Artworks by Max Cole at Charlotte Jackson Fine Art on artnet

Max Cole

(American, born 1937)

Max Cole

Greek Cross XXXII, 2018

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Max Cole

Crucifixion, 1962

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Max Cole

Thebes, 1991

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Max Cole

Pale Horse II, 1995

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Max Cole

Aeolus, 1995

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Max Cole

Nightshade, 1995

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Max Cole

Embudo, 1994

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Max Cole

Datura II, 1995

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Max Cole

Wisp, 2002

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Max Cole

Monk, 2013

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Max Cole

Lao, 2001

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Max Cole

Sunshine, 2012

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Timeline

1937: Born in Hodgeman County, Kansas
1961: BA, Fort Hays State University, Fort Hays, Kansas
1964: MFA, University of Arizona, Arizona
: Lives and works in the Sierra Madre foothills region in Northern California

Exhibitions

2014: 'In Daylight' Small Paintings Including selected works by Eve Aschheim, Karen Baumeister, Anna Bogatin, Dove Bradshaw, Max Cole, Ruth Ann Fredenthal, Martha Groome, Kazimira Rachfal, and Merrill Wagner, Larry Becker Contemporary Art, Philadelphia, Pennsylvania
2013: Max Cole: Salt Marsh, Pampas, Dog Star and Fourteen New Drawings, Larry Becker Contemporary Art, Philadelphia, Pennsylvania (solo)
: Max Cole | Frank Badur, Gruppenausstellung »System und Sinnlichkeit«, Kupferstichkabinett, Staatliche Museen zu Berlin, Germany
2012: …to the line, Mies van der Rohe Haus, Berlin (cat.) (solo)
: Schraffuren des Ungreifbaren, Galerie Wenger (solo)
: horizontal, Gesellschaft für Kunst und Gestaltung e.V., Bonn
: Beyond, Charlotte Jackson Fine Art, Sante Fe, New Mexico (solo)
: American Art 1940 to the Present Day, Daimler Contemporary, Berlin
: Max Cole. Quintessence over Time, kunstgaleriebonn, Bonn (cat.) (solo)
: Terre Firma. Max Cole: New Paintings, Haines Gallery, San Francisco (solo)
: Zeichnung Wien, Galerie Lindner, Wien
: The Splendor of Truth, the Beauty of Charity, Vatikanisches Museum für die Kunst der Moderne und der Gegenwart, Rom
: First Drawings from Somerset, Galerie Lindner, Wien (solo)
2011: That’s What Friends are For, Neuer Kunstverein, Aschaffenburg
: Papier / paper, kunstgaleriebonn, Bonn
2010: Light and Line, New Paintings, Larry Becker Contemporary Art, Philadelphia (solo)
: Paintings, Galerie Schlegl, Zürich (mit Jens Trimpin) (solo)
: Array [+] Prints, Larry Becker Contemporary Art, Philadelphia, Pennsylvania
: A bit of America, Galerie Lindner, Vienna
: Other Voices, Other Rooms, a cura di/curated by Steven Evans, Dorsky Gallery curatorial programs, Long Isld City, New York
: Une Collection d’art Contemporain, Jeunet, Musée d’art et d’histoire, Ville de Neuchatel, Neuchatel
: Konkrete Idol, Museum Liner, Appellzell
2009: To…A Changing Exhibition of Work by Gallery Artists, Larry Becker Contemporary Art, Philadelphia, Pennsylvania
: A Bit of America, Robert Barry, Max Cole, Sol Lewitt, Robert Mangold, David Rabinowitch, James Reineking, Ed Ruscha, Richard Serra, Phil Sims, Roy Thurston, Shawn Wallis, Jerry Zeniuk. Vaserely Museum, Budapest, Hungary (cat.)
: Gestern War/Heute ist, Museum Gegenstandsfreier Kunst, Otterndorf, Germany (cat.)
2008: Zur Kontingenz der Linie, Kunstraum Alexander Burkle, Freiburg
: Call it What you like, Art Center Silkeborg Bad, Silkeborg Bad
: Schmidt Contemporary Art, St. Louis, Missouri (solo)
: There is Desire Left…. Knock Knock: 40 Years of Fine Arts from the Mondstudi Collection,n Kunstmuseum Bern, Switzerland. Traveled to Wiesbaden Museum, Wiesbaden, Germany (cat.)
: Maestri del ‘900: da Boccioni a Fontana. La collezione di un raffinato cultore dell’arte moderna, Mart, Rovereto, Italy
: On redtail pond: paintings from the summer, Galerie Lindner, Vienna, Austria (solo)
