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22 January 2025
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Charlotte Jackson Fine Art
Santa Fe
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Max Cole
(
American
, born 1937)
Max Cole
Point Reyes,
2023
Price on Request
Max Cole
Greek Cross XXXI,
2016
Price on Request
Max Cole
Greek Cross XXX,
2018
Price on Request
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Biography
Timeline
Exhibitions
Literature
Timeline
1937
Born in Hodgeman County, Kansas
1961
BA, Fort Hays State University, Fort Hays, Kansas
1964
MFA, University of Arizona, Arizona
Lives and works in the Sierra Madre foothills region in Northern California
Exhibitions
2014
'In Daylight' Small Paintings Including selected works by Eve Aschheim, Karen Baumeister, Anna Bogatin, Dove Bradshaw, Max Cole, Ruth Ann Fredenthal, Martha Groome, Kazimira Rachfal, and Merrill Wagner, Larry Becker Contemporary Art, Philadelphia, Pennsylvania
2013
Max Cole: Salt Marsh, Pampas, Dog Star and Fourteen New Drawings, Larry Becker Contemporary Art, Philadelphia, Pennsylvania (solo)
Max Cole | Frank Badur, Gruppenausstellung »System und Sinnlichkeit«, Kupferstichkabinett, Staatliche Museen zu Berlin, Germany
2012
…to the line, Mies van der Rohe Haus, Berlin (cat.) (solo)
Schraffuren des Ungreifbaren, Galerie Wenger (solo)
horizontal, Gesellschaft für Kunst und Gestaltung e.V., Bonn
Beyond, Charlotte Jackson Fine Art, Sante Fe, New Mexico (solo)
American Art 1940 to the Present Day, Daimler Contemporary, Berlin
Max Cole. Quintessence over Time, kunstgaleriebonn, Bonn (cat.) (solo)
Terre Firma. Max Cole: New Paintings, Haines Gallery, San Francisco (solo)
Zeichnung Wien, Galerie Lindner, Wien
The Splendor of Truth, the Beauty of Charity, Vatikanisches Museum für die Kunst der Moderne und der Gegenwart, Rom
First Drawings from Somerset, Galerie Lindner, Wien (solo)
2011
That’s What Friends are For, Neuer Kunstverein, Aschaffenburg
Papier / paper, kunstgaleriebonn, Bonn
2010
Light and Line, New Paintings, Larry Becker Contemporary Art, Philadelphia (solo)
Paintings, Galerie Schlegl, Zürich (mit Jens Trimpin) (solo)
Array [+] Prints, Larry Becker Contemporary Art, Philadelphia, Pennsylvania
A bit of America, Galerie Lindner, Vienna
Other Voices, Other Rooms, a cura di/curated by Steven Evans, Dorsky Gallery curatorial programs, Long Isld City, New York
Une Collection d’art Contemporain, Jeunet, Musée d’art et d’histoire, Ville de Neuchatel, Neuchatel
Konkrete Idol, Museum Liner, Appellzell
2009
To…A Changing Exhibition of Work by Gallery Artists, Larry Becker Contemporary Art, Philadelphia, Pennsylvania
A Bit of America, Robert Barry, Max Cole, Sol Lewitt, Robert Mangold, David Rabinowitch, James Reineking, Ed Ruscha, Richard Serra, Phil Sims, Roy Thurston, Shawn Wallis, Jerry Zeniuk. Vaserely Museum, Budapest, Hungary (cat.)
Gestern War/Heute ist, Museum Gegenstandsfreier Kunst, Otterndorf, Germany (cat.)
2008
Zur Kontingenz der Linie, Kunstraum Alexander Burkle, Freiburg
Call it What you like, Art Center Silkeborg Bad, Silkeborg Bad
Schmidt Contemporary Art, St. Louis, Missouri (solo)
There is Desire Left…. Knock Knock: 40 Years of Fine Arts from the Mondstudi Collection,n Kunstmuseum Bern, Switzerland. Traveled to Wiesbaden Museum, Wiesbaden, Germany (cat.)
