Artworks by Doug Aitken at Galerie Eva Presenhuber on artnet

Doug Aitken

(American, born 1968)

Doug Aitken

REEARTH (Underwater topography of the Earth), 2023

Price on Request

Biography

Timeline

1968: Born in Redondo Beach, CA
1986 - 1987: Marymount College, Palos Verdes, CA
1987 - 1991: Art Center College of Design, BFA, Pasadena, CA
1999: International Prize, Golden Lion, Venice Biennale
2000: The Larry Aldrich Foundation Award, The Aldrich Museum of Contemporary Art, Connecticut
2007: Preis der deutschen Filmkritik, 3. Kunstfilmbiennale Köln, Germany
: Lives and works in Los Angeles

Exhibitions

2016: Doug Aitken, Los Angeles Museum of Contemporary Art, CA (solo)
: Doug Aitken: twilight, Peder Lund, Olso, Norway (solo)
: The Goetz Collection. 12 Month / 12 Films: Explorations in Space, Museum Folkwang, Essen, Germany
2015: Camera of Wonders, Foto Mexico, Centro de la Imágen, Mexico City, Mexico
: No Place Like Home: Selections from the Sue and John Wielend Collection of Contemporary Art, Brigham Young University of
: Artists in Their Time, Istanbul Museum of Modern Art, Istanbul, Turkey
: "Come as You Are: Art of the 1990's”, Montclair Art Museum, Montclair, NJ; Telfair Museum of Art, Savannah, GA; The University of Michigan Museum ofArt; Blanton Museum of Art: University of Texas at Austin, USA
: Schirn Kunsthalle, Frankfurt, Germany (solo)
: Galerie Eva Presenhuber, Zurich, Switzerland (solo)
: "Damage Control: Art & Destruction Since 1950", Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC
: “Common Ground: Earth” Borusan Contemporary, Istanbul, Turkey
2014: “Still Life”, Regen Projects, Los Angeles, CA (solo)
: “High Performance. THE JULIA STOSCHEK COLLECTION”, ZKM, Karlsruhe, Germany
2013: Turn off the Sun, Fundación/Colección Jumex, Mexico D.F., Mexico
: “100 Years Part II”, 303 Gallery, New York, NY “100 Years”, 303 Gallery, New York, NY (solo)
: “electric earth”, Nam June Paik Art Center, Yongin-si Gyeonggi-do, Korea "MIRROR", Seattle Art Museum (solo)
: Dialogues, MAK Center for Art & Architecture, Los Angeles, USA
: Homebodies, Museum of Contemporary Art, Chicago, USA
: The Time is Now, John Berggruen Gallery, San Francisco, USA
: Collection Reinstallation for the 2013 Carnegie International, Carnegie Museum of Art, Pittsburgh, PA, USA
: Song 1, a 360° projection, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington D.C., USA (solo)
: Galerie Eva Presenhuber, Zurich, Switzerland (solo)
: PKM Gallery, Seoul, South Korea (solo)
: Black Mirror, Deste Foundation, Hydra, Greece (solo)
: Black Mirror, Helga de Alvear Gallery, Madrid, Spain (solo)
: Art 43 Basel, Art Galleries, Basel, Switzerland (solo)
: 303 Gallery, New York/NY, USA (solo)
: Altered Earth, LUMA Foundation, Arles, France (solo)
: Sky Arts Ignition Series: Doug Aitken, Tate Liverpool, Liverpool, Great Britain (solo)
: Art and the City, Ein Festival für Kunst im öffentlichen Raum, Zurich, Switzerland
: Regen Projects, Los Angeles/CA, USA
2012: The Source, Tate Liverpool, Liverpool, UK
: Seattle Art Museum, Seattle/WA, USA (solo)
2011: Victoria Miro Gallery, London, Great Britain (solo)
Between Here and There: Dislocation and Displacement in Contemporary Photography, The MetroplolitanMuseum of Art, New York, NY
Pasajes, Vlajes por el híper-espacio, Laboral, Centro de Arte y Creación Industrial, Gijón, Spain
Let`s Dance, Musée dàrt contemporain du Val-de-Marne, MAC/VAL, Vitry-sur-Seine, France
2010: Höhepunkte der Kölner KunstFilmBiennale, Kunst-Werke Berlin, KW Institute for Contemporary Art, Berlin, Germany
The moment, MATADERO MADRID, Madrid, Spain
México: esperad/inesperado , B.P.S22 , Espace de Création Contemporaine, Charlerol, Mexico
Multiple Pleasure: Functional Objects in Contemporary Art, Tanya Bonakdar, New York City, NY
La trama se complica..., Museo de Arte Contemporáneo de Monterrey MARCO, Monterrey, CA
The Traveling Show, Galeria de Fundaciíon/Coleccion Jumex, Mexico City, Mexico
Regen Projects, Los Angeles, CA (solo)
Julia Stoschek Collection – I want to see how you see, Deichtorhallen Hamburg, Hamburg, Germany
Disquieted, Portland Art Museum, Portland, OR
Hard Targets, Wexner Center for the Arts, Columbus, OH
Neugierig? Kunst des 21. Jahrhunderts aus privaten Sammlungen, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany
2009: Land - Collaborative Exhibition, 101 Exhibit, Miami, FL
Twentysix Gasoline Stations ed altri libiri d`Artista, Una collezioni, Museo Regionale di Messina, Messina, Italy
