Meret Oppenheim
(Swiss, 1913–1985)
Biography
Meret Oppenheim was a German-born Swiss artist and photographer. Considered a key figure in the Surrealist movement, her work focused on the marginalization of women, but also the subversion of art itself. In what is considered her most famous work Object (Le Déjeuner en Fourrure) (1936), the artist covered a teacup, saucer, and spoon in a layer of Chinese gazelle fur, creating a contrast of domestic objects with the expensive furs worn by refined women. “There is no difference between man and woman: there is only artist or poet. Sex plays no role whatsoever. That is why I refuse to participate in exhibitions of woman only,” she once declared. Born on October 6, 1913, in Berlin, Germany Oppenheim moved to Paris at the age of 18 where she attended the Académie de la Grande Chaumière and fell into the circles of the Surrealists. She famously posed for one of Man Ray’s most famous photographs Erotique Voilee (1933), in which Oppenheim posed nude covered in ink at a printing press. In 1936, she had her first solo exhibition in Basel, Switzerland and began her investigations into female exploitation. Oppenheim’s work set the tone for several later artists such as Louise Bourgeois, Eva Hesse, and Ana Mendieta. She died on November 15, 1985, in Basel, Switzerland. Today, much of her archive is held at the the Museum of Fine Arts in Bern, and is also held in the collections of The Museum of Modern Art in New York and the Victoria and Albert Museum in London, among others.
Meret Oppenheim Artworks
Meret Oppenheim
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