Maestri del ‘900: da Boccioni a Fontana. La collezione di un raffinato cultore dell’arte moderna, Mart, Rovereto, Italy
On redtail pond: paintings from the summer, Galerie Lindner, Vienna, Austria (solo)
The Panza Collection: An Experience of Light and Color, Albright-Knox Museum, Buffalo, New York, (cat.)
2007
Paintings from the Autumn . . . Haines Gallery, San Francisco, California (cat.) (solo)
2006
Thirty-fifth Anniversary Exhibition, Galerie Schlégl, Zürich, Switzerland
Touche, Galerie Michael Sturm, Stuttgart, Germany
Studio la Città, Verona, Italy (cat.) (solo)
La dolce Crisi – Fotografia Italiana Contemporanea, curated by Francesco Bonami, Villa Manin centro d’Arte Contemporanea, Udine, Italy
Edizione straordinaria, Le case d’Arte 1985/2005, Assab One, Milan, Italy
Museum Chasa Jaura, Val Chava, Switzerland (solo)
Minimalism and After IV, Daimler Chrysler Contemporary, Berlin, Germany
2005
Nero Avorio, arte antica e contemporanea a confronto, Museum Casa Juara, Val Chava, Switzerland
Je ne regrette rien, Studio la Città, Verona, Italy
Toward Infinity, Galerie Schlegl, Zurich, Swiitzerland (solo)
2004
Inaugural Exibition, Kunstraum AlexMuseum Chasa Jaura, Val Chava, Switzerland (solo)ander Burkle, Freiburg, Germany
Paintings and Drawings, Haines Gallery, San Francisco, CA (solo)
Kolumba, Diozesanmuseum, Cologne, Germany (solo)
Galerie Lindner, Vienna, Austria (solo)
'Line', Hunsaker – Shlesinger, Los Angeles, CA
2003
Galerie Michael Sturms, Stuttgart, Germany (solo)
Inaugural Exhibition, Museum of Modern Art, Rovereto, Italy
2002
Le stanze dell’arte, MART, Rovereto, Italy
Walter Storms Galerie, München Neuer Kunstverein, Aschaffenburg, Germany (solo)
Galerie Walter Storms, Munich, Germany (solo)
Neuer Kunstverein Aschaffenburg (with Jean Maboules) Aschaffenburg, Germany (cat.) (solo)
2001
Galerie Markus Richter, Berlin, Germany (solo)
I-8 Gallery, Reykjavik, Island (solo)
Haines Gallery, San Francisco, CA (solo)
Figure Astratte, Palazzo Pallavicini Rospigliosi, Rome, Italy (cat.)
Studio la Città, Verona, Italy (solo)
Galerie Michael Sturm, Stuttgart / Studio la Città, Verona (with Julia Mangold) (solo)
Art of the 80's and 90's, from Panza di Biumo Collection, American Academy in Rome, Rome, Italy (cat.)
2000
Galleria Belvedere, Milan, Italy (solo)
Haus für Konstruktive und Konkrete Kunst, Zurich, Switzerland (solo)
Galerie Schlegl, Zurich, Switzerland (solo)
Gudren Spielvogel Gallery and Edition, Munich, Germany (solo)
1999
Morbida Quiete e la Notte, Studio La Citta, Verona (cat.)
