.
2003
Ashley Crawford, “The Art of Darkness,” TheAgeReview, September 27, 2003, Australia.
2003
Peter Timms, “Life Rehearsal,” The Weekend Australian, March 1–2, 2003, Australia.
2003
“1 Square Mile- Brisbane Boundaries,” Exhibition Catalogue, Museum of Brisbane, King George Square Brisbane, Australia.
2003
“6ft+clean:surf+art,” Exhibition Catalogue, Gold Coast City art Gallery, Noosa Regional Gallery, Perc Tucker Regional Gallery, Rockhampton Art Gallery, Coffs Harbour City Art Gallery, Manly Art Gallery and Musuem, Mornington Peninsula Regional Art Gallery, Australia.
2003
“Something More Than Five Revolutionary Seconds,” Exhibition Catalogue, Fondazione Davide Halevim, Milan.
2003
“Fast Forward,” Exhibition catalogue, Sammlung Gotez, München, Germany.
2003
“Xin Rui She Ying,” Exhibition catalogue, Shanghai, China.
2003
“Quaderns d' arquitectura i urbanisme,” Exhibition catalogue, 237 The Suburban Unconscious, Spain.
2003
“kunstforum Baloise,” Exhibition catalogue, Zwischenbilanz, Neuerwerbungen, Baloise-Gruppe, Basel.
2003
“Just Love Me,” Exhibition catalogue, Fries Museum Leeuwarden, Leeuwarden (2004),
2003
Sandra McLean, “Cool in Camera,” Courier-Mail, March 29, 2003.
2003
Mia Fineman, “Shanghai Surprise: Artist Tracey Moffatt's Adventures in China,” New Wave, May/June 2003.
2003
“Cary Estes Leitzes, Jessica Green, Danko Steiner,” essay by Ann Beattie, April page of Calendar. Museum of Contemporary Art Exhibition Program Catalogue, Spring/Summer 2003–2004. Entertainment Guide, City Weekend, January 9–22, 2003.
2003
“High: art, our city and us,” January 2003, Shanghai
2003
William Petley, “Diary,”The Sun-Herald, September 21, 2003
2003
Lee Tran Lam, “Straight Shooter,” Highly Quotable, November/ December 2003, Australia.
2003
Michael Fitzgerald, “Hearts In the Picture,” Time (Australia), December 22, 2003, Australia.
2003
Elizabeth Fortescue,“Tracey's Many Faces,” The Daily Telegraph, Sydney Live December 12, 2003, Australia
2003
Peter Hill, “Once is Not Enough,” Spectrum, Visual Arts, December 26–28, 2003, Australia
2003
Chelsea Clark, “Photo Finish,” The Daily Telegraph, December 10, 2003, Australia.
2003
Sharon Verghis, “Off-the-Wall Prices for the Lady in Red,” The Sydney Morning Herald Front Page, December 13, 2003, Australia.
2003
Lenny Ann Low, “Zooming in on an Artful Tease,” The Sydney Morning Herald, Metropolitan, December 16, 2003, Australia
2003
Lee Tran Lam, “Private Eye,” Monument 58 Magazine, December/January 2004, Australia.
2003
Janice Peterson, “MCA Hosts Tracey Moffatt Retrospective,” ABC Online, December 17, 2003, Australia.
2003
“Discussion with Photographer, Tracey Moffatt,” Angela Catterns, ABC 702 Sydney Radio Interview, December 12, 2003, Australia.
2003
Lenny Ann Low, “Sydney Goes to the Burbs,” November 15, 2003, Australia.
2002
Paula Savage, “Tracey Moffatt,” Lara Strongman Exhibition catalogue, City Gallery Wellington, 2002, New Zealand.
2002
“Melodrama.”Lo excesivo en la imaginacion postmoderna Exhibition catalogue, Centro-Museo Vasco de Arte Contemporaneo, Vitorio-Gasteiz, Spain.
2002
“Hollywood Revisited,” Exhibition catalogue, Aarhus Kunstmuseum, Aarhus, Denmark.
2002
“Veczoennections,” Contemporary Artist from Australia Exhibition catalogue, curated by Branca Stipancic, House of Croatian Artists, Zagreb, Croatia.
2002
“True Fiction,” Inzinierte Foto-Kunst der 1990 er Jahre Exhibition catalogue, Ludwig Forum fur Internationale Kunst, Aachen, Germany.
2002
“Images of Australian Men: Photographs from the Monash Gallery of Art Collection,”A Monash Gallery of Art Traveling Exhibition catalogue, May, 2002, Australia.
