A Perfect Echo

A Perfect Echo

281 Main Street Level 3 Great Barrington, MA 01230, USA Saturday, January 28, 2023–Saturday, March 25, 2023 Opening Reception: Saturday, January 28, 2023, 3 p.m.–5 p.m.


the stars that play by stephen niccolls

Stephen Niccolls

The stars that play, 2022

Price on Request

sneaker flux by stephen niccolls

Stephen Niccolls

Sneaker Flux, 2022

Price on Request

seer by stephen niccolls

Stephen Niccolls

Seer, 2022

Price on Request

scale by stephen niccolls

Stephen Niccolls

Scale, 2021

Price on Request

nereid by stephen niccolls

Stephen Niccolls

Nereid, 2019

Price on Request

naxos by stephen niccolls

Stephen Niccolls

Naxos, 2015

Price on Request

memento vivre by stephen niccolls

Stephen Niccolls

Memento Vivre, 2021

Price on Request

tuff short by stephen niccolls

Stephen Niccolls

Tuff Short, 2017

Price on Request

launcher by stephen niccolls

Stephen Niccolls

Launcher, 2016

Price on Request

herald by stephen niccolls

Stephen Niccolls

Herald, 2022

Price on Request

glimpser by stephen niccolls

Stephen Niccolls

Glimpser, 2021

Price on Request

furnace by stephen niccolls

Stephen Niccolls

Furnace, 2018

Price on Request

Carrie Chen Gallery Announces


A Perfect Echo: NANCY HAGIN & STEPHEN NICCOLLS


(Great Barrington, MA-- January 1, 2023) The Carrie Chen Gallery is pleased to present the exhibition A Perfect Echo:

NANCY HAGIN & STEPHEN NICCOLLS from January 28 to March 25, 2023. A Perfect Echo shows two long-established local artists who have exhibited throughout the country, while forming deep roots in the Hudson Valley and Berkshires communities. Hagin’s contemplative still lifes combine Niccolls’ kinetic oil paintings in a fascinating pairing. A private reception will be held on Saturday, January 28, from 3-5pm. Spaces are limited; email at [email protected] to RSVP.

Hagin works in one of the oldest visual genres, yet her paintings are far from the ostentatious pronkstilleven which are associated with still life painting in popular imagination. Her paintings feature delicate fabrics, lush flowers, and traditional domestic objects, beautifully rendered with painstaking detail. Unexpected inclusions, such as an abacus, a model airplane, a cacti, or the head of a child’s doll, adds subversive humor and modernity to time-honored subjects. The most important-- yet, by nature of its subtlety, perhaps the most overlooked-- aspect of Hagin’s work is her technical mastery of light, texture, and the realist style. Her paintings display care and adroitness rarely seen today.

Niccolls’ paintings, too, have a self-assured quality. He rejects the histrionics of some abstract work, instead prioritizing phenomenal luminosity and a color palette of blues, grays, greens, and ochres. Complex layering and scraping techniques allow for extraordinary texture and for Niccolls’ signature gentle glow. Conscientiously imperfect composition and balance of soft-cornered geometric shapes adds powerful energy to each piece.

Chief curator and gallery owner Carrie Chen comments: “The two artists clearly intend to show stillness in their paintings. Nancy is a master realist painter, but her paintings also have a mysterious atmosphere. The viewer is left with a puzzle which they are grateful to have the chance to solve. In contrast, Stephen uses a subtle color palette, layering techniques, and abstraction which challenges visual perception. Two distinct genres inspire similar feelings.” Though the pairing of two artists with such distinctive styles may seem an unconventional choice, viewing their works together leads to a richer experience. Hagin and Niccolls share a color palette, an emphasis on light, and a meticulous approach to craft. Niccolls views his work not as purely abstract, but as inspired by many sources-- landscape, portraits, collage, and still life. Similarly, Hagin considers the major challenge of her artistic process to be that of composition, describing each painting as “a puzzle to decipher certain visual situations.” With a ruminative style reminiscent of Cézanne or Morandi, Hagin and Niccolls’ paintings reward patient, careful viewing. 

Nancy Hagin was born in New Jersey, USA, in 1940. She received a BFA degree from Carnegie Mellon University in 1962 and an MFA from Yale University in 1964. She then went on to teach at the Maryland Institute of Art in Baltimore, the Pratt Institute, Fashion Institute of Technology, and the Cooper Union, retiring in 2006. Hagin participated in several group shows in the DC/ Baltimore Area before her first solo show in 1975 at the Terry Dintenfass Gallery in New York City. As well as exhibiting throughout the country, from 1980 to 2015, she had nineteen solo shows at the Fischbach Gallery in New York. Hagin has won a Fulbright grant, a New York State grant, and two National endowment grants. In 1992, she was elected to the National Academy of Design. She splits her time between New York City and Hudson.

Stephen Niccolls attended the School of the Museum of Fine Arts in Boston, and received both his BFA and MFA from the University of Massachusetts Amherst. Over the last decade, he has exhibited at museums and galleries throughout New York state, including recent solo shows at the Woodstock Artists Association, and Vassar College, and John Davis Gallery in Hudson. He has been awarded the Phelan Award, the Purchase Award from the Samuel Dorsky Museum of Art, and the Albany Mayor’s Prize.


Carrie Chen Gallery | 281 Main Street Level 3, Great Barrington, MA 01230 | carriechengallery.com