La Kunstfilmbiennale, Centre Pompidou, France
Mexico: Expected/Unexpected, Collection Isabel and Augustin Coppel, Stedelijk Museum Schiedam,Schiedam, The Netherlands
We Are Sun-kissed and Snow-blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris, France
Sonic Pavallion, Brazil
Regen Projects II, Los Angeles, CA
Electric Earth by Doug Aitken, Cincinnati Art Museum, Cincinnati, OH
Los Angeles Public Domain/Art on the Outside, Los Angeles, CA
Frontier, Rome, Italy
50 Years Guggenheim, Guggenheim Museum, New York, NY
Il Tempo del Postino, Basel, Switzerland
Sites, Whitney Museum of American Art, New York, NY
PastPresentFuture, Bank Austria Kunstforum, Vienna, Austria
Private Universes: Media Work, Dallas Museum of Art, Dallas, TX
La Kunstfilmbiennale, Centre Pompidou, Paris, France
Höhepunkte der Kölner KunstFilmBiennale, Kunst-Werke Berlin, KW Institute for Contemporary Art, Berlin, Germany
Inhotim, Reserva de Agenda, Minas Gerais, Brazil
Life Patterns, Savannah College of Art and Design, Lacoste, France
Wexner Center for the Arts, Columbus, OH
Zwischenzonen, MUMOK, Museum Moderner Kunst, Stiftung Ludwig Wien, La Coleccion Jumex, Wien
Regen Projects, Los Angeles, CA (solo)
Migration (empire), St Louis Art Museum, St Louis, MO (solo)
Photography in the Abstract, Lora Reynold Gallery, Austin, TX
No Sound, Aspen Art Museum, Aspen, CO
2008: Migration, 303 Gallery, New York, NY (solo)
La invención de Io cotidiano, Museo Nacional de Arte, Munal, Mexico City, Mexico
Julia Stoschek Collection, Pinchuk Art Center, Kiev, Ukraine
BesArt – O presente: uma dimensão infinita, Berardo Muesum, Collection of Modern and Contempory Art, Lisbon, Portugal
When It`s a Photograph, Bolsky Gallery at Otis College for Art and Design, Los Angeles, CA
Rock my Religion 1, DA2, Domus Artium 2002, Salamananca, Spain
It`s not only Rock `n`Roll, Baby! BOZAR, Palais des Beaux-Arts/ Paleis voor Schone Kunsten, Brussels, Belgium
It`s not only Rock `n`Roll, Baby! BOZAR, Palais des Beaux-Arts/ Paleis voor Schone Kunsten, Brussels, Belgium
Crossroads, Interfaces between Rock Music and Contemporary Art Festival Internacional de Fotografía de Castilla y León, DA2 Domus Artium 02, Salamanca, Spain
MATRIX/REDUX, Berkeley Art Museum and Pacific Film Archive BAM/PFA, Berkeley, CA
Der grosse Wurf, Faltung in der Gegenwartskunst, Kaiser, Wilhelm Museum, Krefeld, Gemany
St.Moritz Art Masters, St.Moritz, Switzerland (cur.Kunstfilmbiennale Köln), Switzerland
Blasted Allegories. Works from the Ringier Collection, Kunstmuseum Luzern, Luzern, Switzerland
Manchester International Festival, Paris and Manchester (performance), Manchester, Great Britan
303 Gallery, New York, NY (solo)
55th Carnegie International: Life on Mars, Carnegie Museum of Art, Pittsburgh, PA
Elements and Unknowns, Museum of Modern Art, New York, NY
El Mundo del Hielo, EXPO 2008, Zaragoza, Spain
Las Implicacions de la Imagen (The implication of image), MUCA Roma, Museo Universitaro de Ciencias y Arte, Mexico City, Mexico
Expected/Unexpected, La Maison Rouge, Collection Agustin et Isabel Coppel, Mexico, Paris, France
Rhine on the Dnipro, Julia Stoschek Collection, Dusseldorf, Germany
Mouth Open Teeth Showing, Henry Art Gallery, Seattle, WA
Moscow on the Move, Garage Center for Contemporary Culture, Moscow
Galerie Eva Presenhuber, 99¢ Dreams, Zurich (solo)
Kaiser Wilhelm Museum and Museum Haus Lange, Falling into Place, Krefeld, Germany (group)
2007: Museum of Modern Art, Sleepwalkers, New York, NY (solo)
Brave New Year, 303 Gallery, New York, NY
303 Gallery, New York, NY (solo)
Ensemble, ICA, Institute of Cotemporary Art, Philadelphia, PA
Window/Interface, Kemper Art Museum, Washington DC
Silence, Fondazione Sandretto Re Rebaudengo, Torino, Italy
Mapping the City, Stedelijk Museum, Amsterdam, The Netherlands
Disorder in the House, Vanhaerents Art Collection, Brussels, Belgium
Uneasy Angel – Imagining Los Angeles, Sprüth Magers Galerie, Munich, Germany
Jubilee Exhibition, Vnà, House Eva Presenhuber, Switzerland
Il Tempo del Postino, Manchester International Festival/ Opera House, Manchester, Great Britain
The Shadow, Palazzo delle Papesse, Siena, Italy
The Shadow, Compton Verney, Warwickshire, Great Britain
Henry Art Museum, University of Washington, Seattle, WA
Her(His)tory, Museum of Cycladic Art, Athens, Greek
2006: Fuori Pista, Sauze D' Chalet Mollino, Oulz, Italy
Cosmic Wonder, Yerba Buena Center for the Arts, San Fransisco, CA