2002
Lisa Fischman, “Studio Visit: Neither Win, Place nor Show,” Art Papers Magazine, July/August 2002, USA.
2002
Michael Fitzgerald, “Brand New Gaze,” Time Australia July 2002, Australia.
2002
Katerina Gregos, “Tracey Moffat,” Contemporary, January 2002, UK.
2002
Alice Throson, “Everything Here is Not What it Seems,” The Kansas City Art Star, May 3, 2002.
2002
“Just Like a Woman,” Harper's Bazaar, March 2002, USA.
2002
“Canvas,” Art News, February 2002, USA.
2002
Jeff Gibson, “Preview,” Artforum, January 2002, USA.
2002
“Tracey Moffatt: Joslyn Art Museum, Omaha,” The Artnewspaper, February 2002, USA
2002
Art, Looking Back, Interview Magazine, Dec./Jan. 2002, USA
2002
Tracey Moffatt, Art's Drama Queen, Carlo McCormick, Paper, December/January, 2002, USA
2002
The Enduring Glance: 20th Century Australian Photography from the Corrigan Collection
2002
Nine Photographs Sell for $226,575, Geoff Maslen, The Sydney Morning Herald, June 26, 2002, Sydney, Australia
2002
Between the Lines: Dial T for Trauma, Gareth Evans, Sight & Sound, March 2002,
2002
Trauma Oxford, Guardian Guide - Exhibitions, January 26, 2002, UK
2002
Better Luck Next Time, Gregory Williams, Cabinet, Summer 2002, USA
2001
"Art and Society Interact in this "Must See" Show", Neil Jones, Halstead Gazette (Essex), October 5, 2001, UK
2001
"Trauma", Nicky Bird, Art Monthly, September 2001, UK
2001
"Previews", Art Review, September, 2001, UK
2001
"Exhibition Reviews: The World in which We Live", Francesca Calvocoressi, YoungMinds Magazine, No. 54, 2001, UK
2001
"A Journey into Disturbing Places", Financial Times: The Arts (Visual Arts Scotland), July 17, 2001, UK
2001
"Reviews: Trauma", John Calcutt, Scotland on Sunday, July 2001, UK
2001
"Arts: Scared for Life", Elizabeth Mahoney, The Guardian, July 14, 2001, UK
2001
"Artbeat", Heather Neill, Times Educational Supplement, September 14, 2001, UK
2001
"Australia . . . land of the rising art sales", Sharon Verghis, Sydney Morning Herald, November 13, 2001, Australia
2001
ARS 01, "Tema-Celeste: Contemporary Art", November – December 2001, Finland
2001
"Erotic Ambiguities: The Female Nude in Art", Helen McDonald, Routledge, London
2001
"Tracey Moffatt: Invocations", Katie Pollock, The Perfect Week: Visual Arts, The Bulletin, July 17, 2001, Canberra, Australia
2001
"Moffatt's Ever Expanding Profile", Gabriella Coslovich, The Age, May 2, 2001, Australia
2001
Marina Sorbello, “Contemporary Art Jamboree Goes Global,” The Art Newspaper, No. 112, March 2001, USA.
2001
Franklin Sirmans, “Art Review,” Time Out, November 22-29, 2001, USA.
2001
Jessica Dawson, “Moffatt: This Dogma Can Bite,”The Washington Post, October 18, 2001, USA.
2001
Helen A. Harrison, “Aboriginal Artist Faces Attitudes in Her Culture,” New York Times, Sunday, February 25, 2001, USA.
2001
Fred A Bernstein, “Quick Learner,”Elle Décor, February/March 2001, USA.
2001
“Tracey Moffatt on the Last of the Nuba,” Art News, February 2001, USA.
2001
Elizabeth Mahoney, “Tracey Moffatt,” The Guardian, Thursday, April 19, 2001, UK.
2001
Sally O’Reilly, “Tracey Moffatt,” Time Out, April 17, 2001, UK
2000
Richard Lacayo, Time Magazine, 13 November 2000, USA.
2000
Susie Linfield, “Eclectic Eye,” Artnews, February, 2000, New York, USA.
2000
Roni Feinstein, “The Biennale of Reconciliation,” Art in America, pg. 39, December, 2000, USA.
2000
Holland Cotter, “Art in Review: Tracey Moffatt,” New York Times, 31 March, 2000 New York, USA.
2000
“Australia’s 50 Most Collectible Artists,” Australian Art Collector, no. 11, January-March 2000, Sydney, Australia.
2000
Carol Squires, “Tracey Moffatt,” American Photo, January/February 2000, USA.
2000
“Arts Cool,” W Magazine, January 2000, New York, USA.
English (US)

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