Galerie Lüdke, Cologne, Germany (solo)
1998
Ad Infinitum, Haines Gallery, San Francisco, CA
Visions of Inner Space: The Action Mark in Contemporary American Painting, Wight Art Gallery, U.C.L.A.; National Gallery of Modern Art, New Delhi, India
Museum of Modern Art, Otterndorf, Germany (cat.) (solo)
Intimate Abstractions, Haines Gallery, San Francisco, CA (solo)
Reflections, Galerie Schlégl, Zürich, Switzerland
Drawing Exhibition, Galerie Michael Sturm, Stuttgart, Germany
1997
Galerie Michael Sturm, Stuttgart, Germany (solo)
Obsession/Devotion, Haines Gallery, San Francisco
MANIF 97, Manifestation d’Arte Nouveau International et Forum, Seoul Art Center, Seoul, catalogo/catalogue Forum, Santa Barbara
Acquiring Minds: Contemporary Art in Santa Barbara Collections, Contemporary Arts Forum, Santa Barbara, CA Karo Dame, Aargauer Kunsthaus, Aarau
Einblick, Galerie Michael Sturm, Stuttgart
Galerie Conrads, Dusseldorf, Germany (solo)
La collezione Panza di Biumo: artisti degli anni ’80 e ’90, Palazzo delle Albere, Trento, catalogo con testi di/catalogue with essays by G. Belli, G. Panza di Biumo
Galerie Schlégl, Zürich, Switzerland (solo)
Stark Gallery, New York, New York (solo)
1996
“Painting,” Haines Gallery, San Francisco, California (solo)
Concrete Reality and Reflection, Part II, Galerie Schlegl, Zürich
1994
Pen and Ink, Contemporary Arts Forum, Santa Barbara, CA
Kiyo Higashi Gallery, Los Angeles, California (solo)
Drawing Exhibition, Kiyo Higashi Gallery, Los Angeles, CA
1993
Recent Drawings, Haines Gallery, San Francisco, California (solo)
1992
Kunstraum Kassel, Kassel, Germany (solo)
Artists for Amnesty, Fondation Nationale des Arts, Psria, catalogo/catalogue
Galerie Schoppmann, Dusseldorf, Germany (solo)
1991
Drawings, Proctor Art Center and the New York Studio School, New York, NY
Paradox: the Artist’s Mind Through Time, Museum of Art, Museum of New Mexico, NM
Kiyo Higashi Gallery, Los Angeles, California (solo)
Galerie Schlégl, Zürich, Switzerland (solo)
1990
Recent Paintings, Haines Gallery, San Francisco, California (solo)
Abstract Painting, Haines Gallery, San Francisco, CA
1989
Mind and Matter: New American Abstraction, Chosum IIibo Gallery, Seoul; Dowse Art Musem, Wellington; Manawatu Art Gallery, Palmerston North Bishop Sutter Gallery; Manila Art Gallery, Manila; National Art Gallery, Kuala Lumpur; National Museum Gallery, Singapore
Visions of Inner Space: The Action Mark in Contemporary American Painting, Wight Art Gallery, U.C.L.A.; National Gallery of Modern Art, New Delhi, India (cat.)
1988
Visions of Inner Space: The Action Mark in Contemporary American Painting, Wight Art Gallery, U.C.L.A.; National Gallery of Modern Art, New Delhi Ad Infinitum, Haines Gallery, San Francisco, CA
Galerie Helene Grubair, Miami, Florida (solo)
1987
Zabriskie Gallery, New York, New York (solo)
Trends in Geometric Abstract Art, Tel Aviv Museum, Tel Aviv, catalogo/catalogue
Years of Passage, Fresno Art Center
1986
Oscarsson-Siegeltuch Gallery, New York, New York (solo)
The Severe and the Romantic: Geometric Humanism in American Painting 1950-1980, Marilyn Pearl Gallery, New York, NY
Marilyn Pearl Gallery, New York, NY Spirit Tracks, Pratt Manhattan Center Gallery, New York, NY, catalogo/catalogue
Absolutes Defined: Line, Light and Surface, Max Cole, Milton Resnick, Frederick Matys Thursz, Oscarsson-Siegeltuch Gallery, New York, NY
1985
Abstract Painting Redefined, Meisel Gallery, New York, NY
Munsun-Williams-Proctor Museum, Utica, New York, NY
Danforth Museum, Framington; Bucknell University, Lewiston; Stonybrook Fine Arts Gallery, New York, catalogo/catalogue
Exceptions 3 – Paperworks, Pratt Manhattan Center Gallery, New York, NY
Santa Barbara Collects, Santa Barbara Museum of Art
In Celebration of Women, Part II, Sidney Janis Gallery, New York
1984
Drawing, Painting and Sculpture, American and European, L.A. Louver Gallery, Los Angeles