Beyon Cinema, Hamburger Bahnhof. Museum für Gegenwart, Berlin, Germany
Broad Art Foundation, Santa Monica, CA
Touch My Shadows: New Media from the Goetz Collection in Munich, Center for Contemporary ArtUjazdowski Castle, Warsaw, Poland
Aspen Art Museum, A Photographic Survey, Aspen, CO (solo)
Essex Street Market, Broken Screen Happening, New York, NY (solo)
Red Eye. L. A. Artists from the Rubell Family Collection, Rubell Family Collection, Miami, FL
all hawaii eNtrées / luNar reggae, Irish Museum of Modern Art, Dublin, Ireland
Surprise, Surprise, ICA Institute of Contemporary Arts, London, Grear Britain
Hamburger Bahnhof. Museum für Gegenwart, Beyon Cinema, Berlin, Germany
K-N-O-C-K-O-U-T, The Parrish Art Museum, Southampton, NY (Performance)
MAK Center, Schindler House, Los Angeles, CA (Happening)
2005: Regen Projects, Los Angeles, CA (solo)
Musée d’Art moderne de la Ville de Paris, Couvent des Cordeliers, ULTRAWORLD, Paris (solo)
Museum of Contemporary Art Chicago and Hayward Gallery London, Universal Experience: Art, Life and the Tourist's Eye, Chicago, IL and London, UK
Now’s the time, Kunsthaus Graz, Graz, Austria
Galerie Eva Presenhuber, Sell yourself for nothing, Zurich, Switzerland (solo)
Sammlung Goetz, Doug Aitken – Richard Prince, Munich, Germany
Jump-Cut Nights – Choreographic Structures in Moving images. Part 3: Time images, SK Stiftung Kultur,Cologne, Germany
Glasgow International Festival of Contemporary Visual Art, Glasgow, Great Britain
Skyliner , Art 36. Art Unlimited, Basel, Switzerland
Disorientation – New Ways of Storytelling, Rialto, Amsterdam, The Netherlands
REALIT;-)T, Kulturzentrum Seedamm, , Pfäffikon, Switzerland
2004: Uses of the Image, Malba Coleccion Constantini, , Buenos Aires, Argentina
21st Century Museum of Contemporary Art, Kanazawa, Japan
The Moment is the Moment, Taka Ishi Gallery, Tokyo, Japan
Saudades, Museum Het Domein, Sittard, The Netherlands
Memory and Landscape, La Casa Encendida, Madrid/Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, Spain
Aldrich Museum, Conneticut (solo)
La Caixa Forum, We’re Safe As Long As Everything Is Moving, Barcelona (solo)
Uses of the Image, SchirnKunsthalle, Frankfurt, Germany
Past, Present, Future, Contemporary Art 1950–Present’Art Institute of Chicago, Chicago, IL
Hard Light, PS1, New York, NY
Sala Rekalde, Bilbao, Spain (solo)
2003: I am in you, Henry Art Gallery, Seattle, WA (solo)
Kunsthalle Zürich, Zurich, Switzerland (solo)
Victoria Miro Gallery, London, Great Britain (solo)
World Rush, National Gallery of Victoria, Melbourne, Australia
Defying Gravity: Contemporary Art and Flight, North Carolina Museum of Art, Raleigh, NC
The New Yorkers, Brooklyn Academy of Music, collaboration with Bang on a Can, New York, NY
fast forward, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
Then all the world would be upside down, Tina Kim Fine Art, New York, NY
Site Specific, Museum of Contemporary Art, Chicago, IL
Audiolab 2, Centre Pompidou, collaboration with Steven Roden, Paris, France
Liquid Sea, Museum of Contemporary Art, Sydney, Australia
Eden, La Coleccion Jumex, Mexico
Painting Pictures: Painting and Media in the Digital Age, Kunstmuseum Wolfsberg, Wolfsberg, Austria
Breathing The Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland
Imperfect Innocence, Contemporary Museum, Baltimore, MD
Spiritus Magasin 3, Stockholm, Sweden
Fondazione Sandretto ReRebaudengo, new ocean, Torino (solo)
2002: Sonic Process, Centre Georges Pompidou, Musée national d'art moderne, Paris, France
Sonic Process, MACBA, Museu d'Art Contemporani de Barcelona, Barcelona, Spain
Museum of Modern Art, New York, NY
Thaw, Art '33, Art Unlimited, Basel, Switzerland
Remix, Tate Liverpool, Liverpool, Great Britain
Hautnah, Die Sammlung Goetz, Villa Stuck, Munich, Germany
Screen Memories, Art Tower Mito, Mito, Sweden
Art Institute of Chicago, Chicago, IL
Doug Aitken, Sharon Lockhart, Galerie Jan Mot, Brussels, Belgium
French Collection, Musée d’art moderne et contemporain, Geneva, Switzerland
New ocean, Kunsthaus Bregenz, Bregenz, Austria (solo)
303 Gallery, New York, NY (solo)
Interiors, The Fabric Workshop and Museum, Philadelphia, PA (solo)
New ocean, Tokyo Opera City Gallery, Tokyo, Japan (solo)
Doug Aitken. Rise, Louisiana Museum of Modern Art, Humlebaek, Denmark (solo)
Doug Aitken. Rise, Magasin-Centre National D’Art Contemporain de Grenoble, Grenoble, France (solo)
2001: New ocean, Serpentine Gallery, London, Great Britain (solo)