: The Panza Collection: An Experience of Light and Color, Albright-Knox Museum, Buffalo, New York, (cat.)
2007: Paintings from the Autumn . . . Haines Gallery, San Francisco, California (cat.) (solo)
2006: Thirty-fifth Anniversary Exhibition, Galerie Schlégl, Zürich, Switzerland
: Touche, Galerie Michael Sturm, Stuttgart, Germany
: Studio la Città, Verona, Italy (cat.) (solo)
: La dolce Crisi – Fotografia Italiana Contemporanea, curated by Francesco Bonami, Villa Manin centro d’Arte Contemporanea, Udine, Italy
: Edizione straordinaria, Le case d’Arte 1985/2005, Assab One, Milan, Italy
: Museum Chasa Jaura, Val Chava, Switzerland (solo)
: Minimalism and After IV, Daimler Chrysler Contemporary, Berlin, Germany
2005: Nero Avorio, arte antica e contemporanea a confronto, Museum Casa Juara, Val Chava, Switzerland
: Je ne regrette rien, Studio la Città, Verona, Italy
: Toward Infinity, Galerie Schlegl, Zurich, Swiitzerland (solo)
2004: Inaugural Exibition, Kunstraum AlexMuseum Chasa Jaura, Val Chava, Switzerland (solo)ander Burkle, Freiburg, Germany
: Paintings and Drawings, Haines Gallery, San Francisco, CA (solo)
: Kolumba, Diozesanmuseum, Cologne, Germany (solo)
: Galerie Lindner, Vienna, Austria (solo)
: 'Line', Hunsaker – Shlesinger, Los Angeles, CA
2003: Galerie Michael Sturms, Stuttgart, Germany (solo)
: Inaugural Exhibition, Museum of Modern Art, Rovereto, Italy
2002: Le stanze dell’arte, MART, Rovereto, Italy
: Walter Storms Galerie, München Neuer Kunstverein, Aschaffenburg, Germany (solo)
: Galerie Walter Storms, Munich, Germany (solo)
: Neuer Kunstverein Aschaffenburg (with Jean Maboules) Aschaffenburg, Germany (cat.) (solo)
2001: Galerie Markus Richter, Berlin, Germany (solo)
: I-8 Gallery, Reykjavik, Island (solo)
: Haines Gallery, San Francisco, CA (solo)
: Figure Astratte, Palazzo Pallavicini Rospigliosi, Rome, Italy (cat.)
: Studio la Città, Verona, Italy (solo)
: Galerie Michael Sturm, Stuttgart / Studio la Città, Verona (with Julia Mangold) (solo)
: Art of the 80's and 90's, from Panza di Biumo Collection, American Academy in Rome, Rome, Italy (cat.)
2000: Galleria Belvedere, Milan, Italy (solo)
: Haus für Konstruktive und Konkrete Kunst, Zurich, Switzerland (solo)
: Galerie Schlegl, Zurich, Switzerland (solo)
: Gudren Spielvogel Gallery and Edition, Munich, Germany (solo)
1999: Morbida Quiete e la Notte, Studio La Citta, Verona (cat.)
: Galerie Lüdke, Cologne, Germany (solo)
1998: Ad Infinitum, Haines Gallery, San Francisco, CA
: Visions of Inner Space: The Action Mark in Contemporary American Painting, Wight Art Gallery, U.C.L.A.; National Gallery of Modern Art, New Delhi, India
: Museum of Modern Art, Otterndorf, Germany (cat.) (solo)
: Intimate Abstractions, Haines Gallery, San Francisco, CA (solo)
: Reflections, Galerie Schlégl, Zürich, Switzerland
: Drawing Exhibition, Galerie Michael Sturm, Stuttgart, Germany
1997: Galerie Michael Sturm, Stuttgart, Germany (solo)
: Obsession/Devotion, Haines Gallery, San Francisco
: MANIF 97, Manifestation d’Arte Nouveau International et Forum, Seoul Art Center, Seoul, catalogo/catalogue Forum, Santa Barbara
: Acquiring Minds: Contemporary Art in Santa Barbara Collections, Contemporary Arts Forum, Santa Barbara, CA Karo Dame, Aargauer Kunsthaus, Aarau
: Einblick, Galerie Michael Sturm, Stuttgart
: Galerie Conrads, Dusseldorf, Germany (solo)
: La collezione Panza di Biumo: artisti degli anni ’80 e ’90, Palazzo delle Albere, Trento, catalogo con testi di/catalogue with essays by G. Belli, G. Panza di Biumo
: Galerie Schlégl, Zürich, Switzerland (solo)
: Stark Gallery, New York, New York (solo)
1996: “Painting,” Haines Gallery, San Francisco, California (solo)
: Concrete Reality and Reflection, Part II, Galerie Schlegl, Zürich
1994: Pen and Ink, Contemporary Arts Forum, Santa Barbara, CA
: Kiyo Higashi Gallery, Los Angeles, California (solo)
: Drawing Exhibition, Kiyo Higashi Gallery, Los Angeles, CA
1993: Recent Drawings, Haines Gallery, San Francisco, California (solo)
1992: Kunstraum Kassel, Kassel, Germany (solo)
: Artists for Amnesty, Fondation Nationale des Arts, Psria, catalogo/catalogue