Post-War American Purism, Marilyn Pearl Gallery, New York
1983
L. A. Louver, Los Angeles, California (solo)
1980
Seven Decades of Modern Art: Sidney Janis Collection, La Jolla Museum and Santa Barbara Museum of Art
Constructivism and the Geometric Tradition, McCrory Collection, Albright-Knox Museum, Dallas Museum, La Jolla Museum, San Francisco Museum, Seattle Museum
1979
Aspects of Abstract, Crocker Museum, Sacramento
Black and White are Colors, Galleries of the Clarement Colleges, California
Sidney Janis Gallery, New York, New York (solo)
1977
Sidney Janis Gallery, New York, New York (solo)
Less is more, Sidney Janis Gallery
Thirty-Fifth Biannual, Corcoran Gallery of Art, Washington
1976
New Abstract Painting, Los Angeles Country Museum of Art: con/with James Hayward, John M. Miller, Margarit Omar
Ruth Schaffner Gallery, Los Angeles, California (solo)
1975
Biannual Exhibition of Contemporary American Art, Whitney Museum of American Art, New York
1972
Comara Gallery, Los Angeles, California (solo)
1971
Comara Gallery, Los Angeles, California (solo)
1970
Comara Gallery, Los Angeles, California (solo)
1963
261 Gallery, Tucson, Arizona (solo)
Collections
:
Los Angeles Country Museum of Art, Los Angeles
Grunwald Center for graphic Art, U.C.L.A., Los Angele
Miami/Dade College Art Gallery, Miami
San Diego Museum of Contemporary Art, La Jolla, CA Minneapolis Institute of Art, Minneapolis
Achenbach Foundation for Graphic Arts, San Francisco
Museum of Art, The University of Arizona, Tucson
Dallas Museum of Art, Dallas
The American Center, New Delhi
Newport Harbor Art Museum, Newport Beach
Santa Barbara, Museum of Art, Santa Barbara
Museum of Fine Art New Mexico, Santa Fe
Everson Museum, Syracuse, New York
Tel Aviv Museum
Museum of Contemporary Art, New York
Kunstmuseum Alexander Bukle, Freiburg
Chait Foundation Collection, New York
Metropolitan Museum of Art, New York
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Literature
2013
“Meditation”, Kunst-Station Sankt Peter, Cologne, Germany (solo exhibition)
“Shrine”, Kolumba Art Museum of the Archdiocese of Cologne, Germany
2012
“Horizontal,” Gesellschaft fur Kunst und Gestaltung, Bonn, Germany
“Paper,” kunstgaleriebonn, Bonn, Germany. Catalog
“Staphorst: Drawing Now,” Hein Elferink Gallery, Netherlands
“Beyond”, Charlotte Jackson Fine Art, Santa Fe, NM (solo exhibition)
“To the Line….”, Mies van der Rohe Haus, Berlin. Catalog (solo exhibition)
“At the Edge of Meaning”, Galerie Wenger, Zurich, Switzerland (solo exhibition)
2011
Galerie Lindner, Vienna, Austria (solo exhibition)
“Quintessence: Max Cole over Time”, Kunstgalerie Bonn, Germany. Catalog (solo exhibition)
“Terre Firma” Max Cole: New Paintings, Haines Gallery, San Francisco, CA (solo exhibition) “Terre Firma” Max Cole: New Paintings, Haines Gallery, San Francisco, CA
“Max Cole, Paintings”. Galerie Lindner, Vienna, Austria (solo exhibition)
“American Art 1940 to the Present Day,” Daimler Contemporary, Berlin, Germany
“The Splendor of Truth, the Beauty of Charity,” Vatican, Rome, Italy
That’s What Friends are For,” 20th Anniversary Exhibition, Neuer Kunstverein Aschaffenburg, Germany. (scheduled March, 2011)
“Light and Line, New Paintings,” Larry Becker Contemporary Art, Philadelphia, Pennsylvania (solo exhibition)
“Paintings,” Galerie Schlegl, Zurich, Switzerland. (with Jens Trimpin) (solo exhibition)
2010
“Array [+] Prints”. Larry Becker Contemporary Art, Philadelphia, Pennsylvania
“Case Studies from the Bureau of Contemporary Art,” Selections from the Permanent Collection, New Mexico Museum of Art, Santa Fe, NM
2009
“To…A Changing Exhibition of Work by Gallery Artists,” Larry Becker Contemporary Art, Philadelphia, Pennsylvania
Other Voices, Other Rooms,” Max Cole, Marcia Haffif, Winston Roeth, David Simpson, Fred Sanback. Curated by Steven Evans. Dorsky Gallery, Long Island City, New York (brochure)