Metallic sleep, Kunstmuseum Wolfsburg, Wolfsburg, Germany (solo)
I AM IN YOU, KW Institute for Contemporary Art, Berlin, Germany (solo)
Urban Pornography, Artist’s Space, New York, NY
Media Connection, Palazzo delle Esposizioni, cur. by Gianni Romano, Rome, Italy
Form Follows Fiction, Castello di Rivoli, Museo dArte Contemporanea, Rivoli/Turin, Italy
ARS 01. Unfolding perspectives, The Museum of Contemporary Art Kiasma, Helsinki, Finland
Media Connection, Palazzo delle Esposizioni, cur. by Gianni Romano, Rome, Italy
Collaborations With Parkett: 1984 to NOW, Museum of Modern Art, New York, NY
The Dark, Kunstmuseum Wolfsburg, Wolfsburg, Germany
Let's Entertain. Life's Guilty Pleasures, Miami Art Museum, cur. Philippe Vergne, Miami, FL
Moving Pictures, Fotografie und Film in der zeitgenössischen Kunst. 5. Internationale Foto -Triennale,Esslingen 2001'Villa Merkel, Esslingen, Germany
Juni 2001. Fotografie. Video. Mixed Media, DaimlerChrysler Contemporary, Haus Huth, Berlin, Germany
Ohne Zögern – Without Hesitation. Die Sammlung Olbricht Teil 2. The Olbricht Collection Part 2, Neues Museum Weserburg Bremen & Gesellschaft für Aktuelle Kunst, Bremen, Germany
Let's Entertain. Life's Guilty Pleasures, Kunstmuseum Wolfsburg, cur. Philippe Vergne, Wolfsburg, Germany
Jumex Collection, Mexico City
2000: Whitney Biennial, Whitney Museum of American Art, New York, NY
Hypermental. Wahnhafte Wirklichkeit 1950–2000. Von Salvador Dali bis Jeff Koons, Kunsthaus Zürich, cur. by Bice Curiger, Zurich, Switzerland
Au-delà du spectacle, Musée National d'Art Moderne, Centre Pompidou, Paris, France
Speed of Vision. On the Construction and Perception of Time in Video Art, Pittsburgh Center for the Arts, cur. Matthew Yokobosky, Pittsburgh, PA
Let's Entertain. Life's Guilty Pleasures, Walker Art Center, cur. Philippe Vergne, Minneapolis, MN
Let's Entertain. Life's Guilty Pleasures,Portland Art Museum, cur. Philippe Vergne, Portland, OR
Speed of Vision. On the Construction and Perception of Time in Video Art, Aldrich Museum of Contemporary Art, cur. Matthew Yokobosky, Ridgefield, CT
Biennale of Sydney, Museum of Contemporary Art, Sydney, Australia
Raw, Victoria Miro Gallery, London, Great Britain
Arco 2000, , cur. Francesco Bonami, Madrid
Future Identities: Reflections from a Collection, The Museum of Contemporary Art, Works from the Angel Collection: Doug Aitken/electric earth’, Nagoya, Japan
Flight Patterns, Museum of Contemporary Art, Los Angeles, CA
Glass Horizon, Wiener Secession, Vienna, Austria (solo)
Taka Ishii Gallery, Tokyo, Japan (solo)
Matrix 185/Into the Sun, University of California, Berkeley Art Museum, Berkeley, CA
Concentrations 33: Doug Aitken, Diamond Sea, Dallas Museum of Art, Dallas, TX
I AM IN YOU, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland
1999: I Love New York, Crossover of Contemporary Art’Museum Ludwig, Cologne, Germany
Victoria Miro Gallery, London, Great Britain (solo)
Doug Lawing Gallery, Houston, TX (solo)
Pitti Discovery series, Pitti Immagine, Florence, Italy (curated by Francesco Bonami) (solo)
Lannan Foundation, Santa Fe, NM (solo)
dAPERTutto , Venice Biennale, Venice, Italy
From Film, Victoria Miro Gallery, London, Great Britain
Two doors – True Value, Galerie Mai 36, Zurich, Switzerland
Video Cult/ures, Zentrum für Kunst und Medientechnoloige, Karlsruhe, Germany
EXTRAetORDINAIRE, Le Printemps de Cahors, cur. Christine Macel, Saint-Cloud, FL
Natural Order, Edmonton Art Gallery, cur. Catherine Crowston, Alberta, Canada
Clues. An open Scenario Exhibition, Monte Video, cur. Luca Cerizza, Marieke van Hal, Amsterdam, The Netherlands
I Love New York, Crossover of Contemporary Art’Museum Ludwig, Cologne, Germany
1998: 303 Gallery, New York, NY (solo)
Diamond Sea, Jiri Svestka Gallery, Prague, Czech Republic (solo)
Taka Ishii Gallery, Tokyo, Japan (solo)
Gallery Side Two, Tokyo, Japan (solo)
1997: 303 Gallery, New York, NY (solo)
1996: Taka Ishii Gallery, Tokyo, Japan (solo)
1994: Pasco Art Center, Holiday, FL (solo)
303 Gallery, New York, NY (solo)
1993: Dawin, AC Project Room, New York, NY
Breathing the Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland
Imperfect Innocence, Contemporary Museum, Baltimore, MD
Spiritus, Magasin 3, Stockholm, Sweden
AC Project Room, New York, NY (solo)
1992: Art Institute of Chicago, IL
Sonic Process, MACBA, Barcelona, Spain and Centre Pompidou, Paris, France
Screen Memories, Contemporary Art Center, Art Tower Mito, Japan
remix, Tate Gallery, Liverpool, UK