: Galerie Schoppmann, Dusseldorf, Germany (solo)
1991: Drawings, Proctor Art Center and the New York Studio School, New York, NY
: Paradox: the Artist’s Mind Through Time, Museum of Art, Museum of New Mexico, NM
: Kiyo Higashi Gallery, Los Angeles, California (solo)
: Galerie Schlégl, Zürich, Switzerland (solo)
1990: Recent Paintings, Haines Gallery, San Francisco, California (solo)
: Abstract Painting, Haines Gallery, San Francisco, CA
1989: Mind and Matter: New American Abstraction, Chosum IIibo Gallery, Seoul; Dowse Art Musem, Wellington; Manawatu Art Gallery, Palmerston North Bishop Sutter Gallery; Manila Art Gallery, Manila; National Art Gallery, Kuala Lumpur; National Museum Gallery, Singapore
: Visions of Inner Space: The Action Mark in Contemporary American Painting, Wight Art Gallery, U.C.L.A.; National Gallery of Modern Art, New Delhi, India (cat.)
1988: Visions of Inner Space: The Action Mark in Contemporary American Painting, Wight Art Gallery, U.C.L.A.; National Gallery of Modern Art, New Delhi Ad Infinitum, Haines Gallery, San Francisco, CA
: Galerie Helene Grubair, Miami, Florida (solo)
1987: Zabriskie Gallery, New York, New York (solo)
: Trends in Geometric Abstract Art, Tel Aviv Museum, Tel Aviv, catalogo/catalogue
: Years of Passage, Fresno Art Center
1986: Oscarsson-Siegeltuch Gallery, New York, New York (solo)
: The Severe and the Romantic: Geometric Humanism in American Painting 1950-1980, Marilyn Pearl Gallery, New York, NY
: Marilyn Pearl Gallery, New York, NY Spirit Tracks, Pratt Manhattan Center Gallery, New York, NY, catalogo/catalogue
: Absolutes Defined: Line, Light and Surface, Max Cole, Milton Resnick, Frederick Matys Thursz, Oscarsson-Siegeltuch Gallery, New York, NY
1985: Abstract Painting Redefined, Meisel Gallery, New York, NY
: Munsun-Williams-Proctor Museum, Utica, New York, NY
: Danforth Museum, Framington; Bucknell University, Lewiston; Stonybrook Fine Arts Gallery, New York, catalogo/catalogue
: Exceptions 3 – Paperworks, Pratt Manhattan Center Gallery, New York, NY
: Santa Barbara Collects, Santa Barbara Museum of Art
: In Celebration of Women, Part II, Sidney Janis Gallery, New York
1984: Drawing, Painting and Sculpture, American and European, L.A. Louver Gallery, Los Angeles
: Post-War American Purism, Marilyn Pearl Gallery, New York
1983: L. A. Louver, Los Angeles, California (solo)
1980: Seven Decades of Modern Art: Sidney Janis Collection, La Jolla Museum and Santa Barbara Museum of Art
: Constructivism and the Geometric Tradition, McCrory Collection, Albright-Knox Museum, Dallas Museum, La Jolla Museum, San Francisco Museum, Seattle Museum
1979: Aspects of Abstract, Crocker Museum, Sacramento
: Black and White are Colors, Galleries of the Clarement Colleges, California
: Sidney Janis Gallery, New York, New York (solo)
1977: Sidney Janis Gallery, New York, New York (solo)
: Less is more, Sidney Janis Gallery
: Thirty-Fifth Biannual, Corcoran Gallery of Art, Washington
1976: New Abstract Painting, Los Angeles Country Museum of Art: con/with James Hayward, John M. Miller, Margarit Omar
: Ruth Schaffner Gallery, Los Angeles, California (solo)
1975: Biannual Exhibition of Contemporary American Art, Whitney Museum of American Art, New York
1972: Comara Gallery, Los Angeles, California (solo)
1971: Comara Gallery, Los Angeles, California (solo)
1970: Comara Gallery, Los Angeles, California (solo)
1963: 261 Gallery, Tucson, Arizona (solo)
: Collections:
Los Angeles Country Museum of Art, Los Angeles
Grunwald Center for graphic Art, U.C.L.A., Los Angele
Miami/Dade College Art Gallery, Miami
San Diego Museum of Contemporary Art, La Jolla, CA Minneapolis Institute of Art, Minneapolis
Achenbach Foundation for Graphic Arts, San Francisco
Museum of Art, The University of Arizona, Tucson
Dallas Museum of Art, Dallas
The American Center, New Delhi
Newport Harbor Art Museum, Newport Beach
Santa Barbara, Museum of Art, Santa Barbara
Museum of Fine Art New Mexico, Santa Fe
Everson Museum, Syracuse, New York
Tel Aviv Museum
Museum of Contemporary Art, New York
Kunstmuseum Alexander Bukle, Freiburg
Chait Foundation Collection, New York
Metropolitan Museum of Art, New York

