"From a Passing Shape": Modernist Works on Paper

"From a Passing Shape": Modernist Works on Paper

19 E. 66th Street New York, NY 10065, USA Monday, January 11, 2021–Saturday, March 6, 2021


nature morte au coquillage by jean lurçat

Jean Lurçat

Nature morte au coquillage, 1923

Price on Request

cubist composition by robert marc

Robert Marc

Cubist Composition, ca. 1970

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natura morta by renato paresce

Renato Paresce

Natura morta, 1926

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studio per natura morta con violino by gino severini

Gino Severini

Studio per natura morta con violino, 1946

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nature morte au compotier by léopold survage

Léopold Survage

Nature Morte au Compotier, ca. 1919

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project for coventry by graham sutherland

Graham Sutherland

Project for Coventry, 1950

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study for three forms by graham sutherland

Graham Sutherland

Study for Three Forms, 1979

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les casbahs du haut atlas (étude n°2) by henry valensi

Henry Valensi

Les Casbahs du Haut Atlas (étude n°2), 1931

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Rosenberg & Co. is pleased to present “From a Passing Shape”: Modernist Works on Paper, an exhibition surveying the diverse ways in which paper has been used by Modern and contemporary artists. The exhibition is held in conjunction with Master Drawings New York (January 22 – 30) and BRAFA Online (January 27 – 31).


Artists have long relied on paper as a fundamental support material. Paper is easily accessible and arguably the most familiar and humble medium. These qualities have led artists to use paper in a variety of ways, from the rough translation of ideas to the exploration of nontraditional processes. Artists have continued, and will continue, to reinvestigate and redeploy this everyday medium.  


The exhibition takes its title from the words of Pablo Picasso. He wrote, “The artist is a receptacle for emotions that come from all over the place: from the sky, from the earth, from a scrap of paper, from a passing shape, from a spider's web.” The artists presented in this exhibition find inspiration in an equally vast array of subject matters and materials and are brought together, in the galleries, by their use of paper. From sketch to still-life, from collage to construction, paper is used as both a receptacle of the artists’ chosen media—graphite, ink, pastel, acrylic, oil, tempera, watercolor—and as itself a medium, as seen in the collages of Henri Laurens and Morris Barazani and the constructions of Oleg Kudryashov.