Fritz Scholder: On Paper

Fritz Scholder: On Paper

1613 Paseo de Peralta Santa Fe, NM 87501, USA Friday, January 12, 2024–Saturday, February 10, 2024


carnival #4 by fritz scholder

Fritz Scholder

Carnival #4, 1988

Price on Request

cowboy indian (second state), ed. 14/20 by fritz scholder

Fritz Scholder

Cowboy Indian (Second State), Ed. 14/20, 1974

Price on Request

british museum mummy #6 by fritz scholder

Fritz Scholder

British Museum Mummy #6, 1987

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conjuring shaman #1 by fritz scholder

Fritz Scholder

Conjuring Shaman #1, 1988

Price on Request

self-portrait with dark glasses (first state), ed. 17/100 by fritz scholder

Fritz Scholder

Self-portrait with Dark Glasses (First State), Ed. 17/100, 1975

Price on Request

matinee cowboy and horse, (ed. 111/150) by fritz scholder

Fritz Scholder

Matinee Cowboy and Horse, (Ed. 111/150), 1976

Price on Request

portrait of an american #2, (ed. 10/50) by fritz scholder

Fritz Scholder

Portrait of an American #2, (Ed. 10/50), 1973

Price on Request

anpao series - buffalo, ap, ed. of 100 by fritz scholder

Fritz Scholder

ANPAO Series - Buffalo, AP, Ed. of 100, 1976

Price on Request

self-portrait with dark glasses (second state), ed. 8 of 20 by fritz scholder

Fritz Scholder

Self-portrait with Dark Glasses (Second State), Ed. 8 of 20, 1975

Price on Request

possession with square #2 by fritz scholder

Fritz Scholder

Possession with Square #2

Price on Request

mystery woman and shower curtain no. 1 by fritz scholder

Fritz Scholder

Mystery Woman and Shower Curtain No. 1, 1987

Price on Request

possession, (ed. 12/20) by fritz scholder

Fritz Scholder

Possession, (Ed. 12/20), 1982

Price on Request

 "The lithographs have become an important part of the work. As a painter-printmaker and fetish maker, I revel at being able to produce statements in various forms. In today's world, love, art, and magic are greatly needed." -Fritz Scholder 


Fritz Scholder (1937–2005) created art that shattered conventional norms in redefining the representation of “The American Indian” in American art, radically departing from traditional, stereotypical depictions of the mythic Indian.  

One of the notable aspects of Scholder’s artistic legacy is the importance of his works on paper. While Scholder worked in various mediums, most notably in oil on canvas, acrylic on canvas, and in bronze sculpture, his works on paper showcase an especially unique facet of his creativity. His drawings and prints often feature bold, expressive lines, vibrant colors, and powerful imagery. The intimacy and immediacy of works on paper reflect his ability to explore his ideas more freely and experiment with different techniques. 

Known for his evocative distortions, robust brushwork, and vivid, dissonant color, Scholder’s works on paper allowed him to convey a sense of spontaneity and raw emotion, capturing the essence of his artistic exploration. These works on paper are significant not only for their artistic merit but also for the insight they provide into Scholder’s thought processes and the evolution of his artistic style. 

Although born one-quarter Luiseño, a California Mission tribe, Scholder said he grew up "non-Indian." Born in Breckenridge, Minnesota, Scholder spent his childhood across the Midwest, where he developed a passion for drawing and painting. When the family settled in Sacramento in the late 1950s, Scholder studied at Sacramento City College with the celebrated Bay Area artist Wayne Thiebaud, who exposed him to the Pop art movement and also arranged his first solo exhibition. At a time when Native American art was dominated by romantic portrayals of the stoic and invariably head-dressed Indian Brave and Chief, Scholder imagined the Native American subjects of his paintings more realistically for the contemporary times with cigarettes, beer cans, and dark glasses, in pickup trucks and blue jeans. In turns elegant and radical, Scholder explored Native American identity with poignancy and bravery. His palette of lime greens, blazing oranges, and moody blues masterfully evokes quintessentially American feelings of discovery and rebirth.  

Scholder’s career took flight in the mid-1960s while teaching at Santa Fe’s Institute of American Indian Arts. In 2008, the Smithsonian Institution’s National Museum of the American Indian mounted posthumously an unprecedented dual-city career retrospective in both New York City and Washington, DC. His work is the subject of numerous publications and is included in the collections of more than 120 museums in the United States, including the National Museum of American Art in Washington, the Museum of Modern Art in New York, and the Metropolitan Museum of Art in New York.