Literature

2013: “Meditation”, Kunst-Station Sankt Peter, Cologne, Germany (solo exhibition)
: “Shrine”, Kolumba Art Museum of the Archdiocese of Cologne, Germany
2012: “Horizontal,” Gesellschaft fur Kunst und Gestaltung, Bonn, Germany
: “Paper,” kunstgaleriebonn, Bonn, Germany. Catalog
: “Staphorst: Drawing Now,” Hein Elferink Gallery, Netherlands
: “Beyond”, Charlotte Jackson Fine Art, Santa Fe, NM (solo exhibition)
: “To the Line….”, Mies van der Rohe Haus, Berlin. Catalog (solo exhibition)
: “At the Edge of Meaning”, Galerie Wenger, Zurich, Switzerland (solo exhibition)
2011: Galerie Lindner, Vienna, Austria (solo exhibition)
: “Quintessence: Max Cole over Time”, Kunstgalerie Bonn, Germany. Catalog (solo exhibition)
: “Terre Firma” Max Cole: New Paintings, Haines Gallery, San Francisco, CA (solo exhibition) “Terre Firma” Max Cole: New Paintings, Haines Gallery, San Francisco, CA
: “Max Cole, Paintings”. Galerie Lindner, Vienna, Austria (solo exhibition)
: “American Art 1940 to the Present Day,” Daimler Contemporary, Berlin, Germany
: “The Splendor of Truth, the Beauty of Charity,” Vatican, Rome, Italy
: That’s What Friends are For,” 20th Anniversary Exhibition, Neuer Kunstverein Aschaffenburg, Germany. (scheduled March, 2011)
: “Light and Line, New Paintings,” Larry Becker Contemporary Art, Philadelphia, Pennsylvania (solo exhibition)
: “Paintings,” Galerie Schlegl, Zurich, Switzerland. (with Jens Trimpin) (solo exhibition)
2010: “Array [+] Prints”. Larry Becker Contemporary Art, Philadelphia, Pennsylvania
: “Case Studies from the Bureau of Contemporary Art,” Selections from the Permanent Collection, New Mexico Museum of Art, Santa Fe, NM
2009: “To…A Changing Exhibition of Work by Gallery Artists,” Larry Becker Contemporary Art, Philadelphia, Pennsylvania
: Other Voices, Other Rooms,” Max Cole, Marcia Haffif, Winston Roeth, David Simpson, Fred Sanback. Curated by Steven Evans. Dorsky Gallery, Long Island City, New York (brochure)
: “A Bit of America,” Robert Barry, Max Cole, Sol Lewitt, Robert Mangold, David Rabinowitch, James Reineking, Ed Ruscha, Richard Serra, Phil Sims, Roy Thurston, Shawn Wallis, Jerry Zeniuk. Vaserely Museum, Budapest, Hungary (catalog)
: “A Bit of America,” Galerie Lindner, Vienna, Austria
: Schmidt Contemporary Art, St. Louis, Missouri (solo exhibition)
: “Fundamentals of Abstraction II: In memory of Kim Wauson,” Haines Gallery, San Francisco, California
: “Call it what you Like!”, Art Centre Silkeborg Bad, Denmark (catalog)
: “Gestern War/Heute ist,” Museum Gegenstandsfreier Kunst, Otterndorf, Germany (catalog)
2008: “Zur Kontingenz der Linie,” Kunstraum Alexander Bürkle, Freiburg, Germany
: “There is Desire Left…. Knock Knock: 40 Years of Fine Arts from the Mondstudi Collection,” Kunstmuseum Bern, Switzerland. Traveled to Wiesbaden Museum, Wiesbaden, Germany (catalog)
2007: “On Redtail Pond: Paintings from the Summer,” Galerie Lindner, Vienna, Austria. (with photo gravure portfolio) (solo exhibition)
: “Paintings from the Autumn . . . “ Haines Gallery, San Francisco, California (catalog) (solo exhibition)
: “Maestri del ‘900: da Boccioni a Fontana. La collezione di un raffinato cultore dell’arte modern,” MART, Rovereto, Italy (catalog)