“A Bit of America,” Robert Barry, Max Cole, Sol Lewitt, Robert Mangold, David Rabinowitch, James Reineking, Ed Ruscha, Richard Serra, Phil Sims, Roy Thurston, Shawn Wallis, Jerry Zeniuk. Vaserely Museum, Budapest, Hungary (catalog)
“A Bit of America,” Galerie Lindner, Vienna, Austria
Schmidt Contemporary Art, St. Louis, Missouri (solo exhibition)
“Fundamentals of Abstraction II: In memory of Kim Wauson,” Haines Gallery, San Francisco, California
“Call it what you Like!”, Art Centre Silkeborg Bad, Denmark (catalog)
“Gestern War/Heute ist,” Museum Gegenstandsfreier Kunst, Otterndorf, Germany (catalog)
2008
“Zur Kontingenz der Linie,” Kunstraum Alexander Bürkle, Freiburg, Germany
“There is Desire Left…. Knock Knock: 40 Years of Fine Arts from the Mondstudi Collection,” Kunstmuseum Bern, Switzerland. Traveled to Wiesbaden Museum, Wiesbaden, Germany (catalog)
2007
“On Redtail Pond: Paintings from the Summer,” Galerie Lindner, Vienna, Austria. (with photo gravure portfolio) (solo exhibition)
“Paintings from the Autumn . . . “ Haines Gallery, San Francisco, California (catalog) (solo exhibition)
“Maestri del ‘900: da Boccioni a Fontana. La collezione di un raffinato cultore dell’arte modern,” MART, Rovereto, Italy (catalog)
“The Panza Collection: An Experience of Light and Color,” Albright-Knox Museum, Buffalo, New York, (catalog )
“15 Jahre MKK,” 15 Year Jubilee from the permanent collection, Museum für Konkrete Kunst, Ingolstadt, Germany
Whiteside, Amber. “ Max Cole and Candace Plummer Gaudiani at Haines Gallery,” Artweek, May Volume 38, Issue 4.
“Thirty-fifth Anniversary Exhibition,” Galerie Schlégl, Zürich, Switzerland
“Touche,” Galerie Michael Sturm, Stuttgart, Germany
Studio la Città, Verona, Italy (catalog) (solo exhibition)
“Director’s Choice,” Haines Gallery, San Francisco, California
2006
Madesani, Angela. “Max Cole,” ArtForum, November 2006.
“Ad Infinitum II: the Aesthetics of Repetition II,” Haines Gallery, San Francisco, California
“Minimalism and After,” Daimler Chrysler Contemporary, Berlin, Germany (catalog)
“ Director’s Choice: Contemporary Art with Objects from Asia,” Haines Gallery, San Francisco, California
“Je ne regrette rien,” Studio La Città, Verona, Italy
“Nero Avorio,” Art Antica e Contemporanea e Confronto, Crocisso in Avorio / Dippinti di Max Cole, Milan, Italy (catalog) (solo exhibition)
2005
“Time and Measure,” Museum Chasa Jaura, Val Chava, Switzerland (solo exhibition)
“Three New York Artists,” Galerie Schlégl, Zürich, Switzerland
2004
Kolumba, Diozesanmeseum, Cologne, Germany (with small book of drawings) (solo exhibition)
“Toward Infinity,” Galerie Schlegl, Zürich, Switzerland (catalog) (solo exhibition)
Galerie Linder, Vienna, Austria (solo exhibition)
“Paintings and Drawings,” Haines Gallery, San Francisco, California (catalog) (solo exhibition)
“On Paper,” Weatherspoon Art Museum, Greensboro, North Carolina (catalog)
“Inaugural Exhibition,” Kunstraum Alexander Burkle, Freiburg, Germany
“Lines,” Hunsaker/Schlesinger Fine Art, Santa Monica, California
“Works on Paper,” Haines Gallery, San Francisco, California
2003
Galerie Michael Sturm, Stuttgart, Germany (solo exhibition)
“Inaugural Exhibition, selections from the permanent collection,” Museum of Modern Art, Rovereto, Italy (catalog)
2002
Neuer Kunstverein Aschaffenburg (with Jean Maboules) Aschaffenburg, Germany (catalog) (solo exhibition)
Galerie Walter Storms, Munich, Germany (solo exhibition)
“Fifteen – 15th Anniversary Exhibition,” Haines Gallery, San Francisco, California
“La stanze dell’arte,” (curated by Gabriella Belli) MART, Rovereto, Italy
Haus für Konstructive und Kondrete Kunst, Zürich, Switzerland (catalog) (solo exhibition)
Galerie Belvedere, Milan, Italy (solo exhibition)
Galerie Michael Sturm, Stuttgart, Germany (solo exhibition)
Van Proyen, Mark. “Max Cole at Haines and 871 Fine Arts,” Art in America, November, p. 156. Bonnetti, David. “Max Cole at Haines,” San Francisco Chronicle, May 3, 2001.