Public Collections

: FAIF Collection, Zurich, Switzerland

Literature

2008: Lund, Holger, Doug Aitken, in: Holzwarth, Hans Werner (ed.): Art Now, Vol.3, Köln, 2008, p. 24
: Aspen Art Museum (ed.), Doug Aitken. 99¢ Dreams, Aspen
: Ruf, Beatrix (ed.), Blasted Allegories. Works from the Ringier Collection, Zurich
: Völzke, Daniel, Knitter, Kniffe, Knicke in Krefelder Kunsthäusern, in: Monopol, no. 3, March 2008, p. 97
2007: Cash, Stephanie, A Night in the Life, in: Art in America, April 2007, p. 105/106
: Marin, Courtney J., Doug Aitken: Sleepwalkers, in: Flash Art, March/April
: Golden, Thelma, Doug Aitken, in: Interview, February 2007, p. 82
: The Museum of Modern Art (ed.): Doug Aitken, sleepwalkers, New York
: Vanderbilt, Tom, City of Glass, in: Artforum, New York, January 2007, pp. 45-46
: Myers,Terry R., Sharing City Secrets at MoMA, in: Art Review, January 2007, p. 69-73
: Zeitz, Lisa, Wo die Bilder fliegen lernen: Nach Einbruch der Dunkelheit lässt Doug Aitken an de Fassade des Museums of Modern Art in New York im Januar die „Sleepwalkers“ tanzen, in: Monopol, no. 1, January 2007, p. 106-109
: Sandback, Fred, Doug Aitken. Signs of Time, in: art press. La révue de l'art contemporaine, no. 319, Paris, January 2006
: Eichler, Dominic, Universal Experience, in : Frieze, London, January/February 2006, pp. 146-147
2006: Doug Aitken, in: frame – the state of art, no. 16/17, March/April 2006, p. 73
: Schwerfel, Heinz Peter, Ein Surfer durch Licht und Zeit, in: art. Das Kunstmagazin, Hamburg, January – March 2006
: Doug Aitken (portfolio), in: M mouvement l'indisciplinaire des arts vivants, no. 38, Paris, January – March 2006
2005: Schönwald, Cédric, Ultraworld, in: Art 21, December 2005 – January 2006
: Miles, Christopher, Doug Aitken. Regen Projects, in: Artforum, December 2005, p. 285
: Ramade, Bénédicte, L'ultramonde de Doug Aitken, in: L'Oeil, Paris, December 2005
: Baron, Marie-Guy, En symbiose avec Doug Aitken, in: Le Figaro, Paris, December 27, 2005
: Bellet, Harry, Pris au piège des vidéos de Doug Aitken, in: Le Monde, Paris, December 26, 2005
: “Landscape and Memory”, curated by Alicia Chillida, La Casa Encendida, Madrid, Spain, pp 248-251
: '' Broken Screen'', project for Artforum, Nov 2004 p. 194-201
: Bergstein, Yael, ''Bice Curiger on the Hypermental and Georgia O'Keefe'', studio: israeli art magazine, issue 151, march, p.32-39
: Cornell, Lauren, ''Hard Light'', Review, Time Out New York, August 5-12
2004: Smith, Roberta, ''Summertime at P.S. 1: Where Opposites Like Hands On/Hand Off Attract'', The New York Times, July 16
: Doug Aitken talks to Ed Ruscha, ''Earth is the Alien Planet'', frieze, issue 84, Jun Aug, pp100-105
: Sumpter, Helen, ''Doug Aitken'', Time Out London, November 19-26
: Tegeder, Dannielle, Bomb, Spring Issue Number 83, p.44-46
: Boncossa, Ilaria, ''A Shifting Breakfast'', label, #9, spring, p.092-097
: Smithson, Helen, ''Visual essay on our state of alienation'', Hampstead and Highgate Express, November 7
: Smee, Sebastian, ''Mesmerising Visions'', Daily Telegraph, October 29
: Eleey, Peter, frieze, January February, issue 72, p.93
: Newhall, Edith, Artnews, May, vol. 102, number 5, p.159
: Willis, Holly, ''I am always moving'', res, vol.6, no. 3, 36
: ''Focus Video and Film'', FlashArt, Jan-Feb, Vol.XXXVI, No.228, p.88
: “Imperfect Innocence: The Debra and Dennis Scholl Collection”, Contemporary Museum, Baltimore, Maryland and the Palm Beach Institute of Contemporary Art, Lake Worth, Florida
: “Spiritus”, Magasin 3 Stockholm Konsthall, Stockholm, Sweden
: “Kino und Kunst”, text by Heinz Peter Schwerfel, Germany
: “Defying Gravity”, text by Linda Johnson Dougherty, North Carolina Museum of Art, p.66-67
2003: “Installations II l’empire des sens”, Niicholas de Oliveira, Nicola Oxley, and Michael Petry, Thames & Hudson, Paris, France, p.68, 77
: Newhall, Edith, ''Too Much Information'', New York Magazine, Sept. 9. Vol. 35, No. 30, p.70
: Res, September/October, p.22
: Withers, Rachel, review, tema celeste, january/february, Issue 89, p.74