: “The Panza Collection: An Experience of Light and Color,” Albright-Knox Museum, Buffalo, New York, (catalog )
: “15 Jahre MKK,” 15 Year Jubilee from the permanent collection, Museum für Konkrete Kunst, Ingolstadt, Germany
: Whiteside, Amber. “ Max Cole and Candace Plummer Gaudiani at Haines Gallery,” Artweek, May Volume 38, Issue 4.
: “Thirty-fifth Anniversary Exhibition,” Galerie Schlégl, Zürich, Switzerland
: “Touche,” Galerie Michael Sturm, Stuttgart, Germany
: Studio la Città, Verona, Italy (catalog) (solo exhibition)
: “Director’s Choice,” Haines Gallery, San Francisco, California
2006: Madesani, Angela. “Max Cole,” ArtForum, November 2006.
: “Ad Infinitum II: the Aesthetics of Repetition II,” Haines Gallery, San Francisco, California
: “Minimalism and After,” Daimler Chrysler Contemporary, Berlin, Germany (catalog)
: “ Director’s Choice: Contemporary Art with Objects from Asia,” Haines Gallery, San Francisco, California
: “Je ne regrette rien,” Studio La Città, Verona, Italy
: “Nero Avorio,” Art Antica e Contemporanea e Confronto, Crocisso in Avorio / Dippinti di Max Cole, Milan, Italy (catalog) (solo exhibition)
2005: “Time and Measure,” Museum Chasa Jaura, Val Chava, Switzerland (solo exhibition)
: “Three New York Artists,” Galerie Schlégl, Zürich, Switzerland
2004: Kolumba, Diozesanmeseum, Cologne, Germany (with small book of drawings) (solo exhibition)
: “Toward Infinity,” Galerie Schlegl, Zürich, Switzerland (catalog) (solo exhibition)
: Galerie Linder, Vienna, Austria (solo exhibition)
: “Paintings and Drawings,” Haines Gallery, San Francisco, California (catalog) (solo exhibition)
: “On Paper,” Weatherspoon Art Museum, Greensboro, North Carolina (catalog)
: “Inaugural Exhibition,” Kunstraum Alexander Burkle, Freiburg, Germany
: “Lines,” Hunsaker/Schlesinger Fine Art, Santa Monica, California
: “Works on Paper,” Haines Gallery, San Francisco, California
2003: Galerie Michael Sturm, Stuttgart, Germany (solo exhibition)
: “Inaugural Exhibition, selections from the permanent collection,” Museum of Modern Art, Rovereto, Italy (catalog)
2002: Neuer Kunstverein Aschaffenburg (with Jean Maboules) Aschaffenburg, Germany (catalog) (solo exhibition)
: Galerie Walter Storms, Munich, Germany (solo exhibition)
: “Fifteen – 15th Anniversary Exhibition,” Haines Gallery, San Francisco, California
: “La stanze dell’arte,” (curated by Gabriella Belli) MART, Rovereto, Italy
: Haus für Konstructive und Kondrete Kunst, Zürich, Switzerland (catalog) (solo exhibition)
: Galerie Belvedere, Milan, Italy (solo exhibition)
: Galerie Michael Sturm, Stuttgart, Germany (solo exhibition)
: Van Proyen, Mark. “Max Cole at Haines and 871 Fine Arts,” Art in America, November, p. 156. Bonnetti, David. “Max Cole at Haines,” San Francisco Chronicle, May 3, 2001.
2001: I-8 Galeria, Reyjavik, Iceland (solo exhibition)
: 871 Fine Arts, San Francisco, California (solo exhibition)
: “Paintings,” Haines Gallery, San Francisco, California (solo exhibition)
: Bonnetti, David. San Francisco Chronicle, April 20, 2001.
: Panza Collection, de Villa Menafoglio Litta Panza, Fondo per L’Ambiento Italiano, Permanent, Collection, Varese, Italy (catalog)