2001
I-8 Galeria, Reyjavik, Iceland (solo exhibition)
871 Fine Arts, San Francisco, California (solo exhibition)
“Paintings,” Haines Gallery, San Francisco, California (solo exhibition)
Bonnetti, David. San Francisco Chronicle, April 20, 2001.
Panza Collection, de Villa Menafoglio Litta Panza, Fondo per L’Ambiento Italiano, Permanent, Collection, Varese, Italy (catalog)
“Art of the 80's and 90's, from Panza di Biumo Collection, “American Academy in Rome, Rome, Italy (catalog)
Studio la Città, Verona, Italy. Two-person exhibition with Julia Mangold
Galerie Michael Sturm, Stuttgart, Germany (solo exhibition)
Galerie Belvedere, Milan, Italy (solo exhibition)
Haus für Konstructive und Kondrete Kunst, Zürich, Switzerland (catalog) (solo exhibition)
Studio la Città, Verona, Italy. Two-person exhibition with Julia Mangold
Panza Collection, de Villa Menafoglio Litta Panza, Fondo per L’Ambiento Italiano, Permanent, Collection, Varese, Italy (catalog)
“Art of the 80's and 90's, from Panza di Biumo Collection, “American Academy in Rome, Rome, Italy (catalog)
2000
Harlow Tighe, Maike Sternberg, Max Cole, Edizioni Charta, Milano, 2000
Kraft, Martin. “Organic Orders,” review, Handelszeitung, May.
Ermen, Reinhard. “The Power of Concentration: On the Paintings of Max Cole,” Kunstforum, March-April.
“Morbida Quiete e la Notte,” Studio La Citta, Verona (with catalog)
“Invitational ’99,” Knoedler Gallery, New York, New York
Galerie Ludke, Cologne, Germany (solo exhibition)
Galerie Schlégl, Zürich, Switzerland (solo exhibition)
1999
Gudrun Spielvogel Gallery and Edition, Munich, Germany (solo exhibition)
“Radical Past,” Armory Center for the Arts, Pasadena, California (catalog)
1998
“Reflections,” Galerie Schlégl, Zürich, Switzerland
“Drawing Exhibition,” Galerie Michael Sturm, Stuttgart, Germany
“Intimate Abstractions,” Haines Gallery, San Francisco, California (solo exhibition)
Museum of Modern Art, Otterndorf, Germany (catalog) (solo exhibition)
Reinhard Ermen, Die Macht der Konzentration: Zu den Bildern der Max Cole, 'Kunstforum', March-April 1997
“Obsession + Devotion”, Haines Gallery, San Francisco, California
Ali Onur, The New York Artist, 'Neue Bildende Kunst', June 1997
Galerie Appel und Fertsch, Frankfurt, Germany (solo exhibition)
1997
Galerie Michael Sturm, Stuttgart, Germany (solo exhibition)
Galerie Ludke, Cologne, Germany (solo exhibition)
1996
Reinhard Ermen, Max Cole: Neue Bilder – New Mexico Paintings, 'Kunstforum', May-September 1996
Reinhard Ermen, Freedom is the Twin Sister of Order: Reflections on the Drawings of Max Cole (catalogue of the show, Galerie Schlegl, Zurich) 1996
“Painting,” Haines Gallery, San Francisco, California (solo exhibition)
Galerie Schlégl, Zürich, Switzerland (solo exhibition)
Stark Gallery, New York, New York (solo exhibition)
Galerie Conrads, Dusseldorf, Germany
1995
Roswell Museum and Art Center, Roswell, New Mexico (solo exhibition)
Kiyo Higashi Gallery, Los Angeles, California (solo exhibition)
Knight, Christopher, “The Highs were High and the Lows were Low,” Los Angeles Times, January.
