on the edge

on the edge

41 E. 57th Street Suite 801New York, NY 10022, USA Saturday, February 17, 2024–Saturday, April 13, 2024 Opening Reception: Saturday, February 17, 2024, 3 p.m.–5 p.m.

 Dreamy yet dazzling, mysterious and compelling, Moon’s work possesses a powerful signature style, depicting ethereal beauty and moments of magic in many forms. More than 30 photographs from the late 1980s to 2022 will be on view.

dior iii  by sarah moon

Sarah Moon

Dior III , 2017

Price on Request

coney island by sarah moon

Sarah Moon

Coney Island, 2016

Price on Request

en équilibre by sarah moon

Sarah Moon

En équilibre, 2004

Price on Request

en roue libre by sarah moon

Sarah Moon

En roue libre, 2001

Price on Request

sveta pour “hussein chalayan” by sarah moon

Sarah Moon

Sveta pour “Hussein Chalayan”, 2000

Price on Request

garden party by sarah moon

Sarah Moon

Garden Party, 1998

Price on Request

hommage ã  bonnard by sarah moon

Sarah Moon

Hommage à Bonnard, 1997

Sold

fashion 11, yohji yamamoto by sarah moon

Sarah Moon

Fashion 11, Yohji Yamamoto, 1996

Price on Request

amaryllis by sarah moon

Sarah Moon

Amaryllis, 2012

Price on Request

l'ombre  by sarah moon

Sarah Moon

L'ombre , 2022

Price on Request

l'échappée belle by sarah moon

Sarah Moon

L'échappée belle, 2021

Price on Request

on the edge by sarah moon

Sarah Moon

On the Edge, 2022

Price on Request

 New York—The photography of Sarah Moon, one of France’s most renowned contemporary artists and filmmakers, will be presented by Howard Greenberg Gallery from February 17 through April 13, 2024. Sarah Moon: On the Edge will survey over four decades of her work. 


Dreamy yet dazzling, mysterious and compelling, Moon’s work possesses a powerful signature style, depicting ethereal beauty, transportive places, and moments of magic in many forms. Curated by the artist, more than 30 photographs from the late 1980s to 2022 will be on view at Howard Greenberg Gallery, ranging from her legendary fashion images to landscapes from Coney Island and Tuscany.   


“All along, I tried to avoid the anecdote, looking for an echo between what I see and what I feel, trying to reach that visual point of no return, that second that cannot happen again,” Moon stated. “Today, I realize that minimalism means more and more to me whatever I photograph, trying to get to the essential of what I see, cropping the subject out of its context, reducing it to that second, to that limit of time, grasping light before it vanishes. The photos I am presenting here are on the edge of that attempt.”