: Griffin, Tim, ''Doug Aitken'', Index Magazine, September/October, p.40
: Firstenberg, Lauri, ''Urban Pornographic'', make, London, special edition 92, p.9
: Morton, Tom, review, Modern Painters, Winter, Vol 14, No.4, p.102-3
: “Screen Memories”, Contemporary Art Center, Art Tower Mito, Japan, (exh. cat)
: Art Now, edited by Uta Grosenick & Byrhard Riemschneifer, Taschen,p. 16
: Photo, ''Goings On About Town'', The New Yorker, October 14-21 review, The New Yorker, October 7, p. 23
: Sculpture, October, Vol. 21 No.8, p. 16
: Kihm, Christophe, ''Gestures and Territies'', art press, September, No. 282, p. 46-50
: Kastner, Jeffrey, ''No Labels, No Boundaries: An Artist of the Moment'', Arts&Leisure, The New York Times, October 7p. 36-7
: Halle, Howard, review, Time Out NY, October 10-17, Is. 367
: Heartney, Eleanor, review, Art in America, November, p. 155-6
: Honigman, Ana Finel, review, contemporary, November, p.85
: Griffin, Tim, review, Artforum, December, p.137
2002: Renard, Emilie, ''Critics' Picks'', artforum.com, review
: Smith, Roberta, review, The New York Times, October 18
: Stoeber, Michael, ''Die Unsicherheit aller Verhältnisse'', Hannoversche Allgemeine Zeitung, March 5, 2001
: Walder, Gabriela, ''Der Großstadtnomade von Los Angeles'', Die Welt, March 8, Ebeling, Knut, £¾¡±Parabeln der Unbehaustbeit£¾¨, Berliner Zeitung, March 6, 2001
: Wahjudi, Claudia, ''Frau ohne Eigenschaften'', Zitty, Nr. 6, March 21, 2001
: Busing, Nicole & Klaas, Heiko, ''Zuckungen in der Endlossschleife'', Saarbrucker Zeitung, March 9, 2001
: ''Doug Aitken'', Die Tageszeitung/ Sonderbeilage Kunstmuseum Wolfsburg, March 2001
: Franke, Anselm, ''Doug Aitken. Variiert in seinen Installationen. Ensembles von film, Video, Foto, Architektur, und sound'', KW Magazine, Berlin, no.01/01, p. 86-7 (english translation p. 78)
: ''Diamond Sea'', Mined Field, p. 408-415
: Firstenberg, Lauri, ''Visualizing the Contemporary Vernacular: The Photograph of Doug Aitken'', Camera Austria, 74, pp. 6, 17, cover
: ''Highlights der Woche'', Stern, March 1, 2001
: book review, ''Diamond Sea'',tema celeste, May/June,Vol. XVIII, No.85, p. 20
: Reust, Hans-Rudolf, ''Hypermental; Kunsthaus Zürich'', (review), Artforum International, Summer, Vol. 34, No. 10, p. 193-4
: Guzik, Jon Alain, ''Video Art: A Primer'', SOM, October, Vol. 15.8, P. 43-46
: Hemming, Sarah, preview, The Daily Express, London, October 5
: Spiegl, Andreas, ''Doug Aitken: Wiener Secession, Wien'', Camera Austria International, Graz/A, no. 73, p. 78-9, ill.
: ''Berlin'', Frankfurter Allgemeine Zeitung, February 28, 2001
: Kent, Sarah, ''Living in Oblivion'', Time Out London, October 24-31, p.60
: Wulffen, Thomas, ''Amor vacui'', Frankfurter Allgemeine Zeitung, February 26, Netzwerk, Zitty, February 22, 2001
: mos, ''Medium als Message'', Der Tagesspiegel, February 22, 2001
: Ratnam, Niru, ''The Man Who Fell to Earth'', The Face, London, November
: Guzik, Jon Alain, ''A Twilight of Perfection'', Dazed & Confused, London, Winter, Narcism Issue, p. 130-9
: Buck, Louise, ''Quick Flicks'', Vogue, October, Vol. 167, No. 2439, p. 91-2
: Cork, Richard, ''Flood Warnings'', review, The Times, London, October 17, London, UK
: Lack, Jessica, review, The Guardian, London, October 13
: Lubbock, Tom, ''Best Shows in London'', The Independent, London, October 13th.
: ''Richard Cork's choice: Doug Aitken'', The Times, London, October 1
: Sumpter, Helen, Hot Tickets, London, October 12
: Bishop, Claire, (review), The Evening Standard, London, October 11
: Mitchell, Stephen, ''Going out'', The Evening Standard, London, October 11
: Chapman, Peter, The Independent, London, October 6
: Glueck, Grace, ''Connecticut Covers 3 Centuries Lightly: Aldrich Museum'', The New York Times, Friday, July 21
: Hilgenstock, Andrea, ''Der Poet unter den Videokunstlern'', Die Rheinpfalz Ludwigschafen Rundschau, February 26, 2001
: ''Berlin's Best'', Der Tagesspiegel, March 9, 2001
: review, Flyer, Nr. 137, March 18, 2001
: ''Berlin's Best'', Der Tagesspiegel, March 16, 2001
