"From a Passing Shape": Modernist Works on Paper

"From a Passing Shape": Modernist Works on Paper

19 E. 66th Street New York, NY 10065, USA Monday, January 11, 2021–Saturday, March 6, 2021


nature morte by otto gutfreund

Otto Gutfreund

Nature Morte, 1920–1924

Price on Request

still life with compote by henri hayden

Henri Hayden

Still Life with Compote, 1920

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composition abstraite by jean hélion

Jean Hélion

Composition abstraite, 1936

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two figures by béla kádár

Béla Kádár

Two figures, 1930

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creek road farewell by robert keyser

Robert Keyser

Creek Road Farewell, 1961

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construction (plates 1857,1858,1859) by oleg kudryashov

Oleg Kudryashov

Construction (Plates 1857,1858,1859), 1989

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construction (plate 552)  by oleg kudryashov

Oleg Kudryashov

Construction (Plate 552) , 1983

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zeus et hermés by henri laurens

Henri Laurens

Zeus et Hermés, 1950

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composition d’éléments mécaniques by fernand léger

Fernand Léger

Composition d’éléments mécaniques, ca. 1930

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"fourmilier des capucines," original drawing for the book "géographie animale," andré gonin, lausanne, 1948 by jean lurçat

Jean Lurçat

"Fourmilier des Capucines," Original drawing for the book "Géographie animale," André Gonin, Lausanne, 1948, 1948

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feuille et mante religieuse by jean lurçat

Jean Lurçat

Feuille et mante religieuse, ca. 1950

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feuilles et papillon by jean lurçat

Jean Lurçat

Feuilles et papillon, ca. 1950

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Rosenberg & Co. is pleased to present “From a Passing Shape”: Modernist Works on Paper, an exhibition surveying the diverse ways in which paper has been used by Modern and contemporary artists. The exhibition is held in conjunction with Master Drawings New York (January 22 – 30) and BRAFA Online (January 27 – 31).


Artists have long relied on paper as a fundamental support material. Paper is easily accessible and arguably the most familiar and humble medium. These qualities have led artists to use paper in a variety of ways, from the rough translation of ideas to the exploration of nontraditional processes. Artists have continued, and will continue, to reinvestigate and redeploy this everyday medium.  


The exhibition takes its title from the words of Pablo Picasso. He wrote, “The artist is a receptacle for emotions that come from all over the place: from the sky, from the earth, from a scrap of paper, from a passing shape, from a spider's web.” The artists presented in this exhibition find inspiration in an equally vast array of subject matters and materials and are brought together, in the galleries, by their use of paper. From sketch to still-life, from collage to construction, paper is used as both a receptacle of the artists’ chosen media—graphite, ink, pastel, acrylic, oil, tempera, watercolor—and as itself a medium, as seen in the collages of Henri Laurens and Morris Barazani and the constructions of Oleg Kudryashov.