: “Art of the 80's and 90's, from Panza di Biumo Collection, “American Academy in Rome, Rome, Italy (catalog)
: Studio la Città, Verona, Italy. Two-person exhibition with Julia Mangold
: Galerie Michael Sturm, Stuttgart, Germany (solo exhibition)
: Galerie Belvedere, Milan, Italy (solo exhibition)
: Haus für Konstructive und Kondrete Kunst, Zürich, Switzerland (catalog) (solo exhibition)
: Studio la Città, Verona, Italy. Two-person exhibition with Julia Mangold
: Panza Collection, de Villa Menafoglio Litta Panza, Fondo per L’Ambiento Italiano, Permanent, Collection, Varese, Italy (catalog)
: “Art of the 80's and 90's, from Panza di Biumo Collection, “American Academy in Rome, Rome, Italy (catalog)
2000: Harlow Tighe, Maike Sternberg, Max Cole, Edizioni Charta, Milano, 2000
: Kraft, Martin. “Organic Orders,” review, Handelszeitung, May.
: Ermen, Reinhard. “The Power of Concentration: On the Paintings of Max Cole,” Kunstforum, March-April.
: “Morbida Quiete e la Notte,” Studio La Citta, Verona (with catalog)
: “Invitational ’99,” Knoedler Gallery, New York, New York
: Galerie Ludke, Cologne, Germany (solo exhibition)
: Galerie Schlégl, Zürich, Switzerland (solo exhibition)
1999: Gudrun Spielvogel Gallery and Edition, Munich, Germany (solo exhibition)
: “Radical Past,” Armory Center for the Arts, Pasadena, California (catalog)
1998: “Reflections,” Galerie Schlégl, Zürich, Switzerland
: “Drawing Exhibition,” Galerie Michael Sturm, Stuttgart, Germany
: “Intimate Abstractions,” Haines Gallery, San Francisco, California (solo exhibition)
: Museum of Modern Art, Otterndorf, Germany (catalog) (solo exhibition)
: Reinhard Ermen, Die Macht der Konzentration: Zu den Bildern der Max Cole, 'Kunstforum', March-April 1997
: “Obsession + Devotion”, Haines Gallery, San Francisco, California
: Ali Onur, The New York Artist, 'Neue Bildende Kunst', June 1997
: Galerie Appel und Fertsch, Frankfurt, Germany (solo exhibition)
1997: Galerie Michael Sturm, Stuttgart, Germany (solo exhibition)
: Galerie Ludke, Cologne, Germany (solo exhibition)
1996: Reinhard Ermen, Max Cole: Neue Bilder – New Mexico Paintings, 'Kunstforum', May-September 1996
: Reinhard Ermen, Freedom is the Twin Sister of Order: Reflections on the Drawings of Max Cole (catalogue of the show, Galerie Schlegl, Zurich) 1996
: “Painting,” Haines Gallery, San Francisco, California (solo exhibition)
: Galerie Schlégl, Zürich, Switzerland (solo exhibition)
: Stark Gallery, New York, New York (solo exhibition)
: Galerie Conrads, Dusseldorf, Germany
1995: Roswell Museum and Art Center, Roswell, New Mexico (solo exhibition)
: Kiyo Higashi Gallery, Los Angeles, California (solo exhibition)
: Knight, Christopher, “The Highs were High and the Lows were Low,” Los Angeles Times, January.
: Greene, David A., Art Issues, March-April.
: Pagel, David, Los Angeles Times, November 18.
1994: David Pagel, Hypnotic Dances, 'Los Angeles Times', 6 October 1994
: Mario Curajar, Drawn and Flattened, 'Vision', winter 1994
: Pagel, David, Los Angeles Times, August 4.
: Dan Cameron, Immaterial Evidence (catalogue of the show, Museum of Art, University of Arizona) 1993