Greene, David A., Art Issues, March-April.
Pagel, David, Los Angeles Times, November 18.
1994
David Pagel, Hypnotic Dances, 'Los Angeles Times', 6 October 1994
Mario Curajar, Drawn and Flattened, 'Vision', winter 1994
Pagel, David, Los Angeles Times, August 4.
Dan Cameron, Immaterial Evidence (catalogue of the show, Museum of Art, University of Arizona) 1993
1993
David Pagel, 'Los Angeles Times', 18 November 1993
1992
Melinda Wortz, New Editions, 'Art News', September 1992
Magdalena Broska, Silences: a Series of Etchings by Max Cole (catalogue of the show, Museum Folkwang, Essen) 1992
Kampmann, M. von, “Pulsierende Lineatur,” Soest Auszieger, April
Schwarze, Dirk, “HNA Algemeine, “ Kassel, January 16.
Stecker, Raimund, “Kassel/Essen: Max Cole,” Kunst Bulletin, Switzerland, April.
1991
Crockett, Tobey, “Painting the Town,” Venice Magazine, November.
Kimura, Aya, Review, Nikkei Art Magazine, Japan, July.
William Hemmerdinger, Max Cole, 'Art Scene', May 1991
1990
Raimund Stecker, You See What You See, But You Don’t Only See What Is (catalogue of the show, Galerie Schroeder, Münchengladbach) 1990
Kimura, Aya, Nikkei Art Magazine, Japan, July.
West Deutsche Zeitung, Monchengladbach, Germany, January 30.
Rapko, John, “The Drama of Visibility: Max Cole at Haines Gallery,” Artweek, October.
Rheinishe, Post, Monchengladbach, Germany, January 30.
Jelenfy. “Max Cole”, Rant, San Francisco, May.
“Visions of Inner Space,” The Statesman (India), March 12.
Curtis, Cathy, “The Expressive Gesture,” Los Angeles Magazine, January 16.
Baker, Kenneth, San Francisco Chronicle, February 26.
Cameron, Dan, “In the Realm of the Hyper Abstract”, Arts Magazine, February.
Allen, Lois, “Visions Exhibition: Inner-Experience Legacy,” The Oregonian, January 20.
1988
Ahlander, Leslie Judd, The Miami News, January 22.
1987
Dubin, Zan, “Exhibit of 'Just Let it Happen' Works,” Los Angeles Times, December 20.
Thompson, Walter, “Max Cole at Zabriskie”, Art in America, November.
Brensen, Michael, New York Times, August 28.
1986
Brensen, Michael, New York Times, April 25.
Cameron, Dan, “In the Realm of the Hyper Abstract,” Arts Magazine, November.
Mahoney, Robert, “Absolutes Defined”, Arts Magazine, November.
1985
Gleuck, Grace, “Abstract Painters Regain Old Charisma,” New York Times, March 8.
Stapen, Nancy, “Taking a New Look at Abstract Painting”, Boston Herald, July 28.
Westfall, Stephan, review, Art in America, January
Lipson, Karen, “Big Abstractions Form a Varied Lot”, News Day, New York, December 27.
1984
Auer, James. “Looking at Art”, review. Milwaukee Journal, November 25.
Westfall, Stephan, “Post-War American Purism”, Art Magazine, November.
Zimmer, William, “Before and After Look from the Coast”, New York Times, October 30.
Mallinson, Constance, “Music for the Eyes”, Artweek, October 11.
1980
Muchnic, Suzanne, Art Walk, Los Angeles Times, September 20.
Muchnic, Suzanne, “Sidney Janis' Traveling Art Show,” Los Angeles Times, June 16, 1980
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