2001: “Hypermental Rampant Reality 1950-2000 from Salvador Dali to Jeff Koons”, curated by Brice Curiger, Kunsthaus Zurich, Zurich, Switzerland, pp. 124, 141
: “Fresh Cream, Contemporary Art in Culture”, Phaidon Press, pp. 58-63
: “Flight Patterns”, Museum of Contemporary Art, Los Angeles, CA, (exh. cat)
: “The 2000 Biennial Exhibition”. Whitney Museum of American Art, New York
: Let’s Entertain: Life’s Guilty Pleasures”, curated by Philippe Vergne, Walker Art Center, Minneapolis, MN, pp. 210-11
: “Speed of Vision: On the Construction and Perception of Time in Video Art, curated by Matthew Yokobosky, The Aldrich Museum of Contemporary Art, p. 26
: “Crossing Boundaries 2000”, The Danish Film Institute, Denmark, p. 54
: “Video Vibe: Arte, Musica e Video in Giran Bretagna”, Cristiana Perrella e Daniela Cascella, The British School at Rome, Italy, p. 64
: “Biennale of Sydney 2000”, pp. 32-33
: Poschardt, Ulf, “Surfen statt Zappen”, Welt Am Sonntag, February 11
: Pardo, Patrick, “The Politics of Landscape”, NYArts, Vol. 6, No. 2, February 2001, p.75
: Jothady, Manish, “Reisen in den Inner Space”, Frame, vol. 5, Jan-Feb, pp. 67-73
: Romano, Gianni, “Secession”, review, Flash Art, January - February, Vol. XXXIV, No. 216, pp. 121-122
: Surborg, Jorn, ''Überraschende Ansichten urbaner Landschaften'', Wolfsburger Kurier, February 18
: Franke, Anselm, ''Doug Aitken: Videos als raumfullendes Gebilde'', Wolfsburger Allgemeine Zeitung, February 16
: “Form Follows Fiction”, curated by Jeffrey Deitch, Castello di Rivoli,, (exh. cat)
: Nehring, Lydia, ''Elektrische Liebeserklarung?!'', Berliner Morgenpost, February 15
: ''Berlin's Best'', Der Tagesspiegel, March 23, 2001
: Ramonet, Ignacio, ''Heller Wahn'', Le Monde diplomatique, April, p.1, Germany
: Spinelli, Claudia, ''Mediale Entgrenzung: Der Videokunstler Doug Aitken in Wolfsburg'', Neue Zurcher Zeitung, Zurich, no. 96, April 26, 2001, p.65
: Vogel, Sabine V. ''Die Welt im Zwichenraum, Zu Doug Aitken's Videoinstallationen'', Kunst-Bulletin, April. p. 12-17
: ''Los Angeles leuchtet ¡V Wolfsburg zeigt Werke von Doug Aitken'', Neue Presse, Hannover, February 16
: Guzik, Jon Alain, ''Calm, Cool, and Collected'', Soma, Vol. 15.4, May/June, pp. 43-45
: Fuchs, Christian and Petra Erdmann, ''Crossing All Over'', Ahead, 1. pp. 64-65
: Kuhn, Nicola, ''Der Rap der Grossstadt'', Potsdamer Neueste Nachrichten, February 19, 2001
: Fricke, Harald, ''Leben unter dem Stroboskop'', Die Tageszeitung, February 20,
: Kuhn, Nicola, ''Wusten der Grossstadt'', Der Tagesspiegel, February 20, 2001
: Hilgenstock, Andrea, ''Gigi in der Geisterstadt'', Berliner Morgenpost, February 20
: Buhr, Elke, ''Der perfekte Moment'', Frankfurter Rundschau, February 21, 2001
: review, Zitty, February 22, 2001
: Glueck, Grace, ''Connecticut Covers 3 Centuries Lightly: Aldrich Museum'', The New York Times, Friday, July 21
: Halle, Howard, “2000 and None: The Whitney Blows the Franchise”, Time Out New York, no 237, April 6-13, p. 72
: Birnbaum, Daniel, “i am in you”, review, Artforum, December, pp. 126
: Ruhm, Constanze, “Planet of the Scapes”, Style and the Family Tunes, Germany, April/May, Issue 30 pp. 34-39
: McKenna, Kristine, “ Biennial Man”, LA Weekly, March 17-23
: Calendar/Critics Choice, San Francisco Bay Guardian, July 15
: Kalmar, Stefan, Access/Excess, The Face, p. 190
: Talkington, Amy, “Ausstellungsempfehlung, Doug Aitken”, Seccession, Wien, Portfolio, Newsletter, Vienna, no. 2, p. 14
: Auritipp, “Die tollen Lockvogel”, Zurich: TA Media AG, June 16-22, p. 64
: Mittringer, Marku, “Hyperaktive Stagnation, Doug Aitken hat in der Secession”, Der Standard, Vienna, October 21
: Steininger, Florain, “Wuste gegen Urbanitat, Die Presse, Doug Aitken, Glass Horizon”, Vienna, October 25
: “Very New Art”, Bijutsu Techo, Japan, No. 782, January
: Golonu, Berin, “Previews”, Artweek, July/August
: Artbyte, cover photo, Vol. 3, No. 2, July-August
: “Super-flat landscape”, Bijutsu Techo, Japan, September, cover, pp. 18-29
: Paini, Dominique, “Le Retour du Flâneur”, Artpress, Paris, no. 255, March, p. 33