1993: David Pagel, 'Los Angeles Times', 18 November 1993
1992: Melinda Wortz, New Editions, 'Art News', September 1992
: Magdalena Broska, Silences: a Series of Etchings by Max Cole (catalogue of the show, Museum Folkwang, Essen) 1992
: Kampmann, M. von, “Pulsierende Lineatur,” Soest Auszieger, April
: Schwarze, Dirk, “HNA Algemeine, “ Kassel, January 16.
: Stecker, Raimund, “Kassel/Essen: Max Cole,” Kunst Bulletin, Switzerland, April.
1991: Crockett, Tobey, “Painting the Town,” Venice Magazine, November.
: Kimura, Aya, Review, Nikkei Art Magazine, Japan, July.
: William Hemmerdinger, Max Cole, 'Art Scene', May 1991
1990: Raimund Stecker, You See What You See, But You Don’t Only See What Is (catalogue of the show, Galerie Schroeder, Münchengladbach) 1990
: Kimura, Aya, Nikkei Art Magazine, Japan, July.
: West Deutsche Zeitung, Monchengladbach, Germany, January 30.
: Rapko, John, “The Drama of Visibility: Max Cole at Haines Gallery,” Artweek, October.
: Rheinishe, Post, Monchengladbach, Germany, January 30.
: Jelenfy. “Max Cole”, Rant, San Francisco, May.
: “Visions of Inner Space,” The Statesman (India), March 12.
: Curtis, Cathy, “The Expressive Gesture,” Los Angeles Magazine, January 16.
: Baker, Kenneth, San Francisco Chronicle, February 26.
: Cameron, Dan, “In the Realm of the Hyper Abstract”, Arts Magazine, February.
: Allen, Lois, “Visions Exhibition: Inner-Experience Legacy,” The Oregonian, January 20.
1988: Ahlander, Leslie Judd, The Miami News, January 22.
1987: Dubin, Zan, “Exhibit of 'Just Let it Happen' Works,” Los Angeles Times, December 20.
: Thompson, Walter, “Max Cole at Zabriskie”, Art in America, November.
: Brensen, Michael, New York Times, August 28.
1986: Brensen, Michael, New York Times, April 25.
: Cameron, Dan, “In the Realm of the Hyper Abstract,” Arts Magazine, November.
: Mahoney, Robert, “Absolutes Defined”, Arts Magazine, November.
1985: Gleuck, Grace, “Abstract Painters Regain Old Charisma,” New York Times, March 8.
: Stapen, Nancy, “Taking a New Look at Abstract Painting”, Boston Herald, July 28.
: Westfall, Stephan, review, Art in America, January
: Lipson, Karen, “Big Abstractions Form a Varied Lot”, News Day, New York, December 27.
1984: Auer, James. “Looking at Art”, review. Milwaukee Journal, November 25.
: Westfall, Stephan, “Post-War American Purism”, Art Magazine, November.
: Zimmer, William, “Before and After Look from the Coast”, New York Times, October 30.
: Mallinson, Constance, “Music for the Eyes”, Artweek, October 11.
1980: Muchnic, Suzanne, Art Walk, Los Angeles Times, September 20.
: Muchnic, Suzanne, “Sidney Janis' Traveling Art Show,” Los Angeles Times, June 16, 1980

Price Database

Charlotte Jackson Fine Art

Max Cole

(American, born 1937)

Max Cole

Max Cole

Max Cole

Max Cole

Max Cole

Max Cole

Max Cole

Max Cole

Max Cole

Max Cole

Max Cole

Max Cole

Biography

Timeline

Exhibitions

Literature

Max Cole

(American, born 1937)

Max Cole

Max Cole

Max Cole

Max Cole

Max Cole

Max Cole

Max Cole

Max Cole

Max Cole

Max Cole

Max Cole

Max Cole

Biography

Timeline

Exhibitions

Literature

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