Henrietta Harris

(New Zealand)

two thousand by henrietta harris

Henrietta Harris

Two Thousand, 2022

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sky eyes by henrietta harris

Henrietta Harris

Sky Eyes, 2021

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flit, dart by henrietta harris

Henrietta Harris

Flit, Dart, 2021

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the hunt  by henrietta harris

Henrietta Harris

The Hunt , 2023

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beep beep  by henrietta harris

Henrietta Harris

Beep Beep , 2023

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firefly by henrietta harris

Henrietta Harris

Firefly, 2023

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comet  by henrietta harris

Henrietta Harris

Comet , 2023

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the pipeline  by henrietta harris

Henrietta Harris

The Pipeline , 2023

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details details  by henrietta harris

Henrietta Harris

Details Details , 2023

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scare by henrietta harris

Henrietta Harris

Scare, 2023

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fixed it xiii by henrietta harris

Henrietta Harris

Fixed It XIII, 2017

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Biography

Timeline

Henrietta Harris (b. 1984) is an artist from Aotearoa New Zealand based in Tāmaki Makaurau Auckland. She has exhibited widely—particularly in Australasia and the United States—and has produced artwork for diverse publications and commercial clients. Throughout her career, her practice has been characterised by precise technique and psychological intensity. She often depicts individuals at the crossroads of early adulthood, in states of uncertainty or isolation—self-scrutinising and scrutinised by others.

Harris’s earliest works were executed on paper and tended to disrupt the usual access point to emotion, the face. She made pen drawings of people with visages barren of features but surrounded by lyrical waves of hair. Using watercolour, she played with faces in other ways, multiplying them or stretching them like taffy, such that they were differently enigmatic, or differently expressive. Moving into oils, Harris began to experiment with more traditional modes of portraiture, creating immaculately rendered paintings in which brush-marks were all but eliminated.

A 2018 residency in Iceland encouraged Harris to explore the possibilities of landscape. The surreal beauty of the environment—with its intense effects of sunlight through cloud, across mountains, and on water—allowed her to produce works largely free of artistic deformation and with a distinctly photographic quality. A similar impulse has found its way into her latest portrait-based works, which play enthusiastically with effects of light, focus, and visual stuttering, while retaining a deep interest in the interior worlds of individuals, real and imagined.