: Rush, Michael, “New Media Rampant, Art in America, July, p. 41
: “Doug Aitken”, Brutus, Japan
: “Gallery Side 2”, review, Bijutsu Techo, Japan, Vol. 51, No. 774, August, p. 21
: “Very New Art 2000”, Bijutsu Techo, Japan, pp. 9-12
: Adams, Mark, “Accelerating Art: Aitken, ‘I am a Bullet’ ”, Rolling Stone, September 14, p. 105
: Grabner, Michelle, Let’s Entertain, Walker Arts Center, review, frieze, Issue 54, Sept-Oct, pp. 125-26.
: Green, Charles, “The Biennale of Sydney 2000”, review, Artforum, September, p.186-87
: Withers, Rachel, “Fall Preview: Guy Wired”, Artforum, September, p. 78
: “No-one needs to say sorry”, The Sydney Morning Herald, Fri., May 26, p. 19
: Smee, Sebastian, “Video Drills the Rodeo Star”, The Sydney Morning Herald, July 8
: Genocchio, Benjamin, The Australian, May 26
: Grzonka, Patricia Von, “Clever & Smart, Kunst, p. 182
: Wei, Lily, “2000 Biennial Exhibition”, review, Artnews, Vol. 99, No. 5, May, p. 225
: Mittwoch, “Kunst-Szenen, Audiovisuelle Poesis - Doug Aitken”,Neue Zurcher Zeitung, Zurich, no. 166, July 19
: Aitken, Doug, “Horse’s Mouth -- reader’s tips complied by Laura Mauk”, Bookforum, Vol. 7, Issue 4, Winter, p.44
: Bronson, AA, “Doug Aitken, Glass Horizon, These Restless Minds, Wiener Secession'', Association of Visual Artists, Wednesday, January 3
2000: Bonetti, David, “Bay City Best”, San Francisco Examiner Magazine, July 9
: Guthmann, Edward, “India’s Bollywood’ Inspires Video Artist”, San Francisco Chronicle, July 18, pp. E1-E5
: Tsering, Lisa, “Into the Sun: Impressions of the Bollywood Dream Machine”, India West, July 21
: Helfand, Glen, “Access Bollywood”, The San Francisco Bay Guardian”, July 26 - August 1
: Bonnetti, David, “BAM installation examines film”, San Francisco Examiner, August 25
: Baker, Kenneth, “The Fantasy World of Bollywood: Video artist explores mystique of movies”, San Francisco Chronicle, July 12
: Bonami, Francesco, “Liquid Time”, Parkett, Issue 57, pp. 29-32
: Roberts, James, “Omega Man, Parkett, Issue 57, pp. 22-23
: vanAssche, Christina, “The “Stalker” of the Fin de Siécle”, Parkett, Issue 57, p.54-58
: Fuchs, Christian and Petra Erdamann, “How to Disappear Completely: Doug Aitken”, Ahead, January, page 64 -5
: Anton, Saul, “Dead Meat: From Aitken to Barney through Hitchcock”, Fiction: or Other Accounts of Photography, Dazibao, Montreal, Canada, November, p. 47-55
: Vogel, Sabine B., Frankurter Allgemeine, November 7, p. 23
: Secession, February, Cover + pp. 8-9
: “Visual Arts: A Fresh Perspective”, Sydney Scope Magazine, June 6
: “Turbulence; Blackout; movement; Breath In; Weak Link; Mirror”, Blind Spot, Issue 16
: Martin, Frank Edgerton, “That’s Entertainment, Let’s Entertain Life’s Guilty Pleasures, Portland Art Museum, Architecture, August, p. 63
: Feinstein, Roni, “Museum of Contemporary Art”, Art in America, p. 44
: Anton, Saul, “A Thousand Words: Doug Aitken Talks about Electric Earth”, Artforum, May, pp. 160-161
: Rubinstein, Raphael, “Regional Hopes & Recycled Tropes”, Art in America, July
: Anton, Saul, “Doug Aitken New York”, Res, October
: Gerstler, Amy, “Man in Motion: The Video Nomad Goes Home”, November, No. 186, Los Angeles Magazine, November, pp. 122-27
: Willis, Holly, “Signal To Noise, Doug Aitken’s Blow Debris”, LA Weekly, December pp. 8-14
: Myers, Holly, “Horizons, Art Photography (mostly) at MOCA and the Getty”, LA Weekly
: Pagel, David, “Flight Patterns Ventures Far”, Calendar Arts and Entertainment, Thursday, November 23, p. 63
: Muchnic, Suzanne, “She’s Trying to Reorient LA’s Compass'', Art and Architecture, December
: Bonetti, David, “dark views of battered landscape in LA show”, San Francisco Examiner, Thursday, November 16
: Verkoeper, Ute, “I Am In You”, Springerin, Ausstellungen
: Dusini, Mathias, “Netzhaut unter Strom”, Falter Vienna, no. 43, October 27
: “Art Showcase: Doug Aitken”, Zoo<, London, January, Is. 4, p. 158-9

Doug Aitken

(American, born 1968)

Doug Aitken

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